Moravian Preservation Master Plan.indb - Society for College and ...
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<strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
<strong>for</strong><br />
<strong>Moravian</strong> <strong>College</strong><br />
Bethlehem, Pennsylvania<br />
prepared by<br />
John Milner Associates, Inc.<br />
West Chester, Pennsylvania<br />
October 2009
<strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
<strong>for</strong><br />
<strong>Moravian</strong> <strong>College</strong><br />
Bethlehem, Pennsylvania<br />
Prepared by<br />
JMA<br />
John Milner Associates, Inc.<br />
535 North Church Street<br />
West Chester, Pennsylvania 19380<br />
Project Team<br />
Katherine L. Farnham — Project Architectural Historian/Project Manager<br />
Laura Knott, ASLA, RLA — Principal L<strong>and</strong>scape Architect<br />
Christina Osborn, Associate ASLA — L<strong>and</strong>scape Architectural Designer<br />
Lori Aument, LEED-AP — Architectural Conservator<br />
Wade Catts, RPA — Principal Archeologist<br />
Thomas Scofield, AICP — Principal <strong>Preservation</strong> <strong>Plan</strong>ner<br />
Peter Benton, FAIA — Project Director<br />
October 2009
<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
Acknowledgements<br />
Prepared For<br />
<strong>Moravian</strong> <strong>College</strong><br />
Bethlehem, Pennsylvania<br />
Project Advisory Committee<br />
Dr. Hilde Bin<strong>for</strong>d — Associate Professor of Music<br />
Mr. Blair Flintom — Facilities Coordinator, Priscilla Payne Hurd Campus<br />
Mr. Douglas J. Plotts — Director of Facilities Management, <strong>Plan</strong>ning <strong>and</strong> Construction<br />
Ms. Sue Schamberger — Director of Foundation Relations<br />
Dr. Carol Traupman-Carr — Associate Dean <strong>for</strong> Academic Affairs<br />
The JMA project team would like to acknowledge the insight, documents, photos, <strong>and</strong> other assistance<br />
provided by Ms. Sue Schamberger, Director of Foundation Relations at <strong>Moravian</strong> <strong>College</strong>.<br />
Funded By<br />
J. Paul Getty Trust<br />
Getty Campus Heritage Grant<br />
October 2009<br />
When citing this report, please use Farnham, Katherine, Laura Knott, Christina Osborn, Lori Aument,<br />
Wade Catts, Thomas Scofield, <strong>and</strong> Peter Benton (Farnham et al.), <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> <strong>for</strong> <strong>Moravian</strong><br />
<strong>College</strong> (2009).<br />
John Milner Associates • October 2009 • Acknowledgements • iii
<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
Table of Contents<br />
Chapter 1 • Introduction<br />
1.0 Introduction 1<br />
1.1 Project Background <strong>and</strong> Purpose 1<br />
Methodology 1<br />
Project Personnel 2<br />
<strong>Preservation</strong> Issues 2<br />
1.2 How to Use the Guidelines 2<br />
1.3 How the <strong>Preservation</strong> <strong>Plan</strong> Is Organized 4<br />
Chapter 2 • Historic Overview of <strong>Moravian</strong> <strong>College</strong><br />
2.0 Introduction 5<br />
2.1 Bethlehem: <strong>Moravian</strong> Capital to Industrial Giant 5<br />
Natural <strong>and</strong> Scenic Qualities of Bethlehem 5<br />
Roots of <strong>Moravian</strong> Faith 5<br />
Beginnings of Bethlehem 7<br />
Bethlehem: The Eighteenth Century 9<br />
End of the <strong>Moravian</strong> Economy 1762-1770 10<br />
The Buildings of Early Bethlehem 1742-1770 11<br />
Bethlehem from 1770–1800 13<br />
Urbanization of Bethlehem 1790-1850 14<br />
Industrial Bethlehem 15<br />
Twentieth Century Bethlehem 17<br />
2.2 Education in the <strong>Moravian</strong> Tradition 18<br />
<strong>Moravian</strong> Educational Philosophy 18<br />
The <strong>Moravian</strong> Female Seminary 18<br />
The <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary 24<br />
Merger of Two Institutions 28<br />
<strong>Moravian</strong> <strong>College</strong> Campus Expansion: 1956-1978 29<br />
2.3 Historic <strong>Preservation</strong> in Bethlehem 31<br />
2.4 <strong>Moravian</strong>’s Recent Years 32<br />
2.5 Conclusion 33<br />
Chapter 3 • <strong>Moravian</strong> <strong>College</strong> in Context<br />
3.0 Introduction 35<br />
3.1 Community <strong>Plan</strong>ning <strong>and</strong> Development 35<br />
<strong>Moravian</strong> Settlements in North America 35<br />
<strong>Moravian</strong> Bethlehem 36<br />
The <strong>Moravian</strong> Mile: Growth <strong>and</strong> Development of the North Main Street Neighborhood 39<br />
3.2 <strong>Moravian</strong> Beliefs <strong>and</strong> Educational Principles 40<br />
3.3 Nature <strong>and</strong> Nurture: Nineteenth Century Campus <strong>Plan</strong>ning 40<br />
John Milner Associates • October 2009 • Table of Contents • v
<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
<strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies 41<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary 43<br />
3.4 The New University – Specialization <strong>and</strong> Modernization 44<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary 44<br />
<strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies 46<br />
3.5 Postwar Modernism 46<br />
Merger <strong>and</strong> Modern Needs 47<br />
3.6 Postmodernism 48<br />
<strong>Moravian</strong>: A Postmodern Vocabulary 48<br />
3.7 <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> the Historic <strong>Preservation</strong> of Bethlehem 49<br />
Chapter 4 • Stewardship at <strong>Moravian</strong> <strong>College</strong><br />
4.0 Introduction 53<br />
4.1 <strong>Moravian</strong> <strong>College</strong>: Mission <strong>and</strong> Character 53<br />
4.2 Vision <strong>for</strong> Stewardship 54<br />
<strong>Preservation</strong> Objectives 54<br />
4.3 Historical Significance 54<br />
Significance 54<br />
Integrity 56<br />
Existing Conditions 56<br />
4.4 Historic Designation 57<br />
Priscilla Payne Hurd Campus 57<br />
North Main Street Campus 57<br />
4.5 <strong>Preservation</strong> Treatments <strong>and</strong> the Secretary of the Interior’s St<strong>and</strong>ards 58<br />
<strong>Preservation</strong> 58<br />
Rehabilitation 59<br />
Restoration 60<br />
Reconstruction 61<br />
4.6 A Treatment Philosophy <strong>and</strong> Recommended Approach <strong>for</strong> <strong>Moravian</strong> <strong>College</strong> 62<br />
St<strong>and</strong>ards <strong>for</strong> Rehabilitation 63<br />
4.7 Principles <strong>for</strong> Accommodating Change 67<br />
Chapter 5 • Cultural L<strong>and</strong>scapes at <strong>Moravian</strong> <strong>College</strong><br />
5.0 Introduction 69<br />
5.1 Methodology 69<br />
5.2 Context <strong>and</strong> Setting 69<br />
City of Bethlehem 71<br />
5.4 Character Areas 72<br />
Hurd Campus Character Area 73<br />
Steel Field Character Area 94<br />
Comenius Lawn Character Area 99<br />
Old Quad Character Area 107<br />
Monocacy Quad Character Area 112<br />
Colonial Hall Character Area 116<br />
Sports Quad Character Area 121<br />
Hillside Character Area 127<br />
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Betty Prince Field Character Area 130<br />
Campus Ring Character Area 133<br />
5.5 Significant Historic L<strong>and</strong>scapes <strong>and</strong> their Character-Defining Features 138<br />
Table 5A. Significant Historic L<strong>and</strong>scapes 139<br />
Table 5B. Other L<strong>and</strong>scapes of Note 141<br />
Chapter 6 • Guidelines <strong>for</strong> Cultural L<strong>and</strong>scapes<br />
6.0 Introduction 143<br />
6.1 L<strong>and</strong>scape <strong>Preservation</strong> Treatment Approach 143<br />
6.2 Cultural L<strong>and</strong>scape Guidelines 143<br />
General 143<br />
Natural Systems <strong>and</strong> Features 144<br />
Spatial Organization 145<br />
Buildings 145<br />
L<strong>and</strong> Use 145<br />
Circulation Features 145<br />
Views <strong>and</strong> Vistas 147<br />
Vegetation 147<br />
L<strong>and</strong>scape Structures 150<br />
Site Furnishings <strong>and</strong> Objects 151<br />
Archeological Resources 154<br />
Chapter 7 • Character Area Treatment Recommendations<br />
7.0 Introduction 155<br />
7.1 Character Area Treatment Recommendations 155<br />
Hurd Campus Character Area 155<br />
Steel Field Character Area 160<br />
Comenius Lawn Character Area 161<br />
Old Quad Character Area 164<br />
Monocacy Quad Character Area 167<br />
Colonial Hall Character Area 169<br />
Sports Quad Character Area 170<br />
Hillside Character Area 171<br />
Betty Prince Field Character Area 171<br />
Campus Ring Character Area 171<br />
Chapter 8 • Historic Buildings at <strong>Moravian</strong> <strong>College</strong><br />
8.0 Introduction 173<br />
8.1 Priscilla Payne Hurd Campus Buildings 173<br />
The Single Brethren’s House – 1748 174<br />
West Hall – 1859 181<br />
Hyphen Addition – ca. 1859 187<br />
Old Chapel Building/Hearst Hall – 1848 188<br />
New Chapel/Peter Hall – 1867 192<br />
South Hall – 1873 197<br />
Payne Art Gallery – 1890 203<br />
Day House – 1840 207<br />
Main Hall – 1854 209<br />
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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
John Frederick Frueauff House – 1819 214<br />
Widows’ House – 1768 217<br />
Clewell Hall – 1867 223<br />
8.2 Steel Field 226<br />
Gr<strong>and</strong>st<strong>and</strong> – 1916 226<br />
8.3 North Main Street Campus 230<br />
Comenius Hall – 1891 230<br />
Hamilton Hall – 1820 241<br />
Zinzendorf Hall – 1891 246<br />
Monocacy Hall – 1913 252<br />
Memorial Hall – 1923 257<br />
Johnston Hall – 1952 262<br />
Colonial Hall – 1930 265<br />
Other Buildings 270<br />
8.4 Campus Ring 270<br />
8.5 Overall Conditions – Key <strong>Preservation</strong> Issues 274<br />
<strong>Preservation</strong> Issue #1 – Masonry 274<br />
<strong>Preservation</strong> Issue #2 – Windows 276<br />
<strong>Preservation</strong> Issue #3 – Roofs <strong>and</strong> Roofing 277<br />
Chapter 9 • Treatment Guidelines <strong>for</strong> Buildings<br />
9.0 Introduction 279<br />
Applying the Secretary of the Interior’s St<strong>and</strong>ards 279<br />
9.1 Site Drainage 280<br />
Typical Site Drainage Conditions 280<br />
Site Drainage Inspection 280<br />
Causes of Site Drainage Deterioration 280<br />
Site Drainage Improvements 281<br />
9.2 Concrete 281<br />
Typical Concrete Conditions 281<br />
Concrete Inspection 282<br />
Causes of Concrete Deterioration 282<br />
Concrete Repair <strong>and</strong> Replacement 283<br />
9.3 Masonry 283<br />
Stone 283<br />
Brick 284<br />
Typical Masonry Conditions 284<br />
Masonry Inspection 284<br />
Causes of Masonry Deterioration 285<br />
Masonry Repair 287<br />
Replication Mortar Mixes 291<br />
Good Repointing Practice 292<br />
Masonry Replacement 292<br />
9.4 Metals 293<br />
Typical Metal Conditions 293<br />
Metal Inspection 293<br />
Causes of Metal Deterioration 293<br />
Metal Repair 293<br />
Metal Replacement 293<br />
John Milner Associates • October 2009 • Table of Contents • viii
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9.5 Exterior <strong>and</strong> Structural Wood 294<br />
Typical Wood Conditions 294<br />
Wood Inspection 294<br />
Causes of Wood Deterioration 295<br />
Wood Repair 296<br />
Wood Replacement 297<br />
9.6 Roofs <strong>and</strong> Drainage Systems 298<br />
Typical Roof <strong>and</strong> Roof Drainage System Conditions 299<br />
Roof <strong>and</strong> Roof Drainage System Inspection 299<br />
Roof <strong>and</strong> Roof Drainage System Repair 300<br />
Rooftop Additions <strong>and</strong> Attachments 302<br />
Roof Replacement or Alteration 302<br />
Roof Insulation 303<br />
9.7 Doors 303<br />
Typical Door Conditions 303<br />
Door Inspection <strong>and</strong> Maintenance 303<br />
Causes of Door Deterioration 304<br />
Door Repair 304<br />
Door Replacement or Reconstruction 304<br />
9.8 Windows 305<br />
Typical Window Conditions 305<br />
Window Inspection <strong>and</strong> Maintenance 305<br />
Causes of Window Deterioration 305<br />
Window Repair 306<br />
Window Weatherization 306<br />
Window Replacement <strong>and</strong> Alteration 307<br />
9.9 Stucco 309<br />
Typical Stucco Conditions 309<br />
Stucco Inspection 309<br />
Causes of Stucco Deterioration 309<br />
Stucco Repair <strong>and</strong> Replacement 309<br />
9.10 Paint 310<br />
Paint Inspection <strong>and</strong> Maintenance 310<br />
Repair <strong>and</strong> Repainting 311<br />
Historic Paint Colors 312<br />
9.11 Interiors 312<br />
Typical Conditions 313<br />
Inspection 313<br />
Causes of Deterioration 313<br />
Repair <strong>and</strong> Renovation 314<br />
Chapter 10 • Guidelines <strong>for</strong> New Construction <strong>and</strong> Alterations<br />
10.0 Introduction 315<br />
Existing Administrative Procedures 315<br />
10.1 Administrative <strong>and</strong> Management Recommendations 316<br />
General Recommendations 316<br />
Guidelines <strong>for</strong> New Construction 319<br />
Guidelines <strong>for</strong> Rehabilitation <strong>and</strong> Adaptive Use 321<br />
Recommendations <strong>for</strong> Energy Conservation <strong>and</strong> New Building Systems 322<br />
Recommendations <strong>for</strong> Sustainable Design 324<br />
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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
Recommendations <strong>for</strong> Barrier-Free Access 327<br />
References Cited 329<br />
Appendix A • 1968 HABS Documentation of the Single Brethren’s House 335<br />
Appendix B • National Park Service Technical Publications 383<br />
<strong>Preservation</strong> Briefs 383<br />
<strong>Preservation</strong> Tech Notes 391<br />
John Milner Associates • October 2009 • Table of Contents • x
<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
Chapter One<br />
Introduction<br />
1.0 Introduction<br />
<strong>Moravian</strong> <strong>College</strong> is among the oldest colleges<br />
in the United States. Its historical significance<br />
spans nearly three centuries <strong>and</strong> represents a<br />
diverse array of social, religious, <strong>and</strong> architectural<br />
influences. Present-day <strong>Moravian</strong> <strong>College</strong> retains<br />
its historical emphasis on intellectual curiosity,<br />
personal integrity, community cohesiveness, <strong>and</strong><br />
strengths in music <strong>and</strong> the fine arts, a rich tradition<br />
of excellence h<strong>and</strong>ed down from the strong faith,<br />
values, scholarship, music <strong>and</strong> h<strong>and</strong>icrafts of the<br />
eighteenth-century <strong>Moravian</strong> community.<br />
The historic buildings <strong>and</strong> l<strong>and</strong>scape resources on<br />
<strong>Moravian</strong> <strong>College</strong>’s two campuses were built by<br />
<strong>Moravian</strong>s of different generations, but most derive<br />
from distinct European roots <strong>and</strong> community<br />
patterns established long ago. American design<br />
trends, educational beliefs, <strong>and</strong> cultural influences<br />
have combined with <strong>Moravian</strong> culture <strong>and</strong> European<br />
vernacular architecture to <strong>for</strong>m campuses of<br />
unique historic character. Generations of students:<br />
young girls, college men <strong>and</strong> women, <strong>and</strong> theology<br />
students have been educated here. The <strong>Moravian</strong><br />
Church <strong>and</strong> generations of administrators, faculty,<br />
employees, alumni, <strong>and</strong> benefactors have helped to<br />
shape the school into the campuses we see today<br />
(figure 1-1).<br />
This preservation master plan explores the physical<br />
connections between the <strong>College</strong>’s past <strong>and</strong> present.<br />
As <strong>Moravian</strong> <strong>College</strong> continues to exp<strong>and</strong> <strong>and</strong><br />
evolve, it is important to recognize <strong>and</strong> preserve<br />
those aspects of its history that have helped define<br />
its character <strong>and</strong> identity. It is equally important to<br />
identify <strong>and</strong> celebrate those aspects of its history<br />
that can help guide its future.<br />
1.1 Project Background <strong>and</strong><br />
Purpose<br />
<strong>Moravian</strong> <strong>College</strong> has long recognized the<br />
importance of its history <strong>and</strong> the quality of its<br />
physical character. The image of the <strong>College</strong>, which<br />
is in large part the image of its historic buildings<br />
<strong>and</strong> l<strong>and</strong>scape, is meaningful <strong>and</strong> important to<br />
students, faculty, staff, <strong>and</strong> alumni, as well as to<br />
local residents <strong>and</strong> the general public. In early<br />
2008, <strong>Moravian</strong> <strong>College</strong> was awarded a generous<br />
grant from the J. Paul Getty Trust through its Getty<br />
Campus Heritage Grant program. The purpose of<br />
the grant was to create a <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
<strong>for</strong> the <strong>College</strong>’s campus. John Milner Associates,<br />
Inc. (JMA) was retained to prepare the <strong>Moravian</strong><br />
<strong>College</strong> <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> <strong>and</strong> began work in<br />
the early summer of 2008. An Advisory Committee,<br />
comprised of <strong>Moravian</strong> <strong>College</strong> faculty <strong>and</strong> staff,<br />
was <strong>for</strong>med to review the work being done.<br />
Methodology<br />
The planning process began with the collection<br />
of data <strong>and</strong> background materials on <strong>Moravian</strong><br />
<strong>College</strong>’s history. Books, clippings, old <strong>College</strong><br />
publications, historic maps, plans <strong>and</strong> photographs<br />
were among the items reviewed during research.<br />
These materials were reviewed through the Office<br />
of Development, Facilities, <strong>and</strong> the Reeves Library<br />
Archives at <strong>Moravian</strong> <strong>College</strong>, <strong>and</strong> the <strong>Moravian</strong><br />
Church Archives.<br />
The JMA project team then conducted field<br />
investigations of the historic buildings <strong>and</strong><br />
l<strong>and</strong>scapes of the dual campuses, taking notes<br />
<strong>and</strong> digital photographs. Utilizing the historical<br />
in<strong>for</strong>mation found in the data review, the team<br />
identified the resources <strong>and</strong> assessed the character,<br />
condition, significance, <strong>and</strong> integrity of each built<br />
resource or l<strong>and</strong>scape.<br />
Once the existing conditions had been reviewed<br />
<strong>and</strong> analyzed, the focus turned to developing a<br />
preservation approach in concert with <strong>Moravian</strong><br />
<strong>College</strong>’s stated mission <strong>and</strong> goals. Using<br />
the Secretary of the Interior’s St<strong>and</strong>ards, the<br />
team recommended both general <strong>and</strong> specific<br />
treatments <strong>for</strong> historic buildings <strong>and</strong> l<strong>and</strong>scapes,<br />
<strong>and</strong> developing guidelines to aid in future work<br />
processes affecting <strong>Moravian</strong> <strong>College</strong>’s historic<br />
resources, including guidance <strong>for</strong> new construction<br />
<strong>and</strong> maintenance cycles.<br />
Draft versions of the history, stewardship, existing<br />
conditions, <strong>and</strong> treatment recommendations<br />
<strong>and</strong> guidelines were presented <strong>and</strong> reviewed<br />
by the Advisory Committee. Following review<br />
John Milner Associates • October 2009 • Chapter 1 • Introduction • 1
<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
<strong>and</strong> feedback, the consultants prepared the final<br />
<strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>.<br />
Project Personnel<br />
Peter C. Benton served as Project Director <strong>and</strong><br />
Katherine Farnham served as Project Manager <strong>for</strong><br />
the <strong>Moravian</strong> <strong>College</strong> <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>. Ms.<br />
Farnham also prepared the historic overview <strong>and</strong><br />
context <strong>and</strong> wrote <strong>and</strong> edited much of the report<br />
text. L<strong>and</strong>scape existing conditions assessment,<br />
historic l<strong>and</strong>scape treatment recommendations,<br />
<strong>and</strong> all project maps were prepared by Christina<br />
Osborn <strong>and</strong> Laura Knott. Ms. Osborn also compiled<br />
<strong>and</strong> prepared the report. Wade Catts provided<br />
archeological analysis as part of the l<strong>and</strong>scape<br />
evaluation. Architectural existing conditions<br />
assessment of <strong>Moravian</strong> <strong>College</strong>’s buildings <strong>and</strong><br />
recommendations <strong>for</strong> treatment were completed<br />
by Lori Aument, Peter Benton, Katherine Farnham,<br />
<strong>and</strong> Thomas Scofield.<br />
The <strong>College</strong> will receive hard <strong>and</strong> electronic copies<br />
of the final document so it is readily available <strong>for</strong><br />
distribution to the <strong>College</strong> community <strong>and</strong> beyond.<br />
An electronic version of the document will be made<br />
available to the general public by inclusion on the<br />
<strong>College</strong> website.<br />
<strong>Preservation</strong> Issues<br />
Overall, <strong>Moravian</strong> <strong>College</strong> possesses a distinctive<br />
collection of historic buildings <strong>and</strong> surrounding<br />
l<strong>and</strong>scapes. While there is some variation in<br />
the historic significance, physical integrity, <strong>and</strong><br />
overall conditions of the buildings <strong>and</strong> l<strong>and</strong>scapes,<br />
some common preservation issues are apparent<br />
throughout the campus.<br />
Buildings:<br />
• Need <strong>for</strong> ongoing <strong>and</strong> preventive<br />
maintenance.<br />
• Need <strong>for</strong> historically appropriate<br />
maintenance.<br />
• Historical integrity of building exteriors.<br />
• Appropriateness <strong>and</strong> functionality of<br />
interior treatments.<br />
• ADA accessibility.<br />
• Installation <strong>and</strong> upgrading of building<br />
systems (mechanical, fire safety,<br />
technology, HVAC, etc.).<br />
L<strong>and</strong>scapes:<br />
• Need <strong>for</strong> ongoing <strong>and</strong> preventive<br />
maintenance.<br />
• Need <strong>for</strong> historically appropriate design.<br />
• Historical integrity of features <strong>and</strong><br />
characteristics.<br />
• High archeological sensitivity in the Hurd<br />
Campus.<br />
• Appropriateness of previous changes in<br />
the l<strong>and</strong>scape.<br />
1.2 How to Use the<br />
Guidelines<br />
The <strong>Moravian</strong> <strong>College</strong> <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> is<br />
intended to be a reference resource <strong>and</strong> a guide to<br />
the ongoing stewardship of the <strong>College</strong>’s historic<br />
buildings <strong>and</strong> l<strong>and</strong>scapes. It takes a broad view<br />
of the <strong>College</strong>’s history <strong>and</strong> physical character to<br />
underst<strong>and</strong> how the <strong>College</strong> sees itself <strong>and</strong> how<br />
it has chosen to accommodate change over time.<br />
Out of this view, the plan provides guidance <strong>for</strong><br />
decision making about the future, recommending<br />
strategies <strong>and</strong> priorities <strong>for</strong> preserving significant<br />
historic resources <strong>and</strong> using those resources to<br />
enhance the <strong>College</strong>’s character as change occurs.<br />
The preservation plan outlines a set of basic<br />
preservation principles <strong>and</strong> explains how they can<br />
be intelligently applied to the <strong>College</strong>’s historic<br />
buildings <strong>and</strong> l<strong>and</strong>scapes. Every building <strong>and</strong><br />
l<strong>and</strong>scape presents unique issues <strong>and</strong> opportunities,<br />
<strong>and</strong> every campus project is different. Without a set<br />
of guidelines to follow, it can be difficult to identify<br />
all of the issues that might arise in a maintenance,<br />
repair, or construction project.<br />
The <strong>Moravian</strong> <strong>College</strong> <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> will<br />
help the <strong>College</strong> manage change in ways that<br />
recognize <strong>and</strong> preserve significant building <strong>and</strong><br />
l<strong>and</strong>scape resources. Along with being a planning<br />
document, the preservation plan is a chronicle<br />
of the <strong>College</strong>’s physical development up to this<br />
point, presenting an existing-conditions snapshot<br />
that will <strong>for</strong>m a background reference <strong>and</strong> basis <strong>for</strong><br />
comparison during future planning initiatives.<br />
In undertaking preparation of the <strong>Moravian</strong> <strong>College</strong><br />
<strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>, existing historic resources<br />
were reviewed, character-defining features were<br />
identified, <strong>and</strong> treatments were recommended.<br />
Design guidelines <strong>for</strong> the appropriate treatment of<br />
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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
historic fabric <strong>and</strong> building <strong>and</strong> l<strong>and</strong>scape features<br />
are included in the document.<br />
The chapters in this document are essentially a<br />
checklist of items that should be considered when<br />
contemplating change to the <strong>College</strong>’s historic<br />
buildings <strong>and</strong> l<strong>and</strong>scapes. When new projects are<br />
proposed, it is recommended that the preservation<br />
plan be consulted as early in the process as possible<br />
so that the ideas <strong>and</strong> guidelines provided will<br />
reach their maximum effectiveness. The principles<br />
outlined here are intended to provide a strong<br />
philosophical foundation but to be flexible <strong>and</strong><br />
adaptable to changing needs <strong>and</strong> circumstances.<br />
Design guidelines can often inspire creative <strong>and</strong><br />
sensitive solutions that were not envisioned when<br />
a project was first proposed. The best outcomes are<br />
those that meet the needs of the <strong>College</strong>’s academic<br />
<strong>and</strong> residential programs while preserving the<br />
elements that define historic building <strong>and</strong> l<strong>and</strong>scape<br />
character.<br />
Figure 1-1. <strong>Moravian</strong> <strong>College</strong> is located on separate campuses within the City of Bethlehem, PA (United States Geological Survey,<br />
annotated by JMA 2009).<br />
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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
1.3 How the <strong>Preservation</strong><br />
<strong>Plan</strong> Is Organized<br />
The <strong>Moravian</strong> <strong>College</strong> <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> is<br />
divided into ten chapters. The preservation plan<br />
begins with a historic overview <strong>and</strong> a chapter<br />
placing the <strong>College</strong> into larger historic contexts.<br />
Next is a chapter on stewardship, which introduces<br />
federal preservation st<strong>and</strong>ards <strong>and</strong> outlines the<br />
proposed preservation approach <strong>for</strong> <strong>Moravian</strong><br />
<strong>College</strong>. This is followed by a review of existing<br />
l<strong>and</strong>scape <strong>and</strong> building resources, including a<br />
summary of their significance, historical integrity,<br />
<strong>and</strong> existing conditions. The final chapters provide<br />
guidelines <strong>for</strong> treatment <strong>and</strong> maintenance of the<br />
<strong>College</strong>’s historic resources <strong>and</strong> <strong>for</strong> compatible new<br />
construction.<br />
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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
Chapter Two<br />
Historic Overview of <strong>Moravian</strong> <strong>College</strong><br />
2.0 Introduction<br />
<strong>Moravian</strong> <strong>College</strong> has a long <strong>and</strong> rich history. Closely<br />
intertwined with the establishment of Bethlehem<br />
<strong>and</strong> <strong>Moravian</strong> theology <strong>and</strong> culture, today’s college<br />
is the descendant of two distinguished <strong>Moravian</strong><br />
educational institutions, which served both men<br />
<strong>and</strong> women over the course of two centuries be<strong>for</strong>e<br />
merging in 1954. The founders of these schools were<br />
also instrumental in the settlement <strong>and</strong> growth of<br />
<strong>Moravian</strong> Bethlehem. Though Bethlehem’s era as<br />
an exclusively <strong>Moravian</strong> settlement is long gone,<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> its parent schools have<br />
perpetuated some of the <strong>Moravian</strong> faith’s most<br />
cherished educational <strong>and</strong> cultural values into<br />
