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josse de pauw lowing lines, which, to conclude, are also a fine expression of his own artistic path: ‘Real walkers, with knee breeches and rucksacks, will call what I do sauntering. It’s fine by me. As long as I don’t have to have a goal, do not have to keep a record of the kilometres covered, and am allowed to forget the names of the significant places.’ 25 56 / Kritisch Theater Lexicon - 14 e - August 2001 notes 1. Josse De Pauw. ‘Manifest. Van saters en eiknimfen’, in: Etcetera, 14, 56-67, August 1996, p. 36. 2. Anne-Marie Van Wijnsberghe, interview with Josse De Pauw, 15 th November 1996. 3. Mark Schaevers. ‘Vroeger wou ik priester worden, nu God’, in: Humo, 20th December 1990. 4. Anne-Marie Van Wijnsberghe, interview, 15 th November 1996. 5. Johan Wambacq. ‘Radeis rijdt zich vrolijk te pletter’, in: Etcetera, 2, 5, January 1984. 6. Carlos Tindemans. The Flemish Theatre and the work of Radeis. Published by the Flemish Community, General Commission for International Cultural Cooperation, Brussels, Schaamte, 1984, p. 15. This booklet was published on the occasion of Radeis’ performance at the Olympic Arts Festival in Los Angeles and apart from various individual articles, is the only thing published about Radeis. 7. Edward van Heer in Knack, 20 th March 1985. 8. Marianne Van Kerkhoven in Sieben Stücke aus Flandern und den Niederlanden, Verlag der Autoren, Frankfurt am Main, 1993, p. 490. 9. Josse De Pauw in conversation with Anton Segers, ‘Wat Josse zegt over wat men over Josse zegt’, in De Scène, 33, 310, September 1991, pp. 3-5. 10. A conversation with Josse De Pauw and Peter Van Kraaij, ‘Het staat op de scène, dus we noemen het theater’, in Theaterschrift, 1991, p. 14. 11. Josse De Pauw in conversation with Freddi Smekens, ‘Josse De Pauw: de durf van een rasacteur’, in Deze Week, 22 nd March, 1989. 12. Roland Barthes, Fragments d’un discours amoureux, Editions du Seuil, Paris, 1977, p. 14. 13. Erwin Jans, ‘Het wachten van Josse De Pauw’, in Etcetera, 10, 37, April 1992, 33. 14. Jan Lampo, ‘Het Kind van de Smid’, in De Standaard, 23 rd February 1991. 15. Hanny Alkema, ‘Fantasy als wapen’, in Toneel Teatraal, 112, 7, September 1991, 33. 16. Edward Van Heer, ‘Verre Familie’, in Knack, 9th January 1991. 17. Jef Verheyen, ‘Het Kind van de Smid’ in De Morgen, 18 th January 1991. 18. See also Jef Aerts, ‘Het drama voorbij? Analyse van theaterteksten van Josse De Pauw. Toneelmatigheid in Ward Comblez en Het Kind van de Smid.’ Unpublished MA dissertation, Leuven, 1995. 19. Josse De Pauw in conversation with Jef Aerts, ‘Een groot cadeau’, in Tijd Cultuur, 3 rd May 2000. 20. Josse De Pauw in conversation with Bart Vanegeren, ‘Ik ben een labiel konijn, een dolgedraaid insect’, in Humo, 3 rd October 2000). 21. Anne Brumagne, ‘Josse De Pauw gaat aan de slag bij Victoria’, in De Morgen, 29 th January 1999. 22. Marianne Van Kerkhoven, in Het Net, seizoen 2000-2001, 2000, p. 9. 23. Johan Wambacq, ‘Het nieuwe Vlaamse theater: pure Diogenes!’ in De Nieuwe Maand, no. 7, 1986. 24. Josse De Pauw in conversation with Piet Piryns and Tine Vandendriessche, ‘Ik voel me goed als ik bekeken word’, in Knack, 29 th November 2000, p. 14. 25. Josse De Pauw, ‘Manifest. Van saters en eiknimfen’, in Etcetera, 14, 56-57, August 1996, 36. 57 / Kritisch Theater Lexicon - 14 e - August 2001
