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The Fitzwilliam Museum - University of Cambridge

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Director’s Review<br />

A roller-coaster comes to mind to describe the two years that have elapsed since the<br />

museum re-opened in June 2004 following the completion <strong>of</strong> the Courtyard Development.<br />

<strong>The</strong>y have been action-packed, exhilarating and unpredictable; combining excitement with<br />

adventure and not without their anxious moments.<br />

<strong>The</strong> highlight was undoubtedly the visit <strong>of</strong> Her Majesty<br />

the Queen, accompanied by the Chancellor <strong>of</strong> the<br />

<strong>University</strong>, His Royal Highness <strong>The</strong> Duke <strong>of</strong> Edinburgh,<br />

on 8 June 2005. <strong>The</strong> afternoon began with a reception<br />

for Gates Scholars in Gallery 3, after which Her Majesty<br />

toured the museum. Members <strong>of</strong> the curatorial staff<br />

and others were presented to the Queen, who also<br />

observed groups <strong>of</strong> primary school children at work in<br />

the galleries before inspecting the new Courtyard.<br />

From there the royal party left via the southern<br />

entrance to be greeted by crowds <strong>of</strong> well-wishers<br />

waiting outside in the sunshine, lining the path and<br />

pavements along Trumpington Street, to provide the<br />

perfect conclusion to a red-letter day, marking the first<br />

visit to the museum by a reigning monarch in more<br />

than a hundred years.<br />

Our records suggest that a further 635,000 visitors<br />

came to the museum, from this country and abroad,<br />

during the period covered by this review. For some,<br />

like Her Majesty, it was the first time while others,<br />

especially during the exhibition <strong>of</strong> <strong>The</strong> <strong>Cambridge</strong><br />

Illuminations (26 July – 30 December 2005),<br />

returned time and time again for more. <strong>The</strong><br />

Illuminations exhibition which was masterminded<br />

by Stella Panayotova, Keeper <strong>of</strong> Manuscripts and<br />

Printed Books, resulted from the researches <strong>of</strong> an<br />

international team <strong>of</strong> medieval scholars into the<br />

unparalleled collections <strong>of</strong> illuminated manuscripts<br />

held by the <strong>University</strong> and Colleges <strong>of</strong> <strong>Cambridge</strong>. It<br />

was entirely dependent upon their readiness to lend<br />

their treasures for what has been described as one <strong>of</strong><br />

the greatest exhibitions <strong>of</strong> illuminated manuscripts<br />

ever mounted (see pages 10-14). Its co-incidence<br />

with the museum’s acquisition <strong>of</strong> the Macclesfield<br />

Psalter turned out to be the happiest <strong>of</strong> accidents.<br />

When this outstanding example <strong>of</strong> early fourteenth<br />

century East Anglian illumination was put up for sale<br />

by auction in 2004, the museum’s attempt to<br />

purchase it was frustrated. However a second, and<br />

5<br />

Director’s Review<br />

FAR LEFT<br />

Her Majesty <strong>The</strong><br />

Queen is shown the<br />

Macclesfield Psalter<br />

by Dr Stella<br />

Panayotova, Keeper<br />

<strong>of</strong> Manuscripts,<br />

watched by the Vice-<br />

Chancellor<br />

LEFT<br />

Her Majesty <strong>The</strong><br />

Queen meets school<br />

children participating<br />

in a gallery teaching<br />

session with the<br />

Director (left) and<br />

Frances Sword, Head<br />

<strong>of</strong> Education (right)

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