the present day, <strong>and</strong> kept this legacy relevant to<br />
generations of students.<br />
2.1 Bethlehem: <strong>Moravian</strong><br />
Capital to Industrial Giant<br />
Natural <strong>and</strong> Scenic Qualities of<br />
Bethlehem<br />
The earliest part of Bethlehem, including the<br />
entirety of today’s Priscilla Payne Hurd Campus,<br />
st<strong>and</strong>s atop a bluff overlooking the confluence of<br />
the Lehigh River <strong>and</strong> Monocacy Creek. The site is<br />
part of the Great Valley, a large limestone <strong>for</strong>mation<br />
measuring eight to twelve miles in width, which<br />
curves north into New Jersey <strong>and</strong> south through<br />
Pennsylvania into Maryl<strong>and</strong> <strong>and</strong> Virginia. The<br />
site is part of the Lehigh River drainage area. The<br />
Lehigh River flows eastward to the south of the<br />
bluff, <strong>and</strong> Monocacy Creek flows southward to<br />
the west of the project area (see figure 1-1). Bedrock<br />
beneath the city consists of medium-gray thickbedded<br />
dolomite <strong>and</strong> impure limestone calcareous<br />
siltstone at its base. Subsoil in the area is yellow to<br />
reddish-yellow clay (Gerhardt et al. 2008:4; National<br />
Heritage Corporation 1977:20).<br />
The site chosen <strong>for</strong> the city had a number of<br />
features attractive to the first settlers. Foremost was<br />
a plenteous spring at the base of the bluff, which<br />
would provide water in all seasons <strong>and</strong> was a<br />
primary reason <strong>for</strong> the purchase of this particular<br />
tract. The hillside was wooded with a steep descent<br />
to the river <strong>and</strong> creek. Monocacy Creek at that time<br />
flowed south along the west side of the future city<br />
<strong>and</strong> then turned toward the east, meeting the Lehigh<br />
River southeast of the town site <strong>and</strong> <strong>for</strong>ming a long<br />
east-west peninsula between the two waterways.<br />
On the south side of the Monocacy Creek peninsula<br />
was a <strong>for</strong>d across the Lehigh River. The new town<br />
was sited “some distance from the river” beside an<br />
old Native American trail that extended north <strong>and</strong><br />
west from the <strong>for</strong>d, crossing the peninsula <strong>and</strong> the<br />
Monocacy Creek, <strong>and</strong> running uphill past the new<br />
site (Murtagh 1967:23).<br />
Roots of <strong>Moravian</strong> Faith<br />
<strong>Moravian</strong> Christianity dates back to the fifteenth<br />
century, <strong>and</strong> had two distinct periods: the original<br />
Bohemian church, which was eventually driven<br />
underground, <strong>and</strong> the Renewed Church beginning<br />
in 1722 (Weinlick in Myers 1982:5). <strong>Moravian</strong>ism<br />
began in Bohemia <strong>and</strong> Moravia in central <strong>and</strong><br />
Eastern Europe (figure 2-1). This area was originally<br />
Christianized by the Eastern Orthodox branch of<br />
Catholicism, but eventually Roman Catholicism<br />
became the controlling denomination. Still, the<br />
Christians of these regions felt ties to the Eastern<br />
tradition <strong>and</strong> as such reacted strongly to the<br />
worldly corruption occurring within the Roman<br />
Catholic Church during the 1300s <strong>and</strong> 1400s. John<br />
Hus (born 1369), an instructor at the University of<br />
Prague, helped voice the sentiment that Christian<br />
belief <strong>and</strong> way of life derived from the Bible, not<br />
from the Pope <strong>and</strong> the church leadership hierarchy.<br />
Following his break with the Church, Hus was<br />
condemned as a heretic <strong>and</strong> burned at the stake in<br />
1415. His martyrdom sowed seeds of Protestantism<br />
among his community (Groenfeldt 1976:13).<br />
In the years following the death of Hus, his followers<br />
struggled with different perspectives but could not<br />
create a united community of believers. One faction<br />
separated itself in 1457, <strong>and</strong> was known as the<br />
Unity of the Brethren (Unitas Fratrum). The group’s<br />
primary goal was to avoid further religious conflict<br />
<strong>and</strong> live peacefully, following the teachings of the<br />
New Testament. Despite continued persecution,<br />
the denomination began to grow. During the Thirty<br />
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Figure 2-1. Detail of Map of Central Europe about 1547 (Shepherd 1926).<br />
Years’ War, Protestantism in Bohemia <strong>and</strong> Moravia<br />
was effectively quashed by the <strong>for</strong>ces of the Catholic<br />
Church, <strong>for</strong>cing adherents to either ab<strong>and</strong>on their<br />
faith or leave the country. Years of persecution,<br />
capped by the executions of 27 Bohemian <strong>and</strong><br />
<strong>Moravian</strong> leaders on the Day of Blood, June 21,<br />
1621, caused thous<strong>and</strong>s of frightened Bohemian<br />
<strong>and</strong> <strong>Moravian</strong> Protestants to flee from their home<br />
regions. Beginning in 1624, the Protestants were<br />
dispersed to safer regions, including Pol<strong>and</strong>,<br />
Silesia, Prussia, Saxony, <strong>and</strong> Upper Lusatia. Among<br />
them was a Unity group led to safety in Pol<strong>and</strong> by<br />
their bishop, John Amos Comenius. The dispersion<br />
created a loss of community identity as the refugees<br />
assimilated to their various new homes, <strong>and</strong> due to<br />
continued persecution, their faith was effectively<br />
driven underground <strong>for</strong> much of the next century.<br />
This time of underground belief was called the<br />
Time of the Hidden Seed (Groenfeldt 1976:14-15;<br />
Murtagh 1967:4-5).<br />
Members of the <strong>Moravian</strong> Church were <strong>for</strong>ced<br />
to remain dormant into the early 1700s, <strong>and</strong><br />
the geographically fragmented denomination<br />
struggled to continue. In 1722, Count Nicholas von<br />
Zinzendorf of Saxony granted the <strong>Moravian</strong>s <strong>and</strong><br />
other Protestants sanctuary on his estate, where the<br />
groups collectively built a town called Herrnhut, <strong>and</strong>
<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
eventually the towns of Nisky <strong>and</strong> Kleine Welk. The<br />
Count was a Lutheran but became both a benefactor<br />
to <strong>and</strong> a leader of the <strong>Moravian</strong>s. The <strong>Moravian</strong><br />
faith at this point became a “renewed church” <strong>and</strong><br />
is the antecedent of the modern <strong>Moravian</strong> church<br />
(<strong>Moravian</strong> <strong>College</strong> 2007:2; Murtagh 1967:4-5)<br />
The <strong>Moravian</strong> denomination from the beginning<br />
of the renewed church was primarily interested in<br />
missionary work, <strong>and</strong> members viewed themselves<br />
not as a distinct denomination but as communal<br />
servants of the Christian faith. Their communistic<br />
mode of living, in which group needs took precedence<br />
over the individual, derived from the many years of<br />
dispersion <strong>and</strong> survival in the face of persecution.<br />
At Herrnhut, two distinct <strong>and</strong> important traditions<br />
were established among the <strong>Moravian</strong>s. The first<br />
was the love feast service, which was a celebratory<br />
event accompanying communion <strong>and</strong> including<br />
consumption of food <strong>and</strong> drink. The second was<br />
the <strong>Moravian</strong> Economy, which was the division of<br />
the congregation into ten living units called choirs.<br />
The Economy was developed in response to the<br />
belief that an individual’s spiritual growth was best<br />
stimulated <strong>and</strong> encouraged by other individuals in<br />
the same life situation. The choirs consisted of: 1.<br />
Married People, 2. Widowers, 3. Widows, 4. Single<br />
Brethren, 5. Single Sisters, 6. Youths, 7. Big Girls, 8.<br />
Little Boys, 9. Little Girls, <strong>and</strong> 10. Infants in Arms.<br />
(Murtagh 1967:5-6; Smaby 1988:9-10).<br />
By the early 1730s, the Herrnhut community was<br />
growing as word of it spread to Bohemia, Moravia,<br />
<strong>and</strong> Silesia. This aroused the suspicions of the local<br />
authorities, who <strong>for</strong>bade further settlement. While<br />
the Lutherans preferred to remain at Herrnhut,<br />
many of the <strong>Moravian</strong>s felt the need to leave. They<br />
wanted to <strong>for</strong>m new colonies in a more hospitable<br />
place where they could follow their faith, receive<br />
additional members, <strong>and</strong> spread the Gospel to<br />
the unchurched. The New World beckoned as a<br />
potential site of such a colony. A group of <strong>Moravian</strong>s<br />
left Germany in 1732 <strong>for</strong> the West Indies, intending<br />
to proselytize <strong>and</strong> spread their faith to the New<br />
World (Groenfeldt 1976:15-16; Levering 1903:30;<br />
Murtagh 1967:6-7).<br />
The <strong>Moravian</strong>s of Herrnhut, aware that many<br />
European Protestants had settled in the tolerant<br />
Pennsylvania colony, began to envision per<strong>for</strong>ming<br />
missionary work among the Native Americans <strong>and</strong><br />
unchurched settlers in North America. German<br />
immigration to Pennsylvania began in 1683<br />
when Germantown was founded by Germans<br />
from Krefeld, who came seeking better economic<br />
opportunities. The early eighteenth century saw<br />
the migration of various Protestant factions, also<br />
seeking prosperity <strong>and</strong> freedom of worship, <strong>and</strong><br />
collectively known as the Pennsylvania Dutch. The<br />
group included a diverse array of denominations<br />
which had originated in various European<br />
regions, including Switzerl<strong>and</strong> <strong>and</strong> the Palatinate<br />
region of Germany. Two groups of Schwenkfelder<br />
Protestants, harbored by Zinzendorf, migrated to<br />
Pennsylvania in 1733-1734, settling in Germantown<br />
(Murtagh 1967:3-4).<br />
Count von Zinzendorf made arrangements with<br />
leaders of the Georgia colony to create a <strong>Moravian</strong><br />
settlement in Georgia to assist in evangelizing<br />
the Native Americans. Under the direction of<br />
Rev. Augustus Gottlieb Spangenberg, a Lutheran<br />
minister who had joined the <strong>Moravian</strong>s, a small<br />
group of <strong>Moravian</strong> men migrated to Savannah,<br />
Georgia, in 1736 to begin missionary work in the<br />
colony. Although the group had a promising start,<br />
its hopes of a permanent colony in Savannah<br />
were soon dashed by the war between the English<br />
Georgia colony <strong>and</strong> the Spanish Florida colony.<br />
The <strong>Moravian</strong>s’ refusal to bear arms in support of<br />
Georgia soon put them in disfavor with Savannah’s<br />
leaders <strong>and</strong> citizens, <strong>and</strong> the warfare made it<br />
difficult to carry out Native American missionary<br />
work. Over the next four years, the group began to<br />
look elsewhere <strong>for</strong> a place to continue their mission<br />
(Groenfeldt 1976:15-16; Levering 1903:31-40;<br />
Murtagh 1967:6-7).<br />
Beginnings of Bethlehem<br />
Present-day Northampton County, Pennsylvania,<br />
was still wilderness when a 10,000 acre tract was<br />
sold, sometime be<strong>for</strong>e 1737, to William Allen by<br />
Thomas Penn, the son of William Penn. At the time<br />
of the sale, Penn did not yet hold title <strong>and</strong> this l<strong>and</strong><br />
still belonged to the Lenape Indians. In 1686, the<br />
Lenape had made an agreement to grant William<br />
Penn a tract of l<strong>and</strong> between the Delaware River<br />
<strong>and</strong> a line starting at Wrightstown (Bucks County,<br />
running northwest <strong>for</strong> as far as a man could walk<br />
in a day <strong>and</strong> a half. In 1737, Pennsylvania Governor<br />
James Logan decided that solid title to this l<strong>and</strong><br />
should be established, <strong>and</strong> proposed what was<br />
called the Walking Purchase. Following Lenape<br />
custom, a day <strong>and</strong> a half’s walk measured about<br />
30 miles. On September 19, 1737, Logan’s walkers<br />
set out to establish the boundaries. Logan’s ef<strong>for</strong>ts<br />
to recruit fast walkers <strong>and</strong> clear trails in advance<br />
helped his walkers cover 60 miles in that time,<br />
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meaning that the Lenape were <strong>for</strong>ced to relinquish<br />
a much larger tract than they had intended. The<br />
tribe contested the claim but a 1742 meeting of<br />
the Iroquois Confederacy upheld the decision<br />
(Gerhardt et al. 2008:4-5).<br />
William Allen was a Presbyterian of Scots-Irish<br />
descent. Within two years of the Walking Purchase,<br />
other Scots-Irish settlers moved to his l<strong>and</strong> from<br />
New Castle, Delaware, <strong>and</strong> were joined by German<br />
settlers moving north from Bucks County. The<br />
area remained a frontier in its first two decades<br />
(Gerhardt et al. 2008:4-5).<br />
Between 1737 <strong>and</strong> 1740, the <strong>Moravian</strong> colonists of<br />
Savannah ab<strong>and</strong>oned their settlement <strong>and</strong> several<br />
moved to Pennsylvania. Two of their bishops,<br />
Augustus Spangenberg <strong>and</strong> David Nitschmann,<br />
had already traveled there to conduct missionary<br />
work among the Schwenkfelders. English evangelist<br />
George Whitefield hired the <strong>Moravian</strong>s to construct<br />
a school <strong>for</strong> blacks (figure 2-2) at his new settlement<br />
called Nazareth, established in 1740 on 5,000 acres<br />
purchased from William Allen. Nazareth lay in a<br />
near-wilderness, with only a few nearby white<br />
settlements populated by Scots-Irish, <strong>and</strong> Delaware<br />
Indians still had a significant presence. Within a<br />
year, theological differences between Whitefield<br />
<strong>and</strong> the <strong>Moravian</strong>s led the <strong>Moravian</strong>s to seek<br />
their own l<strong>and</strong>. On April 2, 1741, after considering<br />
multiple locations, they purchased property from<br />
William Allen. The 500-acre tract lay ten miles from<br />
Nazareth at the confluence of the Lehigh River<br />
<strong>and</strong> Monocacy Creek, <strong>and</strong> had never been settled.<br />
Just a few months later, Whitefield ab<strong>and</strong>oned his<br />
venture at Nazareth <strong>and</strong> the <strong>Moravian</strong> Church<br />
purchased his entire tract, giving it not one but two<br />
new settlements in Pennsylvania (Murtagh 1967:7,<br />
95-97; Myers 1981:39-41).<br />
Figure 2-2. Nineteenth century view of Whitefield House at<br />
Nazareth, built by <strong>Moravian</strong> settlers in the 1740s (Murtagh<br />
1967:96).<br />
Figure 2-3. 1874 Rufus Grider watercolor showing first log house<br />
in Bethlehem at far left (Murtagh 1967:22).<br />
Bethlehem’s site was chosen <strong>for</strong> its proximity<br />
to a fast-flowing spring at the base of the bluff<br />
overlooking the confluence of creek <strong>and</strong> river.<br />
The town was sited atop the wooded bluff to<br />
avoid floods, meaning that all water used in the<br />
settlement had to be hauled uphill by cart until<br />
the first waterworks was constructed in 1754<br />
(Myers 1981:39-41). The spring of 1741 saw the<br />
planting of the fields <strong>and</strong> construction of the first<br />
log dwelling house there (figure 2-3), which served<br />
initially as both dwelling <strong>and</strong> stable. The small<br />
group of <strong>Moravian</strong> workers began construction<br />
on a much larger log house, the Gemeinhaus, in<br />
September (figure 2-4). Count von Zinzendorf <strong>and</strong><br />
his sixteen-year-old daughter Benigna, along with<br />
Figure 2-4. 1854 Rufus Grider watercolor of the<br />
completed in 1742 (Murtagh 1967:25).<br />
Gemeinhaus,<br />
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a small group of companions, arrived <strong>for</strong> a visit<br />
the following winter. On December 24, 1741, the<br />
settlers <strong>and</strong> their guests assembled in the first log<br />
house to celebrate the birth of Christ, <strong>and</strong> named<br />
the settlement Bethlehem (Groenfeldt 1976:16-17;<br />
Levering 1903:40-46, 54, 78-79; <strong>Moravian</strong> <strong>College</strong><br />
2007:2; Myers 1982:13,19-20,39-41).<br />
The first settlers of Bethlehem were initially broken<br />
into two groups: an itinerant congregation whose<br />
sole task was to per<strong>for</strong>m missionary work, <strong>and</strong> a<br />
second home congregation to construct buildings<br />
<strong>and</strong> provide the labor <strong>and</strong> material goods needed to<br />
sustain the entire group (Levering 1903:129-146). A<br />
sawmill, gristmill, <strong>and</strong> small missionary settlement<br />
were built upriver at Gnadenhuetten in 1747. This<br />
sawmill provided much of the wood used to build<br />
the Single Brethren’s House <strong>and</strong> other buildings in<br />
Bethlehem. The wood was sawn <strong>and</strong> then floated<br />
down the Lehigh River. Gnadenhuetten was also<br />
a missionary outpost <strong>and</strong> home to an Native<br />
American congregation of converts (Levering<br />
1903:195-196, 297-321; Smaby 1988:25-26).<br />
Bethlehem: The Eighteenth Century<br />
Bethlehem was initially a communal settlement<br />
restricted to <strong>Moravian</strong>s, <strong>and</strong> was organized under<br />
the <strong>Moravian</strong> Economy established at Herrnhut<br />
(<strong>Moravian</strong> <strong>College</strong> 2007:2). The settlement followed<br />
planning <strong>and</strong> social patterns established at<br />
Herrnhut, which remained the headquarters of the<br />
<strong>Moravian</strong> faith. Approval from church leaders at<br />
Herrnhut was required <strong>for</strong> all building plans, giving<br />
Bethlehem untainted European characteristics<br />
from the beginning. The Economy encompassed<br />
not only Bethlehem but the settlement at Nazareth<br />
as well. Individuals worked <strong>for</strong> the good of the<br />
settlement <strong>and</strong> of those they evangelized, <strong>and</strong><br />
received housing, board, <strong>and</strong> basic needs in return<br />
(Murtagh 1967:9-10).<br />
The early buildings housed the home congregation<br />
of church members grouped in the <strong>Moravian</strong> choir<br />
system, as established at Herrnhut. Instead of<br />
nuclear families, church members of all ages were<br />
housed with peers rather than blood relatives.<br />
While married couples <strong>and</strong> infants could remain<br />
together, everyone else from toddlerhood on lived<br />
in choir houses determined by age, sex, <strong>and</strong> marital<br />
status. Each choir shared household responsibilities<br />
<strong>and</strong> common worship. The settlement’s group of<br />
buildings contained the domestic <strong>and</strong> worship<br />
spaces of the community. Building uses were<br />
fluid <strong>and</strong> changed frequently as the community<br />
grew. Initially, the Gemeinhaus housed the different<br />
choirs in sets of rooms or larger dormitories.<br />
As the population grew beyond the available<br />
facilities, the single women’s <strong>and</strong> widows’ choirs<br />
lived in Nazareth due to lack of space to house<br />
them in Bethlehem. Later, multiple large houses<br />
were constructed <strong>for</strong> single men (brothers), single<br />
women (sisters), widows, <strong>and</strong> married couples. The<br />
first buildings were constructed on the north side<br />
of Church Street (originally Sisters’ Lane), east of<br />
what became Main Street (Murtagh 1967:12; Smaby<br />
1988:92-93).<br />
Another important feature of <strong>Moravian</strong> Bethlehem<br />
was the industrial complex that arose to the west of<br />
the central core along the Monocacy Creek (figure<br />
2-5). Here, the community had a waterworks <strong>and</strong><br />
a number of shops <strong>and</strong> structures housing mills,<br />
processing industries, <strong>and</strong> skilled trades. Initially<br />
these structures were log buildings, but between<br />
1759 <strong>and</strong> 1784, most were replaced with permanent<br />
stone structures. A smaller secondary industrial<br />
complex with a sawmill, flax mill, <strong>and</strong> laundry<br />
house was built downstream on the Monocacy<br />
peninsula, southeast of the town (Kane 1963:3-5;<br />
Murtagh 1967:13-15; Myers 1981:35).<br />
On the hillside south of Church Street (originally<br />
called Sisters’ Lane), the <strong>Moravian</strong>s cleared the<br />
trees <strong>and</strong> planted large community gardens to raise<br />
the produce <strong>and</strong> herbs they needed. According to<br />
Figure 2-5. Nineteenth century painting of <strong>Moravian</strong> industrial<br />
complex, with the Single Brethren’s House at rear (Murtagh<br />
1967:91).<br />
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contemporary views (figure 2-6), the gardens were<br />
laid out in a <strong>for</strong>mal grid plan. More vegetable plots<br />
lay on S<strong>and</strong> Isl<strong>and</strong>, south of the river. The town was<br />
clustered in a tight <strong>for</strong>mation with choir buildings<br />
to the south, the industrial area in the middle,<br />
<strong>and</strong> the farm buildings to the north. Beyond the<br />
farm buildings lay the congregation’s extensive<br />
farml<strong>and</strong>s, <strong>and</strong> to the east were orchards.<br />
As Bethlehem developed, additional settlers were<br />
moving into the surrounding area. In 1752, the<br />
Pennsylvania Assembly established Northampton<br />
County as the local jurisdiction <strong>and</strong> made Easton<br />
the county seat. Initially Northampton County was<br />
a massive tract, encompassing all of present-day<br />
Northampton, Carbon, Lehigh, Monroe, Pike,<br />
Susquehanna <strong>and</strong> Wayne counties, plus parts of<br />
Brad<strong>for</strong>d, Columbia, Luzerne, Schuylkill, <strong>and</strong><br />
Wyoming counties. Over time additional counties<br />
were subdivided off from Northampton, <strong>and</strong> the<br />
county reached its present size (374 square miles)<br />
in the mid nineteenth century (Gerhardt et al.<br />
2008:5-6).<br />
The French <strong>and</strong> Indian War (1753-1763) was a time<br />
of terror <strong>for</strong> the settlers of Northampton County,<br />
which became the scene of protracted hostilities<br />
between Europeans <strong>and</strong> Native American tribes.<br />
The Lenape, still angry about being cheated by<br />
the Walking Purchase, were part of the uprising.<br />
As the best-established settlement, Bethlehem<br />
became a place of shelter <strong>for</strong> settlers <strong>and</strong> Native<br />
American converts fleeing attacks in more remote<br />
areas. The small <strong>Moravian</strong> mission settlement<br />
at Gnadenhuetten, home to a group of <strong>Moravian</strong><br />
missionaries <strong>and</strong> a congregation of Native American<br />
converts, fell victim to the warfare. On November<br />
24, 1755, Gnadenhuetten was destroyed in a tragic<br />
massacre. Most of the <strong>Moravian</strong> missionaries <strong>and</strong><br />
their congregants were killed <strong>and</strong> their houses <strong>and</strong><br />
mills burned by invading tribes. In the same year,<br />
the provincial government appointed Benjamin<br />
Franklin of Philadelphia to oversee defense ef<strong>for</strong>ts<br />
on the frontier. Franklin established a chain of<br />
<strong>for</strong>ts between Easton <strong>and</strong> Mercersburg to protect<br />
frontier settlements (Gerhardt et al. 2008:5; Levering<br />
1903:195-196, 297-321; Smaby 1988:31-32).<br />
End of the <strong>Moravian</strong> Economy<br />
1762-1770<br />
Bethlehem remained a communal society from 1745<br />
to 1762, by which time it had become a thriving<br />
settlement. During this time it had also endured<br />
economic hardship, changes in leadership, <strong>and</strong><br />
increasing dissension among its inhabitants. The<br />
focus on missionary work to the exclusion of<br />
good fiscal management, <strong>and</strong> the inability of the<br />
community to sustain itself fully, led Bethlehem<br />
to incur significant debt during the 1750s. As time<br />
went on, many members of the faith were beginning<br />
to oppose the Economy system as a viable social<br />
institution. Few of the other <strong>Moravian</strong> settlements in<br />
America adhered to the Economy, <strong>and</strong> Bethlehem’s<br />
leaders eventually saw dissolution of the Economy<br />
as the best chance of repaying the community’s<br />
debt. After the death of Count von Zinzendorf in<br />
1760, it became clear that the community’s previous<br />
emphasis on missionary work would have to be<br />
pushed aside in favor of gaining economic viability.<br />
Leaders were also concerned that the dissension<br />
was eroding the faith <strong>and</strong> cooperative spirit of<br />
community members (Hamilton 1988:4-5; <strong>Moravian</strong><br />
<strong>College</strong> 2007:2-4; Myers 1982:35-36; Smaby 1988:26-<br />
32).<br />
In 1761, it was decided that the communal Economy<br />
would be ab<strong>and</strong>oned in favor of nuclear households.<br />
This change was implemented beginning in early<br />
1762. Instead of living in choirs, married couples<br />
would now have their own households, kinship<br />
ties would take precedence over being with one’s<br />
peers, <strong>and</strong> children would be raised by their<br />
own parents rather than being sent to communal<br />
housing at 18 months. Initially the farms, industries<br />
<strong>and</strong> mills were still operated by the community, but<br />
eventually these occupations were privatized. Only<br />
single people <strong>and</strong> widows remained with their<br />
choirs, but they now were given wages <strong>for</strong> their<br />
work <strong>and</strong> paid nominal rent <strong>for</strong> their housing <strong>and</strong><br />
food. Bethlehem transitioned from a communal<br />
society to a church-village. The church maintained<br />
tight controls on commerce <strong>and</strong> pay rates <strong>and</strong><br />
restricted purchases from outside the community. A<br />
lease system was established <strong>for</strong> the property in the<br />
town, where residents owned their buildings but<br />
leased their l<strong>and</strong> from the church. Approval was<br />
needed to rent or sell buildings, <strong>and</strong> the selection<br />
of appropriate tenants was tightly controlled by the<br />
village authorities (Levering 1903:650-651; Smaby<br />
1988:32-36).<br />
The community was immediately faced with the<br />
need to house 50 married couples <strong>and</strong> their families<br />
in individual quarters. Buildings with interiors<br />
designed <strong>for</strong> communal living had to be redesigned<br />
to accommodate individual households, <strong>and</strong><br />
smaller new houses began to spread northward<br />
from the community core. Older buildings with<br />
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attached apartments, such as mills <strong>and</strong> industry<br />
buildings, were used as well. The provision of<br />
individual kitchens <strong>and</strong> storage areas <strong>for</strong> each<br />
new household was a particular problem, since<br />
communal Bethlehem had perhaps six or seven<br />
large kitchens (Smaby 1988:107).<br />
Figure 2-6. Detail, 1757 view of Bethlehem by Nicholas Garrison.<br />
Note garden plots below the Single Brethren’s House (<strong>Moravian</strong><br />
Church Archives).<br />
The l<strong>and</strong>scape of the town also adapted somewhat<br />
to accommodate these changes. The farm buildings<br />
were moved northward to accommodate the<br />
construction of new individual houses. Community<br />
gardens became less important as individual<br />
households <strong>for</strong>med. By 1766, the large gardens of<br />
previous years were still present, but a new group<br />
of gardens had <strong>for</strong>med on S<strong>and</strong> Isl<strong>and</strong> southwest of<br />
the town. These produce gardens replaced an earlier<br />
large garden area (see figure 2-6). They were laid<br />
out in small oblong plots flanking a straight center<br />
path, <strong>and</strong> were designated as “citizens’ gardens” in<br />
a 1766 city plan (figures 2-7 <strong>and</strong> 2-8). This plan also<br />
shows small rectangular grid-plan gardens behind<br />
the store <strong>and</strong> several of the homes on the Ladengasse<br />
(Murtagh 1967:13-15).<br />
The Buildings of Early Bethlehem<br />
1742-1770<br />
Figure 2-7. 1766 plan of Bethlehem (Murtagh 1967:15).<br />
Figure 2-8. View of Bethlehem in 1754 (<strong>Moravian</strong> <strong>College</strong> Public<br />
Relations).<br />
Bethlehem’s first house was a simple log structure<br />
(see figure 2-3), measuring twenty by <strong>for</strong>ty feet,<br />
<strong>and</strong> housing settlers in one section <strong>and</strong> livestock<br />
