The Fitzwilliam Museum - University of Cambridge
The Fitzwilliam Museum - University of Cambridge
The Fitzwilliam Museum - University of Cambridge
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John Everett Millais<br />
(1829–1896)<br />
Twins: Kate and Grace Hoare<br />
Oil on canvas<br />
153.5 x 113.7 cm<br />
Accepted by H.M. Government<br />
in lieu <strong>of</strong> Inheritance Tax from<br />
the estate <strong>of</strong> Mrs Jean Wynne<br />
and allocated to the <strong>Fitzwilliam</strong><br />
<strong>Museum</strong> in accordance with<br />
her wishes.<br />
PD.36-2005<br />
<strong>The</strong> young women in this portrait are<br />
Kate Edith (1856–1948) and Grace Maud<br />
(1856–1946), two <strong>of</strong> the fourteen children<br />
<strong>of</strong> Thomas Rolls Hoare, a wealthy paint<br />
and varnish manufacturer <strong>of</strong> the firm<br />
Noble & Hoare. Millais began the portrait<br />
in December 1875 and completed it the<br />
following August for a fee <strong>of</strong> 1500<br />
guineas. At some point during these<br />
months he was required to change the<br />
costume worn by the girls from a riding<br />
habit to the dresses which they now wear,<br />
but Kate still holds a riding crop as if she<br />
has returned from, or is poised for a ride.<br />
<strong>The</strong> painting was exhibited at the<br />
Grosvenor Gallery in 1878, where it was<br />
praised for its fresh and natural air. <strong>The</strong><br />
critic <strong>of</strong> <strong>The</strong> Times described the girls as<br />
‘two Maid Marians <strong>of</strong> the 19th century,<br />
looking as if they had been brought up<br />
on the air <strong>of</strong> the woods and moors.’<br />
Others praised Millais’s ability to convey<br />
the twins’ physical resemblance while at<br />
the same time evoking their very<br />
distinctive characters by means <strong>of</strong> gesture<br />
and posture: Kate more serene and<br />
engaging, Grace more highly-strung and<br />
anxious. Both girls went on to marry<br />
naval <strong>of</strong>ficers.<br />
59<br />
Major Acquisitions