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2011-2012 - The Italian Academy - Columbia University

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Fellows’ Seminars<br />

At the weekly luncheon seminars, each Fellow in turn presents a working<br />

paper for critique and discussion with the entire group.<br />

Fall <strong>2011</strong><br />

<strong>The</strong> social affordance model: a sensorimotor view of<br />

intentional action and aesthetic involvement<br />

Maria Brincker<br />

Jusepe de Ribera and the Dissimulation of Sight<br />

Itay Sapir<br />

In the footsteps of Momus: irony and vituperio in early<br />

modern art criticism<br />

Maddalena Spagnolo<br />

Possessions and reputation in 17th-century Rome<br />

Renata Ago<br />

Dosso’s Ambiguity<br />

Marianne Koos<br />

Dance libretto as social text: the <strong>Italian</strong> dance librettos in<br />

the Cia Fornaroli collection at the New York Public Library for the<br />

Performing Arts<br />

Stefano Tomassini<br />

<strong>The</strong> contemporary performance of <strong>Italian</strong> Baroque<br />

opera<br />

Mauro Calcagno<br />

A paper archive of everything written: Ulisse<br />

Aldrovandi’s Pandechion Epistemonicon<br />

Fabian Krämer<br />

| 26

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