Recording Handbook - Hol.gr

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- Added explanation of gain and volume, and the difference - Added ref to Sound Effects and Digitrax software - Added discussion of using compression - Added line level voltages - Added discussion of mics - Added ref to my SAW ftp site - Added discussion of using Macintoshes - Added GAJOOB ref - Added 8-track comments - Added discussion of improving drum sounds 42 42
Table of contents ----------------- Q0. Philosophy S0. Definitions and Acronyms not covered elsewhere. Q0.1 What is MIDI? Q0.2 What is MTC? Q0.3 What is SMPTE? Q0.4 What is gain? What is volume? What is the difference? Q0.5 What is "DiY"? What is "indie"? Q0.6 What are decibels? When are they used instead of volts? S1. Hardware Q1.1 What is a 4-track machine? Q1.1.1 What is an FX (effects) loop? Q1.1.2 What is EQ (ee-kyoo)? What kinds are there? Q1.1.3 What is noise reduction? What is Dolby? What is DBX? Q1.1.4 What are balanced and unbalanced ins and outs? Q1.1.5 What is the difference between a pre-amp and an amp? Q1.2 What should I look for in buying a 4-track machine? Q1.3 What are some brands of 4-track machines? Q1.3.1 What are some good brands of 4-track machines? Q1.3.2 What is the difference between a Tascam 424 and 464? Q1.4 How important are microphones? Q1.5 What are some brands of microphones? Q1.6 What is a "phantom powered" microphone? 43 43
Page 1 and 2: 1 Από το Web Site του Αν
Page 3 and 4: 1. Sonic Fundamentals a. Loud vs. S
Page 5 and 6: 5 The "sampling rate", or how many
Page 7 and 8: . Guitars, Basses and Things With S
Page 9 and 10: levels of your boxes and how you in
Page 11 and 12: 11 physically replaying your moves,
Page 13 and 14: d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41: Some changes between 0.4 and 0.41:
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94:
ack down. Similarly, a compressor c
Page 95 and 96:
is, vocals don't need as much as a
Page 97 and 98:
Companding is a two-stage process o
Page 99 and 100:
sound becomes [dirty] when you repe
Page 101 and 102:
Q3.1 How do I get a good sound? Dav
Page 103 and 104:
Add lead guitar to one of the remai
Page 105 and 106:
will@iglou.iglou.com (William M. Wi
Page 107 and 108:
onto his Hi-Fi deck. I have to say,
Page 109 and 110:
miked amps and put on another track
Page 111 and 112:
everything at once and not making a
Page 113 and 114:
Q4.1.2 What are some related FAQ li
Page 115 and 116:
***********************************
Page 117 and 118:
XCF.Berkeley.EDU has IP address 128
Page 119 and 120:
DAT-Heads mailing list. ***********
Page 121 and 122:
in the body of an email message (*n
Page 123 and 124:
Currently, archives for GAJOOB Maga
Page 125 and 126:
Everything in the tips was done usi
Page 127 and 128:
http://www1.uniovi.es/musica/ LA FA
Page 129 and 130:
Direct any further questions, comme
Page 131 and 132:
Alfred Publishing Co., Inc. 16380 R
Page 133 and 134:
e-create sounds you hear on hit rec
Page 135 and 136:
that old manual you've been looking
Page 137 and 138:
This version was completed 12/4/96.
Page 139 and 140:
139 Cons: It can be VERY expensive.
Page 141 and 142:
141 Studio time is fairly expensive
Page 143 and 144:
lead guitar, then rhythm guitar and
Page 145 and 146:
SECTION V: MIXING 5.1) What is the
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Recording Handbook - Hol.gr

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