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The Fitzwilliam Museum - University of Cambridge

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60 Katsushika Hokusai<br />

Major Acquisitions<br />

(1760–1849)<br />

Convolvulus and Tree frog<br />

c..1832<br />

Colour print from woodblocks<br />

on paper. Publisher: Nichimuraya<br />

Yohachi.<br />

26.3 x 38.5 cm<br />

Purchased from the Reitlinger<br />

Fund with grants from <strong>The</strong> Art<br />

Fund and the MLA/V&A<br />

Purchase Grant Fund.<br />

P.10-2006<br />

Hokusai is best known as a landscape<br />

artist, but he also excelled in other<br />

genres that portrayed the beauty <strong>of</strong><br />

nature, or kachÿfugetsu (literally, ‘flower,<br />

bird, wind and moon’). Convolvulus and<br />

Tree frog comes from the extremely rare<br />

series <strong>of</strong> ten prints known as Large<br />

Flowers, which is Hokusai’s masterpiece<br />

in this genre. Each print features a flower<br />

and an insect (frogs and other<br />

amphibians were classified as insects).<br />

Hokusai was probably influenced and<br />

inspired by Utamaro’s great trio <strong>of</strong> natural<br />

history books on the themes <strong>of</strong> insects,<br />

birds and shells (all three <strong>of</strong> them in the<br />

<strong>Fitzwilliam</strong> <strong>Museum</strong>’s collection).<br />

Utamaro’s books, with their playful<br />

comic verse, may also have prompted<br />

the humour evident in this print, which<br />

teases the viewer to find the frog hidden<br />

in the convolutions <strong>of</strong> the Convolvulus,<br />

or Morning Glory. <strong>The</strong> design <strong>of</strong><br />

Convolvulus and Tree frog complements<br />

that <strong>of</strong> another print from the series,<br />

Irises and Grasshopper, which was<br />

already in the museum’s collection. Both<br />

are outstanding in condition, preserving<br />

intact the delicate blues and purples that<br />

have faded in most surviving impressions.

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