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Boxoffice® Pro - October 2013

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EXHIBITION BRIEFS<br />

MOVERS AND SHAKERS<br />

n With ShowEast just around the<br />

corner, the annual convention<br />

and tradeshow<br />

has started<br />

to announce some<br />

of its award winners<br />

in earnest.<br />

Ellis Jacob, (left)<br />

president and<br />

CEO of Cineplex,<br />

will receive<br />

the Show<br />

E Award<br />

for his 25<br />

years of<br />

experience<br />

in Canadian<br />

exhibition<br />

and on<br />

the boards<br />

of industry<br />

associations<br />

including the Motion Picture<br />

Theatre Associations of Canada<br />

and NATO. The Al Shapiro Distinguished<br />

Service Award will go to<br />

Mike Polydoros, executive vice<br />

president of distribution operations<br />

for Lionsgate, whose charitable<br />

activities include serving on the<br />

advisory board for the Will Rogers<br />

charities and supporting Variety<br />

Children’s Charity. And Abramorama<br />

founder Richard Abramowitz<br />

will accept the Bingham Ray<br />

Memorial Award for demonstrating<br />

leadership in independent cinema.<br />

In addition, the event will present<br />

its <strong>2013</strong> International Distributor<br />

of the Year award to Giovanni<br />

Gentili, recognizing the veteran<br />

executive for a career serving the<br />

Hollywood studios throughout Latin<br />

America as well as his own company<br />

Andes Film, which distributes<br />

Sony, Disney, and indie films in<br />

Chile and Peru. The International<br />

Achievement Award in Exhibition<br />

will go to Grupo Cinemex, which,<br />

since its founding in 1995, has<br />

grown to the fifth-largest theater<br />

chain in the world with 217 theaters<br />

and 1,958 screens. And Brazil deputy<br />

Guilherme Campos will receive<br />

the Anti-Piracy Latin American<br />

Government Leadership award for<br />

his work to promote public and<br />

private sector cooperation and<br />

support of anti-counterfeiting and<br />

piracy field programs and events<br />

throughout Brazil.<br />

and entertainment facilities in the Changsha<br />

area of Hunan province. The companies are<br />

on track to complete construction of their<br />

first three multiplexes by the end of the year,<br />

with plans for another 40 by the end of 2016.<br />

Each location will house about 10 screens<br />

with all-digital projection, 3D, and alternative<br />

content.<br />

“With the growing urbanization trend, the<br />

Chinese population continues to move from<br />

rural areas to densely populated cities,” says<br />

UltraStar president John Ellison. “This presents<br />

a long-term opportunity to grow the movie<br />

industry in China as a whole and implement<br />

cinema technologies and concepts that have<br />

been successful here in the United States.”<br />

“The Chinese film market is growing rapidly<br />

as an industry, enabling UltraStar to bring<br />

capital, technology, and branding from a highly<br />

saturated market to a high-growth market,”<br />

adds Letian chairman Huidong Liu. “Both<br />

parties are committed to leveraging complementary<br />

resources, capabilities, and interaction<br />

between Chinese and American industry to<br />

create a competitive edge in the market and the<br />

global film sector.”<br />

MEXICO, CHINA GET REALD<br />

n With two new deals on both sides of the<br />

globe, RealD has expanded its worldwide footprint<br />

by 750 screens.<br />

The firm has inked a decade-long agreement<br />

with Cinemex, the world’s sixth-largest cinema<br />

exhibitor, to become the chain’s exclusive 3D<br />

provider. The pact covers approximately 700<br />

auditoriums in Mexico, including the replacement<br />

of 540 or so rival 3D systems over the<br />

next couple of years.<br />

“By joining forces with Cinemex, RealD<br />

will significantly increase our footprint across<br />

Mexico,” says Marlene Songin, RealD’s vice<br />

president of cinema. “This is a testament to<br />

