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NATO<br />
NEWS<br />
Another year, another successful movie theft tour<br />
CRIMEBUSTERS UNITE!<br />
by Brigitte Buehlman<br />
Director of Industry Relations, NATO<br />
executives from Creative America, Disney, Lionsgate,<br />
the Motion Picture Association of America, Open<br />
Road, Paramount, Sony, Universal, and Warner Bros.<br />
to discuss best practices and ongoing coordination.<br />
If your company would like to participate in next<br />
year’s tour, please contact me at bgb@natoca.com.<br />
n As you may know, NATO hosts an annual “tour” for our members<br />
in Los Angeles. The purpose of this event is to provide exhibition representatives<br />
with an interactive, hands-on experience by meeting with<br />
their studio counterparts to share ideas on how to better combat movie<br />
theft in the field. The goal is for NATO members to learn what content<br />
protection means to the various studios, trade associations, and service<br />
providers and to discuss how movie theft affects our business.<br />
This year’s exhibition participants included Lisa Morris; Dan Myers;<br />
Steve Zuehlke; Jeremy Welman; Karen Scott; Paul Valerio; Steve Horton;<br />
Belinda Judson; Brigitte Buehlman; John Fithian; Mike Bugielski; and<br />
Sal Vermiglio. Our group met with distribution and content protection<br />
New NATO-MPAA movie theft campaign<br />
NATO and MPAA have produced a new movie<br />
theft poster and on-screen PSA for your theaters. As<br />
you may know, many state and local anti-camcord legislation<br />
requires patron notification before law enforcement<br />
action can take place (i.e., if you catch someone<br />
camcording content in your theater, they cannot be<br />
cited or prosecuted unless there is posted signage in<br />
your theater complex).<br />
NATO and MPAA worked closely with the Department<br />
of Homeland Security’s National Intellectual<br />
<strong>Pro</strong>perty Rights Coordination Center and the Federal<br />
Bureau of Investigation on the updated legal language<br />
for the campaign: “The use of recording devices is not<br />
permitted in this theater. Please report all suspicious<br />
activity to theater management. Use of audiovisual<br />
recording devices may be punishable by up to three<br />
years in federal prison and a fine of up to $250,000.<br />
Recording any portion of the trailer and/or feature film<br />
is against the law. Violators are subject to arrest and<br />
felony prosecution. For more information, please visit<br />
www.IPRCenter.gov.”<br />
NATO and MPAA also worked hard on creating<br />
a campaign that would resonate with your patrons as<br />
well as encourage proper in-theater etiquette. The goal<br />
of this year’s campaign is to highlight that not only is<br />
texting rude and talking on the phone obnoxious (issues<br />
that are unfortunately prevalent in most cinemas<br />
today), but that camcording/recording content in a<br />
theater is illegal. Last year’s on-screen campaign was<br />
a bit more heavy-handed and geared toward the laws;<br />
this year’s campaign was created to serve as an educational<br />
piece. If you would like to order the new movie<br />
theft poster, please contact NATO at nato@natodc.<br />
com. The 15-second on-screen PSA can be viewed at<br />
natoonline.org; you can download the PSA directly to<br />
your servers via Technicolor’s Trail Mix and Deluxe’s<br />
Trailers by Deluxe weekly hard-drive shipments, and it has already been<br />
uploaded to both Screenvision’s and NCM’s systems.<br />
If you currently have older versions of the movie theft one sheet<br />
posted in your theater, NATO and MPAA recommend that you replace<br />
it with the new one. NATO provides all movie theft materials free of<br />
charge to NATO members.<br />
NATO recommends that each cinema has a copy of the federal and<br />
state anti-camcord statute printed and accessible in the manager’s office.<br />
Unfortunately, we have found that many law-enforcement officers are<br />
not aware that (1) camcording in a theater is illegal and/or (2) what<br />
the anti-camcord law is. If theater management has a copy of both laws<br />
12 BoxOffice ® <strong>Pro</strong> The Business of Movies OCTOBER <strong>2013</strong>