Recording Handbook - Hol.gr

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taroh@kohnolab.dnj.ynu.ac.jp (Dr. Taroh SASAKI) tmbs@mailserv.mta.ca (monkey 100) tnolan@frymulti.com (Timothy M. Nolan) toehser@cais2.cais.com (Tom Oehser) tstrohma@theodolite.ae.calpoly.edu (Trevor Strohman) will@iglou.iglou.com (William M. Willis) zz93f010@polar.etsiig.uniovi.es (Perez Sanchez, Florian Manuel) Changes between 0.43 and 0.44: ------------------------------ various spelling and grammar errors Preamp definition added to clarification of 4-track mixdown updated table for 424s Changes between 0.42 and 0.43: ---------------------------------- Maintenance taken over by David Fiedler (previously Maintained-By: Dan Frankowski who did a great job!!) URLs and other minor corrections Some changes between 0.41 and 0.42: ---------------------------------- - added ref to a book by Bruce Bartlett. - added headers in anticipation of being listed in news.answers someday. 40 40
Some changes between 0.4 and 0.41: ---------------------------------- - added ref to the awesome rec.audio.pro FAQ. - major new info in 4-track comparison table! See Q1.3. - balanced and unbalanced ins and outs - rewrite of def of EQ - difference between amp and pre-amp - another opinion on "how to get a good sound", Q3.1. Some changes between 0.31 and 0.4: ---------------------------------- - Added ref to IMPROVIJAZZATION NATION shamelessly lifted from GAJOOB DiY - Added ref to MIDI book - Added refs to rec.music.makers.songwriting and alt.music.lyrics - Added ref to copyright FAQ - Added questions on other computer software, answers not given. - Expanded discussion of computers and home recording, including SAW software, and Macintoshes - Edited definition of EQ and noise reduction - Added ref to Audio Technica RMX 64 4-track machine - Added ref to DAT-heads FAQs and email list - Added ref to the Buddy project - Added reviews of two books and a great videotape - Added definitions of DiY, indie, decibels - Added MTC definition - Added SMPTE definition and discussion 41 41
Page 1 and 2: 1 Από το Web Site του Αν
Page 3 and 4: 1. Sonic Fundamentals a. Loud vs. S
Page 5 and 6: 5 The "sampling rate", or how many
Page 7 and 8: . Guitars, Basses and Things With S
Page 9 and 10: levels of your boxes and how you in
Page 11 and 12: 11 physically replaying your moves,
Page 13 and 14: d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39: jeibisch@revolver.demon.co.uk (Jame
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92:
Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94:
ack down. Similarly, a compressor c
Page 95 and 96:
is, vocals don't need as much as a
Page 97 and 98:
Companding is a two-stage process o
Page 99 and 100:
sound becomes [dirty] when you repe
Page 101 and 102:
Q3.1 How do I get a good sound? Dav
Page 103 and 104:
Add lead guitar to one of the remai
Page 105 and 106:
will@iglou.iglou.com (William M. Wi
Page 107 and 108:
onto his Hi-Fi deck. I have to say,
Page 109 and 110:
miked amps and put on another track
Page 111 and 112:
everything at once and not making a
Page 113 and 114:
Q4.1.2 What are some related FAQ li
Page 115 and 116:
***********************************
Page 117 and 118:
XCF.Berkeley.EDU has IP address 128
Page 119 and 120:
DAT-Heads mailing list. ***********
Page 121 and 122:
in the body of an email message (*n
Page 123 and 124:
Currently, archives for GAJOOB Maga
Page 125 and 126:
Everything in the tips was done usi
Page 127 and 128:
http://www1.uniovi.es/musica/ LA FA
Page 129 and 130:
Direct any further questions, comme
Page 131 and 132:
Alfred Publishing Co., Inc. 16380 R
Page 133 and 134:
e-create sounds you hear on hit rec
Page 135 and 136:
that old manual you've been looking
Page 137 and 138:
This version was completed 12/4/96.
Page 139 and 140:
139 Cons: It can be VERY expensive.
Page 141 and 142:
141 Studio time is fairly expensive
Page 143 and 144:
lead guitar, then rhythm guitar and
Page 145 and 146:
SECTION V: MIXING 5.1) What is the
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