in the other. The first Bethlehem settlers resided at<br />
Nazareth or at the home of a friend south of the river<br />
until the house was habitable. As the first building<br />
in the settlement, the log house also functioned<br />
as the community’s worship space during the<br />
first year, as farming <strong>and</strong> building work went on<br />
around it. The group cleared fields <strong>and</strong> planted<br />
crops, completing a successful harvest in the fall of<br />
1741 <strong>and</strong> storing their grain in the log house. This<br />
house no longer st<strong>and</strong>s. In 1823, it was demolished<br />
to build a livery stable <strong>for</strong> a new tavern, which is<br />
now the Eagle Hotel (Levering 1903:61-62, 633-634;<br />
Myers 1981:19-22).<br />
The earliest building extant in Bethlehem is the<br />
Gemeinhaus, a massive log building which was<br />
built by the <strong>Moravian</strong> settlers during late 1741<br />
<strong>and</strong> completed in the spring of 1742 (see figure<br />
2-4). Almost immediately, it was enlarged with an<br />
addition at the east end, completed in August 1743.<br />
After the addition, the finished building contained<br />
two dormitories, twelve rooms, <strong>and</strong> a second-floor<br />
chapel <strong>for</strong> worship. Although other buildings<br />
soon followed, the Gemeinhaus was the core of the<br />
settlement <strong>and</strong> continued to house community<br />
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leaders even after larger new buildings had been<br />
constructed (Hamilton 1988:9-10).<br />
A new stone Choir House <strong>for</strong> the single brothers<br />
was erected during the second half of 1744. The<br />
single brethren used the house as both a residence<br />
<strong>and</strong> as workshop space <strong>for</strong> several industries, such<br />
as weaving <strong>and</strong> hatmaking. The initial population<br />
of 50 men <strong>and</strong> several boys grew rapidly to the<br />
point where they needed a larger house. In 1748,<br />
a new Single Brethren’s House was completed<br />
across the street. The single women <strong>and</strong> girls of the<br />
congregation, who had been residing in Nazareth<br />
since 1745 due to space constraints in Bethlehem,<br />
took possession of the older house, which became<br />
known as the Sisters’ House. This building was<br />
extended in 1752 with a perpendicular annex<br />
connecting the Sisters’ House to the Bell House.<br />
Due to unstable ground caused by a failure in the<br />
limestone base <strong>and</strong> subsoil under the house, the<br />
wing was supported by new buttresses, <strong>and</strong> its<br />
heavy roof tiles were removed in 1755 <strong>and</strong> replaced<br />
with wood shingles to lighten the roof load <strong>and</strong><br />
stabilize the building. Another extension was<br />
made at the east end in 1773 (Hamilton 1988:11-12;<br />
Murtagh 1967:39).<br />
completed <strong>and</strong> dedicated on November 16, 1748.<br />
On that evening, a celebratory procession of men<br />
was made from the old house to the new one, <strong>and</strong><br />
a love feast was held in the new building’s chapel,<br />
after which the 72 residents spent their first night<br />
in the new dormitories. Large though it was, the<br />
Single Brethren’s House was soon outgrown, <strong>and</strong><br />
new wings were added in 1762 <strong>and</strong> 1768. Its roof<br />
was used <strong>for</strong> celebratory music per<strong>for</strong>mances <strong>and</strong><br />
to broadcast important messages, such as deaths<br />
of congregation members, to the community<br />
(Hamilton 1788:15-16; <strong>Moravian</strong> <strong>College</strong> 2007:5).<br />
The growing <strong>Moravian</strong> population soon exceeded<br />
the capacity of the Gemeinhaus chapel, <strong>and</strong> a new<br />
perpendicular chapel was constructed in 1751<br />
between the Bell House <strong>and</strong> the Gemeinhaus. The<br />
first floor contained a dining hall <strong>for</strong> the Married<br />
People’s Choir <strong>and</strong> the chapel was on the second<br />
floor. As with the Sisters’ House, the ground beneath<br />
the Chapel soon appeared to be faulty <strong>and</strong> the<br />
building was stabilized by constructing buttresses<br />
on the outer wall <strong>and</strong> replacing the heavy tile roof<br />
with shingles.<br />
East of the Gemeinhaus, a new square stone building<br />
was constructed in 1745-1746 as additional space<br />
<strong>for</strong> the single brethren’s kitchen <strong>and</strong> a kitchen,<br />
dining room, <strong>and</strong> upstairs quarters <strong>for</strong> the married<br />
people’s choir. Within three years, the building was<br />
extended at both ends. A bell tower atop the central<br />
section gave the building its name: the Bell House<br />
(figure 2-9). The bell was rung daily to signal rising,<br />
meals, the end of work hours, <strong>and</strong> worship services<br />
(Hamilton 1988:13-14).<br />
The new Single Brethren’s House of 1748 (figure<br />
2-10) was a massive stone building, four stories<br />
plus attic <strong>and</strong> basement, <strong>and</strong> featured a large<br />
plat<strong>for</strong>m atop its roof. Its plan was derived from<br />
a building in Herrnhut, Germany. The size of the<br />
building was dictated by the disproportionately<br />
large population of single male settlers <strong>and</strong> the<br />
various trades they intended to pursue within<br />
their choir house. The Single Brethren’s House<br />
was constructed with lumber floated downstream<br />
from the Gnadenhuetten sawmill on the Lehigh<br />
River. Four stonemasons from outside Bethlehem<br />
oversaw the construction, <strong>and</strong> labor was provided<br />
by men from Bethlehem. The building site was<br />
selected <strong>and</strong> staked off on January 10, 1748,<br />
with construction beginning at that time. The<br />
cornerstone was laid April 7, <strong>and</strong> the building was<br />
Figure 2-9. Undated nineteenth-century view of Bell House with<br />
Sisters’ House at right (<strong>Moravian</strong> Church Archives).<br />
Figure 2-10. Single Brethren’s House (1748), shown at center of<br />
1754 engraving (Murtagh 1967:57).<br />
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The last major building of the eighteenth century<br />
was the Widows’ House (figure 2-11), erected<br />
in 1766-1768 to house the growing number of<br />
widows in the community. Although a need <strong>for</strong><br />
such a building had been apparent as early as 1759,<br />
other projects took priority <strong>and</strong> the widows of the<br />
community continued to reside in Nazareth until<br />
the project was finally completed. The site chosen<br />
was <strong>for</strong>merly part of the congregational garden<br />
<strong>and</strong> eleven widows were the first occupants. The<br />
Widows’ House appears to have attracted several<br />
distinguished visitors, including both Martha <strong>and</strong><br />
George Washington. The east end of the building<br />
was extended 20 feet in 1794-1795 (Hamilton<br />
1988:23-25; <strong>Moravian</strong> <strong>College</strong> 2007:18).<br />
<strong>Moravian</strong> Bethlehem from the beginning was a<br />
novelty in America. Much as the Amish attract<br />
tourists today, eighteenth- <strong>and</strong> early nineteenthcentury<br />
Bethlehem drew a number of visitors<br />
fascinated by the <strong>Moravian</strong>s’ unique communal<br />
lifestyle, educational system, <strong>and</strong> technological<br />
achievements such as the waterworks. The<br />
<strong>Moravian</strong>s welcomed their visitors but were<br />
concerned about too much contact with outsiders,<br />
<strong>and</strong> guests were not permitted to roam freely<br />
without an escort. Within a short time, the <strong>Moravian</strong>s<br />
felt compelled to construct inns to house visitors in<br />
a more hospitable manner, <strong>and</strong> at the same time<br />
prevent too much interference with their routine<br />
(Smaby 1988:97-99).<br />
Two inns were constructed to serve the travelers.<br />
The Crown Inn, located in the farml<strong>and</strong> south of<br />
the Lehigh River, was constructed in 1745. A nearby<br />
ferry transported visitors across the river to the<br />
<strong>Moravian</strong> settlement. The ferry system was unwieldy<br />
<strong>and</strong> community leaders agitated <strong>for</strong> many years to<br />
build a bridge across the river. Stagecoach service<br />
was intermittent until after the Revolution. The<br />
creation of the national post road system brought<br />
regular stagecoach service to Bethlehem in 1785,<br />
exacerbating the need <strong>for</strong> a more efficient means<br />
of ingress. In 1794, the first Lehigh River bridge<br />
was completed <strong>and</strong> authorized by the state as a toll<br />
bridge. The ferry system was ab<strong>and</strong>oned <strong>and</strong> the<br />
now-unnecessary Crown Inn became a farmhouse<br />
(Levering 1903:544-547; Smaby 1988:99).<br />
A “congregational inn,” later known as the Sun Inn,<br />
was constructed ca. 1758-1760 near the west end of<br />
Church Street. It was a large limestone building with<br />
a clay-tiled Germanic jerkinhead roofline. With its<br />
inn complete, Bethlehem welcomed many famous<br />
figures of the era, including Martha Washington in<br />
Figure 2-11. Undated late nineteenth-century view of the<br />
Widows’ House. This building, exp<strong>and</strong>ed in 1889, remained in<br />
<strong>Moravian</strong> Church possession until the mid-1990s when it was<br />
acquired by <strong>Moravian</strong> <strong>College</strong> (<strong>Moravian</strong> Church Archives).<br />
1779, followed by George Washington in 1782 <strong>and</strong><br />
Alex<strong>and</strong>er Hamilton in 1791 (Hamilton 1988:23-25;<br />
<strong>Moravian</strong> <strong>College</strong> 2007:18; Roberts <strong>and</strong> Cosans<br />
1982:2; Smaby 1988:99).<br />
Bethlehem from 1770–1800<br />
The Revolutionary War came to Bethlehem slowly.<br />
It was not until 1775, well into the conflict, that<br />
Northampton County officials called <strong>for</strong> every<br />
township to establish a militia. As in Savannah<br />
three decades earlier, the <strong>Moravian</strong>s of the county<br />
elected to remain neutral <strong>and</strong> did not participate.<br />
Northampton County was remote enough that the<br />
British never came there, but Bethlehem became<br />
an important outpost <strong>for</strong> the colonial <strong>for</strong>ces, who<br />
availed themselves of its buildings <strong>and</strong> other<br />
facilities <strong>for</strong> a variety of purposes (Gerhardt et al.<br />
2008:5).<br />
During the winters of 1776 <strong>and</strong> 1777, the Single<br />
Brethren’s House was comm<strong>and</strong>eered by General<br />
George Washington’s army as a hospital (figure<br />
2-12). Beginning in early December 1776, a group of<br />
150 sick <strong>and</strong> injured patients was transferred from<br />
a hospital in Morristown, New Jersey to Bethlehem,<br />
<strong>and</strong> this scenario was repeated the following fall.<br />
Hundreds of soldiers were cared <strong>for</strong> in extremely<br />
crowded quarters. British prisoners of war also<br />
arrived in September 1777 <strong>and</strong> were housed in<br />
the Family House. During these stressful times,<br />
the town was crowded <strong>and</strong> many of its regular<br />
inhabitants were dispersed to Nazareth <strong>and</strong> other<br />
places to make room <strong>for</strong> the patients, prisoners,<br />
<strong>and</strong> military troops (Myers 1982:102-112).<br />
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Figure 2-12. Undated drawing of the Single Brethren’s House<br />
during 1776-1778 when it served as a hospital <strong>for</strong> Washington’s<br />
wounded troops (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-13. View of Bethlehem in 1784 (Smaby 1988:108).<br />
Urbanization of Bethlehem<br />
1790-1850<br />
Bethlehem experienced a building boom during<br />
the 1790s <strong>and</strong> early 1800s. Numerous new house<br />
lots were created beginning in 1789. The Lehigh<br />
Bridge was constructed in 1794, providing better<br />
accessibility between Bethlehem <strong>and</strong> areas to the<br />
south. From this point <strong>for</strong>ward, the appearance<br />
of Bethlehem began to change dramatically from<br />
that of a small medieval European village to that<br />
of an urban American town. As time went on,<br />
features like the clay tile roofs, jerkinhead gables,<br />
<strong>and</strong> exposed log walls of the first wave of <strong>Moravian</strong><br />
construction was superseded by more typically<br />
American details <strong>and</strong> building materials. Log<br />
buildings were removed (including the First House<br />
of 1741) or covered in clapboard, <strong>and</strong> gables were<br />
rebuilt. New upper stories were added to some<br />
buildings, including the Sun Inn. A city view from<br />
1784 (figure 2-13) shows the first few blocks of Main<br />
Street lined with narrow, side-gabled houses. By<br />
1812 (figure 2-14), the city had spread a few blocks<br />
further north <strong>and</strong> now boasted a massive new<br />
church (Murtagh 1967:133; Smaby 1988:109).<br />
The <strong>Moravian</strong> congregation outgrew its chapel<br />
quarters yet again, <strong>and</strong> church leaders decided to<br />
construct a new, much larger house of worship. The<br />
majestic Central <strong>Moravian</strong> Church (see figure 2-14)<br />
was constructed south of the Chapel between 1803<br />
<strong>and</strong> 1806 <strong>and</strong> is still in use as the spiritual home<br />
of Bethlehem’s <strong>Moravian</strong> congregation. Central<br />
Church was constructed in a British-influenced<br />
Federal style, unlike the older European-inspired<br />
buildings surrounding it, <strong>and</strong> its large size made it<br />
the most dominant structure in the town (Hamilton<br />
1988:22; Smaby 1988:109).<br />
Figure 2-14. View of Bethlehem in 1812 (Smaby 1988:110).<br />
Figure 2-15. Map of Bethlehem in 1848 (Smaby 1988:112).<br />
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Topographical alterations were made as well. In<br />
1846, Main Street was graded to be more level, <strong>and</strong><br />
the removal of part of its hill made houses on the<br />
east side a story taller. Main Street <strong>and</strong> Church<br />
Street became the basis <strong>for</strong> the grid plan layout of<br />
the growing city, which extended rapidly from its<br />
original core. By 1848 (figure 2-15), development on<br />
Main Street <strong>and</strong> New Street had spread as far north<br />
as present-day Broad Street, which was lined with<br />
houses on both sides. Additional development<br />
occurred on S<strong>and</strong> Isl<strong>and</strong>, southwest of the town<br />
center. The settlement pattern was that of a city,<br />
with rectangular blocks of narrow deep lots <strong>and</strong><br />
a network of rear alleys. The original block of the<br />
<strong>Moravian</strong> congregation (including the Church,<br />
cemetery, <strong>and</strong> Gemeinhaus complex) <strong>and</strong> the block<br />
immediately to the south with the Seminary,<br />
remained somewhat irregular in layout, but the<br />
other blocks mirrored traditional city blocks with<br />
parallel <strong>and</strong> perpendicular alleys <strong>and</strong> generally<br />
equal-sized lots (Smaby 1988:112).<br />
Industrial Bethlehem<br />
Between 1790 <strong>and</strong> 1829, Northampton County was<br />
a quiet agricultural l<strong>and</strong>scape, where German <strong>and</strong><br />
Scots-Irish farmers raised grains <strong>and</strong> settlement<br />
continued to increase. During this period,<br />
Northampton County began shedding territory as<br />
new counties were created <strong>and</strong> spun off. Bethlehem<br />
briefly became part of what was called the Hot<br />
Water Rebellion in 1798, following the imposition<br />
of a federal tax on glass window panes. Citizens<br />
of the county, enraged by what they felt was an<br />
unfair tax, repelled tax assessors by throwing<br />
hot water at them from the upper floors of their<br />
houses. Federal marshals rounded up the resisters<br />
<strong>and</strong> brought them to Bethlehem’s Sun Inn, which<br />
was then surrounded by John Fries <strong>and</strong> his militia<br />
until the captives were freed. The leaders of the<br />
rebellion were convicted but then pardoned by the<br />
federal government, which believed there had been<br />
misunderst<strong>and</strong>ing of the tax (Gerhardt 2008:5).<br />
In the first decades of the 1800s, the mining of<br />
anthracite coal <strong>for</strong> profit rose to prominence. Coal<br />
was discovered around 1790, but it took many<br />
years to establish the idea that it could be burned<br />
<strong>and</strong> was of value. The first coal-mining company<br />
was established in 1793 with 1,000 acres of l<strong>and</strong><br />
to be mined, but it was not until 1806 that the first<br />
barge load of coal was sent to Philadelphia. The<br />
first coal yards were established around 1815. The<br />
combination of coal-mining interests with river<br />
shipping interests resulted in the <strong>for</strong>mation of<br />
the Lehigh Navigation <strong>and</strong> Coal Company, which<br />
was incorporated in 1822 <strong>and</strong> began shipping coal<br />
downriver by barge (Levering 1903:640-642).<br />
The era of canal-building coincided with <strong>and</strong><br />
augmented the coal-mining industry. The<br />
Pennsylvania Canal was extended through<br />
Bethlehem in 1827 (figure 2-16). This necessitated<br />
significant changes in the l<strong>and</strong>scape along the<br />
waterfront, including demolition of the girls’<br />
seminary laundry <strong>and</strong> ab<strong>and</strong>onment of the wheat<br />
fields owned by the school between the Monocacy<br />
<strong>and</strong> the Lehigh. The Monocacy Creek’s course was<br />
also altered to a degree to accommodate the canal,<br />
resulting in the loss of a few mills <strong>and</strong> the need<br />
to construct new bridges across the canal at Main<br />
Street <strong>and</strong> between the miller’s house <strong>and</strong> sawmill<br />
on the Lehigh. Although details of the changes<br />
made are sparse, Levering states:<br />
Not only the grain fields of the lowl<strong>and</strong>,<br />
where once the Friedenshutten of the exiled<br />
Indian converts stood, but many a fine tree<br />
<strong>and</strong> familiar path, with embowered nooks<br />
here <strong>and</strong> there, had to be sacrificed at the<br />
foot of Bethlehem’s hill; <strong>and</strong> the pitiless<br />
ravages of industry upon the picturesque,<br />
which have never ceased along the course of<br />
the Lehigh, had fairly set in. The canal itself<br />
added some pretty l<strong>and</strong>scape features, after<br />
it became old, which partly compensated<br />
<strong>for</strong> those which it destroyed, but at first the<br />
new ditch must have been a sight far from<br />
attractive.… (Levering 1903:640-641).<br />
Prosperity brought by the canal’s completion<br />
resulted in a building boom in the town, but this<br />
was short-lived, <strong>and</strong> by 1830 many overextended<br />
property owners were at risk of losing their<br />
houses. Faced with the prospect of properties being<br />
auctioned off by the sheriff to unknown buyers, the<br />
town administrators were <strong>for</strong>ced to buy <strong>and</strong> then<br />
resell many such properties to retain <strong>Moravian</strong><br />
control over them. They offset the fiscal crisis<br />
somewhat by selling off valuable outlying lots <strong>and</strong><br />
industrial properties, which made good strides in<br />
eliminating some of the debt, but did not resolve<br />
the situation (Levering 1903:650-654, 668-671).<br />
January 1841 brought an unprecedented flood<br />
which rose to 20 feet above the waterline, destroyed<br />
the Lehigh bridge, <strong>and</strong> swept away many of the<br />
lowl<strong>and</strong> industrial facilities. Another fiscal crisis<br />
in 1843 resulted in the ab<strong>and</strong>onment of the lease<br />
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Figure 2-16. 1841 map of Bethlehem showing route of the Lehigh Canal at bottom (Bethlehem Digital Archives).<br />
system <strong>and</strong> the <strong>for</strong>mal separation of the church<br />
<strong>and</strong> the town. The lease system was abolished in<br />
1844, <strong>and</strong> town lots could be purchased free of<br />
ground rent <strong>and</strong> other restrictions. The town was<br />
incorporated as a borough on March 6, 1845, <strong>and</strong><br />
its perimeter was extended in 1856. At the time<br />
of incorporation, the population of the town was<br />
estimated at 1,050, of which approximately 250<br />
were boarding students or non-members of the<br />
<strong>Moravian</strong> Church (Levering 1903:672-682).<br />
Bethlehem’s environment <strong>and</strong> economic <strong>for</strong>tunes<br />
were changed by the construction of the Lehigh<br />
Railroad through the town in 1855. The railroad<br />
destroyed the original “big spring” at the bottom<br />
of the bluff west of the bridge. Two years later, a<br />
second railroad, the North Pennsylvania line, was<br />
built up from the south <strong>and</strong> connected to the Lehigh<br />
Railroad at a union station. Despite the l<strong>and</strong>scape<br />
changes, railroad transportation facilitated faster<br />
export of coal from the valley. Around the same<br />
time, new industries were emerging to join the<br />
burgeoning coal operations, including zinc oxide<br />
<strong>and</strong> spelter. However, local industrialists were<br />
beginning to <strong>for</strong>mulate plans <strong>for</strong> larger-scale iron<br />
manufacturing along the south side of the Lehigh<br />
River (Levering 1903:720-723).<br />
In the mid-1850s, Augustus Wolle of Bethlehem<br />
purchased the Gangewere ore mine <strong>and</strong> planned<br />
to build a furnace nearby along Saucon Creek. He<br />
incorporated the Saucona Iron Company in 1857.<br />
Charles Brodhead, from whom Wolle had obtained<br />
l<strong>and</strong> along the south side of the Lehigh River,<br />
convinced Wolle to build his furnace at the Lehigh<br />
River site, <strong>and</strong> to erect an ironworks capable of<br />
producing all kinds of iron rather than limiting his<br />
operation to a blast furnace. A number of investors<br />
joined the venture with Broadhead <strong>and</strong> Wolle, <strong>and</strong><br />
the Saucona Iron Company’s charter was amended<br />
in 1857 to become the Bethlehem Rolling Mills <strong>and</strong><br />
Iron Company. The ironworks construction began<br />
in 1861 but was delayed somewhat by the Civil War.<br />
In 1863, the first blast furnace <strong>and</strong> rolling mill were<br />
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completed. Other buildings followed <strong>and</strong> in 1868,<br />
the firm merged with the adjacent Northampton<br />
Furnace. In 1873, the plant began to manufacture<br />
steel. The company was reorganized in 1899 as<br />
the Bethlehem Steel Corporation. By 1900, the<br />
enterprise covered over a mile of riverbank <strong>and</strong><br />
had 25 acres of l<strong>and</strong> under roof (Levering 1903:723-<br />
726; Steers 2007:7-8).<br />
The construction <strong>and</strong> expansion of the Bethlehem<br />
Iron Company along the Lehigh River spurred a<br />
new wave of l<strong>and</strong> sales <strong>and</strong> building projects on<br />
the south side of the river. In 1865, this area was<br />
incorporated as South Bethlehem. Several of the<br />
officers of the railroad <strong>and</strong> iron company made<br />
their homes in this area, <strong>and</strong> used their influence<br />
to incorporate a water <strong>and</strong> gas works to supply the<br />
new borough. At the same time, Lehigh University<br />
was founded in 1865 by Judge Asa Packer as a men’s<br />
polytechnic institution on 57 acres of l<strong>and</strong> along the<br />
upper end of the town. Other changes were in the<br />
transportation realm. With the canal in ruins after<br />
flooding in 1862, the Lehigh <strong>and</strong> Susquehanna<br />
Railroad was constructed in 1867, <strong>and</strong> a fourth<br />
railroad, the Lehigh <strong>and</strong> Lackawanna, was built by<br />
1868. The New Street Bridge was completed in 1867<br />
as a better connector between Bethlehem <strong>and</strong> South<br />
Bethlehem, <strong>and</strong> the Broad Street Bridge was built in<br />
1870 (Levering 1903:726-738).<br />
Growth of the city continued, with European<br />
immigrants arriving in large numbers to take<br />
up industrial jobs. South Bethlehem had 20,000<br />
inhabitants by 1900, of whom 70% were immigrants.<br />
Slovaks made up one-third of this group. In 1886, the<br />
borough of West Bethlehem was incorporated, <strong>and</strong><br />
a sizeable silk manufacturing operation was begun.<br />
Electricity, a market house, road macadamization,<br />
<strong>and</strong> streetcar service all were inaugurated in the<br />
late 1880s <strong>and</strong> early 1890s (Levering 1903:756-760;<br />
Steers 2007:8).<br />
Twentieth Century Bethlehem<br />
After the turn of the century, Bethlehem continued<br />
to grow, with much of the growth spurred by<br />
the expansion of industry in <strong>and</strong> around the city.<br />
It reached a population of 58,000 by 1942, with a<br />
hospital, six hotels, one college, one university, one<br />
high school, <strong>and</strong> over 70 churches (Steers 2007:9).<br />
By 1942, Bethlehem Steel was the second-largest<br />
steel corporation in the world, with a mill campus<br />
that extended over four miles along the Lehigh<br />
River <strong>and</strong> employed thous<strong>and</strong>s. In addition to<br />
Bethlehem’s main plant, the corporation owned<br />
numerous other mill facilities across the country,<br />
including a large mill, shipyard, <strong>and</strong> employee<br />
village at Sparrows Point in Baltimore (Steers<br />
2007:6-9).<br />
World War II’s defense needs <strong>and</strong> massive<br />
military deployment sent Bethlehem into high<br />
gear. Bethlehem Steel stepped up production <strong>and</strong><br />
became the largest single manufacturer of military<br />
materials in the world. Over the course of the war<br />
it built 1,000 warships. At peak size, it had 32,000<br />
Bethlehem-area employees, 2,000 of whom were<br />
women. Its national numbers were even higher:<br />
284,000 employees with 25,000 women (Steers<br />
297:6-7).<br />
At the end of World War II, Bethlehem’s population<br />
had jumped to 68,000, largely due to the defense<br />
workers. Dem<strong>and</strong> <strong>for</strong> steel continued to be high<br />
during the postwar period, <strong>and</strong> returning veterans<br />
stepped into jobs created during the war production.<br />
The city had an estimated 13,500 houses, with 65%<br />
occupied by owners (Steers 2007:224).<br />
The market <strong>for</strong> U.S.-made steel disintegrated toward<br />
the end of the twentieth century. By the 1980s, the<br />
<strong>for</strong>tunes of Bethlehem Steel <strong>and</strong> other American<br />
steel companies were plummeting, <strong>and</strong> steel towns<br />
<strong>and</strong> cities faced widespread unemployment <strong>and</strong><br />
economic losses. American steelmakers collectively<br />
suffered losses of over seven billion dollars<br />
between 1981 <strong>and</strong> 1985. The massive Bethlehem<br />
Steel struggled to continue but ultimately could<br />
not. Its blast furnaces ceased operating in 1994,<br />
<strong>and</strong> all steelmaking at the Bethlehem plant was<br />
shut down the following year. The unused steel<br />
plant languished until 2001, when Bethlehem Steel<br />
filed <strong>for</strong> Chapter 11 bankruptcy. The company’s<br />
remaining assets were sold to the International<br />
Steel Group two years later (Steers 2007:13).<br />
In 2007, the Bethlehem property was sold to S<strong>and</strong>s<br />
BethWorks, <strong>and</strong> plans <strong>for</strong> a casino to be built where<br />
the plant once stood were drafted. Construction<br />
began in fall 2007; the completion of the casino<br />
is expected by 2009. Ironically, the casino had<br />
difficulty finding structural steel <strong>for</strong> construction,<br />
thanks to a global steel shortage <strong>and</strong> pressure to<br />
build Pennsylvania’s tax-generating casinos. 16,000<br />
tons of steel will be needed to build the $600 million<br />
complex (Schamberger 2008).<br />
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2.2 Education in the<br />
<strong>Moravian</strong> Tradition<br />
<strong>Moravian</strong> Educational Philosophy<br />
The <strong>Moravian</strong> Church’s historic emphasis on<br />
education, <strong>and</strong> the vital role of education as an<br />
instrument of salvation, derives from the beliefs of<br />
its influential early bishop, John Amos Comenius<br />
(1592-1670). <strong>Moravian</strong> adherents believed that<br />
