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y: Nicole Seck<br />

purple. My memory won’t verify.<br />

But as a child, communicating<br />

with my hands, creating things<br />

was my second nature. One of<br />

my favourite things to do when<br />

I came to Canada in grade school<br />

was melt pieces of brightly-toned<br />

plasticine together on the heating<br />

grill, because I liked the way the<br />

colours looked blended. And the<br />

exploration continued onwards,<br />

with sketching, and in high school,<br />

painting.<br />

audience with my own vision is also<br />

challenging. As much as I would like<br />

others to appreciate what I do, when<br />

setting out to create, there needs to<br />

be distance between the expectations<br />

and requirements of others looking in.<br />

What is your signature style as<br />

it pertains to your art? In other<br />

words, what makes your artwork<br />

distinguishable from that of others?<br />

Most of my recent works are using<br />

mixed media. I also use animal motifs<br />

it takes. It frees others looking on or<br />

provokes more out of them. That’s<br />

why spoken word moves me so much.<br />

These artists bare their hearts, their<br />

blemishes on stage, proudly. As an<br />

incredible woman I knew once said,<br />

“we suffer to inspire.” My Jamaican<br />

heritage grounds me. My connection to<br />

the ocean is a significant inspiration for<br />

my work, which is expressed through<br />

Art of Ciel.<br />

Which artists, living or deceased,<br />

inspire you?<br />

“I believe that unapologetic self-expression is paramount.<br />

It’s healing to create something, whatever form it takes.<br />

It frees others looking on or provokes more out of them.”<br />

BOSS MAGAZINE ARTS & ENTERTAINMENT<br />

of Fall 2013, she does not yet have the<br />

freedom to do what she wants, given<br />

the confinements of student life (which<br />

I am certain many of us can relate).<br />

Although many would perceive it to<br />

be a great achievement, having her<br />

striking art commissioned for display<br />

by a bed-and-breakfast in Jamaica<br />

falls short of Camille’s many visions for<br />

herself as an artist. Camille believes<br />

that achievement to be peanuts as far<br />

as accomplishments go, as she intends<br />

to take her art career to soaring heights<br />

while holding on to becoming an art<br />

therapist as a career goal, which is near<br />

and dear to her heart.<br />

Camille is a true visionary who praises<br />

her teachers for having passionately<br />

encouraged her to pursue art at St.<br />

Augustine’s Catholic Secondary School<br />

located in Brampton, Ontario. In the<br />

same manner that her former teachers<br />

saw something exceptional in her,<br />

Camille would like the world to know<br />

that they too have something special.<br />

Most poignantly, Camille expresses: “it only<br />

takes yourself to realize how masterful<br />

you are; you do not need anyone else to<br />

validate you.” To that I say, ditto.<br />

“Art is....” Complete the sentence.<br />

Vulnerability on display. Art is emotion<br />

dripped on canvas. Sensations are<br />

temporary, but paint makes the<br />

moment eternal and shareable. Art<br />

spills out from our lives in so many<br />

ways.<br />

When did you first discover that you<br />

were an artist?<br />

One of my fondest memories as a child<br />

was winning my first colouring contest<br />

while I lived in Bonaire. I was four years<br />

old, it was a Dalmatians theme and I<br />

must have coloured the dogs beige and<br />

Describe the thought process<br />

immediately prior to the creation<br />

of your masterpieces.<br />

“This needs to get out, NOW.”<br />

Often, when I hit the canvas,<br />

surface the fabric it’s after the idea<br />

has been brewing in my mind for<br />

quite some time. After scribbling<br />

the concept in my sketchbook,<br />

it takes time to simmer. And<br />

when it comes out, it’s a burst of<br />

energy that ideally comes out in<br />

one setting. That’s why I gravitate<br />

towards live painting so much. It’s<br />

pressure, yes. But within that time<br />

period, I know that what is roaring<br />

around inside will get a chance<br />

to come out, pour forth at high<br />

velocity. I will be cleansed at the<br />

speed that I create. Colour therapy<br />

is truly what it is to me.<br />

What are some challenges you face<br />

as an artist?<br />

Primarily, carving out the time to paint,<br />

and guarding it with my life. It’s easy to<br />

be caught up in unrelated projects, highpriority<br />

to-dos and goals and neglect<br />

your true love. But when I do let myself<br />

start, hours tick away on a different<br />

clock. Time moves FAST. Painting has<br />

an undeniable call to me, and my soul<br />

craves the act of creating as much as<br />

the canvas needs the artists hand to be.<br />

Balancing the demands of the<br />

and urban scenes and curvy looping<br />

lines for natural hair. In my “Brown<br />

Sugar Steaming” painting I used shells,<br />

sugar, salt, dried flowers, acrylic paint,<br />

leaves I collected in Jamaica and<br />

Florida. In other pieces I use feathers,<br />

stitched fabric, spray paint, India ink<br />

and sand. One of the pieces that has<br />

garnered a lot of appreciation is this<br />

piece called, “NaturalistaGLAM.” I<br />

painted it on a metallic fabric, though<br />

people tend to think is sheet metal<br />

and are always so surprised when they<br />

touch it and feel this softness under<br />

their fingertips. It depicts one of my<br />

favourite singers: Elle Varner.<br />

What, if anything, do you believe<br />

defines you as an artist?<br />

I created a live piece at an art<br />

competition called “OUTKAST” of a<br />

wild black sheep. The black sheep I<br />

painted represents that individual who<br />

is underestimated, who doesn’t have<br />

any distinctly visible advantages that<br />

will help them to “make it.” But it has<br />

a chance and the thing that makes<br />

it stand out can actually become a<br />

strength that leads it to the realization<br />

of its dreams. This black sheep has the<br />

vivacity, the persistence, the necessary<br />

confidence to pull through. I see my<br />

story wrapped up in this black sheep.<br />

I believe that unapologetic selfexpression<br />

is paramount. It’s healing<br />

to create something, whatever form<br />

I’m actually most inspired by musicians.<br />

Music is my sustenance, I replenish<br />

often and drink it in while I create.<br />

Jessie Boykins III, Frank Ocean, J. Cole,<br />

Tegan and Sara, Kendrick Lamar, Talib<br />

Kweli, Elle Varner, Janelle Monae, to<br />

name a few. Powerful, transformative,<br />

optimistic, pure, honest. Worlds are<br />

created through the portals of the<br />

ear, with the golden medium of sound.<br />

When you can hear that persistent<br />

passion in their voice, that underdog<br />

dream, that drive to make it, it’s so<br />

motivating for me to continue pursuing<br />

my dreams with fervour. How could I<br />

give any less?<br />

Camille is one of two<br />

Creative Directors<br />

and Curators for the<br />

Spoke N’ Heard event,<br />

the Emanate Gallery<br />

Exhibit. Emanate took<br />

place at the Arta Gallery<br />

on August 7th, 2013<br />

and featured her work<br />

alongside those of 18<br />

incredibly talented<br />

creators. For more<br />

information on this<br />

exhibit, you can visit<br />

www.spokenheard.ca<br />

WINTER 2013 BOSS MAGAZINE<br />

64<br />

65

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