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罗洋罗洋 80年代生人,顶尖时尚摄影师, 现居北京 The images in “Girls” come from the process of growing up, and are of myself and other girls. In order to shake off the gloom and loneliness of growing up, the attempt is to gain consolation through the images. The pictures are both private and non-private. The girls’ world is confined by their age. As soon as they leave it, it is difficult to return. In life, they are weak and vulnerable, and at the same time persistent and decisive. They are full of hope but also concealing crises. The realities in TOP: the girls’ lives are slowly changing. I hope that their FROM lives and this series of images will move into the wider world. They will delay the process by which girls become women. l CLOCKWISE 54 |新政治家| 2012年十月19号-25 号
ALL: UNTITLED, 2011 任航任航北京反主流文化摄影师 I think I have a typical life, like any other ordinary person. The subjects of my photography also have typical lives, no different from anyone else. l 2012年十月19号-25 号| 新政治家| 55
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Page 3 and 4: 新政治家中国必须认知自
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Page 7 and 8: 唯色(Tsering W oeser):藏人。
Page 9 and 10: 事件,如不听招呼,可让我“
Page 11 and 12: 达四年的强制劳动和思
Page 13 and 14: 观察公安机关就可以自行
Page 15 and 16: 《新政治家》摄陈光诚于
Page 17 and 18: 2012 十月19号-25 号|新政治
Page 19 and 20: MIRANDA MIMI KUO/NEW YORK TIMES/EYE
Page 21 and 22: 专题摄影 I 变迁摄影:艾未
Page 23 and 24: 专题摄影I 2012 十月19号-25
Page 25 and 26: 专题摄影I 旧太阳宫, 花家
Page 27 and 28: GREG GIRARD/ GALLERYSTOCK 文字的
Page 29 and 30: 2012 十月19号-25 号| 新政治
Page 31 and 32: 来看。张哈里 @zhhl93 中国
Page 33 and 34: 机会到来之前,异议人士应
Page 35 and 36: 上图,自左上起顺时针:西
Page 37 and 38: 2012 十月19号-25 号| 新政治
Page 39 and 40: SHIHO FUKADA/NYT/REDUX/EYEVINE ‘
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Page 43 and 44: 2011年,艾未未被中国政府机
Page 45 and 46: 艾未未2011年81天失踪审讯
Page 47 and 48: 摄影:高远、艾未未照片中
Page 49 and 50: 用激烈的评论攻击中国。
Page 51 and 52: 发课税案在中国具有普遍
Page 53: CLOCKWISE FROM TOP)( BIG BIRD, 2004
Page 57 and 58: 我的儿子叫钱云会最高处
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