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The Fitzwilliam Museum - University of Cambridge

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Pat Douthwaite<br />

(1939–2002)<br />

Self portrait<br />

Black, blue, red and white chalk<br />

and red bodycolour on paper<br />

73.9 x 54.8 cm<br />

Given by David Mackie on behalf<br />

<strong>of</strong> the family <strong>of</strong> David and Nan<br />

Mackie, in their memory.<br />

PD.5-2006<br />

Born in Glasgow in 1939, Pat Douthwaite<br />

was largely a self-taught painter whose<br />

work draws on the influence <strong>of</strong> earlier<br />

twentieth-century expressionist and<br />

primitive painters to express emotionally<br />

powerful themes. Her subjects are<br />

frequently violent and disturbing: as she<br />

herself wrote, ‘I deal in anger, joy, rage and<br />

happiness.’ As this self-portrait <strong>of</strong> 1980<br />

proves, she spared not even herself from<br />

her unforgiving artistic scrutiny. In<br />

Glasgow, she studied mime and modern<br />

dance with Margaret Morris, whose<br />

husband, the Scottish colourist, J. D.<br />

Fergusson, encouraged her to paint. In<br />

1958 she went to live in Suffolk with a<br />

group <strong>of</strong> painters, including other Scots<br />

expatriates, Robert Colquhoun, Robert<br />

Macbryde and William Crozier, as well as<br />

the artist Paul Hogarth, whom she married<br />

in 1960. Over the subsequent thirty years,<br />

she travelled widely, to North Africa, India,<br />

Peru, Venezuela, Europe, U.S.A., Kashmir,<br />

Nepal, Pakistan, Ecuador, and Majorca,<br />

where she lived on a semi-permanent<br />

basis from 1969 and became part <strong>of</strong> the<br />

circle <strong>of</strong> the writer and poet Robert Graves.<br />

61<br />

Major Acquisitions

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