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BoxOffice® Pro - May 2012

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MARQUEE AWARD<br />

MARQUEE AWARD<br />

SANDRA<br />

BULLOCK AT<br />

THE PREMIERE<br />

OF THE BLIND<br />

SIDE, HELD AT<br />

THE PRYTANIA<br />

A<br />

YOUNGER<br />

RENE BRUNET<br />

AND HIS FATHER<br />

RENE BRUNET SR.,<br />

THE FOUNDER OF<br />

THE FAMILY<br />

BUSINESS<br />

hurricane—Wedding Crashers, Pulp Fiction and<br />

Brothers Grimm—to the emergency workers<br />

helping restore the city.<br />

As New Orleans returned to some semblance<br />

of normalcy, the Prytania decided to<br />

renovate the theater in order to make it first<br />

class and state-of-the-art. It spent a price tag<br />

of $800,000 to replace the roof, drapes, seats<br />

and carpets, as well as make numerous structural<br />

changes to the lobby, including a new<br />

coffee bar. A new Sony 4K digital projector<br />

was installed along with a brand-new sound<br />

processor and speaker system that, when necessary,<br />

can be “crazy loud,” says Robert. “Most<br />

theaters can’t do what we do with sound<br />

because it would interfere with the auditorium<br />

next to it, whereas we only have one.”<br />

These aesthetic and technological upgrades<br />

have “drastically paid off for us,” adds Robert,<br />

“because we raised the bar in New Orleans.<br />

People love coming here.” And the theater’s<br />

post-Katrina grosses drew the attention of its<br />

competitors and encouraged other cinemas<br />

to convert to digital. “I don’t want to brag,”<br />

says Robert, but with the booming sound<br />

and digital projection on the theater’s 36-foot<br />

screen, “we’re told our picture is almost second<br />

to none.”<br />

The Prytania’s owner is already eyeballing<br />

new 8K projectors and hopes to be the first in<br />

the South to install one. “Our goal is to keep<br />

the Prytania Theatre—which is going to be<br />

100 years old soon—the most modern, stateof-the-art<br />

theater. We want to make sure our<br />

sound and our video—our presentation—is<br />

amazing.”<br />

As for the century to come, says Robert,<br />

“Let’s hope that somebody at Boxoffice will<br />

be talking to a fifth- or a sixth-generation<br />

Brunet operating the single-screen Prytania<br />

Theatre.” For now, Rene continues to hold<br />

court in the lobby while Robert helps run the<br />

show. “I don’t consider it work,” says Rene,<br />

now in his eighth active decade in the exhibition<br />

business. “I just am there as part of my<br />

life and pleasure—it’s the job of a lifetime for<br />

me.”<br />

50 BOXOFFICE PRO MAY <strong>2012</strong>

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