all human souls could find salvation, <strong>and</strong> thus<br />
all human beings needed to be educated. In a<br />
time when education in Western societies was<br />
generally limited to elite males, Comenius believed<br />
in education <strong>for</strong> males <strong>and</strong> females, poor <strong>and</strong><br />
wealthy alike. Education was nearly as important<br />
as religious observance from an early time. In more<br />
recent times, Comenius has been credited as “the<br />
father of modern education” (<strong>Moravian</strong> <strong>College</strong><br />
2007:2-3).<br />
From the beginning, the <strong>Moravian</strong>s of Bethlehem<br />
educated both male <strong>and</strong> female children. Parents,<br />
whose responsibilities were tied up in working<br />
<strong>for</strong> the communal economy, had little time to<br />
educate their own children. <strong>Moravian</strong> educational<br />
institutions were established to provide the needed<br />
education, <strong>and</strong> were supported by the community<br />
<strong>and</strong> church. In the New World, <strong>for</strong>mal education<br />
<strong>for</strong> girls was minimal at best, <strong>and</strong> the emphasis<br />
on educating girls <strong>and</strong> the early establishment of<br />
institutions to do so made the <strong>Moravian</strong> Economy<br />
remarkable among European settlements (<strong>Moravian</strong><br />
<strong>College</strong> 2007:3).<br />
The <strong>Moravian</strong> Female Seminary<br />
Countess Benigna von Zinzendorf, still a<br />
teenager, established a boarding school <strong>for</strong> girls<br />
at Germantown on May 4, 1742, soon after the<br />
founding of Bethlehem. The school had a peripatetic<br />
but continuous existence in its first 25 years, with<br />
frequent moves driven by spatial constraints <strong>and</strong><br />
a growing <strong>Moravian</strong> population in Bethlehem <strong>and</strong><br />
Nazareth. The school moved from Germantown<br />
to Bethlehem in June 1742, <strong>and</strong> was given a room<br />
in the new addition to the Gemeinhaus, but shortly<br />
afterward was relocated to the Whitefield House<br />
in Nazareth. It returned to Bethlehem in 1749 <strong>and</strong><br />
was quartered in the Bell House (figure 2-17) <strong>for</strong> the<br />
next decade. At that point, the boys’ school moved<br />
to Nazareth <strong>and</strong> the girls’ school occupied the<br />
building previously used by the boys’ school. After<br />
the addition to the Bell House, the girls’ school<br />
returned to the Bell House <strong>and</strong> remained there <strong>for</strong><br />
the next 50 years (<strong>Moravian</strong> <strong>College</strong> 2007:3; Myers<br />
1982:23, 160-161).<br />
The girls’ school was known as the Bethlehem<br />
Female Seminary <strong>and</strong> the <strong>Moravian</strong> Seminary<br />
<strong>for</strong> Young Ladies at various points. Initially its<br />
students were exclusively <strong>Moravian</strong>. During the<br />
Revolution, the school’s strong academic reputation<br />
became more widely known <strong>and</strong> admission of<br />
non-<strong>Moravian</strong> students was requested numerous<br />
times. In October 1785, the school was reorganized<br />
<strong>and</strong> opened to non-<strong>Moravian</strong> women. At this point,<br />
it was called the <strong>Moravian</strong> Seminary <strong>for</strong> Young<br />
Ladies (<strong>Moravian</strong> <strong>College</strong> 2007:3; Myers 1982:23;<br />
Weinlick 1977:89-90).<br />
The Female Seminary was originally located in<br />
the complex of buildings on the north side of<br />
Church Street, particularly the Bell House, which<br />
it shared with other community functions. By<br />
1803, the school had 72 students <strong>and</strong> continued to<br />
grow. Concurrently, as the <strong>Moravian</strong> choir house<br />
system was phased out, the Single Brethren’s<br />
House was targeted as the logical place to move the<br />
growing girls’ boarding school. In 1814, the Church<br />
transferred the Single Brethren’s House <strong>and</strong> six<br />
acres behind it to the Seminary. The school moved<br />
across the street to its new quarters in 1815 after<br />
some retrofitting had been completed (Bethlehem<br />
Book Committee 1976:266; Levering 1903:593-600;<br />
<strong>Moravian</strong> <strong>College</strong> 2007:5).<br />
The <strong>for</strong>mer garden space behind the Single<br />
Brethren’s House was converted at an unknown<br />
date to a park known as the Pleasure Grounds,<br />
which was surrounded by a tall wooden fence. It<br />
Figure 2-17. Twentieth-century view of the Bell House, longtime<br />
home of the Female Seminary prior to 1814 (Murtagh 1967:53).<br />
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Figure 2-18. 1855 Roepper map of Bethlehem, showing the<br />
“Pleasure Grounds” as a wooded bluff (<strong>Moravian</strong> Church<br />
Archives).<br />
is not clear how long the Single Brethren’s <strong>for</strong>mal<br />
garden beds of the 1750s survived, <strong>and</strong> there is no<br />
apparent documentation of what the park looked<br />
like be<strong>for</strong>e <strong>and</strong> after the seminary’s acquisition.<br />
However, city views of 1784 (see figure 2-13) <strong>and</strong><br />
1812 (see figure 2-14) show the immediate rear<br />
yard of the Single Brethren’s House hemmed in<br />
by a complex of lean-to wooden sheds. Below the<br />
enclosed yard, the 1784 view also shows a new root<br />
cellar complex <strong>and</strong> a sloping lawn with irregular<br />
small paths. Small tree-lined allées flank the<br />
<strong>for</strong>mal grid gardens of the Widows’ House to the<br />
east of the Single Brethren’s yard. These elements<br />
had vanished by 1812, when the rear open space<br />
of the Single Brethren’s <strong>and</strong> Widows’ Houses had<br />
been encroached upon by additional outbuildings.<br />
However, by 1855, a city plan (figure 2-18) shows the<br />
bluffside below the Single Brethren’s House lightly<br />
wooded <strong>and</strong> delineated as the Pleasure Grounds<br />
(Murtagh 1967:8-11; Smaby 1988:107-110).<br />
The park’s name appears to derive directly from<br />
the “pleasure gardens” created in the <strong>Moravian</strong><br />
community at Nisky in the 1700s, which were used<br />
<strong>for</strong> recreation <strong>and</strong> “promenading” by students<br />
of the boys’ boarding school. The Nisky garden<br />
had both a <strong>for</strong>mal section with symmetrical beds<br />
<strong>and</strong> pathways, <strong>and</strong> an in<strong>for</strong>mal section with an<br />
asymmetrical layout, winding paths, <strong>and</strong> a more<br />
romantic character. A similar garden, also known<br />
as the Pleasure Gardens <strong>and</strong> containing both <strong>for</strong>mal<br />
<strong>and</strong> in<strong>for</strong>mal areas, was laid out in Nazareth north<br />
of the main residence hall <strong>and</strong> was known by that<br />
name <strong>for</strong> at least a century (Murtagh 1967:8-11).<br />
Figure 2-19. Modern view of Frueauff House, to southeast (JMA,<br />
June 2008).<br />
Figure 2-20. Modern view of Day House, to southeast (JMA,<br />
June 2008).<br />
Along Church Street to the west of the Single<br />
Brethren’s House, a new Federal-style dwelling<br />
(figure 2-19) was constructed in 1819 to house the<br />
head of school, the Rev. John F. Frueauff. Although<br />
technically it was constructed as a school facility,<br />
the house remained in the Frueauff family after<br />
Rev. Frueauff’s retirement <strong>and</strong> death. The school<br />
did not regain ownership of the house until 1914.<br />
By the 1850s, the head of school was living in a<br />
house immediately west of the Single Brethren’s<br />
House (<strong>Moravian</strong> <strong>College</strong> 2007:5,13).<br />
The Day House (figure 2-20) was constructed in<br />
1840 as the steam laundry <strong>for</strong> the female seminary,<br />
replacing an earlier facility destroyed during the<br />
building of the canal. It had washing facilities on<br />
the ground floor <strong>and</strong> drying facilities on the upper<br />
floor. It was used in the 1970’s as an apartment<br />
(upper floor) <strong>and</strong> storage (ground floor). In 2003,<br />
it was renovated <strong>and</strong> added to the Art Department<br />
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facilities. The classroom space is designed <strong>for</strong> Art<br />
Education, crafts <strong>and</strong> studio classes. It also includes<br />
an office <strong>for</strong> Art Education faculty members. The<br />
ground floor is still used <strong>for</strong> storage.<br />
During the 1840s, school headmaster Rev. Sylvester<br />
Wolle revamped the Female Seminary’s curriculum<br />
<strong>and</strong> improved its music program. He hired<br />
professors who had graduated from European<br />
conservatories to teach the young women.<br />
These changes resulted in growth of the student<br />
population, <strong>and</strong> an addition to the Single Brethren’s<br />
House was needed to accommodate this expansion.<br />
A two-story addition was made to the southwest<br />
corner of the building in 1848 (figure 2-21). The first<br />
floor was used as a refectory, <strong>and</strong> the second floor<br />
became a chapel. This building is now called the Old<br />
Chapel <strong>and</strong> the chapel is now a per<strong>for</strong>mance space<br />
called Hearst Hall (<strong>Moravian</strong> <strong>College</strong> 2007:5).<br />
By 1852, the school was still increasing in size, <strong>and</strong><br />
the principal’s house st<strong>and</strong>ing immediately to the<br />
east of the Single Brethren’s House was demolished<br />
to provide space <strong>for</strong> Main Hall, a detached<br />
four-story brick school building constructed in 1854<br />
(figure 2-22). When built, Main Hall boasted modern<br />
conveniences (water, gas lighting, <strong>and</strong> furnace<br />
heat) in an era when few buildings had them. It<br />
was among the first buildings in Bethlehem with<br />
gas lighting. The principal occupied an apartment<br />
on the first floor. The building had two reception<br />
rooms, known as the Blue Parlors (figure 2-23),<br />
adorned with paintings by Gustavus Grunewald.<br />
Main Hall also housed classrooms <strong>and</strong> dormitory<br />
rooms (<strong>Moravian</strong> <strong>College</strong> 2007:5-6,13).<br />
Engravings made in 1856 show idealized views<br />
of the Seminary (figure 2-24) <strong>and</strong> its grounds with<br />
a quaint Gothic Revival cottage (now the site of<br />
later buildings) situated at the rear. The Pleasure<br />
Grounds are depicted with a small allée of trees<br />
leading to the Single Brethren’s House, <strong>and</strong> a rocky<br />
path bordered by shrubs leading to Main Hall<br />
(figure 2-25). Another <strong>Moravian</strong> Souvenir view<br />
from the bridge (figure 2-26) shows the Pleasure<br />
Grounds as a verdant wooded hillside with a board<br />
fence <strong>and</strong> enclosed lawn at its base. A winding<br />
path, weeping willow <strong>and</strong> a variety of specimen<br />
trees are visible, along with a small summerhouse<br />
perched on the hillside <strong>and</strong> an arched vinery at<br />
the fence. This lush Romantic l<strong>and</strong>scape contrasts<br />
strongly with the <strong>for</strong>mal gardens of the 1750s. Late<br />
Victorian stereoscopic images (figures 2-27 <strong>and</strong> 2-28)<br />
reveal that the heavily wooded l<strong>and</strong>scape survived<br />
at least in part until this time.<br />
Figure 2-21. Late twentieth-century view of Old Chapel, to west<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-22. Main Hall, detail of view ca. 1900 (<strong>Moravian</strong> Church<br />
Archives).<br />
Figure 2-23. Early twentieth-century view of the Blue Parlors in<br />
Main Hall, with l<strong>and</strong>scape paintings by Gustavus Grunewald<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-24. Engraving view of Church Street, 1856 ( <strong>Moravian</strong><br />
Souvenir 1856).<br />
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Figure 2-25. Engraving view of Pleasure Grounds, looking<br />
north, 1856 (<strong>Moravian</strong> Souvenir 1856).<br />
Figure 2-26. Engraving view of Pleasure Grounds from bridge,<br />
1856 (<strong>Moravian</strong> Souvenir 1856).<br />
Figure 2-27. Detail of a stereoscope view of Pleasure Grounds,<br />
late nineteenth century (New York Public Library).<br />
Figure 2-28. Detail of a stereoscopic view of Seminary girls in<br />
the Pleasure Grounds, ca. 1870s (New York Public Library).<br />
Growth continued <strong>and</strong> in 1859, a new classroom<br />
building, West Hall (figure 2-29), was constructed<br />
on the west end of the Single Brethren’s House,<br />
connecting to the Old Chapel. West Hall contained<br />
classrooms, an infirmary, <strong>and</strong> a “swimming bath”<br />
(<strong>Moravian</strong> <strong>College</strong> 2007:6). At the beginning of<br />
the Civil War, the school had 260 students. After a<br />
sharp decline during the war, enrollment jumped<br />
to over 300, necessitating more construction. Two<br />
more connected buildings exp<strong>and</strong>ed the campus<br />
to the south (figure 2-30): New Chapel/Peter Hall<br />
(1867) <strong>and</strong> South Hall, a dormitory (1873). In 1890,<br />
a detached Classical Revival Gymnasium (figures<br />
2-31 <strong>and</strong> 2-32) was constructed west of South Hall.<br />
The Gymnasium, now known as the Payne Gallery,<br />
remained a detached building until 1982, when Foy<br />
Hall was constructed. The Gymnasium was the<br />
school’s first dedicated modern athletic facility <strong>for</strong><br />
the student body, <strong>and</strong> an early example of such in<br />
an era where there was an increasing emphasis on<br />
the benefits of physical education <strong>and</strong> team sports<br />
as a complement to education (<strong>Moravian</strong> <strong>College</strong><br />
2007:6,14-17; Weinlick 1977:90).<br />
The Female Seminary initially educated primary<br />
<strong>and</strong> secondary school pupils of eight to sixteen<br />
years, <strong>and</strong> the age of its students extended to 19 by<br />
the 1850s. The popularity of secondary education<br />
increased as the century went on. The school was<br />
<strong>for</strong>mally chartered <strong>for</strong> the first time in 1863 under<br />
the name <strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies, <strong>and</strong><br />
the first diplomas were granted to the class of 1876.<br />
By the 1890s, a college course had become part of<br />
the academic offerings, <strong>and</strong> the school was divided<br />
into the Seminary (i.e. high school) Department<br />
<strong>and</strong> the <strong>College</strong> Department. The first bachelor’s<br />
degree was awarded in 1896, but remained the only<br />
one until several more years had passed. In 1893,<br />
Dr. J. Max Hark became principal. The same year,<br />
the school began to move toward autonomy when<br />
the church Synod approved the creation of the first<br />
Board of Trustees “separate <strong>and</strong> distinct from the<br />
Provincial Elders’ Conference.” Five years later, the<br />
school was moving towards becoming a full college,<br />
<strong>and</strong> alumnae associations began to <strong>for</strong>m in 1899 to<br />
raise funds to establish an endowment (Bethlehem<br />
Book Committee 1976:266; Weinlick 1977:91).<br />
The turn of the century brought some changes to<br />
the school. In 1910, the wooden fence protecting<br />
the Pleasure Grounds was removed, opening the<br />
campus to the town <strong>for</strong> the first time. Tennis courts<br />
<strong>and</strong> playing fields were constructed downhill from<br />
the gardens. In 1911, the Weingartner School of<br />
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Music was established within the Seminary, raising<br />
the number of music instructors from five to<br />
seven, <strong>and</strong> augmenting Bethlehem’s considerable<br />
reputation as a center <strong>for</strong> music talent <strong>and</strong><br />
instruction (Bethlehem Book Committee 1976:266).<br />
An early twentieth century college catalog described<br />
the l<strong>and</strong>scape of the Church Street campus in<br />
glowing terms:<br />
Figure 2-29. West Hall (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-30. New Chapel, now known as Peter Hall, at right <strong>and</strong><br />
South Hall at left (<strong>Moravian</strong> <strong>College</strong> Public Relations).<br />
Figure 2-31. Gymnasium, completed in 1890, view ca. 1900<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-32. Gymnasium interior, 1913 fencing class (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
The six stately buildings (are) connected by<br />
covered passages (<strong>and</strong>) are surrounded by<br />
elms <strong>and</strong> terraced lawns.<br />
Behind the buildings stretches the<br />
campus. The Upper Campus is a large<br />
open quadrangle on which face ivy-clad<br />
buildings, with a group of stately elms<br />
to the south. At one end of the well-kept<br />
grass slopes is the Rose Garden. The<br />
Lower Campus is a large expanse of level<br />
lawn facing Main Street on the West <strong>and</strong><br />
extending to the tennis courts on the east.<br />
On this plot are a large flagpole, a sundial,<br />
<strong>and</strong> a fountain. The southeast portion of the<br />
campus is known as the Sundial Garden,<br />
well shaded <strong>and</strong> terraced around the<br />
edges, but with an open space on the lower<br />
level large enough <strong>for</strong> baseball, hockey <strong>and</strong><br />
soccer, <strong>and</strong> track events. Here the Spring<br />
Festivals are held (Reker <strong>and</strong> Reid 1992:26)<br />
Views of the early twentieth century show that<br />
the Lower Campus grounds are still wooded but<br />
considerably more open than previously, with an<br />
elaborate gateway, round fountain, <strong>and</strong> flagpole<br />
situated below the Gymnasium, on a site that<br />
is now occupied by Foy Hall <strong>and</strong> a parking area<br />
(figures 2-33, 2-34, <strong>and</strong> 2-35). Irregular winding paths<br />
<strong>and</strong> scattered trees characterize the hillside in 1936<br />
views, which show the immediate rear of the Single<br />
Brethren’s House as much more open than be<strong>for</strong>e.<br />
An even more important change occurred in May<br />
1913, when the school <strong>for</strong>mally obtained official<br />
status as a women’s college. On May 19, the school’s<br />
name was changed to <strong>Moravian</strong> Seminary <strong>and</strong><br />
<strong>College</strong> <strong>for</strong> Women. On May 28, the Commonwealth<br />
of Pennsylvania granted accreditation to the <strong>College</strong>,<br />
meaning that its graduates were qualified to teach<br />
in the state’s public schools. Enrollment rose almost<br />
immediately; by 1914 the <strong>College</strong> Department had<br />
60 students. Six degrees were awarded in 1914, <strong>and</strong><br />
the first full class of 21 graduated in 1915 (Reker<br />
<strong>and</strong> Reid 1992:24; Yates 1976:266-267).<br />
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The <strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women<br />
later acquired two more historic buildings along<br />
Church Street. In 1914, it gained ownership of the<br />
Frueauff House, which had originally been built in<br />
1819 as a dwelling <strong>for</strong> the head of school. By this<br />
time, the two-story house had been exp<strong>and</strong>ed to four<br />
stories. Clewell Hall (figure 2-36), a French Second<br />
Empire residence built in 1867, was acquired by the<br />
Seminary in 1941 <strong>and</strong> housed both students <strong>and</strong><br />
faculty until 1954 (<strong>Moravian</strong> <strong>College</strong> 2007:6,12-13).<br />
Figure 2-33. Wooded slope above playing fields, 1943. Wall at<br />
right contains entrance to eighteenth-century <strong>Moravian</strong> root<br />
cellars (<strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women, 1943<br />
Yearbook).<br />
During the Depression, a gap between the Seminary<br />
program <strong>for</strong> younger students <strong>and</strong> the <strong>College</strong><br />
program <strong>for</strong> older students began to widen, as<br />
families invested more heavily in college degrees<br />
rather than private school <strong>for</strong> younger students.<br />
In 1949, the <strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong><br />
Women received the Green Pond campus, a 42-acre<br />
country estate that was subsequently used to house<br />
the upper grades (7-12) of the Female Seminary. The<br />
new campus soon housed 40 boarding students, 30<br />
day students, <strong>and</strong> faculty. The elementary school<br />
<strong>and</strong> the <strong>College</strong> division remained on Church Street<br />
(Reker <strong>and</strong> Reid 1992:17; Weinlick 1977:96-99).<br />
Figure 2-34. Gateway to Lower Campus, ca. 1930s (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Figure 2-35. View of lower campus fountain <strong>and</strong> flagpole, ca.<br />
1920s (<strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women viewbook,<br />
<strong>Moravian</strong> Church Archives).<br />
Figure 2-36. Modern view of Clewell Hall (<strong>Moravian</strong> <strong>College</strong><br />
Public Relations).<br />
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The <strong>Moravian</strong> <strong>College</strong> <strong>and</strong><br />
Theological Seminary<br />
In 1743, a <strong>Moravian</strong> boys’ school was established<br />
in Bethlehem. Due to space constraints, it moved<br />
to Nazareth in 1759, where it remained until<br />
its eventual closing in 1929. This Nazareth<br />
Hall Academy initially educated primary <strong>and</strong><br />
secondary students. By the early 1800s, the aging<br />
European-trained ministers of the <strong>Moravian</strong><br />
Church in America were dwindling in number<br />
<strong>and</strong> young ministers were not arriving to replace<br />
them due to the Napoleonic Wars. Additionally, it<br />
was felt that seminarians could be best trained in<br />
the country they would eventually serve. Church<br />
leaders began campaigning to establish the first<br />
<strong>Moravian</strong> theological seminary in the United<br />
States, <strong>and</strong> the headmaster of Nazareth Hall, Jacob<br />
Van Vleck, offered his school as a place to begin<br />
such instruction. On October 2, 1807, the <strong>Moravian</strong><br />
Theological Seminary began as a tiny department<br />
within Nazareth Hall School with two teachers <strong>and</strong><br />
just three students (<strong>Moravian</strong> <strong>College</strong> 2007:3,6-7;<br />
Myers 1982:160; Weinlick 1977:1-2).<br />
The <strong>Moravian</strong> Theological Seminary grew slowly.<br />
Its curriculum included both liberal arts subjects<br />
<strong>and</strong> theological studies, which was st<strong>and</strong>ard fare <strong>for</strong><br />
American divinity schools. In this period there was<br />
no clear separation between theological <strong>and</strong> college<br />
studies at <strong>Moravian</strong> or other colleges <strong>and</strong> divinity<br />
schools of the period. Students often entered as<br />
young teens, <strong>and</strong> younger graduates typically<br />
followed their education with several years of<br />
teaching at Nazareth Hall or another <strong>Moravian</strong><br />
school be<strong>for</strong>e assuming the duties of a minister.<br />
This training both to teach <strong>and</strong> to minister not only<br />
provided clergy, but also rein<strong>for</strong>ced the <strong>Moravian</strong><br />
beliefs in the benefits of education by providing a<br />
source of American teachers (Weinlick 1977:2).<br />
During its early years, the school led a peripatetic<br />
life. In 1830, the <strong>Moravian</strong> Theological Seminary<br />
left its original location at Nazareth Hall <strong>and</strong> moved<br />
to a nearby building called The Cottage. It later<br />
moved to Bethlehem <strong>and</strong> was housed on Broad<br />
Street from 1838 to 1851, then returned to Nazareth<br />
where it occupied the Whitefield House (see figure<br />
2-2). It operated <strong>for</strong> a short time in Philadelphia<br />
during 1855 <strong>and</strong> 1856 be<strong>for</strong>e returning one last time<br />
to the Whitefield House. In 1858, it moved to the<br />
<strong>for</strong>mer Nisky Hill Seminary on East Church Street<br />
in Bethlehem (figure 2-37), where it remained <strong>for</strong><br />
almost 35 years. At this point, the Provincial Synod<br />
of the <strong>Moravian</strong> Church decided that the school<br />
should exp<strong>and</strong> its curriculum into a full four-year<br />
college program offering degrees. The school was<br />
also renamed to reflect its college program. In<br />
1863, it was accredited by the State of Pennsylvania<br />
as <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary.<br />
Eventually, the st<strong>and</strong>ard program <strong>for</strong> theological<br />
students became a four-year college course plus<br />
two years of theological study (Myers 1982:160-161;<br />
Reker <strong>and</strong> Reid 1992:15; Weinlick 1977:2-3).<br />
Once the school was settled in more secure<br />
quarters, it entered a period of stability <strong>and</strong> growth.<br />
Eventually, it outgrew its facilities. Concurrently,<br />
the <strong>Moravian</strong> Church was beginning to realize that<br />
improving the school <strong>and</strong> increasing the numbers<br />
of graduates would contribute to the success of the<br />
overall denomination.<br />
In 1888, the <strong>Moravian</strong> Church decided to create<br />
a larger permanent home <strong>for</strong> the Men’s <strong>College</strong><br />
<strong>and</strong> Theological Seminary. Several locations were<br />
considered, among them sites offered by <strong>Moravian</strong><br />
congregations in Bethlehem, Gnadenhuetten,<br />
Ohio <strong>and</strong> Watertown, Wisconsin. The Bethlehem<br />
congregation offered a large parcel of vacant<br />
farml<strong>and</strong> along Main Street at the northern edge<br />
of the developing city, <strong>and</strong> this site was chosen to<br />
become the new campus. The l<strong>and</strong> was felt to be<br />
beautifully situated on a hilltop <strong>and</strong> advantageous<br />
as a site <strong>for</strong> the school. Keeping the Seminary<br />
in Bethlehem was important to members of the<br />
building committee, who felt that the longtime<br />
history of the school in the area would help it flourish<br />
in its new location. The large size of the Bethlehem<br />
congregation, <strong>and</strong> the availability of positions <strong>for</strong><br />
college graduates in Bethlehem schools <strong>and</strong> local<br />
businesses, also contributed to the decision. Part<br />
Figure 2-37. <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary on<br />
East Church Street, ca. 1880s (<strong>Moravian</strong> Church Archives).<br />
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of the block already contained a privately owned<br />
lot with a ca. 1820 Greek Revival farmhouse (figure<br />
2-38). This property was purchased in 1889 to <strong>for</strong>m<br />
part of the campus, <strong>and</strong> Hamilton House, as the<br />
dwelling is now known, was renovated <strong>and</strong> became<br />
the Resident Professor’s House <strong>for</strong> the new campus.<br />
Its name honors the first Resident Professor, the Rev.<br />
J. Taylor Hamilton (Levering 1903:763; <strong>Moravian</strong><br />
<strong>College</strong> 2007:6-7, 20; Schamberger 2008; Schwarze<br />
1910:188-89; Weinlick 1977:4-5).<br />
The Church conducted a fundraising campaign<br />
to support the construction of the new campus<br />
buildings. The first two buildings <strong>for</strong> the Men’s<br />
<strong>College</strong> were Comenius Hall, constructed in 1891,<br />
<strong>and</strong> Zinzendorf Hall, completed the same year<br />
(figure 2-39). Comenius Hall (figure 2-40) was built<br />
in a Richardsonian Romanesque style <strong>and</strong> was<br />
designed by architect A.W. Leh. The ornate exterior<br />
was adorned with <strong>Moravian</strong> tilework <strong>and</strong> a slate<br />
roof. Nearly all needs of the school were met within<br />
this single building, which contained dormitories,<br />
classrooms, <strong>and</strong> a basement gymnasium. In 1893,<br />
the Gothic Revival Borhek Chapel (figure 2-41) was<br />
constructed on its north end. The chapel was given<br />
by Mr. <strong>and</strong> Mrs. Ashton C. Borhek in memory of<br />
their daughter, Helen Stadiger Borhek, who died<br />
at a young age. A corresponding addition on the<br />
south end of Comenius was planned but was not<br />
built at this point (<strong>Moravian</strong> <strong>College</strong> 2007:7-8; Yates<br />
1976:262).<br />
Figure 2-38. Undated post 1892 view of Hamilton House<br />
(<strong>Moravian</strong> Church Archives).<br />
Figure 2-39. Zinzendorf Hall (1891), Borhek Chapel (1893) <strong>and</strong><br />
