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EXHIBITION BRIEFS<br />
MOVERS AND SHAKERS<br />
n With ShowEast just around the<br />
corner, the annual convention<br />
and tradeshow<br />
has started<br />
to announce some<br />
of its award winners<br />
in earnest.<br />
Ellis Jacob, (left)<br />
president and<br />
CEO of Cineplex,<br />
will receive<br />
the Show<br />
E Award<br />
for his 25<br />
years of<br />
experience<br />
in Canadian<br />
exhibition<br />
and on<br />
the boards<br />
of industry<br />
associations<br />
including the Motion Picture<br />
Theatre Associations of Canada<br />
and NATO. The Al Shapiro Distinguished<br />
Service Award will go to<br />
Mike Polydoros, executive vice<br />
president of distribution operations<br />
for Lionsgate, whose charitable<br />
activities include serving on the<br />
advisory board for the Will Rogers<br />
charities and supporting Variety<br />
Children’s Charity. And Abramorama<br />
founder Richard Abramowitz<br />
will accept the Bingham Ray<br />
Memorial Award for demonstrating<br />
leadership in independent cinema.<br />
In addition, the event will present<br />
its <strong>2013</strong> International Distributor<br />
of the Year award to Giovanni<br />
Gentili, recognizing the veteran<br />
executive for a career serving the<br />
Hollywood studios throughout Latin<br />
America as well as his own company<br />
Andes Film, which distributes<br />
Sony, Disney, and indie films in<br />
Chile and Peru. The International<br />
Achievement Award in Exhibition<br />
will go to Grupo Cinemex, which,<br />
since its founding in 1995, has<br />
grown to the fifth-largest theater<br />
chain in the world with 217 theaters<br />
and 1,958 screens. And Brazil deputy<br />
Guilherme Campos will receive<br />
the Anti-Piracy Latin American<br />
Government Leadership award for<br />
his work to promote public and<br />
private sector cooperation and<br />
support of anti-counterfeiting and<br />
piracy field programs and events<br />
throughout Brazil.<br />
and entertainment facilities in the Changsha<br />
area of Hunan province. The companies are<br />
on track to complete construction of their<br />
first three multiplexes by the end of the year,<br />
with plans for another 40 by the end of 2016.<br />
Each location will house about 10 screens<br />
with all-digital projection, 3D, and alternative<br />
content.<br />
“With the growing urbanization trend, the<br />
Chinese population continues to move from<br />
rural areas to densely populated cities,” says<br />
UltraStar president John Ellison. “This presents<br />
a long-term opportunity to grow the movie<br />
industry in China as a whole and implement<br />
cinema technologies and concepts that have<br />
been successful here in the United States.”<br />
“The Chinese film market is growing rapidly<br />
as an industry, enabling UltraStar to bring<br />
capital, technology, and branding from a highly<br />
saturated market to a high-growth market,”<br />
adds Letian chairman Huidong Liu. “Both<br />
parties are committed to leveraging complementary<br />
resources, capabilities, and interaction<br />
between Chinese and American industry to<br />
create a competitive edge in the market and the<br />
global film sector.”<br />
MEXICO, CHINA GET REALD<br />
n With two new deals on both sides of the<br />
globe, RealD has expanded its worldwide footprint<br />
by 750 screens.<br />
The firm has inked a decade-long agreement<br />
with Cinemex, the world’s sixth-largest cinema<br />
exhibitor, to become the chain’s exclusive 3D<br />
provider. The pact covers approximately 700<br />
auditoriums in Mexico, including the replacement<br />
of 540 or so rival 3D systems over the<br />
next couple of years.<br />
“By joining forces with Cinemex, RealD<br />
will significantly increase our footprint across<br />
Mexico,” says Marlene Songin, RealD’s vice<br />
president of cinema. “This is a testament to<br />
