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in the Eyes of music<br />
by Domonique Morris<br />
Squad. Females were always<br />
in love with my eyes so for<br />
a while they called me Eyes<br />
because they are so bright.<br />
Due to the group everybody<br />
nick name has the last name<br />
“Us.” So because they call me<br />
Eyes I added the “Us” to the<br />
end and that is how my name<br />
was created.<br />
What made you want to get<br />
into the dancehall music<br />
business?<br />
BOSS MAGAZINE ARTS & ENTERTAINMENT<br />
Ricardo ‘Eyesus’ Rohen is one of Toronto’s reggae<br />
entertainers. He has worked with artists such as Norris<br />
Man, Toledo, and has gone on tour with well known<br />
dancehall artists. I had the wonderful opportunity to<br />
speak with Eyesus about his life as a musician, his views on<br />
dancehall’s music industry, as well as inspirational insight<br />
for those who are trying to get into the industry.<br />
For those who don’t know you, can<br />
you tell our Boss Magazine readers<br />
who you are and please explain the<br />
meaning behind your name Eyesus?<br />
Well, Eyesus is one of Toronto’s<br />
reggae entertainers. I have been doing<br />
music over the years and I have gone<br />
international doing music with a lot of<br />
known artists such as Norris Man, Jah<br />
Vinci, I-Octane, Toledo, and a lot more.<br />
I’ve done a video with Jah Vinci that was<br />
number one in Jamaica called We Hate<br />
Yuh First. Now I have a single, a dance<br />
song, called One Drop that is being<br />
played all over the world. The name<br />
Eyesus was developed when I was living<br />
in Jamaica. There is a group called Us<br />
When I was going to primary<br />
school in Jamaica around<br />
grade 4 and 5, I was like a<br />
deejay in the class. Some<br />
classmates and I would beat<br />
the desk and sing to the<br />
point where there would be<br />
a sound clash for money at<br />
lunch time and the whole<br />
school would start taking<br />
you in. There was bare<br />
excitement! I was one of<br />
the favourites those times<br />
at school. When they would<br />
have a school fete, I was the<br />
main artist that the whole<br />
school would wait to see<br />
go on stage and perform.<br />
That encouragement from<br />
a young age grew in me and<br />
allowed me to develop a<br />
passion for making music.<br />
Alright! So who are your idols then?<br />
Who is your inspiration? Who are<br />
the mentors that you look up to<br />
and how have they assisted in the<br />
developmental stages of your craft?<br />
In the business there are a lot of artists<br />
that I look up to now. However, I don’t<br />
exactly do what they do. I listen to<br />
artists like Beres, Bob Marley, Shabba<br />
Ranks and Buju.<br />
You mentioned Jah Vinci and<br />
collaborating with him to create the<br />
song We Hate Yuh First. How did that<br />
come to be?<br />
Jah Vinci is an artist I met that has the<br />
same last name as me. Our generation<br />
of family comes from August Town so<br />
it was compulsory that we both link up<br />
since we might be family. So we built<br />
a relationship where we reasoned and<br />
he said, “You know wha gwan? Yuh bad<br />
still y’know…we should have a song<br />
together!” When he finally came to<br />
Canada we linked up in the studio and<br />
put our creativity<br />
I read in an article that you are<br />
pushing your music mainly in Jamaica.<br />
How come?<br />
Imagine sitting at home in the dark. You<br />
need a candle but the candle is not at<br />
the convenience store by your house. If<br />
you don’t go anywhere else away from<br />
the convenience store you are going<br />
to stay in the dark for the rest of your<br />
time. Sometimes you have to come out<br />
of your own boundaries. Once you get<br />
a #1 hit in Jamaica you are a hit around<br />
the world. If you create a number one<br />
hit in Canada, you remain in Canada<br />
only because there is no dancehall<br />
market in Canada for people to be<br />
zooming in on.<br />
I like that analogy! So what makes<br />
you stand out in the dancehall<br />
community?<br />
A lot of people don’t try to say what<br />
the people want. They try to push what<br />
they want in the people and nowadays<br />
people have their own mind. If you<br />
write songs about things that you see,<br />
the everyday life, then a lot of people<br />
can relate to it. If I write something due<br />
to my experience and you can’t relate<br />
to it you’re just going to listen and keep<br />
going; it won’t gravitate to you and pull<br />
you in.<br />
As an up and coming artist what advice<br />
would you give to those who are trying<br />
to make it in the dancehall industry?<br />
The advice I would give is not to give up.<br />
There is a time for everything…today<br />
for you, tomorrow for me. Everybody<br />
is not going to shine the same time. If<br />
you really love something you have to<br />
put your heart and your mind into it.<br />
WINTER 2013 BOSS MAGAZINE<br />
58<br />
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