west façade of Comenius Hall (1891), pre-1907 view (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Zinzendorf Hall (figure 2-42), a smaller brick building<br />
with a hipped, dormered roof <strong>and</strong> Dutch Colonial<br />
details, was constructed next to Hamilton House as<br />
a refectory <strong>and</strong> laundry <strong>for</strong> the college. Hamilton,<br />
Comenius, <strong>and</strong> Zinzendorf were officially occupied<br />
in September 1892 (<strong>Moravian</strong> <strong>College</strong> 2007:7-8;<br />
Weinlick 1977:4).<br />
At this point, <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological<br />
Seminary offered its students both a theological<br />
education track to prepare the young men <strong>for</strong><br />
ministry, <strong>and</strong> a collegiate track. In 1896, a Latin<br />
Scientific undergraduate program was begun to<br />
provide a liberal arts college education to students<br />
seeking vocations other than ministry. However,<br />
the general public perception of the college was<br />
that it was exclusively a theological seminary, <strong>and</strong><br />
changing its reputation to include its status as a<br />
four-year liberal arts college proved challenging.<br />
The <strong>College</strong> struggled to advertise the collegiate<br />
alternative as a means of increasing the size of the<br />
student body, which numbered only 31 in 1903.<br />
In 1906, 47 students were enrolled, with 34 in<br />
Figure 2-40. Comenius Hall (1891), early postcard view<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-41. Borhek Memorial Chapel (1893), ca. 1890s (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
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the theological program <strong>and</strong> 13 in the liberal arts<br />
program. It was not until 1920 that the collegiate<br />
course students would outnumber the theological<br />
students; the enrollment was now up to 64 students,<br />
with 29 in the theological program <strong>and</strong> 35 in liberal<br />
arts (Reker <strong>and</strong> Reid 1992:16; Bethlehem Book<br />
Committee 1976:264-265).<br />
Figure 2-42. Zinzendorf Hall, ca. 1890s (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
Figure 2-43. Newly completed Harvey Library, ca. 1908<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
The first decades of the twentieth century saw<br />
gradual expansion to the campus facilities at<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary.<br />
In honor of the school’s centennial, the Harvey<br />
Memorial Library was constructed on the south<br />
end of Comenius in 1907 (figure 2-43). This addition<br />
had been envisioned at the time of the initial<br />
construction but was not fulfilled until this point.<br />
On October 31, 1913, the upper floors of Comenius<br />
caught fire <strong>and</strong> were largely gutted (figure 2-44).<br />
With financial support from the Church, alumni,<br />
<strong>and</strong> friends, repairs were quickly made <strong>and</strong> the<br />
restored building was reopened in 1914 (<strong>Moravian</strong><br />
<strong>College</strong> 2007:8).<br />
<strong>Moravian</strong>’s student body decided by 1910 that<br />
the basement of Comenius was insufficient as a<br />
gymnasium, <strong>and</strong> began their own fundraising<br />
initiative to build a new one. The new Colonial<br />
Revival gambrel-roofed brick gymnasium, now<br />
known as Monocacy Hall, was added in 1912-1913.<br />
The three-story gymnasium had an open interior<br />
(figure 2-45) with an upper-level oval track <strong>and</strong><br />
exposed ceiling beams (Weinlick 1977:21-22).<br />
World War I mobilization had significant impacts<br />
on <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary,<br />
much as it did on colleges elsewhere. A Students’<br />
Army Training Corps was established at the school<br />
in 1918 (Reker <strong>and</strong> Reid 1992:16).<br />
Figure 2-44. Comenius Hall, following the fire of October 31,<br />
1913 (<strong>Moravian</strong> Church Archives).<br />
Figure 2-45. Early view of 1913 Gymnasium, now known as<br />
Monocacy Hall (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
After years of ef<strong>for</strong>t, <strong>Moravian</strong> <strong>College</strong> <strong>and</strong><br />
Theological Seminary received accreditation from<br />
the Association of <strong>College</strong> <strong>and</strong> Secondary Schools<br />
of the Middle Atlantic States in 1922 (Reker <strong>and</strong><br />
Reid 1992:16).<br />
In 1923, the Memorial Science Building was<br />
constructed in Colonial Revival style (figure 2-46).<br />
Six years later, the <strong>College</strong> constructed a pair of<br />
stone buildings set perpendicular to one another<br />
(figure 2-47). The first building, completed in 1929,<br />
was named Colonial Hall <strong>and</strong> contained student<br />
dormitory housing. The second building, completed<br />
in 1930, was built to house the <strong>Moravian</strong> Church<br />
Archives. President Schwarze was responsible <strong>for</strong><br />
moving the archives onto the campus in 1930. He<br />
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was a long-time archivist <strong>and</strong> wanted this church<br />
<strong>and</strong> community resource housed on-campus. A<br />
third building was originally planned to create<br />
a quadrangle with the first two, but was never<br />
built. The two buildings, now known collectively<br />
as Colonial Hall, were constructed of stone in<br />
a style echoing the European buildings of the<br />
early <strong>Moravian</strong> settlement, including segmentalarched<br />
brick window lintels. More modern revival<br />
details, such as the wooden shutters, combined to<br />
create a picturesque small complex set on a wide<br />
lawn (<strong>Moravian</strong> <strong>College</strong> 2007:7-9; Reker <strong>and</strong> Reid<br />
1992:17; Schamberger 2008).<br />
Streets surrounding the <strong>Moravian</strong> campus<br />
developed rapidly into a residential neighborhood<br />
beginning in the 1890s. A variety of housing stock,<br />
ranging from modest working-class row houses <strong>and</strong><br />
duplexes to bungalows to spacious Queen Anne <strong>and</strong><br />
Colonial Revival suburban houses, soon lined the<br />
nearby streets on all sides. Owing to the slowdown<br />
of construction during the Great Depression, there<br />
remained many vacant lots in the neighborhood<br />
among the older houses. Neighborhood children<br />
Figure 2-46. Recent view of Memorial Hall (<strong>Moravian</strong> <strong>College</strong><br />
Public Relations).<br />
of the 1930s <strong>and</strong> 1940s played freely in these lots<br />
<strong>and</strong> fields, which eventually disappeared when<br />
new housing was built after 1945 <strong>and</strong> the <strong>College</strong><br />
obtained some of the lots <strong>for</strong> parking areas<br />
(<strong>Moravian</strong> <strong>College</strong> 2007:9; Steers 2007:26-27).<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary was<br />
struggling financially by the late 1930s. The Great<br />
Depression caused financial difficulties at small<br />
colleges nationwide. <strong>Moravian</strong>’s endowment was<br />
insufficient to support the school’s generosity<br />
toward certain students. At the time, the school<br />
provided full scholarships <strong>for</strong> all students entering<br />
ministry <strong>and</strong> steeply discounted tuition <strong>for</strong> sons of<br />
<strong>Moravian</strong> ministers. A $48,000 deficit had accrued by<br />
1940. Although higher enrollment <strong>and</strong> an increase<br />
in student paying full tuition helped offset the debt<br />
initially, the onset of U.S. involvement in World<br />
War II made matters far worse. The national draft<br />
of college-aged men <strong>for</strong>ced many students to enlist<br />
voluntarily be<strong>for</strong>e they were called up to serve in<br />
the military. During the 1942-1943 academic year,<br />
half the students dropped out, <strong>and</strong> the school was<br />
<strong>for</strong>ced to lay off 12 of the 20 faculty (Steers 2007:71-<br />
72).<br />
During the enrollment drop, President Haupert<br />
instituted a $60,000 series of renovations in<br />
anticipation of a high number of students returning<br />
to finish their education. The existing buildings<br />
were repurposed or extensively remodeled to<br />
provide more dormitory spaces. The upper floors<br />
of Comenius were redone to house 58 students<br />
instead of 30, <strong>and</strong> remodeling on the lower floors<br />
added more classrooms. Zinzendorf’s dining facility<br />
was enlarged by repurposing the <strong>for</strong>mer laundry<br />
in the basement as a second dining hall. Modern<br />
fluorescent lighting was installed in the campus<br />
buildings at this time. This planning proved its<br />
worth when enrollment climbed from 191 to 336<br />
in a one-year period between 1946 <strong>and</strong> 1947. Both<br />
resident <strong>and</strong> day students were part of the group<br />
(Weinlick 1977:70-72).<br />
With increased enrollment projected to continue,<br />
the <strong>College</strong> began a Sesquicentennial fundraising<br />
campaign <strong>and</strong> sought guidance from a professional<br />
fundraising agency. Paul Hightower of the Marts<br />
<strong>and</strong> Lundy firm helped the school plan two discrete<br />
campaigns within the next decade, <strong>and</strong> introduced<br />
new concepts of stewardship <strong>and</strong> funding potential<br />
to the <strong>Moravian</strong> Church (Weinlick 1977:78-84).<br />
Figure 2-47. Colonial Hall, postcard view ca. 1950s (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
The 1950s began with the construction of a<br />
long-awaited field house. Completed in 1952,<br />
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<strong>College</strong> Hall (figure 2-48) provided modern athletic<br />
facilities as well as a high-capacity space <strong>for</strong> large<br />
church <strong>and</strong> community events. The building was<br />
renamed Archibald Johnston Hall in 1958, honoring<br />
Bethlehem’s first mayor <strong>and</strong> <strong>Moravian</strong>’s longtime<br />
trustee, Archibald Johnston (Weinlick 1977:84-85).<br />
Figure 2-48. Johnston Hall under construction (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
Merger of Two Institutions<br />
As the 1950s dawned, <strong>Moravian</strong> Seminary <strong>and</strong><br />
<strong>College</strong> <strong>for</strong> Women was a struggling institution,<br />
largely due to the fact that it lacked an endowment<br />
<strong>and</strong> its financial resources were dependent on<br />
student tuition <strong>and</strong> fees. Student enrollment<br />
had dropped <strong>for</strong> a number of reasons, including<br />
the unfulfilled need <strong>for</strong> accreditation from the<br />
Middle States Association. Other potential factors<br />
included a low birthrate during the Depression, the<br />
abundance of jobs <strong>for</strong> high school graduates which<br />
made college seem less necessary, <strong>and</strong> the impact of<br />
the Korean War on students’ ability to af<strong>for</strong>d private<br />
school or college. By 1951, the school was struggling<br />
to survive <strong>and</strong> the trustees recommended closure of<br />
the Lower School <strong>and</strong> consolidation of the remaining<br />
operation at the Green Pond Campus. The school<br />
also sought fundraising advice from the Marts <strong>and</strong><br />
Lundy firm, but no campaigns were launched. By<br />
1953, the school was heavily in debt <strong>and</strong> could not<br />
borrow more funds (Weinlick 1977:98-99).<br />
In early 1953, F.P. Stocker, who was a trustee of<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary <strong>and</strong><br />
a member of the Church’s executive board (<strong>and</strong><br />
by extension a trustee of the <strong>Moravian</strong> Seminary),<br />
introduced the idea of a trial combination of the<br />
women’s <strong>and</strong> men’s schools. He discussed the idea<br />
of a joint administration with <strong>Moravian</strong> <strong>College</strong><br />
president Raymond S. Haupert, <strong>and</strong> proposed that<br />
this be undertaken <strong>for</strong> a trial period to determine<br />
the long-term viability of such a merger. Haupert<br />
would become the joint administrator of the two<br />
schools (Weinlick 1977:99).<br />
The trustees of both schools met on May 11, 1953<br />
<strong>and</strong> quickly approved Stocker <strong>and</strong> Haupert’s<br />
plan. President David Weinl<strong>and</strong> of the <strong>Moravian</strong><br />
Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women immediately<br />
stepped down <strong>and</strong> was succeeded by Haupert.<br />
Administrative changes were worked out first; the<br />
initial plan intended that the schools would retain<br />
separate campuses, faculties, <strong>and</strong> student bodies<br />
<strong>for</strong> the first year. By July, the trustees had approved<br />
the separation of the Female Seminary at Green<br />
Pond <strong>and</strong> its administration from the men’s <strong>and</strong><br />
women’s colleges <strong>and</strong> men’s theological seminary.<br />
In October, a joint committee of trustees approved<br />
a <strong>for</strong>mal merger of the college <strong>and</strong> theological<br />
faculties, <strong>and</strong> faculty members gave their approval<br />
as well (Weinlick 1977:99-100).<br />
On February 8, 1954, the trustees of both schools<br />
proved a <strong>for</strong>mal legal merger of the schools, <strong>and</strong><br />
this merger was achieved on November 2, 1954.<br />
On January 1, 1955, President Haupert officially<br />
announced the merger <strong>and</strong> the name of the new<br />
institution: <strong>Moravian</strong> <strong>College</strong>. Under the umbrella<br />
of <strong>Moravian</strong> <strong>College</strong>, three schools would operate:<br />
a coeducational liberal arts college, with Middle<br />
Atlantic States accreditation; the graduate-level<br />
<strong>Moravian</strong> Theological Seminary, with American<br />
Association of Theological Schools accreditation;<br />
<strong>and</strong> the <strong>Moravian</strong> Seminary <strong>for</strong> Girls, a secondary<br />
boarding school based at the Green Pond campus<br />
(Weinlick 1977:100).<br />
The <strong>Moravian</strong> Seminary <strong>for</strong> Girls was separated<br />
in 1956 from the merged <strong>Moravian</strong> <strong>College</strong><br />
<strong>and</strong> Theological Seminary. Though planned <strong>for</strong><br />
sooner, this separation needed approval of the<br />
Church Synod, which did not occur until that year.<br />
<strong>Moravian</strong> <strong>College</strong>, with a total enrollment of 500,<br />
became the first coeducational private college in the<br />
Lehigh Valley (<strong>Moravian</strong> <strong>College</strong> 2007:9; Weinlick<br />
1977:100-102).<br />
Students largely welcomed the merger <strong>and</strong><br />
immediately began planning new joint<br />
extracurricular activities <strong>and</strong> institutions that<br />
blended the traditions of the two <strong>for</strong>mer colleges.<br />
Commencements, student governments, course<br />
offerings, <strong>and</strong> alumni/alumnae associations were<br />
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combined in the early years of <strong>Moravian</strong> <strong>College</strong>.<br />
The <strong>College</strong>’s music program was greatly enhanced<br />
by the combination of the men’s <strong>and</strong> women’s glee<br />
clubs into the <strong>College</strong> Choir. Social groups, fine arts,<br />
<strong>and</strong> athletics also improved following the merger<br />
(Weinlick 1977:101, 115).<br />
<strong>Moravian</strong> <strong>College</strong> Campus<br />
Expansion: 1956-1978<br />
The mid-1950s saw the raising of over $1 million<br />
in funds to support <strong>Moravian</strong> <strong>College</strong>, including<br />
a $150,000 bequest in March 1955 from the late<br />
Adolph Wiesbach, a <strong>Moravian</strong> Church member<br />
from North Dakota who took interest in the college<br />
though he had never been there; a $124,300 grant<br />
from the Ford Foundation in December 1955; <strong>and</strong><br />
the results of the successful <strong>Moravian</strong> Development<br />
Program fundraising campaign by 1958. The<br />
funding paid the remaining costs of <strong>College</strong> Hall<br />
(Johnston Hall), <strong>and</strong> plans were made <strong>for</strong> endowed<br />
professorships, scholarships, <strong>and</strong> several new<br />
buildings <strong>and</strong> campus improvements. The building<br />
plans included new l<strong>and</strong>scaping, a men’s dormitory,<br />
a new science building, <strong>and</strong> a new library (Weinlick<br />
1977:104-105).<br />
The question of how best to integrate two separate<br />
campuses into a single institution took time to<br />
resolve. Given the smaller size of the Church Street<br />
campus, most future new building development<br />
was to occur at the Main Street Campus, but<br />
renovations would be made at both sites to achieve<br />
coeducation <strong>and</strong> eventually exp<strong>and</strong> the size of the<br />
school to 1,200 students. Initially, renovations were<br />
made to several of the existing buildings, <strong>and</strong> some<br />
repurposing occurred. Men moved into Clewell<br />
Hall on the Church Street campus, <strong>and</strong> spaces in<br />
Colonial Hall’s dormitory wing <strong>and</strong> Comenius Hall<br />
were converted to classrooms. New parking areas<br />
were added on both campuses (Weinlick 1977:105).<br />
The first new building of the post-merger period<br />
was the Rau-Hassler dormitory complex west of<br />
Johnston Hall (figure 2-49). This area had much<br />
open space which would eventually be used <strong>for</strong><br />
additional buildings. As early as 1958, there was<br />
discussion of building a Student Union, but it took<br />
four years <strong>for</strong> this to become a reality. Located to the<br />
south of Johnston Hall, the <strong>College</strong> Union Building<br />
(figure 2-50) was finished in the spring of 1962. Seven<br />
years later, it was renamed the Haupert Union<br />
Building in honor of retiring President Haupert,<br />
<strong>and</strong> has since been known as the HUB. From its<br />
completion, the HUB has occupied a vital role as the<br />
center of campus life with its meeting, auditorium,<br />
<strong>and</strong> dining facilities (Weinlick 1977:109).<br />
With the construction of new buildings, functions<br />
in several old buildings on the Main Street Campus<br />
were changed. Colonial Hall <strong>and</strong> Comenius Hall,<br />
both of which had contained dormitory space, were<br />
renovated as academic <strong>and</strong> administrative buildings.<br />
Zinzendorf Hall, the <strong>for</strong>mer refectory, became a<br />
classroom, administrative, <strong>and</strong> dormitory building<br />
<strong>for</strong> the Theological Seminary, <strong>and</strong> was known as<br />
the Seminary Building <strong>for</strong> a time. Johnston Hall’s<br />
construction had meant the conversion of the 1912<br />
Gymnasium into a theater; after construction of the<br />
HUB, the building was converted from a theater to<br />
a library annex (Weinlick 1977:110).<br />
In 1962, the <strong>College</strong> produced a ten-year plan of<br />
development. By this time, it had begun acquiring<br />
additional l<strong>and</strong> outside the original campus, with a<br />
purchase of over three acres south of Steel Field <strong>and</strong><br />
Figure 2-49. Rau-Hassler Dormitories (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
Figure 2-50. Haupert Union Building, rear view (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
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Figure 2-51. Steel Field gr<strong>and</strong>st<strong>and</strong> (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-52. Demolition of houses on Monocacy Street in 1966 to<br />
make way <strong>for</strong> Reeves Library (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-53. Completed Reeves Library (1967), west façade<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-54. Ca. 1970 sketch <strong>for</strong> new Hall of Science, now Collier<br />
Hall of Science (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
including part of Laurel Street. Steel Field had been<br />
constructed in 1916 by Bethlehem Steel as a soccer<br />
field <strong>for</strong> its employees, <strong>and</strong> later was acquired by<br />
Lehigh University. Lehigh’s projected expansion<br />
plans did not include further use of Steel Field, <strong>and</strong><br />
<strong>Moravian</strong> <strong>College</strong> took the opportunity to purchase<br />
it as part of its own expansion. Steel Field was<br />
purchased in 1962, bringing the additional l<strong>and</strong><br />
acquisition total to 15 acres <strong>and</strong> giving the <strong>College</strong><br />
a new gr<strong>and</strong>st<strong>and</strong> <strong>and</strong> large playing fields (figure<br />
2-51). During the 1960s, the Steel Field property<br />
was improved with playing fields, tennis courts,<br />
<strong>and</strong> a small field house (Weinlick 1977:110-111).<br />
Academic facilities exp<strong>and</strong>ed greatly. In March,<br />
1966, a block of houses owned by the <strong>College</strong> on<br />
Monocacy Street, opposite Hamilton House, was<br />
razed (figure 2-52), <strong>and</strong> the street was vacated by the<br />
city <strong>and</strong> became part of the campus grounds. This<br />
site became the home of the new Reeves Library<br />
(figure 2-53), completed in 1967. The new 200,000-<br />
volume library replaced both Harvey Library<br />
<strong>and</strong> the Library Annex. Harvey was converted to<br />
more offices, <strong>and</strong> the Annex was renovated as an<br />
academic building housing a lecture hall <strong>and</strong> the<br />
psychology department. The 1960s concluded<br />
with the 1969 groundbreaking <strong>for</strong> a new $4 million<br />
Science Center, completed in 1971 <strong>and</strong> later named<br />
the Collier Hall of Science (figure 2-54). No longer<br />
needed <strong>for</strong> science, Memorial Hall was renovated<br />
in 1973 to become the home of student affairs<br />
(Weinlick 1977:111-114, 154).<br />
The west side of the Main Street campus was soon<br />
dotted with dormitories (figure 2-55). Student<br />
accommodations were exp<strong>and</strong>ed greatly during the<br />
1960s <strong>and</strong> 1970s. These included two new dormitory<br />
facilities named after their benefactors: Willard C.<br />
Bernhardt Hall in 1964 <strong>and</strong> Imogene Beck Wilhelm<br />
Hall in 1965 (figure 2-56). Another dorm, Jo Smith<br />
Hall, was completed in 1972. Beck Hall (figure 2-57)<br />
<strong>and</strong> de Schweinitz Hall were finished in 1978.<br />
Work was also done on the Church Street Campus,<br />
but was focused on renovation <strong>and</strong> creating<br />
both aesthetic <strong>and</strong> functional improvements.<br />
The dual goal of modernizing <strong>and</strong> renovating<br />
historic buildings while restoring their exteriors<br />
was developed soon after the merger when Main<br />
Hall was renovated in 1958. The <strong>College</strong> desired<br />
modern facilities, but also wished to maintain good<br />
relations with Historic Bethlehem <strong>and</strong> participate in<br />
the renewal <strong>and</strong> restoration of the city’s early core.<br />
Although the interior of Main Hall was renovated as<br />
modern dormitory rooms <strong>and</strong> office/lounge space,<br />
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Figure 2-55. View of the east side of Main Street Campus, ca.<br />
1970s (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 2-56. Bernhardt <strong>and</strong> Wilhelm dormitories (<strong>Moravian</strong><br />
<strong>College</strong> Public Relations).<br />
the exterior was carefully restored to its original<br />
appearance (figure 2-58). Next, a narrow connecting<br />
annex between Main Hall <strong>and</strong> the Single Brethren’s<br />
House was removed, <strong>and</strong> porches were removed<br />
from the back of the latter to return it to its earlier<br />
appearance. During the 1970s, the Single Brethren’s<br />
House <strong>and</strong> most of the Hurd Campus buildings<br />
were restored. Much in the same vein, Borhek<br />
Memorial Chapel on the Main Street Campus was<br />
restored to its 1893 appearance by the fall of 1967<br />
(Weinlick 1977:105-106, 114).<br />
During the 1960s <strong>and</strong> 1970s, <strong>Moravian</strong> <strong>College</strong><br />
obtained a number of private homes on streets<br />
surrounding the Main Street campus. Many of<br />
these houses were used as apartments <strong>for</strong> married<br />
Seminary students, but over time have evolved into<br />
a combination of student housing, Greek houses,<br />
offices, <strong>and</strong> student services. Some acquisitions,<br />
like the houses on Monocacy Street <strong>and</strong> Otis Place,<br />
were torn down to construct college facilities or<br />
parking areas (<strong>Moravian</strong> <strong>College</strong> 2007:9; Steers<br />
2007:26-27).<br />
2.3 Historic <strong>Preservation</strong> in<br />
Bethlehem<br />
1966 saw the passage of the National Historic<br />
<strong>Preservation</strong> Act, which established the National<br />
Register of Historic Places <strong>and</strong> made provisions<br />
<strong>for</strong> the documentation <strong>and</strong> preservation of historic<br />
properties. Section 106 of the Act provided<br />
unprecedented consideration of historic resources<br />
during government-funded processes, <strong>and</strong> state<br />
historic preservation offices were established to<br />
oversee documentation <strong>and</strong> listing of important<br />
historic buildings <strong>and</strong> sites.<br />
Figure 2-57. Beck dormitory (<strong>Moravian</strong> <strong>College</strong> Public Relations).<br />
Figure 2-58. Main Hall restored, recent view (<strong>Moravian</strong> <strong>College</strong><br />
Public Relations).<br />
Nationwide, cities were concerned with<br />
deteriorating downtowns following an exodus of<br />
residents <strong>and</strong> businesses to new suburbs during the<br />
early- to mid-twentieth century. Combating blight<br />
<strong>and</strong> revitalizing urban areas were key needs, <strong>and</strong><br />
many cities attempted to do this through razing<br />
entire blocks of older buildings <strong>and</strong> constructing<br />
modern-style new ones in their places. The concept<br />
of rehabilitating <strong>and</strong> using old buildings as a tool<br />
to revitalization was a radical departure from the<br />
prevailing mindset.<br />
Bethlehem’s leaders had the <strong>for</strong>esight to see the<br />
wisdom of protecting the city’s historic built<br />
environment. Beginning in the late 1950s, the City<br />
of Bethlehem became interested in renewing its<br />
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historic core, particularly the oldest area around<br />
the Church Street campus. The Kemerer Museum,<br />
devoted to the nineteenth century history of<br />
Bethlehem, was at this time housed on the ground<br />
floor of the Single Brethren’s House. At the same<br />
time, the Historic Bethlehem organization was in<br />
its early stages, <strong>and</strong> by the early 1960s was also<br />
housed in the Single Brethren’s House.<br />
In consultation with the museum <strong>and</strong> Historic<br />
Bethlehem, the <strong>College</strong> began its first true<br />
restoration project when renovations were made<br />
to Main Hall beginning in 1958. Although changes<br />
were made to the interior to provide modern<br />
dormitory accommodations on the upper floors<br />
<strong>and</strong> offices <strong>and</strong> public spaces on the basement<br />
<strong>and</strong> first floor levels, the exterior was carefully<br />
restored to its 1854 appearance (figure 2-59). The<br />
white paint was removed from the exterior <strong>and</strong> the<br />
brickwork repointed. Exterior details, including the<br />
windows <strong>and</strong> doors, were restored to their original<br />
appearance (Weinlick 1977:106).<br />
Figure 2-59. View of the Single Brethren’s House <strong>and</strong> West Hall,<br />
looking southeast, ca. 1970 (<strong>Moravian</strong> Church Archives).<br />
2.4 <strong>Moravian</strong>’s Recent<br />
Years<br />
The <strong>Moravian</strong> Theological Seminary moved to its<br />
current location in 1976, when the Paul Bahnson<br />
Center (figure 2-60) was completed. In 1977, the<br />
<strong>Moravian</strong> Archives were relocated from their<br />
longtime home in Colonial Hall to a new building<br />
on Locust Street east of Main Street. The <strong>Moravian</strong><br />
Archives were owned by the <strong>Moravian</strong> Congregation<br />
of Bethlehem <strong>and</strong> the <strong>Moravian</strong> Church, Northern<br />
Province. When the <strong>College</strong> became independent<br />
