september 2011 update - John Neal, Bookseller
september 2011 update - John Neal, Bookseller
september 2011 update - John Neal, Bookseller
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Annand<br />
B3206 Graceful Envelope<br />
Scripsit III edited by Lorraine<br />
Swerdloff. 2009. 24pp.<br />
8.5"x11". Paper $20.00<br />
The third issue of this popular<br />
series is now available. It<br />
presents envelopes from the<br />
2006, 2007 and 2008 contests.<br />
The themes are: Fine Line,<br />
Mailable Feast, and C’s the<br />
Day. The envelopes are diverse<br />
and beautiful – a wonderful selection for ideas &<br />
inspiration and just to enjoy.<br />
Calligraphy & Calligraphers<br />
Forsyth<br />
B3016. Scripsit: Pens & Protocol:<br />
The Calligraphy of Official<br />
Washington. 2008. 44pp. 8.5"x11".<br />
Paper $28.00<br />
This full-color journal is a delight.<br />
We get both the visual delight of the<br />
many examples and the sharing of<br />
how it comes to be. First is the work<br />
of the official calligraphers of the<br />
White House (Pat Blair, Debra Brown, Rick Muffler) and<br />
the State Department (Jennifer Nicholason) – menus,<br />
place cards, invitations and the like in script and in<br />
italic. David Hobbs, Sammy Little, Mary Lou O’Brian<br />
and Marta Legeckis then give us insight into their<br />
calligraphic business with the government agencies as<br />
they share many examples of that social calligraphy and<br />
awards work. Finally, we are treated to a full seven pages<br />
of exquisite lettering by Julian Waters.<br />
B2383. Rudolf Koch: Letterer Type<br />
Designer Teacher by Gerald<br />
Cinamon. Forward by Hermann<br />
Zapf. 2000. 208pp. 8.5"x11.25".<br />
Hardcover $49.95. Sale $24.95<br />
Hundreds of examples of<br />
Koch’s lettering,<br />
manuscript books, woodcuts,<br />
fonts and type designs illustrate<br />
this wide ranging presentation of his life and work.<br />
A visual feast and a must-have for those studying<br />
blackletter. B&W illustrations.<br />
B900. Words of Risk: The Art<br />
of Thomas Ingmire by<br />
Michael Gullick. 1989. 90pp.<br />
65 illus., many in full color.<br />
9"x12". Paper $25.<br />
JNB $16.99<br />
Using words as subjects,<br />
Ingmire’s work has progressed<br />
from the transcription<br />
of texts to complex<br />
multi-layered visual statements. His juxtaposition of<br />
and interplay between words & images challenges<br />
the traditional role of calligraphy as “decorated<br />
writing.” The book describes the work & working<br />
process of Ingmire and reproduces virtually all of<br />
his major pieces, many in full color.<br />
B3329. Applied Calligraphy<br />
& Graphic Design by Marco<br />
Campedelli. 2010. 252pp.<br />
8.75"x8.75". Paper $39.00.<br />
JNB Price $34.95<br />
A wide-ranging<br />
selection of graphic<br />
design that features calligraphy and lettering.<br />
Includes packaging, fashion, publishing and<br />
advertising. The 28 lettering artists are primarily<br />
from Europe and little known in the USA. Full color<br />
throughout. Quickly sold out at Odyssey.<br />
B3330. Calligraffiti: The Graphic<br />
Art of Niels Shoe Meulman by<br />
Niels Shoe Meulman and Adam<br />
Eeuwens. 2010. 144pp.<br />
9.25"x9.25". Hardcover $29.95<br />
Before Dutch calligrapher<br />
Niels Meulman<br />
started writing on paper, he had already gained<br />
fame as a graffiti artist. The book's title lets you<br />
know that many of the pieces in the book blend<br />
calligraphy and graffiti with bold strokes and<br />
splattered or dripping ink. Other pieces are drawn<br />
and tightly rendered lettering. Each spread offers<br />
two contrasting visuals that interact with each other.<br />
These interplays include such concepts as idea/<br />
execution, rise/fall, observe/imagine, and destroy/<br />
create. Both the text and the lettering are used to<br />
illuminate the concept.<br />
B2823. Elizabeth I: Her Life in<br />
Letters by Felix Pryor. 2003. 144pp.<br />
9"x11.75 ". Hardcover $34.95.<br />
JNB $17.50<br />
This volume reproduces<br />
sixty letters in full color.<br />
The letters by Elizabeth are in her<br />
italic hand, which changes over the years. Other<br />
letters are to Elizabeth from her subjects and from<br />
foreign princes, kings, queens and czars. Some of<br />
the letters are written out by scribes, others are by<br />
the hand of the correspondent. Each letter is<br />
discussed individually, placing the document in its<br />
historical context. Selected parts of each are<br />
transcribed or, where necessary, translated. A<br />
fascinating combination of handwriting, calligraphy<br />
and English history.<br />
Davis Menke<br />
6<br />
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