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gb - Englisches Seminar - Ruhr-Universität Bochum

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Assessment/requirements: Übung: active participation and extended exposition;<br />

<strong>Seminar</strong>: active participation, shorter in-class exposition and term paper<br />

(wissenschaftliche Hausarbeit).<br />

Übungen<br />

050 643 Klawitter<br />

Touring Britain through Contemporary Poetry, 3 CP<br />

2 st. mi 14-16 GB 03/42<br />

As any casual browsing through poetry collections published by British poets over the<br />

last four decades reveals, there are plenty of poems that focus on places in Britain,<br />

cities and towns, rivers, landscapes, sights. As Seamus Heaney points out in his<br />

lecture “The Sense of Place” (1977), such poetry goes beyond the mere visual and is<br />

imbued with rich historical associations and serves purposes of cultural identification.<br />

In our discussions of place poems by contemporary British poets (including Alice<br />

Oswald’s much-acclaimed long poem on the River Dart in Devon) we will ask how<br />

poets read and make us see places, what descriptive and evocative techniques they<br />

employ and what senses/uses of place can be identified. To enhance our understanding<br />

of the representation of space in poetry, we will draw on categories that<br />

have already been developed in narrative theory. Considering expressive purposes,<br />

we will also ask in how far these are informed by recent changes in our habits of<br />

experiencing, moving and dwelling in places. Towards the end of our class we will try<br />

to devise a typology of place poetry. A reader will be provided on Blackboard.<br />

Assessment/requirements: presentation in class or interpretative 5-page essay.<br />

050 644 Fröhlich<br />

Terry Pratchett’s Discworld Novels, 3 CP<br />

2 st. fr 10-12 GB 02/160<br />

Terry Pratchett is one of Britain’s bestselling contemporary writers, and was officially<br />

knighted for his services to literature in 2009. His successful Discworld novels contain<br />

references to and parodies on not only the fantasy genre, but on many other aspects<br />

of literature and culture, too, making them interesting and entertaining for a wide

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