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MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

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Nicole Eddy<br />

text, is belied by the complexity of the choices made by annotators in deciding what<br />

aspects of the text require annotation. Annotators seem to have viewed note-making as<br />

an educated activity – notes are as likely to be in Latin as in the English or Anglo-<br />

Norman of the texts themselves – and they appealed to a standard form and constellation<br />

of interests in the notes’ content. Notes were not provided as navigational aids to<br />

organize the manuscript, but were designed as guides to the reading of smaller, more<br />

digestible sequences or episodes. Conspicuous in the margins are names, of people,<br />

places and objects. Marvels also form an important aspect of the notes, suggesting both<br />

the centrality of the marvelous in the romance genre, and its importance to the medieval<br />

representation of history.

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