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Episode Guide - inaf iasf bologna

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C.S.I. New York <strong>Episode</strong> <strong>Guide</strong><br />

have different positions; first dummy, hands up, palms out; second dummy, right and left forearms<br />

covering the face; third dummy, left hand down, right hand possible extended. Hawkes<br />

stands in front of the third dummy and guesses that the victim was shaking someone’s hand<br />

when the lye was thrown at him, so maybe he knew his attacker. The two start throwing red<br />

liquid at each dummy and comparing the patterns to the ones on the victim. They don’t find a<br />

pattern that matches, so Hawkes wonders how the victim got that burn on his hands. Mac then<br />

takes the third dummies right hand, turns it palm down, and pours the red liquid slowly. The<br />

pattern is a match, but Mac was slow and deliberate. They figure the lye was slowly poured over<br />

the right hand before it was thrown on the face, but that doesn’t make sense. Hawkes asks about<br />

their next move, and Mac says they have to find the cup.<br />

The next day, Stella steps out of the elevator and gets off the phone when Danny walks up<br />

beside her. He has the Trekker on his hand and pushes a button, and the device says ”Fifty-eight<br />

eighty-five Broadway, Thirty-five T-H floor, Midtown Manhattan, New York City,” in a monotonous<br />

computer voice. Stella is impressed, and Danny tells her that it’s what Evelyn used to get around<br />

the city. It also has vocal and text capabilities and it can tell you where you are, right down to<br />

the spot you’re standing. Stella asks about its memory, Danny says that it keeps a log from the<br />

minute of purchase, and that he’s also found out Evelyn’s whereabouts the night before she was<br />

killed. He presses a button, and the Trekker spouts ”Eight hundred sixty-two West forty-five T-H<br />

New York, New York, ten thousand one hundred twenty-five,” which leads them to a...<br />

...”Cuddle party”, the hottest new scene, as Stella explains to Danny while they watch at least<br />

20 men and women caress, touch, and kiss each other. Stella walks over to a cuddle caddy named<br />

Ira Feinstein, who takes them to the side bar to talk about Evelyn. Feinstein says that Evelyn<br />

was a regular because this was the only place she could be accepted mentally and physically.<br />

The rules in a cuddle party are simple - ”Pajamas stay on, no dry humping, no sex, you’re free<br />

to join the puppy pile, and if you had a good time, send me a cuddle-monial,” which is a letter<br />

regarding a person’s positive experience to touch. Stella asks again how Feinstein knew the<br />

victim, and he replies that Evelyn though he was an interesting subject for a sculpture (”She<br />

liked my nose, thought I had personality.”). Feinstein also tells them that he had nothing to do<br />

with the murder since he’s dedicated his life to non-aggression. Danny asks ”Mr. Finklesteen”<br />

if Evelyn ever cuddled with someone in particular in the ”doggie” pile, and the caddy answers<br />

that there was one guy, a good-looking fellow, but he can’t remember his name. All he knows<br />

is that the guy is an amateur hockey player. Danny gives him a card and tells him to call if he<br />

remembers the name, and they thank him and start to leave. Feinstein calls after them ”if you<br />

ever need a cuddle, you know where to find us.” Danny stops, says ”I don’t cuddle,” and walks<br />

out.<br />

Back at Stella’s office, she and her boyfriend Frankie Mala are looking at the unfinished<br />

head bust from Evelyn’s apartment. Stella thanks Frankie for agreeing to help out, and asks<br />

his opinion if the sculpture was something professional or personal. Being a sculptor himself,<br />

Frankie thinks that the lack of details suggest that it was personal. Stella then asks if he could<br />

finish it, and he says he’ll manage since the left side of the face is pretty well established but his<br />

hands would probably be sore when he’s done, to which Stella replies coyly with ”I thought you<br />

like working with your hands?” They are interrupted by Zack, telling her that a man from the<br />

Braille Institute was waiting for her. He excuses herself and follows Zack out, leaving Frankie to<br />

work with the bust.<br />

At the lunchroom, Stella is listening to the man reading the letter found at Evelyn’s apartment.<br />

It’s from a guy named ”Steve”, and he’s regretting their break up and asking her back. Now Stella<br />

thinks this is a crime of passion.<br />

Mac is sitting behind his desk and frowning at Grand Central Station’s crime scene photos.<br />

He examines a photo closely and sees dust voids, consistent with a stool and a small square<br />

case. Mac connects it to the saxophone player and goes to the station to talk to him. Mac sees a<br />

metal cup behind the player’s case, and the man notices him and asks if he wanted to request<br />

a song. Mac asks if he could look at the cup, and the man is apprehensive until Mac shows his<br />

badge. The man then hands him the cup with no questions asked, Mac hands back the bills in<br />

the cup and asks where he found it. The man tells him ”it found me”, and we see a flashback of<br />

the cup hitting the man’s saxophone case, then he picks it up and shakes off the liquid. Back<br />

to the present, Mac takes out a piece of litmus paper and dips it inside the cup. The test comes<br />

up positive for lye. He’s found the murder weapon and takes it back to the lab, where he starts<br />

96

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