Government cuts Founders' Building upkeep fund - The Founder
Government cuts Founders' Building upkeep fund - The Founder
Government cuts Founders' Building upkeep fund - The Founder
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<strong>The</strong> <strong>Founder</strong> | Wednesday 25 November 2009<br />
E X T R A<br />
21<br />
Music<br />
Tim Minchin<br />
‘Ready for this’<br />
at the Hammersmith Apollo<br />
Dan Woodruff<br />
As Australian Tim Minchin appears<br />
barefoot onstage amongst<br />
the smoke and lights he bursts out<br />
into his introductory song. He<br />
wears his trademark eye-liner and<br />
his hair is typically wild and the<br />
many cameras are focused on him,<br />
presumably filming for a DVD that<br />
will no doubt be ready in time for<br />
Christmas.<br />
<strong>The</strong> first half of the set is dedicated<br />
to new material. I wondered<br />
if these could ever live up to some<br />
of his classic songs, and I genuinely<br />
think he pulled it off. For example<br />
his song titled “Prejudice” tackled<br />
the subject of being a ‘ginger’ in a<br />
very clever way using fast and fluid<br />
rhyming and superb wordplay.<br />
However merely describing the<br />
song does not do justice without<br />
listening to it. He seemed totally<br />
comfortable with these although he<br />
did fumble his lines in ‘If I didn’t<br />
have you’ a song about his wife –<br />
but he didn’t seem to care too much<br />
anyway.<br />
<strong>The</strong> second half featured some<br />
of the old favourites including the<br />
nine minute monologue about a<br />
fictional conversation with the fairy<br />
tattooed hippie called ‘Storm’ and<br />
the semi-love song “If you really<br />
loved me.” It is strange because<br />
you would never ask a stand-up<br />
comedian to repeat material he performed<br />
on their previous tour, but<br />
with Minchin the songs don’t lose<br />
their humour and so you welcome<br />
the classics.<br />
Tim Minchin is first and foremost<br />
a comedian, entertaining the<br />
crowd with his witty songs, but he<br />
is far more than just this. He is a<br />
sharp lyricist, brilliant singer, and<br />
an impeccable pianist. He alternates<br />
between song and chatter, telling<br />
not so many jokes with punch<br />
lines but having a simply hilarious<br />
interaction with the crowd often<br />
ad-libbing effortlessly.<br />
One of the definite highlights of<br />
the night involved Minchin singing<br />
about use of bears as some sort<br />
of spectacle, in particular making<br />
them dance. However that was not<br />
all, he proceeded to dress a member<br />
of the audience member - who<br />
later turned out to be a professional<br />
dancer – in a bear costume along<br />
with a whole troupe of other dancing<br />
bears.<br />
It is true many of his songs can<br />
seemingly be silly and a dark sort<br />
of humour that would perhaps be<br />
offensive to many. However there is<br />
a more serious side to them which<br />
can be easy to overlook. He uses his<br />
logical take on issues to make sense<br />
of and dismiss religion or champion<br />
the importance of the environment<br />
in ‘Canvas Bags’.<br />
Before the penultimate song<br />
Minchin explains how sometimes<br />
he fears that his songs lack a certain<br />
depth. So he tries to fight this assumption<br />
– and a good example<br />
of this was by far the best song of<br />
the night: the finale. <strong>The</strong> song was<br />
called the “White Wine in the Sun”<br />
and gave him his second standing<br />
ovation of the night. It was simply<br />
beautiful.<br />
His humour may not be to everyone’s<br />
taste but I can assure you that<br />
the night was thoroughly enjoyable<br />
and full of laughter and insight<br />
into the slightly twisted mind but<br />
ingeniously constructed songs of<br />
Tim Minchin.<br />
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E X T R A<br />
Music<br />
music@thefounder.co.uk<br />
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