of the <strong>Moravian</strong> Church in 1954, there was no need<br />
<strong>for</strong> the church archives to remain on campus, so<br />
the <strong>College</strong> offered the Church Archives a parcel of<br />
l<strong>and</strong> nearby. This allowed the Archives to exp<strong>and</strong><br />
its facility <strong>and</strong> freed additional space in Colonial<br />
Hall <strong>for</strong> the <strong>College</strong>, which eventually converted<br />
the entire building to administrative offices<br />
(Schamberger 2008).<br />
On the Church Street campus, <strong>Moravian</strong> exp<strong>and</strong>ed<br />
its music <strong>and</strong> art facilities through a major<br />
construction project in 1982. The 1890 Gymnasium,<br />
used at that time as an art studio, was renovated<br />
as an art gallery <strong>and</strong> renamed Payne Art Gallery.<br />
To create both a new concert hall <strong>and</strong> a connector<br />
between South Hall <strong>and</strong> Payne Gallery, the college<br />
constructed Foy Hall (figures 2-61 <strong>and</strong> 2-62) at the<br />
same time. Foy Hall contains a modern concert hall<br />
<strong>for</strong> music per<strong>for</strong>mances. The original entrance to<br />
the Gymnasium building is no longer in use; access<br />
is now through Foy Hall.<br />
The late 1980s <strong>and</strong> early 1990s saw continued growth<br />
at <strong>Moravian</strong>, necessitating the construction of five<br />
new dormitory complexes at the North Main Street<br />
Campus. These include the Hillside complex, the<br />
<strong>College</strong>’s first townhouse-style student residences.<br />
The newest building on either campus is the Priscilla<br />
Payne Hurd Academic Complex (figure 2-63) at the<br />
North Main Street campus, which was designed to<br />
blend in with the older buildings nearby (<strong>Moravian</strong><br />
<strong>College</strong> 2007:9).<br />
The Church Street campus was renamed the Priscilla<br />
Payne Hurd Campus in October 2001, in honor of<br />
Mrs. Priscilla Payne Hurd, a longtime benefactor <strong>and</strong><br />
trustee of <strong>Moravian</strong> <strong>College</strong>. A trustee since 1979,<br />
Mrs. Hurd became the chair of the Board of Trustees<br />
in 1999. She was awarded the honorary degree of<br />
Doctor of Letters from <strong>Moravian</strong> <strong>College</strong> in 1993.<br />
The campus was renamed in recognition of her<br />
support of the institution, including funding <strong>for</strong> the<br />
Figure 2-60. Paul Bahnson Center (1976), new home of the<br />
<strong>Moravian</strong> Theological Seminary (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
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Hurd Center <strong>for</strong> Music <strong>and</strong> Art, the establishment<br />
of the Payne Art Gallery, <strong>and</strong> the launching of the<br />
Comenius Scholarships <strong>for</strong> outst<strong>and</strong>ing students. As<br />
chair of <strong>Moravian</strong>’s Board, Mrs. Hurd spearheaded<br />
major improvements in the <strong>College</strong>’s infrastructure<br />
<strong>and</strong> programs, including construction of the new<br />
academic complex (2003) <strong>and</strong> townhouse-style<br />
student residences, <strong>and</strong> a campus-wide renovation<br />
of signage <strong>and</strong> l<strong>and</strong>scaping (Schamberger 2008).<br />
2.5 Conclusion<br />
Figure 2-61. Foy Hall under construction, 1982 (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Figure 2-62. Sketch plan <strong>for</strong> Foy Concert Hall (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
<strong>Moravian</strong> <strong>College</strong> has traversed over two centuries<br />
to its present state. Throughout this time, it has not<br />
lost sight of its <strong>Moravian</strong> roots <strong>and</strong> has demonstrated<br />
a profound appreciation <strong>for</strong> its history while at the<br />
same time updating its programs <strong>and</strong> providing<br />
modern amenities <strong>for</strong> its present <strong>and</strong> future.<br />
As the first <strong>Moravian</strong> settlers did, the <strong>College</strong><br />
continues to value <strong>and</strong> encourage excellence in<br />
education, particularly music <strong>and</strong> the fine arts, <strong>and</strong><br />
has perpetuated the strong academic reputation<br />
developed in the Bethlehem Female Seminary’s<br />
early years. Meanwhile, it involves the larger<br />
community through lectures, concerts, exhibitions,<br />
<strong>and</strong> athletics, <strong>and</strong> its restored historic buildings<br />
have become a gateway <strong>and</strong> emblem <strong>for</strong> the City<br />
of Bethlehem. <strong>Moravian</strong>’s process of adaptive reuse<br />
paired with preservation illustrates the enduring<br />
value of historic buildings <strong>and</strong> resources. The<br />
<strong>College</strong>’s ef<strong>for</strong>ts to restore its historic Church Street<br />
buildings have contributed immeasurably to the<br />
preservation of the largest <strong>and</strong> most important<br />
group of Germanic buildings in the United States<br />
<strong>and</strong> to the revival of Old Bethlehem. Meanwhile, its<br />
new buildings have almost unanimously honored<br />
<strong>and</strong> echoed these longtime Bethlehem l<strong>and</strong>marks.<br />
Figure 2-63. Priscilla Payne Hurd Academic Complex, completed<br />
in 2003 (<strong>Moravian</strong> <strong>College</strong> Public Relations).<br />
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Chapter Three<br />
<strong>Moravian</strong> <strong>College</strong> in Context<br />
3.0 Introduction<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> its parent institutions hold<br />
a unique place when considered through the lens<br />
of larger movements <strong>and</strong> trends over the past<br />
260 years. The cultural <strong>for</strong>ces that resurrected<br />
the <strong>Moravian</strong> faith from longtime secrecy, <strong>and</strong><br />
created safe havens <strong>for</strong> the <strong>Moravian</strong> missionaries<br />
first in Saxony <strong>and</strong> later in North America, were<br />
ultimately strong enough to result in a nearly<br />
undiluted transplant of <strong>Moravian</strong> culture to<br />
Bethlehem. The <strong>Moravian</strong> settlers <strong>and</strong> community<br />
of early Bethlehem differed from other European<br />
colonists in myriad ways. Their viewpoints on<br />
religion, community planning, societal constructs,<br />
evangelism, <strong>and</strong> education were markedly different<br />
from other demographics. Bethlehem itself, with<br />
its initial adherence to the Economy <strong>and</strong> role as the<br />
hub of the North American <strong>Moravian</strong> missionary<br />
network, developed physically to an extent far<br />
beyond other <strong>Moravian</strong> settlements, but differed<br />
from these <strong>and</strong> other American settlements in<br />
its adherence to the detailed planning directives<br />
issued from Herrnhut. As time passed, however,<br />
Bethlehem was secularized <strong>and</strong> began to grow in<br />
ways more consistent with other American cities of<br />
the nineteenth <strong>and</strong> twentieth centuries.<br />
Similarly, the <strong>Moravian</strong> schools <strong>for</strong> men <strong>and</strong><br />
women began as distinct, high-quality educational<br />
institutions, <strong>and</strong> were all the more remarkable<br />
when compared with the paucity of educational<br />
opportunities available to most North American<br />
youth prior to the availability of public education.<br />
Again, as the <strong>Moravian</strong> culture grew more secular<br />
<strong>and</strong> the adherents assimilated into the larger fabric<br />
of American lifeways, both the women’s <strong>and</strong> men’s<br />
schools developed physically <strong>and</strong> architecturally<br />
in ways consistent with larger American<br />
educational trends. The merger of two schools to<br />
the current <strong>Moravian</strong> <strong>College</strong> resulted in continued<br />
development along these lines.<br />
Finally, <strong>Moravian</strong> <strong>College</strong> occupies a unique place in<br />
historic preservation history. The 1950s partnering<br />
of the school <strong>and</strong> Historic Bethlehem to work<br />
toward the preservation, restoration, <strong>and</strong> adaptive<br />
reuse of its Hurd Campus buildings represents a<br />
prescient <strong>and</strong> innovative ef<strong>for</strong>t to revitalize the<br />
historic downtown.<br />
This chapter explores <strong>Moravian</strong>’s role throughout its<br />
historical periods, both as an innovative <strong>and</strong> unique<br />
exception to the surrounding cultural norms, <strong>and</strong><br />
as a reflection of larger trends <strong>and</strong> values shared<br />
with other American communities <strong>and</strong> institutions.<br />
In particular, it places <strong>Moravian</strong> <strong>and</strong> its parent<br />
schools along the continuum of American higher<br />
education <strong>and</strong> campus planning history.<br />
3.1 Community <strong>Plan</strong>ning<br />
<strong>and</strong> Development<br />
<strong>Moravian</strong> Settlements in North<br />
America<br />
Bethlehem was from the beginning the capital<br />
city of <strong>Moravian</strong>ism in North America. Unlike<br />
other <strong>Moravian</strong> settlements, it communicated<br />
directly with the church leaders at Herrnhut,<br />
<strong>and</strong> planning <strong>for</strong> new settlements was done at<br />
Bethlehem. Bethlehem was also designed as the<br />
central industrial processing facility <strong>for</strong> crops<br />
<strong>and</strong> raw materials generated by the outlying<br />
settlements <strong>and</strong> farms. It carried on trade with other<br />
settlements, accepting raw materials in exchange<br />
<strong>for</strong> the manufactured goods it produced. The<br />
congregation at Bethlehem was thus at the center<br />
of the <strong>Moravian</strong> New World, <strong>and</strong> set precedents<br />
<strong>for</strong> other <strong>Moravian</strong> congregations. Its buildings<br />
represented the most direct translation of European<br />
<strong>Moravian</strong> architecture into an American settlement<br />
(Murtagh 1967:19).<br />
Each <strong>Moravian</strong> settlement in North America shared<br />
the trait of having been carefully planned, with a<br />
predetermined role to play in the greater <strong>Moravian</strong><br />
world. Nazareth, only nine miles from Bethlehem,<br />
was the “manor town,” second in comm<strong>and</strong> to<br />
Bethlehem. Lititz was intended to be an educational<br />
center. Emmaus <strong>and</strong> Lebanon, PA <strong>and</strong> Hope, NJ<br />
were agricultural centers. Nain <strong>and</strong> Gnadenhuetten<br />
were missionary outposts which evangelized<br />
Native Americans <strong>and</strong> housed converts (Murtagh<br />
1967:19).<br />
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<strong>Moravian</strong>s of the colonial period believed that the<br />
Economy system was the most economical means<br />
of establishing themselves in the New World. In<br />
exchange <strong>for</strong> basic needs, each community member<br />
gave his or her labor to support the <strong>Moravian</strong><br />
community <strong>and</strong> its important missionary work.<br />
Keeping the focus on the community rather than<br />
individuals <strong>and</strong> families enabled the colonists<br />
to unanimously work toward the dual goals of<br />
evangelizing the Native Americans <strong>and</strong> keeping<br />
the settlement going as the home base <strong>for</strong> <strong>and</strong><br />
supporter of the missionary work.<br />
Unlike Bethlehem, other <strong>Moravian</strong> settlements were<br />
unable to maintain the communal living system.<br />
Their lack of direct contact with the church leaders<br />
at Herrnhut, coupled with pressure to lead lives<br />
more in keeping with non-<strong>Moravian</strong> neighbors,<br />
caused these settlers to live as individual families.<br />
Bethlehem retained its system until 1762, at which<br />
time it too shifted toward nuclear families <strong>and</strong><br />
away from choirs. Still, Bethlehem remained closed<br />
to non-<strong>Moravian</strong> residents until 1845 (Schamberger<br />
2008, personal communication).<br />
Figure 3-1. 1766 plan of Bethlehem (Murtagh 1967:15).<br />
<strong>Moravian</strong> Bethlehem<br />
Bethlehem’s plan was derived from the<br />
self-sufficient planned community model<br />
developed at Herrnhut <strong>and</strong> refined at the newer<br />
towns of Nisky <strong>and</strong> Kleine Welk nearby (figures 3-1,<br />
3-2, 3-3, 3-4). Common characteristics of the three<br />
European plans included the siting of the major<br />
buildings around a central square; the placement<br />
of the central square to connect with major access<br />
roads; a Gemeinhaus which housed the community’s<br />
chapel <strong>and</strong> dominated the center of the town; large<br />
houses <strong>for</strong> the different choirs; gardens associated<br />
with each choir house; spaces to house girls’ <strong>and</strong><br />
boys’ boarding schools; a Congregational Inn; an<br />
apothecary; a store; <strong>and</strong> industrial shop buildings<br />
such as tanneries <strong>and</strong> tobacco <strong>and</strong> soap factories.<br />
Nisky’s central square was laid out in <strong>for</strong>mal<br />
gardens, <strong>and</strong> another garden, later replicated in<br />
Nazareth (figure 3-5) <strong>and</strong> Bethlehem as the “pleasure<br />
gardens,” featured both a <strong>for</strong>mal section <strong>and</strong> an<br />
asymmetrical in<strong>for</strong>mal section. The Nisky garden<br />
was intended as a recreational space <strong>for</strong> the boys’<br />
boarding school (Murtagh 1967:9-11).<br />
Between 1741 <strong>and</strong> 1758, Bethlehem was constructed<br />
along these same lines <strong>and</strong> incorporated many of<br />
the same planning features. The settlement grew<br />
in a carefully planned <strong>and</strong> orderly fashion, given<br />
the oversight of Count von Zinzendorf <strong>and</strong> the<br />
Figure 3-2. Engraving of Herrnhut, 1722 town plan (Murtagh<br />
1967:8).<br />
Figure 3-3. Engraving of Nisky, 1742 town plan (Murtagh<br />
1967:8).<br />
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church authorities in Herrnhut. The town plan<br />
incorporated the old north-south Native American<br />
trail leading north from Philadelphia to the Lehigh<br />
River <strong>for</strong>d, <strong>and</strong> then crossing the Monocacy<br />
peninsula through the town toward Nazareth.<br />
This became the primary travel route through the<br />
town <strong>and</strong> was the predecessor of present-day Main<br />
Street. Intersecting this road on the east were two<br />
east-west streets set parallel to one another. The<br />
Figure 3-4. Engraving of Klein Welke, 1756 town plan (Murtagh<br />
1967:8).<br />
Figure 3-5. <strong>Plan</strong> of Nazareth, 1771 town plan (Murtagh 1967:20).<br />
southern of these two streets, Sisters’ Lane (now<br />
West Church Street), was where the first buildings,<br />
including the Gemeinhaus <strong>and</strong> most of the choir<br />
buildings, were built. The northern of the two<br />
streets was called the Ladengasse <strong>and</strong> contained the<br />
community store, cemetery, <strong>and</strong> a few individual<br />
dwellings. The north end of the town contained<br />
the farm buildings. The Platz, or town square, was<br />
located at what is now the intersection of Main <strong>and</strong><br />
West Church Street <strong>and</strong> extended north almost<br />
to the Ladengasse. It was bounded on the south<br />
by the Single Brethren’s House, on the west by<br />
the Monocacy Creek industrial area, on the north<br />
by the farm barns <strong>and</strong> stables, <strong>and</strong> on the east<br />
by the doctor’s house, laboratory, <strong>and</strong> children’s<br />
house. Agricultural fields were cleared around the<br />
settlement, orchards were planted along the eastern<br />
side of the town center, <strong>and</strong> a small complex of<br />
buildings <strong>for</strong> use by the Native Americans was<br />
constructed across Monocacy Creek (Levering<br />
1903:258; Murtagh 1967:12-13).<br />
The early buildings housed church members<br />
grouped in the <strong>Moravian</strong> choir system, as established<br />
at Herrnhut. The growing group of buildings<br />
contained the domestic <strong>and</strong> worship spaces of the<br />
community. Building uses were fluid <strong>and</strong> changed<br />
frequently as the community grew. Initially, the<br />
Gemeinhaus housed the different groups in sets of<br />
rooms or larger dormitories. As the population<br />
grew, the single women’s <strong>and</strong> widows’ choirs lived<br />
in Nazareth due to lack of space to house them<br />
in Bethlehem. Later, multiple large houses were<br />
constructed <strong>for</strong> single men (brothers), single women<br />
(sisters), widows, <strong>and</strong> married couples. Each choir<br />
shared household responsibilities <strong>and</strong> common<br />
worship. The first buildings were constructed on<br />
the north side of Church Street (originally Sisters’<br />
Lane), east of what became Main Street (Murtagh<br />
1967:12; Smaby 1988:92-93).<br />
Garden spaces were an important component of<br />
the new town of Bethlehem. The common gardens<br />
were created to grow the vegetables consumed by<br />
members of the congregation. While fields <strong>and</strong><br />
orchards lay somewhat more distant, the gardens<br />
were adjacent to the buildings <strong>and</strong> close to the<br />
town core. Historic maps <strong>and</strong> plans indicate that<br />
gardens <strong>for</strong> the choir houses covered most of the<br />
hill descending from Church Street toward the<br />
south, <strong>and</strong> the sites of the Single Brethren’s House<br />
<strong>and</strong> Widows’ House were garden space prior to<br />
their construction. The southern exposure of this<br />
slope undoubtedly played a role in its selection<br />
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as the primary garden site <strong>for</strong> the community,<br />
along with the need to site the garden close to the<br />
houses so it could be conveniently tended. In 1747,<br />
a large garden was created on the slope behind the<br />
newly built Single Brethren’s House. A sizeable<br />
portion of it was used to grow medicinal herbs,<br />
which were carefully harvested <strong>and</strong> dispensed in<br />
the community’s apothecary shop to be used in<br />
home remedies which <strong>for</strong>med the basis of that era’s<br />
medical treatment. This garden coincided with an<br />
emphasis on studying native plants <strong>and</strong> identifying<br />
additional useful herbs; the community had a<br />
laboratory used by the doctor <strong>and</strong> his assistants<br />
to investigate these plants. Nicholas Garrison’s<br />
historic birdseye views of Bethlehem from the late<br />
1750s (figure 3-6) indicate that the produce <strong>and</strong> herb<br />
gardens below the Single Brethren’s House <strong>and</strong><br />
West Church Street were laid out in <strong>for</strong>mal squares<br />
<strong>and</strong> rectangles (Levering 1903:203; Murtagh<br />
1967:12-16).<br />
A few small corner outbuildings appeared in<br />
the community gardens by 1758 (figure 3-7). By<br />
the 1770s, the garden area had been partially<br />
consumed by a complex of one-story frame sheds<br />
behind the Single Brethren’s House (figures 3-8 <strong>and</strong><br />
3-9). At this point, the community had ab<strong>and</strong>oned<br />
its communal economy <strong>and</strong> had vastly increased<br />
needs <strong>for</strong> housing dozens of nuclear families.<br />
Storage was among the unexpected needs of the<br />
revised settlement; undoubtedly, at least some of<br />
these outbuildings <strong>and</strong> nearby underground cellars<br />
can be attributed to this shift in lifeways.<br />
Another important feature of Bethlehem was the<br />
industrial complex that arose to the west of the<br />
central core along the Monocacy Creek (see figure<br />
3-1). Bethlehem was planned from the beginning<br />
to be the central processing site <strong>for</strong> the raw goods<br />
produced on the surrounding farms by the <strong>Moravian</strong><br />
settlers. Skilled trades were an important component<br />
of Bethlehem’s success, <strong>and</strong> tradespeople were<br />
deliberately included in every group of settlers that<br />
left Europe <strong>for</strong> Pennsylvania. The need <strong>for</strong> water<br />
<strong>and</strong> a sufficient current <strong>for</strong> mill power dictated the<br />
selection of the site, which surrounded the original<br />
spring. Water was carted uphill to the town until<br />
a waterworks was built. This facility was among<br />
the most notable technological achievements of the<br />
<strong>Moravian</strong> community. A millrace was dug parallel<br />
to the Monocacy to power a grist <strong>and</strong> fulling mill<br />
<strong>and</strong> an oil mill. Other buildings in the complex<br />
included houses <strong>for</strong> a blacksmith, locksmith, <strong>and</strong><br />
nailsmith; a pottery; a dye house; a cabinetmaker’s<br />
Figure 3-6. Nicholas Garrison’s birdseye view of Bethlehem in<br />
1757 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 3-7. Golkowski’s view of Bethlehem in 1758 (<strong>Moravian</strong><br />
Church Archives).<br />
Figure 3-8. View to the south from the Single Brethren’s House,<br />
showing a plethora of sheds. Engraving by Nicholas Garrison,<br />
1776 (Bethlehem Digital Archives).<br />
<strong>Moravian</strong> Souvenir<br />
Figure 3-9. engraving of Bethlehem in 1784<br />
(<strong>Moravian</strong> Souvenir 1856).<br />
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shop; a slaughterhouse <strong>and</strong> tannery; a charcoal<br />
shed; <strong>and</strong> a springhouse. Initially these structures<br />
were log buildings, but between 1759 <strong>and</strong> 1784, most<br />
were replaced with permanent stone structures.<br />
A smaller secondary industrial complex with a<br />
sawmill, flax mill, <strong>and</strong> laundry house was built<br />
downstream on the Monocacy peninsula, southeast<br />
of the town (Kane 1963:3-5; Murtagh 1967:13-15;<br />
Myers 1981:35).<br />
At the same time, Bethlehem’s industries were<br />
diversifying <strong>and</strong> exp<strong>and</strong>ing, including the<br />
Bethlehem Iron Company (later Bethlehem Steel),<br />
which underwent major growth between 1905<br />
<strong>and</strong> 1914. These expansions created more jobs <strong>and</strong><br />
caused city growth to accommodate the influx of<br />
new employees. In 1915, Bethlehem Steel created<br />
the Bethlehem Securities Corporation to help its<br />
employees build or purchase homes, <strong>and</strong> began a<br />
The <strong>Moravian</strong> Mile: Growth <strong>and</strong><br />
Development of the North Main Street<br />
Neighborhood<br />
Although the site of <strong>Moravian</strong>’s Main Street<br />
Campus was a vacant lot of farml<strong>and</strong> in the<br />
late 1880s, the City of Bethlehem was rapidly<br />
growing outward <strong>and</strong> around it. By the 1890s, the<br />
surrounding area of farml<strong>and</strong> <strong>and</strong> country estates<br />
was developing into a residential neighborhood.<br />
Rural <strong>and</strong> suburban uses competed into the early<br />
1900s; a cornfield was still visible immediately to<br />
the south of the Harvey Library building site in a<br />
1907 photo, but was surrounded by recently built<br />
houses (figure 3-10) The new homes encompassed<br />
a variety of types <strong>and</strong> styles, ranging from modest<br />
Italianate working-class row houses <strong>and</strong> duplexes<br />
to simple bungalows to spacious Queen Anne,<br />
American Foursquare (figure 3-11) <strong>and</strong> Colonial<br />
Revival suburban houses.<br />
A number of factors contributed to this development.<br />
Transportation <strong>and</strong> improvement of city<br />
infrastructure spurred much of the growth. Main<br />
Street was paved in 1887 <strong>and</strong> electric streetcars soon<br />
appeared, making the North Main Street area easily<br />
accessible from other parts of the city. Construction<br />
of a second Monocacy River bridge also facilitated<br />
transportation <strong>and</strong> movement throughout the city.<br />
As travel between neighborhoods became easier,<br />
real estate speculators saw development potential<br />
in the large tracts of l<strong>and</strong> outside the city core,<br />
including the area of North Main Street, <strong>and</strong> began<br />
buying these parcels <strong>and</strong> subdividing them into<br />
house lots. Many businesspeople <strong>and</strong> white-collar<br />
professionals purchased l<strong>and</strong> <strong>and</strong> homes in the<br />
new “suburbs” where they could now enjoy a brief<br />
commute between work <strong>and</strong> home. Bethlehem <strong>and</strong><br />
South Bethlehem unified into one city between<br />
1904 <strong>and</strong> 1917. The city installed public water <strong>and</strong><br />
sewer systems, further increasing the appeal of<br />
the <strong>Moravian</strong> <strong>College</strong> neighborhood <strong>for</strong> residency<br />
(Schamberger 2008, personal communication).<br />
Figure 3-10. Harvey Library cornerstone-laying, 1907, view to<br />
the south. Note cornfield in the background (<strong>Moravian</strong> Church<br />
Archives).<br />
Figure 3-11. 1201 N. Main Street, one of One of many American<br />
Foursquare single-family dwellings in the North Main Street<br />
neighborhood. This building is still in use as student housing<br />
(<strong>Moravian</strong> <strong>College</strong>).<br />
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project to construct 1,500 units of company housing<br />
spanning both sides of the river. The company also<br />
purchased 18 acres of l<strong>and</strong> in the North Main Street<br />
neighborhood <strong>and</strong> constructed Steel Field (figure<br />
3-12) in 1916 as an athletic facility <strong>for</strong> employees’<br />
use (Schamberger 2008, personal communication).<br />
Figure 3-12. Early postcard view of Steel Field (Bethlehem Steel<br />
Soccer Club).<br />
Not all lots in the neighborhood were developed,<br />
<strong>and</strong> pockets of vacant l<strong>and</strong> remained here <strong>and</strong><br />
there when the Great Depression hit. Due to<br />
the slowdown of construction during the Great<br />
Depression, there remained many vacant lots in<br />
the neighborhood among the older houses through<br />
World War II. Neighborhood children of the 1930s<br />
<strong>and</strong> 1940s played freely in these lots <strong>and</strong> fields,<br />
which eventually disappeared when new housing<br />
was built after 1945 (<strong>Moravian</strong> <strong>College</strong> 2007:9;<br />
Steers 2007:26-27).<br />
3.2 <strong>Moravian</strong> Beliefs <strong>and</strong><br />
Educational Principles<br />
The <strong>Moravian</strong> Church’s historic emphasis on<br />
education, <strong>and</strong> the vital role of education as an<br />
instrument of salvation, derives from the beliefs of<br />
its influential early bishop, John Amos Comenius<br />
(1592-1670). <strong>Moravian</strong> adherents believed that<br />
all human souls could find salvation, <strong>and</strong> thus all<br />
human beings needed to be educated as a means<br />
toward salvation. In a time when education in<br />
Western societies was generally limited to elite<br />
males, Comenius believed in education <strong>for</strong> males<br />
<strong>and</strong> females, poor <strong>and</strong> wealthy alike. Education was<br />
nearly as important as religious observance from<br />
an early time. In more recent times, Comenius has<br />
been credited as “the father of modern education”<br />
(<strong>Moravian</strong> <strong>College</strong> 2007:2-3).<br />
From the beginning, the <strong>Moravian</strong>s of Bethlehem<br />
educated both male <strong>and</strong> female children. Parents,<br />
whose responsibilities were tied up in working<br />
<strong>for</strong> the communal economy, had little time to<br />
educate their own children. In most cases, children<br />
did not live with their parents once they reached<br />
toddlerhood <strong>and</strong> became part of the children’s<br />
choirs. The Economy, acting in loco parentis,<br />
provided <strong>for</strong> each child’s basic needs <strong>and</strong> was<br />
thus also responsible <strong>for</strong> providing an education.<br />
<strong>Moravian</strong> educational institutions were established<br />
as part of this system, <strong>and</strong> were supported by the<br />
community <strong>and</strong> church (<strong>Moravian</strong> <strong>College</strong> 2007:3;<br />
Smaby 1988:32-36).<br />
<strong>Moravian</strong> culture was distinct among religious<br />
denominations in America in its treatment of<br />
