2011-2012 - The Italian Academy - Columbia University

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Premio New York Artists Alberto Tadiello and Patrick Tuttofuoco won the Premio New York and took up residence at the ISCP Gallery (International Studio and Curatorial Program) in Brooklyn in December 2011. With the support of the Italian Academy, the Italian Ministry of Foreign Affairs, and the Italian Cultural Institute in New York, the artists remained until April 2012. Alberto Tadiello, Taraxacum, 2012 MDF wood panels, iron brackets, cables, light bulb, dimmers 220 x 20 x 220 cm A circular distribution system, in which electricity blooms into a spidery glow, emitting heat and buzzing. | 70
Patrick Tuttofuoco, Hello, World!, 2012 Steel, fabric, color printed silk, mannequins, plaster Variable dimensions A “landscape” of sculpture that collects visual information from the image of a human being mixed with actual images of the urban landscape of New York. 71 |
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columbia university The Italian Aca
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Columbia University The ITALIAN ACA
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Contents Governance of the Academy
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Board of Guarantors Appointed by Co
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Francesco Pellizzi Editor of Res an
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Director’s Report Once more our F
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and the number of Fellows within it
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pied by our series of both classica
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ments on the interesting and powerf
Page 21 and 22: Amongst the many programs and agree
Page 23 and 24: fund of experience working in unive
Page 25 and 26: Fellows 2011-2012 Renata Ago Sapien
Page 27 and 28: Compagnia di San Paolo Italian Acad
Page 29 and 30: Galileo and the Roman Curia: modern
Page 31 and 32: Public Events Conferences and Sympo
Page 33 and 34: Italy at Columbia Lecture Series Oc
Page 35 and 36: Mar 25 Emanuele Arciuli, piano Musi
Page 37 and 38: Fellows’ Reports Renata Ago First
Page 39 and 40: While at the Academy I have also be
Page 41 and 42: to their own poetics and worldviews
Page 43 and 44: ing, such as Giuseppe Gerbino in th
Page 45 and 46: academically, but also truly felt l
Page 47 and 48: ships hypothetically linking the fo
Page 49 and 50: Réka Forrai I spent the second sem
Page 51 and 52: Dosso Dossi, which oscillates in an
Page 53 and 54: tive by placing this work in the co
Page 55 and 56: precisely in order to provoke the b
Page 57 and 58: My time at the Italian Academy bene
Page 59 and 60: in my hiring for a tenure-track pro
Page 61 and 62: structural case studies, where the
Page 63 and 64: tion strengthens, as the conflict t
Page 65 and 66: and Flora Dennis (at the Academy);
Page 67 and 68: a form of writing memory and variou
Page 69 and 70: titative Positron Emission Tomograp
Page 71: Compagnia di San Paolo Italian Acad
Page 76: The Italian Academy for Advanced St
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2011-2012 - The Italian Academy - Columbia University

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