Press Freedom and Globalisation - International Press Institute
Press Freedom and Globalisation - International Press Institute
Press Freedom and Globalisation - International Press Institute
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Role of the <strong>Press</strong><br />
<strong>Press</strong> <strong>Freedom</strong> <strong>and</strong> <strong>Globalisation</strong><br />
The Sc<strong>and</strong>inavian countries have long-established democracies that support the develop-<br />
ment of media’s free <strong>and</strong> extensive role in society. Both the governments <strong>and</strong> the media<br />
have contributed to the development.<br />
At a constitutional level the principle is that anyone is free to publish without any<br />
permission in advance. That was formulated in Article 100 in the Norwegian Constitution<br />
of 1814. 35 Sweden has similar constitution but a more extensive legal system around these<br />
instruments. 36 Another constitutional regulation which supports free media within the<br />
private sector is the freedom for anyone to run a business. 37<br />
There are many regulations of publishing activities. These include the system of<br />
licence for radio or TV broadcasting because of limited access to frequences. Due to this<br />
scantiness of frequence numbers, politics <strong>and</strong> commercial interests entered in the<br />
distribution of licences. The politics have been to ensure that the airwaves bring cultural<br />
diversity, local content, <strong>and</strong> many voices in the democratic processes. The economic value<br />
of a frequency has sometimes been an object of charges or taxes as well. In this way, the<br />
licence system for broadcast media has been an instrument where the authorities decide a<br />
framework for content <strong>and</strong> economic conditions. Due to the democratic reasons behind<br />
these politics, such regulations are considered to be in accordance with the freedom of<br />
expression. 38 All the Sc<strong>and</strong>inavian countries have strong public broadcasters which have<br />
dominant positions in TV as well as radio. These operate within a framework decided by<br />
cultural politics. The public broadcasters are mainly funded by public resources.<br />
35<br />
Eggen, Ytringsfrihet, pp. 35 <strong>and</strong> 95-96.<br />
36<br />
Eide, Den redigerende makt, p. 96.<br />
37<br />
Ibid., p. 35.<br />
38<br />
Eggen, Ytringsfrihet, pp. 47 <strong>and</strong> 611-632.<br />
66