women. <strong>Moravian</strong> females were accorded dignity<br />
<strong>and</strong> status that was lacking in most other religious<br />
<strong>and</strong> ethnic cultures, <strong>and</strong> its first Boarding School<br />
<strong>for</strong> Girls was supported by both males <strong>and</strong> females.<br />
The girls’ school attracted far more renown <strong>and</strong><br />
drew more students from other regions than the<br />
boys’ school, not only due to its strong academic<br />
reputation, but because it was so unusual among<br />
the limited educational opportunities <strong>for</strong> American<br />
female students prior to 1900 (Yates et al. 1976:265-<br />
266).<br />
3.3 Nature <strong>and</strong> Nurture:<br />
Nineteenth Century<br />
Campus <strong>Plan</strong>ning<br />
The establishment of men’s colleges <strong>and</strong> theological<br />
seminaries in the United States accelerated in<br />
the nineteenth century. Modeled on the English<br />
example, American colleges continued to focus on<br />
the liberal arts <strong>and</strong> turn out teachers, lawyers, <strong>and</strong><br />
ministers. By the mid-nineteenth-century, critics<br />
derided college education as irrelevant <strong>and</strong> the<br />
province of the elite. This soon began to change.<br />
Longtime attempts to re<strong>for</strong>m the st<strong>and</strong>ing model<br />
of education, <strong>and</strong> the advent of the l<strong>and</strong>-grant<br />
school system in 1862, combined to open college<br />
education to a greater number of students than<br />
ever be<strong>for</strong>e, <strong>and</strong> freed them from the traditional<br />
classical program of study. Disciplines were<br />
created <strong>for</strong> those interested in a more technical<br />
or practical education, broadening the appeal of<br />
college to a larger demographic. Coursework in<br />
engineering, agriculture, science, <strong>and</strong> technical<br />
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education permitted students to reach beyond the<br />
classical liberal arts <strong>and</strong> prepared them <strong>for</strong> success<br />
in technical professions. This democratization<br />
dispelled some of the exclusivity prevalent among<br />
the elite private institutions, which until this point<br />
had turned out well-read graduates who entered<br />
the professional world (Turner 1984:129-131).<br />
As part of this national reworking of educational<br />
ideals, the extension of education to women took<br />
on increasing importance. Women’s seminaries<br />
<strong>and</strong> colleges began to rise in importance during<br />
the mid nineteenth century. Although female<br />
seminaries had existed <strong>for</strong> many years, they were<br />
small <strong>and</strong> the curriculum was typically different<br />
from that offered at men’s schools <strong>and</strong> colleges.<br />
A few colleges, notably Oberlin <strong>and</strong> Antioch in<br />
Ohio, became coeducational (in 1837 <strong>and</strong> 1853,<br />
respectively), but otherwise, higher education was<br />
single-sex. Ef<strong>for</strong>ts began in the mid-nineteenthcentury<br />
to establish more women’s seminaries <strong>and</strong><br />
even women’s colleges. Several appeared during<br />
the mid-1850s. Vassar <strong>College</strong>, in Poughkeepsie,<br />
NY, was founded in 1861 with a large endowment<br />
<strong>and</strong> a gr<strong>and</strong> building designed by James Renwick.<br />
It soon became a model <strong>for</strong> subsequent institutions<br />
(Turner 1984:133).<br />
Many nineteenth-century academies, seminaries,<br />
<strong>and</strong> colleges shared common planning trends.<br />
Nineteenth-century educators preferred rural<br />
settings as sites <strong>for</strong> schools, feeling that urban<br />
settings were distracting <strong>and</strong> that scenic “natural”<br />
settings were more conducive to motivating <strong>and</strong><br />
inspiring young students. A location emphasizing<br />
nature was seen as having both aesthetic <strong>and</strong><br />
moral virtues. Placing a college on a hilltop became<br />
popular, both because this embodied its removal<br />
from “everyday” life <strong>and</strong> its distractions, but also<br />
took advantage of the beautiful views from this<br />
vantage point. Even illustrations of nineteenth<br />
century campuses emphasized the scenic <strong>and</strong><br />
natural qualities of the campus, depicting buildings<br />
set among detailed <strong>and</strong> often lushly romantic<br />
l<strong>and</strong>scape features, rather than focusing mainly on<br />
the buildings as in the past (Turner 1984:101-106).<br />
Both men’s <strong>and</strong> women’s schools espoused this<br />
practice of locating schools away from cities.<br />
With women’s schools, a rural location was also<br />
a paternalistic protective measure to screen the<br />
female students from distracting, unwholesome or<br />
dangerous city activities <strong>and</strong> influences. (Turner<br />
1984:133).<br />
Another key characteristic of nineteenth-century<br />
campuses was the consolidation of multiple<br />
functions (dormitories, classrooms, dining facilities,<br />
library, recreational space, administrative offices,<br />
faculty apartments) into a single main building or<br />
a grouping of connected buildings. Though often<br />
this was the result of lack of funding, small student<br />
bodies, <strong>and</strong> limited campus l<strong>and</strong>holdings, this type<br />
of building also made it easier <strong>for</strong> the school to<br />
oversee <strong>and</strong> control the activities <strong>and</strong> movements<br />
of the students, who led carefully scheduled <strong>and</strong><br />
regulated lives during the academic year. Although<br />
larger institutions were rapidly moving toward<br />
less-concentrated campuses with separated <strong>and</strong><br />
carefully aligned buildings housing different<br />
functions, many new colleges <strong>and</strong> seminaries began<br />
with a main building, <strong>and</strong> expansion necessitated<br />
new wings or adjacent freest<strong>and</strong>ing buildings<br />
(Turner 1984:89-93,133).<br />
Although some men’s schools had single<br />
multipurpose buildings, with women’s schools, the<br />
single-building characteristic was universal. Along<br />
with practical considerations <strong>and</strong> the overarching<br />
need to maintain order <strong>and</strong> en<strong>for</strong>ce strict rules<br />
of student conduct, the consolidation of most<br />
functions under one roof can also be interpreted as<br />
a means of protection from dangerous or corruptive<br />
outside influences, <strong>and</strong> as the promulgation of a<br />
homelike setting. Female school heads <strong>and</strong> faculty<br />
often functioned both as administrators <strong>and</strong> as<br />
matrons, both regulating <strong>and</strong> nurturing the young<br />
women in their care. The sheltered replication of<br />
a domestic family home was key to the success<br />
of women’s institutions, reassuring families that<br />
their daughters would be safe, chaperoned, <strong>and</strong><br />
in a wholesome, character-building environment<br />
while being educated away from their own homes<br />
(Turner 1984:133-140).<br />
<strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies<br />
The <strong>Moravian</strong> Seminary’s campus was always part<br />
of an urban setting, lacking scenic characteristics<br />
<strong>and</strong> set in a busy crossroads adjacent to both<br />
the historic <strong>Moravian</strong> Church complex <strong>and</strong> the<br />
industrial quarter. Prior to 1814, the school shared<br />
space with the <strong>Moravian</strong> congregation <strong>and</strong> lacked<br />
an autonomous facility. After moving to the Single<br />
Brethren’s House, the school had its first discrete<br />
campus over which it could assume full control.<br />
Since the school’s location was decidedly urban, the<br />
scenic Pleasure Grounds behind the building was<br />
a means of giving students the desired connection<br />
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Figure 3-13. View of the Main Street approach to the <strong>Moravian</strong><br />
Seminary <strong>for</strong> Young Ladies, ca. 1850s (<strong>Moravian</strong> Souvenir 1856).<br />
Figure 3-14. View of the interior Pleasure Grounds ( <strong>Moravian</strong><br />
Souvenir 1856).<br />
with nature (figures 3-13, 3-14, 3-15). The appearance<br />
of the l<strong>and</strong>scape behind the building in 1814 is not<br />
known; possibly the orderly garden plots of the<br />
mid-eighteenth-century remained, <strong>and</strong> the doors<br />
of several root cellars were visible at the base of<br />
the hill. However, by the mid-nineteenth-century,<br />
the hillside l<strong>and</strong> was l<strong>and</strong>scaped with a gazebo, a<br />
selection of trees <strong>and</strong> winding paths. The Pleasure<br />
Grounds altered the view both of <strong>and</strong> from the rear<br />
of the Single Brethren’s House, giving the campus<br />
a scenic quality as one approached from the south<br />
over the Monocacy. The gardens supplied space <strong>for</strong><br />
student exercise, amusement, <strong>and</strong> contemplation.<br />
A tall wooden fence surrounded the gardens,<br />
creating a barrier between garden <strong>and</strong> busy Main<br />
Street, <strong>and</strong> further serving as a protective element<br />
that separated the world from the sheltered young<br />
women within the campus. Only in 1910 was this<br />
fence removed <strong>and</strong> the park opened up to the<br />
public (Yates 1976:266).<br />
The protective, home-like atmosphere of the<br />
<strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies during<br />
the nineteenth century is clearly expressed in the<br />
1874-1875 school catalogue:<br />
The students <strong>and</strong> teachers of the Seminary<br />
constitute one household, at the head of<br />
which st<strong>and</strong> the Principal <strong>and</strong> his wife.<br />
Figure 3-15. Detail of a stereoscopic view of students <strong>and</strong><br />
teachers at play in the Pleasure Grounds, ca. 1870s (New York<br />
Public Library).<br />
Figure 3-16. Engraving showing connected Seminary buildings,<br />
1859 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
The whole number of students is divided…<br />
mainly according to age, into smaller<br />
families, over each of which two tutoresses<br />
preside. Of these families there are at<br />
present ten, consisting of from eighteen to<br />
twenty young ladies each. The members<br />
of each family room together. That is, they<br />
have a common sitting-room <strong>and</strong> additional<br />
apartments <strong>for</strong> their use, a common<br />
dormitory <strong>and</strong> wash-room, they eat at the<br />
same table in the general dining-room, <strong>and</strong><br />
look up to the same teachers <strong>for</strong> direction<br />
<strong>and</strong> advice. For purposes of counsel <strong>and</strong><br />
control, one of these teachers is with them<br />
at all hours, to supervise their studies, to<br />
preserve order, to accompany them on<br />
their daily walks, to meals, <strong>and</strong> to church<br />
<strong>and</strong> chapel. Both teachers sleep in the same<br />
dormitory with their charges.<br />
We are persuaded that no better system<br />
can be devised <strong>for</strong> promoting good morals,<br />
cultivating correct personal <strong>and</strong> social<br />
habits…<strong>and</strong> preparing girls <strong>for</strong> actual <strong>and</strong><br />
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safe intercourse with the world in which<br />
they will shortly have to move...(<strong>Moravian</strong><br />
Seminary <strong>for</strong> Young Ladies 1874:14).<br />
The <strong>Moravian</strong> Seminary’s campus exemplified the<br />
containment of most school functions within a single<br />
building or connected cluster of buildings (figure<br />
3-16). As the school grew <strong>and</strong> the Single Brethren’s<br />
House became too small, the campus exp<strong>and</strong>ed<br />
organically around it. Beginning in 1848, a series<br />
of new connected halls was added on the east <strong>and</strong><br />
west, <strong>and</strong> the complex eventually exp<strong>and</strong>ed at<br />
a right angle toward the south. The 1840 school<br />
laundry (Day House) was the only fully detached<br />
building on campus, possibly because it was used<br />
primarily by employees <strong>and</strong> not by students. The<br />
1890 Gymnasium (Payne Gallery) was detached<br />
from the main group of buildings, but had a narrow<br />
connecting passageway to South Hall.<br />
The 1874-1875 school catalogue also makes clear<br />
that the series of Hurd Campus buildings were<br />
regarded by the school as a single “house” rather<br />
than as discrete but connected buildings. “The<br />
whole house measures 232 feet front, by from 50 to<br />
200 in depth, with seven stairways running from the<br />
lowest to the highest stories” (<strong>Moravian</strong> Seminary<br />
<strong>for</strong> Young Ladies 1874:14-15).<br />
<strong>and</strong> the Harvey Library were planned <strong>and</strong> built as<br />
attached wings rather than st<strong>and</strong>alone buildings,<br />
although construction of the library was delayed<br />
<strong>for</strong> over a decade. Only in the twentieth century<br />
did the college begin to exp<strong>and</strong> <strong>and</strong> spin off certain<br />
functions <strong>and</strong> academic departments to new<br />
detached buildings.<br />
Finally, <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological School<br />
promulgated a household environment, with the<br />
Resident Professor <strong>and</strong> his wife overseeing student<br />
life <strong>and</strong> character education. This was regarded<br />
as a critical element of students’ preparation <strong>for</strong><br />
ministry, <strong>and</strong> the students’ lives were probably<br />
more closely supervised than male peers at liberal<br />
arts colleges (figure 3-18). Attendance at daily<br />
worship was required, as was signing a pledge of<br />
Christian conduct. Indeed, in years prior to World<br />
War I, the annual <strong>College</strong> catalogue contained the<br />
following text:<br />
With the exception of those whose homes<br />
are in Bethlehem <strong>and</strong> vicinity, the students<br />
are entered as members of the <strong>College</strong> <strong>and</strong><br />
Seminary household, rooms being assigned<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological<br />
Seminary<br />
The campus of <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological<br />
Seminary <strong>for</strong> Men also espoused many of the<br />
nineteenth-century campus trends. The choice<br />
made in 1889 to locate the school on a rural hilltop<br />
at the far north end of Bethlehem was the result<br />
of careful consideration of several sites. However,<br />
this worked to remove the institution to a more<br />
remote setting on what had been church-owned<br />
farml<strong>and</strong>. Here the students could concentrate on<br />
their studies without the distractions of a busy<br />
downtown, though the town center was easily<br />
accessible. Within a few decades the town had<br />
spread outward <strong>and</strong> surrounded the campus<br />
with a residential neighborhood. Still, the setting<br />
remained more suburban than urban.<br />
Comenius Hall was from the beginning a<br />
multipurpose building, containing nearly all<br />
functions of the <strong>College</strong> (figure 3-17). Dormitories,<br />
classrooms, offices, <strong>and</strong> a gymnasium were initially<br />
all housed under one roof, with the refectory,<br />
infirmary, <strong>and</strong> laundry in an adjacent smaller<br />
building (now Zinzendorf Hall). Borhek Chapel<br />
Figure 3-17. 1907 view of Comenius Hall <strong>and</strong> the Refectory.<br />
Nearly all school functions were carried out in these two<br />
buildings during the first 20 years of the campus (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Figure 3-18. <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary’s<br />
Trombone Choir, 1907. Students <strong>and</strong> faculty in this period<br />
enjoyed a close household-type environment (<strong>Moravian</strong> Church<br />
Archives).<br />
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to them by the “resident professor” as<br />
superintendent of the household affairs.<br />
Their boarding <strong>and</strong> dwelling together<br />
as members of one family constitutes an<br />
important element in the educational<br />
training of the students. Being brought<br />
into constant <strong>and</strong> close contact with each<br />
other <strong>and</strong> with the professors, not only<br />
in the classroom, but also socially, they<br />
thus receive much additional help <strong>and</strong><br />
inspiration, <strong>and</strong> gain a stimulus in the<br />
attainment of culture, both intellectually<br />
<strong>and</strong> socially (Weinlick 1977:14-15).<br />
3.4 The New University<br />
– Specialization <strong>and</strong><br />
Modernization<br />
Beginning in the post-Civil War period, higher<br />
education in America was marked by a dramatic<br />
shift in models <strong>for</strong> higher education. Most colleges<br />
until this point continued the English pattern of a<br />
community of scholars living <strong>and</strong> working on a<br />
distinct campus, though their focus had changed<br />
from strictly liberal arts to encompass technical<br />
studies as well. Concerns about American schools’<br />
weakness in the sciences in comparison with<br />
European universities led to the foundation of<br />
the first universities in the United States. Johns<br />
Hopkins University, established in 1867, modeled<br />
itself after German universities, <strong>and</strong> several others<br />
soon followed (Turner 1984:163).<br />
Unlike American colleges up to this point, the<br />
German model provided specialized studies in<br />
distinct disciplines <strong>for</strong> graduate students. The<br />
scientific, practical outlook of these institutions<br />
was at odds with the American collegiate tradition<br />
that had prevailed until this point, <strong>and</strong> as such<br />
rejected some of the trappings of colleges, such as<br />
ornate architect-designed facilities <strong>and</strong> influence<br />
on extracurricular student life. Universities did<br />
not house their students or foster extracurricular<br />
activities. The campus concept was also turned<br />
on its ear. Rather than removing themselves to an<br />
ivory tower, universities were most often located<br />
in cities, occupying groups of utilitarian buildings<br />
which blended into the overall urban environment<br />
rather than creating a distinct campus within the<br />
city (Turner 1984:163-164).<br />
Though the German university model made<br />
significant inroads in the United States, it was not<br />
sufficient to completely overthrow the English<br />
collegiate model. As a result, the two approaches<br />
melded into a uniquely American educational<br />
system. This system’s goal was to provide higher<br />
education to as many students as possible. Given<br />
the diversity of students <strong>and</strong> their educational<br />
needs, college <strong>and</strong> universities increasingly created<br />
an array of departments to accommodate the need<br />
<strong>for</strong> different disciplines <strong>and</strong> types of education<br />
(academic <strong>and</strong> technical, undergraduate <strong>and</strong><br />
graduate). The blended university model also saw<br />
a return to concentrating its various departments<br />
<strong>and</strong> schools on a discrete campus, often with<br />
architect-designed buildings, but planning was<br />
done on a larger <strong>and</strong> more complex scale (Turner<br />
1984:165-167).<br />
Philanthropy also assumed a larger role at the turn<br />
of the century, with wealthy benefactors endowing<br />
specific buildings <strong>and</strong> even entire campuses. While<br />
financial gifts to colleges had occurred in the past,<br />
the practice became much more common <strong>and</strong><br />
on an unprecedented scale of generosity. Some<br />
universities, such as Cornell <strong>and</strong> Johns Hopkins,<br />
received millions. At this scale, it was often the<br />
benefactor who founded the university, as at<br />
Stan<strong>for</strong>d <strong>and</strong> the University of Chicago. If the gift<br />
was made to an existing institution, a dramatic<br />
makeover ensued. Gifts often came with strings<br />
attached, as donors wanted their endowed buildings<br />
to memorialize them <strong>and</strong> reflect their tastes. Many<br />
favored Beaux-Arts classicism as a style choice<br />
(Turner 1984:167-169).<br />
<strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological<br />
Seminary<br />
At <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary, the<br />
trend toward diversified study gained ground in this<br />
period with the establishment of the Latin Scientific<br />
curriculum in the 1890s <strong>and</strong> increasing separation<br />
between the college <strong>and</strong> theological programs. To<br />
appeal to a wider variety of students, the school<br />
strove to change its longtime image as a theological<br />
school to better reflect its college curriculum<br />
alternative. At the same time, it maintained close<br />
ties with the Church <strong>and</strong> its leaders in Germany, <strong>and</strong><br />
continued to foster an atmosphere of collegiality<br />
among its relatively small student body (Weinlick<br />
1977:2-15).<br />
The manifestation of creating <strong>and</strong> designating<br />
buildings <strong>for</strong> particular subjects or disciplines took<br />
<strong>for</strong>m at <strong>Moravian</strong> with the construction of Memorial<br />
Hall (1923) as a science <strong>and</strong> laboratory building<br />
(figure 3-19). Erected in honor of <strong>Moravian</strong>s who had<br />
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served in the military <strong>and</strong> financed by an alumni<br />
fundraising campaign, Memorial Hall featured<br />
modern laboratories, lecture halls, <strong>and</strong> a geology<br />
museum. It was designed by local architect Howard<br />
J. Wiegner (Weinlick 1977:34-35) in a Classical<br />
Revival style, marking a significant departure<br />
from the eclectic European-American vernacular<br />
of the older campus buildings. While reasons <strong>for</strong><br />
this style choice are not known, it should be noted<br />
that Georgian <strong>and</strong> Colonial Revival styles were<br />
predominant in the design of academic buildings<br />
nationwide during this period. The style was not<br />
sustained at <strong>Moravian</strong>; the next major building,<br />
Colonial Hall (1930) returned to <strong>Moravian</strong>’s roots in<br />
a quaint fieldstone interpretation of the eighteenthcentury<br />
<strong>Moravian</strong> houses of central Bethlehem<br />
(figure 3-20).<br />
Figure 3-19. Memorial Hall, built in 1923 (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
The trend of endowed buildings at <strong>Moravian</strong><br />
<strong>College</strong> <strong>and</strong> Theological Seminary began with the<br />
gift of Borhek Memorial Chapel in 1893 (figure<br />
3-21). Donated by the Borhek family in memory<br />
of a young daughter, the Chapel was a beautiful<br />
<strong>and</strong> significant feature of the campus from its<br />
completion. Likewise, the 1907 Harvey Memorial<br />
Library (figure 3-22) was given by John Cennick<br />
Harvey <strong>and</strong> Charles Edward Harvey in memory<br />
of their parents <strong>and</strong> sister (Weinlick 1977:4). These<br />
two donated buildings flanked Comenius Hall, the<br />
Figure 3-20. Colonial Hall, with archive wing on the left <strong>and</strong><br />
dormitory on the right (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 3-21. Borhek Memorial Chapel, completed in 1893,<br />
was the first specific endowed building on campus (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Figure 3-22. Harvey Memorial Library, another endowed facility<br />
completed in 1907 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
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main building <strong>and</strong> center of the campus, <strong>and</strong> thus<br />
occupied predominant spaces within the overall<br />
plan of the growing campus.<br />
<strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies<br />
The <strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies remained<br />
a primary <strong>and</strong> secondary school throughout most of<br />
the nineteenth century, adding college-level courses<br />
around the turn of the century. In 1913, it <strong>for</strong>mally<br />
incorporated as <strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong><br />
<strong>for</strong> Women. This was done in part to increase the<br />
size of the student body because Seminary-level<br />
enrollment had dropped <strong>and</strong> the school depended<br />
almost entirely on tuition income. However, larger<br />
educational trends were at work as well. As public<br />
secondary schools increased rapidly in number<br />
throughout the country <strong>and</strong> turned out more<br />
graduates, the need to offer higher education <strong>for</strong><br />
women became more critical. Within Bethlehem,<br />
by now home to multiple men’s colleges, there<br />
was growing interest in a women’s college, <strong>and</strong><br />
the Seminary exp<strong>and</strong>ed to fit that role (Weinlick<br />
1977:92-93). This type of expansion was seen in<br />
many women’s seminaries <strong>and</strong> boarding schools<br />
of the era, concurrent with the overall expansion<br />
of college-level opportunities <strong>and</strong> increased<br />
competition to retain high school-level students<br />
nationwide.<br />
Throughout the early twentieth century, <strong>Moravian</strong><br />
Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women struggled to<br />
survive <strong>and</strong> to exp<strong>and</strong> its college program, doing<br />
so with dropping enrollments, limited facilities<br />
(figure 3-23) <strong>and</strong> a nearly nonexistent endowment.<br />
To aid in building up <strong>and</strong> separating the college<br />
program from the seminary, the school purchased<br />
neighboring properties instead: Frueauff House in<br />
Figure 3-23. View of students in the library of the <strong>Moravian</strong><br />
Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women, ca. 1929 (<strong>Moravian</strong> Viewbook<br />
[1929]).<br />
1914 <strong>and</strong> acquired Clewell Hall in the late 1930s.<br />
Another building purchased in the 1930s no<br />
longer belongs to <strong>Moravian</strong>. Several prospects of<br />
benefactor gifts to fund a new library <strong>and</strong> other<br />
amenities never panned out <strong>and</strong> the school went<br />
deeply into debt, but in 1949, the school received<br />
what was by far its largest gift: the 42-acre Green<br />
Pond estate. Through the bequest of Mary T.<br />
Snyder, the school now had a new campus <strong>for</strong> the<br />
Seminary’s students from grades seven through<br />
twelve (Weinlick 1977:93-98).<br />
3.5 Postwar Modernism<br />
Following World War II, American colleges <strong>and</strong><br />
universities nationwide saw unprecedented jumps<br />
in enrollment. The GI Bill initially opened higher<br />
education to thous<strong>and</strong>s who would not have been<br />
able to af<strong>for</strong>d it otherwise, <strong>and</strong> subsequent to this a<br />
greater percentage of Americans attended college.<br />
The skyrocketing enrollment <strong>for</strong>ced expansion of<br />
physical plants, <strong>and</strong> progressive modern designers<br />
developed plans that emphasized growth <strong>and</strong><br />
change rather than traditional design conventions.<br />
Formal master building plans of the early 1900s were<br />
ab<strong>and</strong>oned in favor of more flexible, “organic” plans<br />
that focused on having a set process <strong>for</strong> planning<br />
instead of a concrete design. In<strong>for</strong>mal <strong>and</strong> irregular<br />
arrangements of buildings that took advantage of<br />
l<strong>and</strong>scape features became one solution, as were<br />
designs that permitted the addition of numerous<br />
new buildings as needed without disrupting the<br />
existing campus. Academic programs exp<strong>and</strong>ed<br />
exponentially, creating the need <strong>for</strong> ever-morediverse<br />
building <strong>and</strong> programmatic functions,<br />
including a new emphasis on research in addition<br />
to teaching (Turner 1995:249-250).<br />
Modern architectural design on campuses was<br />
initially slow to catch on, <strong>and</strong> the appropriateness<br />
of International Style modernism <strong>for</strong> academia was<br />
a controversial topic in the 1930s <strong>and</strong> 1940s. At<br />
progressive colleges, gradual adaptation of modern<br />
