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WatchTime - August 2012

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PROFILE<br />

François-Paul Journe<br />

94 <strong>WatchTime</strong> <strong>August</strong> <strong>2012</strong><br />

Journe incorporated<br />

his remontoir<br />

d’égalité in the 1999<br />

Tourbillon Souverain<br />

Sympathique clock-and-watch timepieces that Breguet ma<br />

the late 18th and early 19th centuries. Like Breguet’s Sy<br />

thiques, the one that Journe made consists of a pocketw<br />

that each night is meant to be placed in a cradle atop a<br />

clock, where it synchronizes itself with the clock. Journe<br />

pleted his Pendule Sympathique in 1988.<br />

Journe is also proud of his Sonnerie Souveraine, unvei<br />

2000, a wristwatch with grande and petite sonnerie as wel<br />

minute repeater. “It took me six years to develop the first p<br />

types, followed by approximately seven months for the assem<br />

patented mechanism ensures that the user cannot reset the time<br />

while the watch is striking. The mechanism blocks the crown so it<br />

cannot be withdrawn.”<br />

But Journe’s favorite model is his Chronomètre Souveraine,<br />

which he introduced in 2005. “This is precisely the watch that I<br />

wanted to make at the beginning of my career,” he says. “The<br />

“IT’S EASY TO<br />

MAKE SOMETHING<br />

COMPLICATED,<br />

BUT MUCH LESS<br />

EASY TO MAKE IT<br />

SIMPLE.”<br />

movement has two barrels, which primarily assure greater stability<br />

of rate.”<br />

Much as he likes it, Journe doesn’t wear his Chronométre Souverain<br />

most days. Instead, he wears whatever watch he is testing at<br />

the moment: usually his newest creation. “Today, for example, I’m<br />

wearing the new CTS Centigraphe Sport, the first wristwatch made<br />

entirely of aluminum,” he says.<br />

What Journe likes most about his work is problem-solving. The<br />

more nettlesome the question, the better. “I’m especially happy<br />

when I find a solution to an extremely difficult problem,” he says.<br />

“For example, the objective with the Grande Sonnerie was to create<br />

a reliable timepiece that cannot be damaged by attempting to<br />

reset the time during the striking process. Ten patents were registered<br />

for this device. It was especially challenging to construct the<br />

movement from only 450 components. It’s easy to make something<br />

complicated, but much less easy to make it simple.”

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