Lawrence of Arabia, Zionism and Palestine - The World War I ...
Lawrence of Arabia, Zionism and Palestine - The World War I ...
Lawrence of Arabia, Zionism and Palestine - The World War I ...
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LAWRENCE OF ARABIA 25<br />
lacked the surrender <strong>of</strong> soul to submit himself lowly<br />
<strong>and</strong> reverently, even to the first poet. Of Matthew<br />
Arnold's three requisites for translating Homersimplicity,<br />
speed <strong>and</strong> nobility, all dominating qualities<br />
<strong>of</strong> <strong>Lawrence</strong>'s being—he failed somehow in presenting<br />
the third, substituting as <strong>of</strong>ten as not some defiant <strong>and</strong><br />
most un-Homeric puckishness <strong>of</strong> his own, so that<br />
Dr. Johnson's criticism <strong>of</strong> Pope's Iliad would be no less<br />
applicable to <strong>Lawrence</strong>'s Revised Version. <strong>The</strong> classical<br />
Arab could become in a trice a street Arab. Nevertheless,<br />
<strong>Lawrence</strong>'s Odyssey possesses two outst<strong>and</strong>ing merits.<br />
It represents <strong>Lawrence</strong> as well as Homer, <strong>and</strong> it has by<br />
hero-worship or the silken thread <strong>of</strong> snobbishness led to<br />
Homer thous<strong>and</strong>s that could never have faced the<br />
original, or even the renderings <strong>of</strong> Pope, Chapman, or<br />
Butcher <strong>and</strong> Lang; just as for countless Londoners the<br />
"approach" to the Portl<strong>and</strong> Vase, visible but neglected<br />
for a century in the British Museum, was induced through<br />
its auctioning at Christie's in the presence <strong>of</strong> the Prince<br />
<strong>of</strong> Wales.<br />
<strong>Lawrence</strong> sent me in Cyprus, inviting comment, the<br />
typescript <strong>of</strong> <strong>The</strong> Mint, a remarkable <strong>and</strong> sometimes<br />
brutal picture <strong>of</strong> his early days in the Air Force. <strong>The</strong><br />
narration was no less fine than the description, but the<br />
contrast between the lives <strong>and</strong> the language <strong>of</strong> all ranks<br />
was startling indeed. It seemed that they could only find<br />
relief from the cloistered rigour <strong>of</strong> their existence by<br />
expressing their emotions with an almost epileptic<br />
obscenity. 1 I <strong>of</strong>fered, by a necessary minimum <strong>of</strong> blue<br />
pencil over a total <strong>of</strong> some thirty pages, to enable the<br />
book to emerge from the steel safe in which I had to<br />
guard it when not in use, into general reading: but<br />
<strong>Lawrence</strong> said the language was the life, sooner than<br />
falsify which he would rather not publish at all. (Part<br />
1 Perhaps on the precept <strong>of</strong> Catullus :<br />
" Nam castum esse decet pium poetam<br />
Ipsum, versiculis nihil necessc est."