WORK / THEATRE HISTORY Theatre The following are ordered by season with the title of the production in italics, the name of the author in brackets, the role played by Josse De Pauw (if known), the name of the director, the producer, and the location and date of the opening if known. 1972-1973 Repelsteeltje (T. Braun and T. Payer). Role. Director: René Verreth. MMT. / Helena of de levensvreugde (André Roussin). Role. Director: Frans Dijck. MMT. 1973-1974 Francesco Furioso (Mark Alexander). Role. Director: Eddy Van der Auwera. MMT. / De bende van Jan de Lichte (Pieter De Prins after Louis Paul Boon). Role. Director: Jaak Vissenaken. MMT. 1976-1977 Vreemd kind in je straat (Eva Bal). Role. Director: Eva Bal. Arca Nationaal Eigentijds Theater. / Emballage Kado (improvisation). Role. Director: Eva Bal. Producer: Rudi Van Vlaanderen. BKT / Johnny so long (Vivienne C. Welburn). Role. Director: Ronny Waterschoot. Producer: Rudi Van Vlaanderen. BKT. / Sierkus Radeis (Radeis). Concept and creation: Jan De Bruyne, Josse De Pauw, Erik De Volder, Pat van Hemelrijck. Production: Beursschouwburg for Mallemunt. (July 1977, last performance date unknown). 1977-1978 Radeis wegens ziekte. Theater zonder veel cinema (Radeis). Concept and creation: Jan De Bruyne, Josse De Pauw, Dirk Pauwels, Pat van Hemelrijck. Production: Beursschouwburg in collaboration with Schaamte. (May 1978 – March 1981). 1978-1979 Tijdelijk Geschift (improvisation). Role. Director: Eva Bal. Producer: Rudi van Vlaanderen. BKT. 1979-1980 Gag-o-matic (Radeis). Concept and creation: Jan De Bruyne, Josse De Pauw, Dirk Pauwels, Pat van Hemelrijck. Production: Schaamte. (July 1979 – February 1980). / Ik wist niet dat Engeland zo mooi was 58 / Kritisch Theater Lexicon - 14 e - August 2001 work / theatre history (Radeis). Concept and creation: Jan De Bruyne, Josse De Pauw, Dirk Pauwels, Pat van Hemelrijck. Production: Schaamte. (21 July 1979 – February 1983). 1980-1981 Vogels (Radeis). Concept and creation: Georges Brouckaert, Josse De Pauw, Dirk Pauwels, Pat van Hemelrijck. Production: Schaamte. (14 February 1981 – May 1984) 1981-1982 Echafaudages (Radeis). Concept and creation: Georges Brouckaert, Josse De Pauw, Dirk Pauwels, Pat van Hemelrijck. Production: Schaamte. Co-production: Shaffy Theater, Amsterdam. (first version 23 September 1981- January 1983). 1984-1985 Usurpation (Josse de Pauw). Actors: Josse De Pauw (man), Mieke Verdin (woman). Music: Peter Vermeersch and Danny Van Hoeck. Set: Gorik Lindemans. Director: Josse De Pauw. Production: Schaamte. Coproduction: Beursschouwburg and Lantaren/Venster, Rotterdam. Beursschouwburg. 7 March 1995. 1985-1986 Wolf (Josse De Pauw). Role. Music: Peter Vermeersch and Danny Van Hoeck. Dramaturge: Marianne Van Kerkhoven. Director: Jan Lauwers. Production: Schaamte. (unperformed). 1986-1987 Onder het melkwoud (Dylan Thomas, translated by Hugo Claus). Adaptation: Aat Ceelen. Role: Kapitein Kat. Music: Thijs van der Poll, Bart van Rosmalen. Orkater. Opening: 20 March 1987. / Het Stuk-Stuk (Jan Decorte). Role: Finnish Diplomat. Director: Jan Decorte. Jan Decorte and Co. Beursschouwburg. 15 January 1987. 1987-1988 In Ondertussendoor (Jan Decorte). Role. Director: Jan Decorte. Jan Decorte and Co. Beursschouwburg. 11 November 1987. 1988-1989 Ward Comblez. He do the life in different voices (Josse De Pauw in collaboration with Peter Van Kraaij). Role: Ward Comblez. Set: Francky Deconinck. Music: Peter Vermeersch. Dramaturge: Marianne Van Kerkhoven. Director: Peter Van Kraaij. Production: Kaaitheater. Coproduction: Lantaren/Venster, Rotterdam, Beurschouwburg and De Voorziening, Groningen. Beursschouwburg. 17 March 1989. 59 / Kritisch Theater Lexicon - 14 e - August 2001
Page 1 and 2: JOSSE DE PAUW BY JEF AERTS AND ANNE
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