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1.1 From Digital Humanities to Speculative Computing - UCLA ...

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Electronic communication approaches assume information functions in a<br />

transmission mode – encoded, s<strong>to</strong>red, and then output. The fungibility of information and<br />

the function of noise are certainly taken in<strong>to</strong> account in theoretical discussions, even<br />

when these are transmission-based and highly technical approaches <strong>to</strong> electronic<br />

communication, such as those of Shannon and his collabora<strong>to</strong>r, Warren Weaver. l Bit by<br />

byte, the digital approach reinforces a mechanistic understanding of communication and<br />

representation. Knowledge in this context becomes synonymous with information, and<br />

information takes on the character of that which can be parameterized through an<br />

unambiguous rule set.<br />

This basic terminology is premised on the cultural authority of code and an<br />

engineering sensibility grounded in problem-solving. Because it has <strong>to</strong> be used for<br />

functionality, the “unquestionable” nature of the code base of computational activity is<br />

full of ideological agendas. Most fundamental? The formal, logic required becomes<br />

naturalized – not only as a part of the technical infrastructure, but as a crucial feature of<br />

the intellectual superstructures built <strong>to</strong> function on it. I’ve reiterated this several times<br />

because this is the crux of our motivation <strong>to</strong> differentiate SpecLab intellectually from<br />

digital humanities.<br />

Now of course not all digital humanists take this literal-ness without question.<br />

Considerable self-reflexive thought about objects of study has pulled theoretical<br />

philosophers of all stripes back in<strong>to</strong> discussions of digital projects. li Calling assumptions<br />

in<strong>to</strong> question is the name of the digital epistemological game as much as it is the standard<br />

of conference papers and publications elsewhere in the humanities. Likewise, the study of<br />

artifacts in a digital environment is just as apt <strong>to</strong> prompt discussions of race/class/gender<br />

<strong>1.1</strong> His<strong>to</strong>ry / 3/2008 /<br />

50

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