Vol. II. Issue. III September 2011 - The Criterion: An International ...
Vol. II. Issue. III September 2011 - The Criterion: An International ...
Vol. II. Issue. III September 2011 - The Criterion: An International ...
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www.the-criterion.com <strong>The</strong> <strong>Criterion</strong>: <strong>An</strong> <strong>International</strong> Journal in English ISSN 0976-8165<br />
from her husband. She has to undergo terrible psychological crisis while taking the right decision<br />
and following the path of her husband. <strong>The</strong>se life experiences and urge for expression made her<br />
autobiography interesting. At another hand Baby Kamble was born and grown up as a Mahar<br />
girl. She has witnessed and suffered to be a Mahar. Her life experiences are interesting because<br />
they are the sagas of sufferings and revolution when the untouchables changed the religion for<br />
emancipation. Her autobiography claims to be probably the first autobiography by a Dalit<br />
woman not only in Marathi but in any Indian language.<br />
<strong>The</strong>se two autobiographies have difference in their intensions, inner arguments, and<br />
grounds for complexities. <strong>The</strong> aim of this paper is to compare these two totally different<br />
autobiographies. Let’s see the difference in more elaborate way. <strong>The</strong>se two women<br />
autobiographies from Maharashtra belong to the same century but the authors have completely<br />
different perspectives for their lives. <strong>The</strong> major difference is that the author of the former<br />
belongs to upper caste Brahmin family converted to Christianity whereas the author of the later<br />
belongs to Mahar caste family converted to Buddhism.<br />
Laxmibai Tilak has followed her husband in his every adversity. She got married at age<br />
12 th with Rv. Tilak. He was intelligent as well as whimsical by nature. Her social condition was<br />
quiet problematic when she was treated in a different way by relatives after Rv. Tilak’s<br />
conversion to Christianity. It is an interesting journey in her life up to the time when she herself<br />
realized the humanistic approach of Christian religion and got converted. But in this case the<br />
moral obligation of a Hindu wife i.e. to follow the husband has much in force. So after the death<br />
of her husband when she started to feel lonely, her son Devdatta asked her to write the biography<br />
of Rv. Tilak to memories the past. She composed those memories and they become the<br />
testimonials of her autobiography i.e. I Follow After. Baby Kamble is an activist of Ambedkar<br />
Movement. She is aware of the oppressions under which the Dalit community people have to<br />
suffer. She is proud of to be a Mahar community woman. She asserts herself as a real inhabitant<br />
of the land which is named after their caste i.e. land for Mahar is Maharashtra. But as true<br />
activist she is upset by the social condition of her community people, she wants to orient them,<br />
she wants to introduce the new generation with the life of Dalit during the last fifty years. This is<br />
her intension behind the autobiography so it is the history of her community people rather than<br />
the routine description of the author’s family matters.<br />
“In one sense it is more of a socio-biography rather than an autobiography.”<br />
We can say that Laxmibai Tilak has different intension to memories the past in the silent<br />
days of life for the sake of time pass. But on the contrary Baby Kamble, as an honest activist in<br />
the caste struggle wants the next generation should forget the legacy of sufferings through which<br />
their generations passed.<br />
<strong>An</strong>other difference which stands for an aspect of orthodox society is that Devdatta<br />
himself gives open access to Laxmibai Tilak and encourages her to write though writing was a<br />
challenge for her. But Baby Kamble has to hide her composition for twenty years up to the time<br />
when it was published accidently in Stree.<br />
<strong>The</strong> next point of difference about I Follow After is that it is composed under the<br />
masculine influence. As it has been mentioned above that it was an effort of Laxmibai Tilak to<br />
write the biography of Rv. Tilak, so that she composed his memories. But those memories were<br />
none other than her entanglement with her husband to the extent that it becomes her<br />
autobiography. If Devdatta would have asked her to write of her autobiography then there would<br />
have been no different material than she had produced under the title I Follow After. She is<br />
always presented as meek, substitute and a true Hindu wife in each and every memorable<br />
<strong>Vol</strong>. <strong>II</strong>. <strong>Issue</strong>. <strong>II</strong>I 260 <strong>September</strong> <strong>2011</strong>