RealD’s performance advantage and the<br />

commitment from exhibitors like Cinemex<br />

to deliver on the promise of 3D with a truly<br />

premium cinema experience.”<br />

Meanwhile, RealD has pacted with UME<br />

International Cineplex to install its 3D technology<br />

on 50 screens across the chain’s Northern<br />

China locations. Installation has already begun.<br />

With the 50 RealD screens already installed in<br />

UME theaters in Southern China, RealD will<br />

equip 100 screens across the circuit.<br />

“It is exciting to see UME’s continued<br />

development in the China cinema market, and<br />

RealD is honored to be a part of it,” says Edman<br />

Chan, RealD’s vice president and general<br />

manager of cinema in the Asia Pacific. Founded<br />

in 2002, UME expects to grow to 22 cinemas<br />

with 253 screens by the end of the year.<br />

RealD’s 3D cinema technology is installed<br />

in approximately 23,500 auditoriums by about<br />

1,000 exhibitors in 74 countries around the<br />

world.<br />

QUANTUM LEAP<br />

n Fandango has pacted to acquire Quantum<br />

Loyalty Solutions, the Incline Village, Neveda,<br />

firm that owns Hollywood Movie Money. With<br />

Quantum’s movie “currency” accepted at more<br />

than 35,000 screens nationwide, the deal will<br />

expand the online ticketer’s promotional ticket<br />

and gift-card business. The rewards will be redeemable<br />

through Fandango’s website and mobile<br />

apps, where users will be able to purchase<br />

additional tickets at the same time—driving<br />

business to the company’s ticketing offerings.<br />

“The marriage of Quantum’s promotions<br />

business and Fandango’s ticketing platform<br />

will offer unprecedented new opportunities<br />

for studios, exhibitors, and brands to engage<br />

with millions of moviegoers,” says Fandango<br />

president Paul Yanover. “We look forward to<br />

working with the Quantum team to build on<br />

Hollywood Movie Money’s momentum and<br />

help drive even more movie fans into theaters.”<br />

Financial terms of the deal, which is<br />

expected to close in the third quarter, were not<br />

disclosed.<br />

VUE TO THE CINEMAXX<br />

n Vue is one step closer to taking full control<br />

of CinemaxX AG. The British exhibitor paid<br />

nearly $200 million to buy an 84.6 percent<br />

stake in the German chain last year. Since then<br />

it’s been buying up minority stakes to the tune<br />

of 97.5 percent. Now Vue has gained the CinemaxX<br />

board of directors’ approval to “squeeze<br />

out” the remaining minority shareholders, who<br />

have a month to challenge the decision before<br />

it becomes binding.<br />

With CinemaxX, Vue operates 119 theaters<br />

in the United Kingdom, Ireland, Germany, and<br />

Denmark. The company inked to be acquired<br />

by Canadian investment groups OMERS<br />

Private Equity and Alberta Investment Management<br />

Corp. for $1.45 billion in June.<br />

CINEWORLD TO THE IMAX<br />

n Imax has expanded its revenue-sharing<br />

agreement with Cineworld Group, the United<br />

Kingdom’s largest cinema chain. Under the<br />

new deal, a giant screen will be added to an<br />

as-yet undetermined theater. In addition, the<br />

exhibitor will install a digital system in the<br />

Glasgow Science Center’s Imax theater, which<br />

it recently agreed to manage for the museum.<br />

Eventually the theater will transition to<br />

Imax’s dual 4K laser system. The pact brings<br />

Cineworld’s commitment to the large format<br />

to 13 screens.<br />

“As we expand our network throughout<br />

Europe, growing relationships with partners<br />

such as Cineworld is a key strategy to support<br />

our growth,” says Andrew Cripps, president of<br />

Imax EMEA. “Together with Cineworld, we<br />

look forward to bringing even more audiences<br />

across the U.K. the biggest blockbusters in the<br />

world’s most immersive film format.”<br />

6 BoxOffice ® <strong>Pro</strong> The Business of Movies OCTOBER <strong>2013</strong>

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