1.1 From Digital Humanities to Speculative Computing - UCLA ...
1.1 From Digital Humanities to Speculative Computing - UCLA ...
1.1 From Digital Humanities to Speculative Computing - UCLA ...
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epistemological inquiry. It posits subjectivity and the inner standing point as the site of<br />
intepretation. It replaces the mechanistic modes of Saussurean semiotics, with their<br />
systems-based structures for value production with Peircean semiotics that includes a<br />
third term (a sign represents something <strong>to</strong> someone for some purpose). It attends <strong>to</strong> the<br />
moment of intervention as deterministic of a phenomenon within a field of potentiality. It<br />
attempts <strong>to</strong> open the field of discourse <strong>to</strong> its infinite and peculiar richness as deformative<br />
interpretation. Is it different from digital humanities? As night from day, text from work,<br />
and the force of controlling reason from the pleasures of delightenment.<br />
i See http://www.aclweb.org/ and its publications for work in computational linguistics.<br />
ii For a few pioneers, see Blake, www.blakearchive.org/blake/main.html, Perseus,<br />
www.perseus.tufts.edu/About/grc.html, Rossetti, www.rossettiarchive.net, Peter<br />
Robinson, www.canterburytalesproject.org/CTPresources.htmlHoyt Duggan,<br />
www.iath.virginia.edu/piers/ Women Writers Project and other work of the Scholarly<br />
Technology Group at Brown, http://www.stg.brown.edu/staff/julia.html.<br />
iii Kathryn Sutherland, ed., Electronic Text (Oxford: Clarendon Press, 1997),<br />
iv For instance: William J. Mitchell, City of Bits: Space, Place, and the Infobahn,<br />
(Cambridge: MIT Press, 1995).<br />
<strong>1.1</strong> His<strong>to</strong>ry / 3/2008 /<br />
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