Berto_Tony_201307_PhD .pdf - University of Guelph

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289 Sheldon, Louis P. "Homosexuals Recruit Public School Children." Traditional Values. Web. 17 Sept. 2010. . Shewey, Don. “Introduction: Pride in the name of love.” Out Front. Contemporary Gay and Lesbian Plays. NewYork: Grove. 1988. xi-xxvii. Smith, Miriam Catherine. Lesbian and Gay Rights in Canada: Social Movements and Equality-Seeking, 1971-1995. Toronto; Buffalo: University of Toronto Press, 1999. Simmons, Roland. "Researching Kelowna Community Theatre." E-mail to author. 5 Oct 2010. Kelowna. Simpson, Jeffrey. “Growing up Gay in Kelowna.” eVent. 13 Jul. 2005: 5. Print. Sinfield, Alan. Gay and After. New York: Serpent’s Tail, 1998. ---. Cultural Politics, Queer Readings. London; New York: Routledge, 2005. ---. "Is There a Queer Tradition, and is Orton in it?" Joe Orton: A Casebook. Ed. Francesca Coppa. New York: Routledge, 2003. 85-94. ---. Out on Stage. Bath. The Bath Press, 1999. ---. The Wilde Century. London. Cassell, 1994. Sinoski, Kelly. “Gang presence in Kelowna growing: RCMP.” The Vancouver Sun. 30 Aug. 2012. Web. 05 Jan 2013. Smith, Miriam Catherine. Lesbian and Gay Rights in Canada: Social Movements and Equality-Seeking, 1971-1995. Toronto; Buffalo: University of Toronto Press, 1999. Sontag, S. “Notes on camp.” Against interpretation and other essays. Ed. S. Sontag, New York: Delta, 1966. 275-292.
290 Sova, Dawn B. Banned Plays: Censorship Histories of 125 stage dramas. New York: Infobase Publishing, 2004. “Stephen Harper’s Gay Love.” As Canada's Official Leader of the Opposition, Stephen Harper speaks as part of an anti-same sex marriage rally on Parliament Hill. N.d. Google Video. Web. 10 May 2012. Stigler George J. "Competition." The New Palgrave Dictionary of Economics. Eds. Steven N. Durlauf and Lawrence E. Blume. Nd. Web. 29 Apr. 2011. . “Stopbcartscuts.” Some “Spirit Festival” money directed to BC Arts Council, but little & late. 07 Jul. 2011. Web. 25 May 2012. “Support Us.” Firehall Arts Centre. N.d. Pdf. 14 Feb. 2010. < http://firehallartscentre.ca/supportus.html>. “Technical Information.” Firehall Arts Centre. N.d. Pdf. 18 Feb. 2011. < http://firehallartscentre.ca/technical.pdf>. Tedrick, Deborah Lynne. Black cats, Berlin, Broadway and Beyond: The Genre of Cabaret. Diss. California State University at Los Angeles, 1989, Los Angeles: UMI, 2007. Web. “The rainbow and the word ‘gay’ should not be banned.” Editorial. The Globe and Mail. 9 Sept. 2011. Web. 29 Feb.2012. Thomas, Colin. “Beggars would Ride.” The Georgia Straight 1 February 2007. 31. Print. ---. "His Greatness." The Georgia Straight. 25 October 2007. 42. Print. Thompson, Joey. “Why not open drug-rehab centre instead of second Pickton trial?” The Province. A22: 28 Mar 2008. Print.