RealD’s performance advantage and the<br />
commitment from exhibitors like Cinemex<br />
to deliver on the promise of 3D with a truly<br />
premium cinema experience.”<br />
Meanwhile, RealD has pacted with UME<br />
International Cineplex to install its 3D technology<br />
on 50 screens across the chain’s Northern<br />
China locations. Installation has already begun.<br />
With the 50 RealD screens already installed in<br />
UME theaters in Southern China, RealD will<br />
equip 100 screens across the circuit.<br />
“It is exciting to see UME’s continued<br />
development in the China cinema market, and<br />
RealD is honored to be a part of it,” says Edman<br />
Chan, RealD’s vice president and general<br />
manager of cinema in the Asia Pacific. Founded<br />
in 2002, UME expects to grow to 22 cinemas<br />
with 253 screens by the end of the year.<br />
RealD’s 3D cinema technology is installed<br />
in approximately 23,500 auditoriums by about<br />
1,000 exhibitors in 74 countries around the<br />
world.<br />
QUANTUM LEAP<br />
n Fandango has pacted to acquire Quantum<br />
Loyalty Solutions, the Incline Village, Neveda,<br />
firm that owns Hollywood Movie Money. With<br />
Quantum’s movie “currency” accepted at more<br />
than 35,000 screens nationwide, the deal will<br />
expand the online ticketer’s promotional ticket<br />
and gift-card business. The rewards will be redeemable<br />
through Fandango’s website and mobile<br />
apps, where users will be able to purchase<br />
additional tickets at the same time—driving<br />
business to the company’s ticketing offerings.<br />
“The marriage of Quantum’s promotions<br />
business and Fandango’s ticketing platform<br />
will offer unprecedented new opportunities<br />
for studios, exhibitors, and brands to engage<br />
with millions of moviegoers,” says Fandango<br />
president Paul Yanover. “We look forward to<br />
working with the Quantum team to build on<br />
Hollywood Movie Money’s momentum and<br />
help drive even more movie fans into theaters.”<br />
Financial terms of the deal, which is<br />
expected to close in the third quarter, were not<br />
disclosed.<br />
VUE TO THE CINEMAXX<br />
n Vue is one step closer to taking full control<br />
of CinemaxX AG. The British exhibitor paid<br />
nearly $200 million to buy an 84.6 percent<br />
stake in the German chain last year. Since then<br />
it’s been buying up minority stakes to the tune<br />
of 97.5 percent. Now Vue has gained the CinemaxX<br />
board of directors’ approval to “squeeze<br />
out” the remaining minority shareholders, who<br />
have a month to challenge the decision before<br />
it becomes binding.<br />
With CinemaxX, Vue operates 119 theaters<br />
in the United Kingdom, Ireland, Germany, and<br />
Denmark. The company inked to be acquired<br />
by Canadian investment groups OMERS<br />
Private Equity and Alberta Investment Management<br />
Corp. for $1.45 billion in June.<br />
CINEWORLD TO THE IMAX<br />
n Imax has expanded its revenue-sharing<br />
agreement with Cineworld Group, the United<br />
Kingdom’s largest cinema chain. Under the<br />
new deal, a giant screen will be added to an<br />
as-yet undetermined theater. In addition, the<br />
exhibitor will install a digital system in the<br />
Glasgow Science Center’s Imax theater, which<br />
it recently agreed to manage for the museum.<br />
Eventually the theater will transition to<br />
Imax’s dual 4K laser system. The pact brings<br />
Cineworld’s commitment to the large format<br />
to 13 screens.<br />
“As we expand our network throughout<br />
Europe, growing relationships with partners<br />
such as Cineworld is a key strategy to support<br />
our growth,” says Andrew Cripps, president of<br />
Imax EMEA. “Together with Cineworld, we<br />
look forward to bringing even more audiences<br />
across the U.K. the biggest blockbusters in the<br />
world’s most immersive film format.”<br />
6 BoxOffice ® <strong>Pro</strong> The Business of Movies OCTOBER <strong>2013</strong>