1. The 15-Second Principle
1. The 15-Second Principle
1. The 15-Second Principle
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Page 134<br />
A master is basically a passionate student who keeps showing up to learn just a little more and improve<br />
one more nuance or skill. Master-students also know that they will never graduate, nor do they want to.<br />
What keeps the master-student perpetually enrolled is the fascination with the subject matter. <strong>The</strong><br />
Japanese have a word, kaisen, that comes very close to describing student-mastery: "a span of continuous<br />
and never-ending improvement." Mastery, then, is more a state of impassioned inquisitiveness than a<br />
definable point or a fixed level of proficiency.<br />
I was blessed to have been introduced to the master-student concept at the ripe old age of 13. <strong>The</strong><br />
revelation occurred one day at the Long Island Institute of Music, where I was studying. As I was waiting<br />
for my clarinet lesson to begin, the director of the institute asked me if I was aware that I had something in<br />
common with Benny Goodman. I couldn't imagine what this brilliant musician and I had in common, so I<br />
answered, "No." <strong>The</strong> director responded that our commonality was that we were both taking lessons from<br />
my teacher, Mr. Duques. I couldn't believe my ears. Why would the most famous clarinetist in the world still<br />
be studying? I knew that Augustin Duques was a great clarinetist (he had been the principal clarinetist in<br />
Toscanini's NBC Symphony Orchestra), but I was still quite taken aback by this fascinating piece of<br />
information. What I soon discovered was that Mr. Goodman was aware of the limitless nature of his craft,<br />
which he responded to by becoming a master-student.<br />
A master-student polishes his strong points and fortifies his weaker points. If Benny Goodman did have a<br />
weaker area, it was his classical side. To strengthen this, he sought out Mr. Duques, a master classical<br />
teacher. Perhaps Mr. Goodman just needed a set of trained classical ears to critique his playing. Or maybe<br />
he was looking for an alternative fingering, a better way of practicing scales, or a new way of improving his<br />
tone. Apparently, by placing his ego in the freezer and nurturing his inquisitive side, Benny Goodman was<br />
able to reap musical benefits from many people. This, in turn, enabled him constantly to refine his craft.<br />
A master-student does not grab for that elusive brass ring that will always be just a little out of reach.<br />
Instead, he approaches life as though he already has the brass ring. All he is constantly doing is molding,<br />
sanding, and polishing it. Mastery is an approach, an attitude, a state of being.