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MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

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TABLE OF CONTENTS<br />

Acknowledgments................................................................................................................v<br />

Introduction..........................................................................................................................1<br />

The Genre of Romance ............................................................................................3<br />

The Codicology of Romance: Examining the Manuscript Evidence.....................11<br />

Reading Marginalia................................................................................................19<br />

A Taxonomy of Annotation...................................................................................36<br />

Romance Annotation at Last: Packing Our Bags for Brocéliande ........................41<br />

Chapter 1: Names, Marvels and Dreams: Taking Note of Brut Chronicles in Lambeth<br />

Palace 491, British Library Royal 13.A.xxi and College of Arms, Arundel 58............54<br />

1.1 Annotating a Chronicle: (Un)navigable Waters ..............................................55<br />

1.2 A Lexicon of Nouns.........................................................................................71<br />

1.3 Objects of Interest............................................................................................88<br />

1.4 Standing Out From the Ordinary and From the Text: Marvels, Dreams<br />

and Visions ........................................................................................................96<br />

1.5 A Tradition Redeployed: Romance Annotation and the Corpus Christi<br />

Prose Lancelot..................................................................................................107<br />

Chapter 2: The Case of Lincoln’s Inn 150: Readings in the Politics and Poetry of<br />

Arthour and Merlin and Kyng Alisaunder ...................................................................121<br />

2.1 Libeaus Desconus and Piers Plowman: Some Preliminary<br />

Observations ....................................................................................................124<br />

2.2 Of Arthour and of Merlin: Hand B and the Politics of Corporate Action......128<br />

2.3 Kyng Alisaunder: A Chronicle of Kingship and Conquest............................142<br />

2.4 People, Places and the Marvels of the East....................................................148<br />

2.5 Romance, Chronicle and the Forms of Utterance..........................................162<br />

2.6 Arthurian Utterance: Letters in the Morte Darthur .......................................178<br />

2.7 Littera Troili: Annotation in Chaucer’s Troilus and Criseyde ......................187<br />

2.8 Kyng Alisaunder Continued: The Letters and “Sainges” of Hand B.............196<br />

2.9 Excerpted Utterance in the Corpus Christi Prose Lancelot ...........................203<br />

Chapter 3: Meet the Annotator: John Cok, His Cartulary, British Library Add. 10329<br />

and the Portrait of a Scribe ..........................................................................................212<br />

3.1 John Cok and the St. Bartholomew’s Cartulary.............................................214<br />

iii

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