Berto_Tony_201307_PhD .pdf - University of Guelph

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twink model in terms of his motivations. Rather than material gain, Frank’s use of his
desirability is to undermine the cohesion of the Nobelesse class. Yet through this
subversion of structures of power he does gain agency and, temporarily, freedom.
Nevertheless, his characterisation appears to reference narratives of twinks, trophy wives,
and trade.
The evocation of a twink is of further note in that it uses a construction that derives
from contemporary, gay subculture. While its use may have negative connotations (for
example, promiscuity, a valuing of physicality over character), Alexandrowicz’s use of a
gay subcultural construction invites the reader to read the script from a gay point of view.
The script offers more details about Frank's sexuality in songs and monologues.
These sections inform a reader about the operation of homosexual relations within the
play’s class milieu. In scene five Frank describes his lot as a servanet. He sings “The Rich
Go Fish” which tells the story of his leaving home at a young age with a male lover:
A man, um…friend…I had…
Ran off with him, long many a-go,
Parents too poor to say yes or no.
And He of the high Nobelesse obelige,
Took me on a trip, wide world to see!
Down the rocky coast in a big slow boat
Dressed me to the part. the long leather coat,
The pigskin case, the hat and suit,
Drinkin’ cherry brandy with a fine cheroot.
… Port after port, I saw it all. (Alexandrowicz, Production Script 17)