Page 1 and 2:
Are We There Yet? Gay Representatio
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including the development of the sc
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v TABLE OF CONTENTS 1. Contexts of
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2 These seemingly contrary position
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4 desire: “it is the possibility
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6 express sexual desire between men
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8 investigating this experience is
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10 Late in the nineteenth century,
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12 also indicate same sex activity
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14 focus on homosexuality’s trans
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16 included meeting places, network
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18 Canadian system to be directly i
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20 laws were altered to allow conse
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22 1999, community reaction occurre
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24 decade after sexual orientation
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26 sixties, social, commercial, and
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28 with character traits and narrat
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30 Gay Theatre in Canada Gay Canadi
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32 “alternative” to regional th
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34 themes nor mounted them as broad
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36 audiences enough to maintain a d
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38 Mainstream productions are works
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40 ideologies of the arts councils
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42 study as "project-based theatres
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44 employees, design, location, his
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46 even given any notice at all. Fu
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48 scripts with gay presences I beg
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50 Chapter Two: Historically Gay, C
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52 recognises how "broken" Williams
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54 suggests. The play appears to tr
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56 financially and artistically, le
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58 discovered, Assistant scornfully
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60 the effect of "lightening up" As
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62 ASSISTANT. Where did you get mon
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64 that emotions or "feelings" are
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66 has resonances with the various
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68 same-sex marriage debates, and a
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70 in Progress Festival, and dramat
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72 Intervention can be in the form
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74 terms of theatres accessing deve
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76 stage illegal and thus any repre
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78 watching Young Man strip to his
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80 subject. Both plays are written
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82 Theatre Company The Vancouver Ar
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84 underscores this message by crea
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86 cultural centre ("Granville"). T
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88 site’s adaptive re-use is inte
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90 any gay sexuality or potential s
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92 as a buffer between the performa
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94 project-based production, a frin
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96 dubbed 'young gentlemen' " (Birn
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98 play's central dramatic arc. Whi
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100 changed considerably since this
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102 dramaturgical tactics make the
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104 Chapter Three: 'Alternative' Th
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106 ideas of aestheticism, luxury a
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108 politics of his environment, on
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110 In the play's penultimate scene
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112 who are effeminate, but illustr
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114 violence, and allows for a crit
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116 Derrick, both youths are consci
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118 When Ivan is threatened with ex
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120 century gay theatrical represen
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122 Malcolm’s dead wife's closet,
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124 homosexuality, they do undersco
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126 One of the things [that dramatu
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128 play’s negative gay character
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130 never had push-back (the play w
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132 operate under the various Equit
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134 somewhat reminiscent of the bul
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136 “committed to creating multid
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138 location are acknowledged by th
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140 area was borne out when Robert
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142 architecture including: a forme
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144 viewing angle. The rake of the
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146 staging veers from such a sense
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148 escape tactic, removing the pos
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150 the artistic abilities that may
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152 dimensions to the text’s mean
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154 who consume and those who work
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156 as a servanet, the abuse he end
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158 The song tells about Frank’s
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160 also plays on class issues, whe
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162 And so, I purport and propose,
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164 quite the heart of a wolf to do
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166 has been anally penetrated thus
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168 signal his work’s incorporati
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170 a cowering Morgan (as Morley).
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172 along with a reproduction of th
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174 Cabaret Weimar-era cabaret in k
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176 themes would likely be recognis
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178 3). Babuscio goes further, and
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180 and her hair is dyed an unnatur
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182 structuralist theory, camp has
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184 sexual assault and incest, whil
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186 small” (Alexandrowicz, “Fin
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188 Stage and Set Beggars used a re
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190 wipes semen off his privates an
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192 to “rewrite it for a cast com
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194 sexual contact is not seen onst
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196 One can speculate on reasons fo
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198 a mainstream audience due to it
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200 Chapter Five: A Battle of Value
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202 Okanagan Valley, Grignard’s i
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204 BERNARD: Don’t underestimate
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206 actions. Gordon demands that th
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208 HARVEY puts the apple into the
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210 potential infection or contagio
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212 Harvey's intimate descriptions
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214 addressed, while others will fe
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216 homoerotic feeling (and to thus
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218 rather than less so, as occurre
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220 Grignard applied for both Canad
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222 The actors' presence in the BFA
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224 Theatre Space Grignard rented t
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226 Paul Matwychuk, in Edmonton, no
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228 of the lobby. The lack of set,
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230 core government, tourist, and c
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232 undermines this presentation of
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234 on these drives and tell me sto
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236 Grignard created multiple sites
Page 243 and 244: 238 to a social-political action, t
Page 245 and 246: 240 led Grignard to hire students,
Page 247 and 248: 242 have had the effect of marginal
Page 249 and 250: 244 where the visibility of gay pre
Page 251 and 252: 246 trying to read a moment in a co
Page 253 and 254: 248 Simultaneously one might posit
Page 255 and 256: 250 chose the four plays for this s
Page 257 and 258: 252 on our stages? How might seeing
Page 259 and 260: 254 . . . today a gay male can turn
Page 261 and 262: 256 beings”), questions arise: ho
Page 263 and 264: 258 mental health (Bontempo 364; Gi
Page 265 and 266: 260 or disputing negative character
Page 267 and 268: 262 gay men as a way of reclaiming
Page 269 and 270: 264 In my own situation, as an audi
Page 271 and 272: 266 this study use the term natural
Page 273 and 274: 268 Altman, Dennis Homosexualizatio
Page 275 and 276: 270 Berto, T. "Seeking Clues of Que
Page 277 and 278: 272 ---. Grant Application for Fire
Page 279 and 280: 274 CHRC. “Resources.” 1997 ann
Page 281 and 282: 276 Eds. Ann Snitow, Christine Stan
Page 283 and 284: 278 Freeman, Barbara. “From No Go
Page 285 and 286: 280 Theatre." Queer Theatre in Cana
Page 287 and 288: 282 ---. “Pioneering study finds
Page 289 and 290: 284 Little Sisters Book and Art Emp
Page 291 and 292: 286 Nestruck, Kelly and Guy Dixon.
Page 293: 288 Reuter, Donald F. Gay-2-Zee: A
Page 297 and 298: 292 “Vancouver Agreement”. CONF
Page 299: 294 Yeats, W. B. Collected Works of
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