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The Fitzwilliam Museum - University of Cambridge

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58 Constant Troyon<br />

Major Acquisitions<br />

(1810–1865)<br />

Landscape<br />

Oil on canvas<br />

24.5 x 37.2 cm<br />

Given by Julia Crookenden and<br />

Michael Jaye in memory <strong>of</strong><br />

Major-General Crookenden and<br />

Mrs Angela Crookenden, through<br />

<strong>Cambridge</strong> in America.<br />

PD.4-2006<br />

Troyon was one <strong>of</strong> a generation <strong>of</strong><br />

painters in France who drew inspiration<br />

from working in Barbizon to the south<br />

<strong>of</strong> Paris. Largely self-trained, he began<br />

life as a painter on porcelain, but in the<br />

1830s was introduced through his<br />

acquaintance Paul Huet (1803–1869)<br />

to a form <strong>of</strong> naturalist landscape painting<br />

practised by British painters, most<br />

prominently through the exhibition <strong>of</strong><br />

John Constable’s Hay Wain (National<br />

Gallery, London) at the Paris Salon <strong>of</strong><br />

1824. It is likely, too that his knowledge<br />

<strong>of</strong> Constable’s work was derived from<br />

his friendship with the painter, whom he<br />

met in 1832, and who, with Théodore<br />

Rousseau (1812–1867) and Narcisse Diaz<br />

de la Peña (1808–1876), would become<br />

major influences on his future<br />

development. This powerfully evocative<br />

small sketch with its bold use <strong>of</strong> impasto<br />

touches and sureness <strong>of</strong> handling shows<br />

how well Troyon was able to assimilate<br />

the freshness <strong>of</strong> Constable’s palette,<br />

and his ability to represent the freshlywashed<br />

skies <strong>of</strong> Northern Europe.

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