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The Fitzwilliam Museum - University of Cambridge

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John Everett Millais<br />

(1829–1896)<br />

Twins: Kate and Grace Hoare<br />

Oil on canvas<br />

153.5 x 113.7 cm<br />

Accepted by H.M. Government<br />

in lieu <strong>of</strong> Inheritance Tax from<br />

the estate <strong>of</strong> Mrs Jean Wynne<br />

and allocated to the <strong>Fitzwilliam</strong><br />

<strong>Museum</strong> in accordance with<br />

her wishes.<br />

PD.36-2005<br />

<strong>The</strong> young women in this portrait are<br />

Kate Edith (1856–1948) and Grace Maud<br />

(1856–1946), two <strong>of</strong> the fourteen children<br />

<strong>of</strong> Thomas Rolls Hoare, a wealthy paint<br />

and varnish manufacturer <strong>of</strong> the firm<br />

Noble & Hoare. Millais began the portrait<br />

in December 1875 and completed it the<br />

following August for a fee <strong>of</strong> 1500<br />

guineas. At some point during these<br />

months he was required to change the<br />

costume worn by the girls from a riding<br />

habit to the dresses which they now wear,<br />

but Kate still holds a riding crop as if she<br />

has returned from, or is poised for a ride.<br />

<strong>The</strong> painting was exhibited at the<br />

Grosvenor Gallery in 1878, where it was<br />

praised for its fresh and natural air. <strong>The</strong><br />

critic <strong>of</strong> <strong>The</strong> Times described the girls as<br />

‘two Maid Marians <strong>of</strong> the 19th century,<br />

looking as if they had been brought up<br />

on the air <strong>of</strong> the woods and moors.’<br />

Others praised Millais’s ability to convey<br />

the twins’ physical resemblance while at<br />

the same time evoking their very<br />

distinctive characters by means <strong>of</strong> gesture<br />

and posture: Kate more serene and<br />

engaging, Grace more highly-strung and<br />

anxious. Both girls went on to marry<br />

naval <strong>of</strong>ficers.<br />

59<br />

Major Acquisitions

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