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Episode Guide - inaf iasf bologna

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C.S.I. New York <strong>Episode</strong> <strong>Guide</strong><br />

The young woman waves at Mac from the window across the way. She opens her window and<br />

he does the same. She tells him the boys have been gone for years. The parents go to Florida every<br />

year, they’ve been gone about a month. Her name is Haley. Mac remembers her being interviewed<br />

when Michael disappeared. She was nine, just like Michael. She remembers his nightmares, how<br />

he used to scream. She could hear him clear through the windows on both apartments. The<br />

nightmares happened every night for years. Haley says the only thing that helped him was the<br />

painting. That’s when he seemed to be at peace. She tells Mac that Michael left when he was 18.<br />

She doesn’t know where he went, she doesn’t think he even told his parents.<br />

Flack runs back into the bedroom Mac is in. They have another sniper victim. This one is a<br />

gentleman, wearing a suit and tie. Unlike the other two victims, he was out on the street. His<br />

name is Brian Sanders and he commutes to the city every day from Connecticut. Jo tells Mac<br />

he is married and has children. He was shot in the torso not the head, as the other two victims<br />

were. The chief shows up, and Mac asks him if he’s ready to give the truth to the public. As they<br />

are walking Carver asks Mac how sure he is the the shooter is the sniper from the other two<br />

cases. Mac fills Carver in on Michael Reynolds. The chief asks Mac what he wants from him. All<br />

Matt wants is for Carver to let the commissioner know they are going public with everything they<br />

have thus far. The city needs to be on high alert, or he guarantees there will be a forth victim.<br />

Lindsay fears she has reached a dead end. Everything points to Michael Francis. Jo tells her<br />

it’s classic Stockholm Syndrome, since Michael’s captor was Arthur Francis. They get a current<br />

address for Michael Francis, and everybody moves in. When Michael doesn’t answer the door,<br />

they take it down and are immediately faced with a dead body. Don and Danny see bugs crawling<br />

all over the victim. He was killed with a small caliber weapon at close range, possibly suicide.<br />

However there are signs of a struggle as well. If he’d did kill himself, where’s the gun? Don says<br />

under the body, but when Denny flips him over, there is no gun. Rigor mortis indicates he’s been<br />

dead more than 48 hours. Therefore, he can’t be the sniper.<br />

Mac and Jo brainstorm about the case. If Michael’s not the killer, then who is? The DNA<br />

that they tracked was mitochondrial. Therefore, it’s a family of DNA, not specific to Michael. The<br />

hair had to have been from Michael’s brother, Tom. Jo looks up the reunion tape from Michael’s<br />

return, and sees that Tom is not included in the family hug. He had probably been ignored for<br />

the past three years. Lindsay is skeptical but Jo and Mac assure her that in this case, nature<br />

combined with nurture resulted in Tom being a spree killer. Their discussion is interrupted when<br />

Haley calls to tell Mac that Tom is back. She says he’s acting crazy, throwing things around like<br />

he’s searching for something. Mac tells her to step away from the window but she doesn’t move<br />

fast enough and Tom sees her. Mac tells Jo to send units to Haley’s apartment. Haley tells Mac<br />

that Tom is out of sight. He asks if she is alone and she says yes. He tells her to lock the door<br />

and stay away from the window. He hands the phone off to Lindsay and heads out the door.<br />

When he arrives at her apartment he knocks. When there’s no response to his calling her<br />

name, Mac kicks Haley’s door in. He sees the officer in the apartment across the way, shaking<br />

his head to indicate there’s no one there. He approaches the closet door, gun drawn. When he<br />

opens the door Haley is safe on the floor of the closet. She is badly shaken, and when Mac helps<br />

her out, she lands sobbing in his arms. She asks why Mac thinks Tom came back, what was he<br />

looking for. Mac says he doesn’t know, but he will find out.<br />

Everything from the apartment was boxed up and brought to the crime lab. Mac finds an old<br />

VCR tape and watches the reunion, then Lindsay and JO watch a one-man video show starring<br />

Tom, giving his impression of what it was like to be Michael’s brother. Joel freezes the tape and<br />

grabs the image for Lindsay to have homeland security check it against their videos, see if they<br />

can find him on the move. He must have gone back to get the tapes. By now, he knows that the<br />

police are onto him, and his next attack will likely be his last. His last sentence is ”one day, you’ll<br />

pay.”<br />

Lindsay wonders if there’s not a faster way to track him, as she is finding no matches. Jo<br />

sends his picture out on NY Alert System. That will put his picture on every cell phone in the<br />

city. Then they only need one person to recognize him. Tom is shown looking at the tops of the<br />

buildings around him. If he goes up he’ll be out of everybody’s sight before they can arrest him. A<br />

young lady eyeballs him and calls 911. Mac and Jo head out. Tom is on the roof getting his sniper<br />

gun ready. He looks through the scope and sees the police driving the crowd to safety. Everybody<br />

has their shades drawn and now the sniper is surrounded by snipers. Mac approaches Tom with<br />

his own SWAT backup. They can’t have air support due to the exploding rounds.<br />

491

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