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2011-2012 - The Italian Academy - Columbia University

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Fellows’ Reports<br />

Renata Ago<br />

First of all, the semester at the <strong>Italian</strong> <strong>Academy</strong> gave me the opportunity<br />

to reflect, discuss with the other Fellows and further elaborate<br />

the notion of “persona” as defined by Daston and Sibum in relation<br />

to science and scientists. Adopting the idea of “persona” as a sort of<br />

abstract character constructed through both individual biographies<br />

and the institutionalization of personal experiences, I could frame<br />

a theoretical tool, which is helping me to deal with the singular<br />

experiences of a certain number of individuals and, at the same time,<br />

with the common features that characterized many of their actions<br />

and choices (intellectual options, material culture, testamentary<br />

dispositions, etc.), without sacrificing either the singular plan or the<br />

collective one.<br />

I then focused on the role played by individual and especially<br />

collective biographies in constructing the kind of “personae” I<br />

am trying to identify, that is the seventeenth-century “excellent<br />

personae” boasting the superior dignity of their cultural expertise<br />

and consequently their own reputation and distinguished social<br />

status. As a literary genre, collective biographies became particularly<br />

popular in the 15 th century, when new Latin translations of<br />

both Plutarch and Laertius were made available by the joint efforts<br />

of humanists and publishers. Together with the lives of emperors,<br />

great captains and politicians, the public was presented with those<br />

of poets, philosophers, orators, and the like, in a conscious attempt<br />

to establish poetry, philosophy, rhetoric, etc., as noble arts, and<br />

those who practiced them as noble men.<br />

<strong>The</strong> rediscovery of the lives of ancient great men called for further<br />

developments of the literary genre that was gradually extended<br />

to modern illustrious men. <strong>The</strong>se enterprises were often carried on<br />

with the aim of celebrating the greatness of a city and, quite typically,<br />

poets and artists were generally biographied together with politicians<br />

and orators. In a few cases, though, the aim was specifically to<br />

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