buildings was preceded by experimentation with<br />
in<strong>for</strong>mal plans. By the 1950s, Modernist architects<br />
like Paul Rudolph, Eero Saarinen, <strong>and</strong> Louis<br />
Kahn were constructing new campus buildings<br />
in unprecedented shapes, scales <strong>and</strong> materials to<br />
fill in blank areas of campuses nationwide. There<br />
was a decided trend toward architectural variety<br />
within a campus, rather than depending on older<br />
buildings <strong>for</strong> stylistic cues. As campuses grew,<br />
new individual “buildings of distinction” <strong>for</strong>med<br />
separate components of a mixed milieu rather than<br />
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taking their place in a schematic campus of similar<br />
buildings (Turner 1995:251-264). These distinctive<br />
“signature” buildings by famous architects were<br />
viewed as a means by which colleges could boost<br />
their prestige, improve their facilities, <strong>and</strong> attract<br />
more students <strong>and</strong> funding.<br />
Along with modernism, both new <strong>and</strong> existing<br />
American campuses worked to address the<br />
problem of vehicular access <strong>and</strong> parking areas.<br />
Many campuses adopted a “ring road” plan in<br />
which the central campus became a pedestrian area<br />
while roads <strong>and</strong> parking lots were situated on the<br />
outside of this core. Along with this came emphasis<br />
on pedestrian movement through the campus <strong>and</strong><br />
exploration of how circulation patterns could affect<br />
planning (Turner 1984:267).<br />
Meanwhile, the college began to limit traffic in its<br />
core <strong>and</strong> athletic areas. As part of the planning <strong>for</strong><br />
the Reeves Library, Monocacy Street was closed<br />
off between Elizabeth Avenue <strong>and</strong> Locust Street in<br />
1966 to create a pedestrian zone, <strong>and</strong> a row of seven<br />
houses on its east side was acquired <strong>and</strong> demolished<br />
by the <strong>College</strong> to make way <strong>for</strong> the library (figure<br />
3-27). At the Steel Field athletic complex, the city<br />
vacated the portion of Laurel Street lying between<br />
Merger <strong>and</strong> Modern Needs<br />
Present-day <strong>Moravian</strong> <strong>College</strong> was <strong>for</strong>med in this<br />
period of explosive college growth <strong>and</strong> development.<br />
Two longtime <strong>and</strong> venerable institutions merged in<br />
1953-1954 to create the region’s first coeducational<br />
college, <strong>and</strong> students at both schools now had two<br />
historic campuses <strong>for</strong> living <strong>and</strong> learning. This<br />
merger <strong>and</strong> the college growth that resulted led to<br />
an intensive period of construction on the North<br />
Main Street campus during the 1960s.<br />
Modernism arrived at <strong>Moravian</strong> after some delay.<br />
While it could be argued that Johnston Hall (1952)<br />
<strong>and</strong> certain subsequent buildings were modernist,<br />
their echoes of older buildings make them more<br />
postmodern. <strong>Moravian</strong>’s campus remained<br />
relatively untouched by the modernist rejection of<br />
older architectural vocabulary until the construction<br />
of the Haupert Student Union in 1962 (figure 3-24),<br />
Collier Hall of Science in 1971, the Bahnson Center<br />
<strong>for</strong> the Theological Seminary in 1976 (figure 3-25),<br />
Beck Hall in 1978, <strong>and</strong> Foy Hall in 1982 (figure 3-26).<br />
These buildings were distinctly different from<br />
the rest of the campus, with completely different<br />
massing <strong>and</strong> no historical detail. Haupert <strong>and</strong><br />
Bahnson do have stone cladding, but little else in<br />
common with the rest of the campus.<br />
The ring road campus model also took shape at<br />
<strong>Moravian</strong>’s North Main Street campus, beginning<br />
shortly after World War II. Properties surrounding<br />
the campus outskirts were obtained <strong>for</strong> use as<br />
housing or parking areas. While some of these lots<br />
were already vacant or contained tennis courts<br />
constructed in the 1920s, a number of buildings<br />
were demolished to make way <strong>for</strong> parking areas.<br />
Figure 3-24. Haupert Student Union (1962) as seen from the<br />
perspective of a Johnston Hall greyhound statue (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Figure 3-25. The Bahnson Center (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 3-26. Sketch <strong>for</strong> Foy Concert Hall (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
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integrated into natural l<strong>and</strong>scapes <strong>and</strong> sought to<br />
create an intimate, family-like environment <strong>for</strong> the<br />
students (Turner 1995:281-291).<br />
Figure 3-27. Demolition of houses on east side of Monocacy<br />
Street in 1966, prior to construction of Reeves Library (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
college l<strong>and</strong>holdings <strong>and</strong> Steel Field, creating a safe<br />
connection between these two areas <strong>and</strong> <strong>for</strong>ming a<br />
unified athletic zone. At the Church Street campus,<br />
a 60-car parking lot was created in 1967, eliminating<br />
part of the <strong>for</strong>mer Pleasure Grounds. In more recent<br />
times, an entire block of row houses on Otis Place<br />
(figure 3-28) was removed in 1991 to make way <strong>for</strong><br />
the Breidegam Field House (Schamberger 2008,<br />
personal communication; Weinlick 1977:38-39,107-<br />
111).<br />
Although modernism initially rejected many of the<br />
traditional design patterns <strong>and</strong> planning tactics<br />
used <strong>for</strong> historic campuses, by the 1960s elements<br />
of traditionalism were creeping back. Postmodern<br />
historicism in design <strong>and</strong> increased attention to<br />
planning around existing campus components<br />
came back into vogue. Postmodernist thought<br />
encouraged the re-exploration <strong>and</strong> reinterpretation<br />
of past building <strong>and</strong> planning traditions. New<br />
design was meant to echo elements of the old, but<br />
not the more superficial decorations. Paul Rudolph<br />
<strong>and</strong> Eero Saarinen were among the first architects to<br />
engage in this new thinking, <strong>and</strong> used it in designs<br />
at Wellesley <strong>and</strong> Yale. Architectural compatibility<br />
between new buildings <strong>and</strong> old buildings became<br />
increasingly important to enhance the overall<br />
continuity of the campus. Postmodernism coincided<br />
with the rise of the historic preservation movement<br />
of the 1960s, but also came at a time of new<br />
financial threats to colleges nationwide. Declining<br />
populations of students <strong>and</strong> the energy crisis in the<br />
1970s spelled an end to the explosive growth <strong>and</strong><br />
funding of the 1940s-1960s, <strong>and</strong> <strong>for</strong>ced campuses to<br />
plan more conservatively than be<strong>for</strong>e. Alternatives<br />
to erecting new buildings were considered more<br />
seriously, particularly the adaptive reuse or<br />
repurposing of existing buildings. This coincided<br />
with the creation of federal environmental <strong>and</strong><br />
historic preservation laws <strong>and</strong> a newfound respect<br />
<strong>for</strong> the built environment of the past. Renovation<br />
<strong>and</strong> restoration of historic campus buildings<br />
became a key component of campus planning<br />
(Turner 1995:294-305).<br />
<strong>Moravian</strong>: A Postmodern Vocabulary<br />
Figure 3-28. These row houses on Otis Place, between<br />
Rau-Hassler dorms <strong>and</strong> Johnston Hall, were eventually removed<br />
to make way <strong>for</strong> Breidegam Field House (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
3.6 Postmodernism<br />
The utopian visions of the 1960s <strong>and</strong> early 1970s<br />
generated a return to the Jeffersonian concept of a<br />
college as an academic village. New dormitories <strong>and</strong><br />
building complexes sought ways to rein<strong>for</strong>ce <strong>and</strong><br />
stimulate community among those who inhabited<br />
them. These village buildings were often carefully<br />
At <strong>Moravian</strong>, postmodernism arrived earlier than<br />
in most places, appearing as early as the 1950s.<br />
Johnston Hall, designed by George Trautwein<br />
<strong>and</strong> completed in 1952, clearly evoked the historic<br />
<strong>Moravian</strong> buildings of downtown Bethlehem with<br />
its stone façade <strong>and</strong> mock buttresses (figure 3-29).<br />
Though it was in most ways a modern gymnasium,<br />
its outer envelope directly referenced Bethlehem’s<br />
eighteenth-century architecture. Similarly, many of<br />
the new dormitories constructed in the 1960s <strong>and</strong><br />
1970s <strong>for</strong> the growing student body were modern<br />
in <strong>for</strong>m but designed to be compatible with the<br />
local vernacular (figure 3-30). Although their overall<br />
plans were typical of dormitories of their era, they<br />
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Figure 3-31. Reeves Library, view showing details reminiscent<br />
of the Single Brethren’s House (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Howard as architects also rein<strong>for</strong>ced a consistency<br />
<strong>and</strong> harmony among this generation of buildings.<br />
Figure 3-29. Johnston Hall is a modern gymnasium with<br />
buttressed stone exterior details referencing historic Bethlehem<br />
choir houses (JMA 2009).<br />
Much later in time, but as part of the same mindset,<br />
the Priscilla Payne Hurd Academic Complex was<br />
constructed in a style complementary to the old<br />
campus buildings at the North Main Street campus.<br />
Completed in 2003, it is currently the newest<br />
building on the campus <strong>and</strong> features materials<br />
similar to the historic buildings, including a red<br />
brick façade <strong>and</strong> slate roofing (<strong>Moravian</strong> <strong>College</strong><br />
2007:11).<br />
3.7 <strong>Moravian</strong> <strong>College</strong> <strong>and</strong><br />
the Historic <strong>Preservation</strong> of<br />
Bethlehem<br />
Figure 3-30. Sketch <strong>for</strong> Bernhardt <strong>and</strong> Wilhelm dormitories,<br />
constructed in 1965 <strong>and</strong> designed by Trautwein <strong>and</strong> Howard<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
echoed the older campus buildings with use of<br />
stone on the exteriors <strong>and</strong> blended easily into the<br />
overall campus architectural vocabulary. They<br />
were also sited in small clusters over the hillside,<br />
which fostered an intimate, village-like relationship<br />
among each grouping. The first pair, Rau <strong>and</strong><br />
Hassler, was completed in 1960 <strong>and</strong> featured South<br />
Mountain stone exteriors <strong>and</strong> hillside views across<br />
the Monocacy Valley. They were designed by the<br />
Trautwein <strong>and</strong> Howard architectural firm, which<br />
went on to design all the major campus buildings<br />
of the 1960s, including the Haupert Student Union<br />
(1962) <strong>and</strong> the Bernhardt <strong>and</strong> Wilhelm dormitories<br />
(1965). Reeves Library, completed in 1967 (figure<br />
3-31), was designed in “German colonial style”<br />
with a mansard roof, belvedere <strong>and</strong> dormers,<br />
directly referencing the Single Brethren’s House<br />
<strong>and</strong> the Church Street choir houses (Weinlick<br />
1977:106-113). The repeated use of Trautwein <strong>and</strong><br />
Historic preservation, like postmodernism,<br />
became an integral part of <strong>Moravian</strong>’s campus <strong>and</strong><br />
Bethlehem’s revitalization in the 1950s. It preceded,<br />
by nearly a decade, the nationwide awareness of the<br />
importance of preserving the historic resources of<br />
the past, which culminated in 1966 with the passage<br />
of the federal Historic <strong>Preservation</strong> Act. Thus<br />
<strong>Moravian</strong> <strong>and</strong> the City of Bethlehem were ahead<br />
of their time in their awareness <strong>and</strong> appreciation of<br />
the precious historic resources in their midst.<br />
In 1958, restoration work in downtown Bethlehem<br />
began with the renovation <strong>and</strong> restoration of Main<br />
Hall (1854) on the Church Street Campus. The<br />
interior was modernized with badly needed new<br />
dormitory spaces on the upper floors <strong>and</strong> a lounge<br />
<strong>and</strong> snack bar in the basement, but the first-floor<br />
Blue Parlors, an original <strong>and</strong> much loved feature,<br />
were retained. The original living room of the hall<br />
had been altered <strong>for</strong> use as the president’s office,<br />
but this was now restored to its 1854 configuration<br />
<strong>and</strong> used as a reception room. Meanwhile, the<br />
exterior was returned to an earlier period through<br />
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the removal of a later coat of white paint <strong>and</strong><br />
repointing of the brickwork, plus restoration of<br />
the windows, doors, <strong>and</strong> other details (figure 3-32).<br />
Finally, a connecting hyphen between Main Hall<br />
<strong>and</strong> the Single Brethren’s House was removed,<br />
permitting the restoration of the east wall of the<br />
Single Brethren’s House (Weinlick 1977:105-106).<br />
In its newly restored condition, Main Hall set<br />
an important precedent <strong>for</strong> both the college <strong>and</strong><br />
the city, demonstrating the viability of historic<br />
preservation <strong>and</strong> how it could evoke an earlier time<br />
while providing facilities <strong>for</strong> modern use.<br />
Figure 3-32. Main Hall near the end of restoration work<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
The Kemerer Museum, at that time housed on<br />
the first floor of the Single Brethren’s House, was<br />
the consultant on the restoration work on Main<br />
Hall. The museum focused on local history in the<br />
nineteenth century. Historic Bethlehem <strong>for</strong>med<br />
in this period as an organization dedicated to the<br />
eighteenth century period of Bethlehem’s history.<br />
Together, these two groups worked with the city<br />
on revitalizing the historic core of old Bethlehem.<br />
The <strong>College</strong> participated in the gradual restoration<br />
of its own buildings, including Frueauff House, the<br />
Single Brethren’s House, <strong>and</strong> West Hall, creating a<br />
highly visible chain of carefully restored eighteenth<br />
<strong>and</strong> nineteenth century buildings along the south<br />
side of Church Street (Weinlick 1977:106).<br />
Historic Bethlehem’s first <strong>Master</strong> <strong>Plan</strong> was written<br />
in 1963 by l<strong>and</strong>scape architect Thomas J. Kane.<br />
It laid out a number of goals <strong>for</strong> restoring <strong>and</strong><br />
improving the downtown. The plan involved<br />
not only building restoration, but archeological<br />
investigation; reconstruction of vanished buildings,<br />
l<strong>and</strong>scape features, <strong>and</strong> sites; <strong>and</strong> new l<strong>and</strong>scaping<br />
in most areas. Several target areas were discussed,<br />
including the Old Industrial Area complex, the area<br />
<strong>for</strong>merly known as Der Platz (near the Hill-to-Hill<br />
Bridge <strong>and</strong> the Church Street-Main Street<br />
intersection), <strong>and</strong> the <strong>Moravian</strong> Pleasure Grounds<br />
area south of Church Street. Although the entirety<br />
of the plan was not completed, the plan nonetheless<br />
reflects careful attention to reviving the historic<br />
l<strong>and</strong>scape <strong>and</strong> buildings of eighteenth century<br />
Bethlehem (Kane 1963).<br />
In 1966, the city passed new legislation creating<br />
a Bethlehem Historic District <strong>and</strong> a local historic<br />
district ordinance to protect the buildings within it.<br />
In 1972, the Bethlehem Historic District was listed<br />
on the National Register of Historic Places. Among<br />
the contributing structures <strong>for</strong> both districts are<br />
the Church Street campus buildings owned by<br />
<strong>Moravian</strong> <strong>College</strong> (<strong>Moravian</strong> <strong>College</strong> 2007:23-24).<br />
Restoration work on the other buildings proceeded<br />
over time once the Main Hall work was complete,<br />
with most occurring in the late 1970s. Smaller<br />
historic preservation projects have occurred here<br />
<strong>and</strong> there over the following 30 years, with more<br />
planned <strong>for</strong> the future. The Single Brethren’s House<br />
had its east wall restored in 1958, as mentioned. In<br />
1967, considerable work was carried out, including<br />
removal of the nineteenth century back porches.<br />
In 1976, as part of the Bicentennial celebration, its<br />
exterior stonework was restored on the remaining<br />
sides (figure 3-33). Further window restoration was<br />
carried out in 2007 (Schamberger 2008, personal<br />
communication).<br />
The significance of the Single Brethren’s House <strong>and</strong><br />
its eighteenth-century counterparts in American<br />
architectural history cannot be overstated. In 1968, it<br />
was carefully documented by the Historic American<br />
Figure 3-33. The Single Brethren’s House, early in restoration<br />
process (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
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Building Survey (HABS), creating a permanent<br />
archival record of its existing conditions <strong>and</strong><br />
uncovering valuable historic construction evidence<br />
which ultimately would help guide its restoration.<br />
The work was carried out under the auspices of the<br />
Bethlehem Project, undertaken jointly by Historic<br />
Bethlehem Inc. (Vincent P. Foley, Executive Director,<br />
1968), <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> the Historic American<br />
Buildings Survey (James C. Massey, Chief, 1968)<br />
with the cooperation of the <strong>Moravian</strong> Church.<br />
The buildings were measured <strong>and</strong> drawn in the<br />
summer of 1968 by student assistant architects<br />
Lawrence E. Park (Cornell University), Donna<br />
C. Mitchell (University of Kansas), William A.<br />
Okazaki (Washington State University), <strong>and</strong> Allan<br />
H. Steenhusen (Iowa State University) under the<br />
direction of John D. Milner, architect <strong>for</strong> Historic<br />
Bethlehem Inc. (HABS PA-1141 1968; Schamberger<br />
2008, personal communication)<br />
Clewell Hall, a high style residence hailed in the<br />
National Register nomination as “an exceptional<br />
Second Empire house“ (PHMC 1971-1992), was<br />
rehabilitated in 1971 <strong>and</strong> now serves as a dormitory.<br />
Frueauff House was restored from a three-story<br />
building to its original two stories at the same time.<br />
The Bicentennial period saw work on West Hall <strong>and</strong><br />
its connected buildings to the south. West Hall was<br />
restored in 1976. Old Chapel (1848) was restored on<br />
the exterior in 1977, <strong>and</strong> its interior was renovated<br />
in 1980 to create Hearst Hall. Peter Hall (1867) was<br />
restored inside <strong>and</strong> out over 1977 <strong>and</strong> 1978. In<br />
1998, historic stained glass windows in the <strong>for</strong>mer<br />
chapel were revealed <strong>and</strong> restored. South Hall<br />
was renovated in 1978, <strong>and</strong> its east windows were<br />
restored in 2008. The interiors of the main building<br />
complex were redone purposely to create spaces<br />
<strong>for</strong> music <strong>and</strong> fine arts programs (Schamberger<br />
2008, personal communication).<br />
The detached Gymnasium (1890) became an art<br />
studio in 1963 <strong>and</strong> was renovated on the exterior<br />
in 1978. In 1983, the Gymnasium was remodeled<br />
as the Payne Art Gallery. At the same time, Foy<br />
Concert Hall was constructed as a connecting<br />
building between Payne Gallery <strong>and</strong> South<br />
Hall. The gallery was renovated in 2001 to meet<br />
Smithsonian curatorial st<strong>and</strong>ards. In 2009, the<br />
gallery is scheduled <strong>for</strong> exterior restoration <strong>and</strong><br />
interior climate control alterations (Schamberger<br />
2008, personal communication).<br />
Figure 3-34. Late nineteenth century view of the Widows’<br />
House. The building looks much the same today (<strong>Moravian</strong><br />
Church Archives).<br />
retained a high level of integrity over time <strong>and</strong> did<br />
not need extensive restoration work. <strong>Moravian</strong><br />
widows still occupy this historic building, along<br />
with Theological Seminary students.<br />
Historic Bethlehem, Inc. now operates multiple<br />
museums, including the flagship <strong>Moravian</strong><br />
Museum housed in the Gemeinhaus. It also<br />
interprets the Colonial Industrial Quarter, which<br />
includes st<strong>and</strong>ing structures, reconstructions,<br />
<strong>and</strong> archeological sites. The 1869 Luckenbach<br />
Gristmill <strong>and</strong> the 1750-1761 Smithy are important<br />
components of this interpretation, along with<br />
wayfinding in<strong>for</strong>mation. Additional museum<br />
properties operated by Historic Bethlehem include<br />
the Kemerer Museum of Decorative Arts, the 1810<br />
Goundie House, <strong>and</strong> Burnside <strong>Plan</strong>tation. The<br />
museums <strong>and</strong> sites are operated in association with<br />
the Smithsonian Institution. The organization also<br />
hosts a number of special activities, lectures, <strong>and</strong><br />
museum programs each year to increase public<br />
knowledge, use, <strong>and</strong> appreciation of Bethlehem’s<br />
unique heritage <strong>and</strong> historic buildings (Historic<br />
Bethlehem, Inc. 2007).<br />
The <strong>College</strong> acquired a second l<strong>and</strong>mark eighteenthcentury<br />
<strong>Moravian</strong> building, the Widows’ House<br />
(1768), in the mid-1990s (figure 3-34). This building<br />
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Chapter Four<br />
Stewardship at <strong>Moravian</strong> <strong>College</strong><br />
4.0 Introduction<br />
The primary goal of the <strong>Moravian</strong> <strong>College</strong><br />
<strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> is to assist college decisionmakers,<br />
planners, staff, <strong>and</strong> facility managers in<br />
the stewardship of campus building <strong>and</strong> l<strong>and</strong>scape<br />
resources while accommodating future change.<br />
With respect to significant historic resources, this<br />
usually means preserving historical integrity.<br />
Critical to a successful program of stewardship at<br />
<strong>Moravian</strong> <strong>College</strong> is the recognition that both the<br />
idea <strong>and</strong> practice of a stewardship ethic are central<br />
to the college’s mission. Such relevance can be seen<br />
in two primary ways:<br />
• The campus <strong>and</strong> its historic resources create<br />
an environment that directly supports <strong>and</strong><br />
sustains the mission, <strong>and</strong><br />
• Appreciation of <strong>and</strong> care <strong>for</strong> significant<br />
resources demonstrate one way in which<br />
<strong>Moravian</strong> <strong>College</strong>’s mission is active in the<br />
world.<br />
As documented in the following chapters,<br />
<strong>Moravian</strong> <strong>College</strong> is the steward of a rich collection<br />
of diverse historic buildings <strong>and</strong> l<strong>and</strong>scapes that<br />
represent its long <strong>and</strong> layered history. Because of<br />
the historic architectural <strong>and</strong> l<strong>and</strong>scape significance<br />
of <strong>Moravian</strong> <strong>College</strong>’s campus resources, historic<br />
preservation considerations should be germane to<br />
routine maintenance <strong>and</strong> to plans <strong>for</strong> the continuing<br />
evolution of the campus.<br />
This preservation plan underst<strong>and</strong>s, however,<br />
that while <strong>Moravian</strong> <strong>College</strong> has a unique historic<br />
character shaped by <strong>Moravian</strong> faith <strong>and</strong> values,<br />
the college’s mission is to create modern programs<br />
<strong>and</strong> institutions that must continue to evolve <strong>and</strong><br />
change to meet the needs of students, faculty, staff,<br />
<strong>and</strong> visitors. Balancing the ongoing need <strong>for</strong> change<br />
with an underst<strong>and</strong>ing of preservation goals <strong>and</strong><br />
stewardship responsibilities has been <strong>and</strong> will<br />
continue to be a challenge.<br />
This chapter presents a vision <strong>for</strong> stewardship at<br />
<strong>Moravian</strong> <strong>College</strong>, summarizes the community’s<br />
significance, <strong>and</strong> outlines preservation objectives<br />
<strong>for</strong> the campus. These objectives, combined with<br />
preservation concepts pioneered by the U. S.<br />
Department of the Interior, create the basis <strong>for</strong> a<br />
recommended treatment philosophy <strong>and</strong> approach<br />
<strong>for</strong> <strong>Moravian</strong> <strong>College</strong>. This approach is outlined<br />
toward the end of this chapter <strong>and</strong> serves as<br />
the foundation <strong>for</strong> the design <strong>and</strong> development<br />
guidelines <strong>and</strong> recommendations that follow in<br />
subsequent chapters.<br />
4.1 <strong>Moravian</strong> <strong>College</strong>:<br />
Mission <strong>and</strong> Character<br />
<strong>Moravian</strong> <strong>College</strong>’s educational values include<br />
an emphasis on community, engagement with<br />
the world, personal integrity, <strong>and</strong> the cultivation<br />
of mind, body <strong>and</strong> spirit. Learning is regarded<br />
as a continuous lifelong process, creativity <strong>and</strong><br />
the arts are prized, <strong>and</strong> individual service <strong>for</strong> the<br />
common good is encouraged. A sense of tradition<br />
<strong>and</strong> stewardship of <strong>Moravian</strong> <strong>College</strong>’s heritage<br />
remain part of the school’s ethos. These values<br />
have been passed down over two centuries <strong>and</strong><br />
remain vital to the <strong>College</strong>’s mission today. Over<br />
time, the school has welcomed an increasingly<br />
diverse body of students, including myriad races,<br />
faiths, nationalities, socioeconomic brackets, ages,<br />
<strong>and</strong> academic interests. Undergraduates share<br />
the campus with theological students, graduate<br />
students, <strong>and</strong> continuing education students.<br />
<strong>Moravian</strong> <strong>College</strong>’s vision <strong>for</strong> the future, as<br />
communicated through the <strong>College</strong>’s 2008-2015<br />
Strategic <strong>Plan</strong>, includes:<br />
• A community of the great embrace,<br />
welcoming men <strong>and</strong> women from all walks of<br />
life, locally, nationally, <strong>and</strong> globally;<br />
• A community of liberal learning, where<br />
scholarship, intellectual curiosity <strong>and</strong> creative<br />
expression invigorate all facets of our lives;<br />
A community of service<br />
• , which equips <strong>and</strong><br />
empowers men <strong>and</strong> women to serve others<br />
with professional skill, grace, <strong>and</strong> integrity,<br />
including those who live out their lives on the<br />
periphery of society;<br />
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• A community of wise stewards, who care <strong>for</strong><br />
<strong>and</strong> enhance our treasures of heritage, people,<br />
<strong>and</strong> place <strong>for</strong> generations to come (<strong>Moravian</strong><br />
<strong>College</strong> 2009).<br />
<strong>Moravian</strong> <strong>College</strong> strives to prepare its students<br />
<strong>for</strong> engagement <strong>and</strong> leadership in a fast-changing<br />
<strong>and</strong> diverse world, but at the same time encourages<br />
mindfulness about preservation of both its campus<br />
<strong>and</strong> its traditions into the future. An architectural<br />
legacy is specifically addressed in Initiative Four of<br />
the Strategic <strong>Plan</strong>:<br />
Create the proper physical environment<br />
needed <strong>for</strong> excellence in teaching, learning,<br />
<strong>and</strong> per<strong>for</strong>ming.<br />
<strong>Moravian</strong> proudly maintains <strong>and</strong> uses<br />
colonial-era buildings as part of its beautiful,<br />
historic campus. In order to ensure that these<br />
highly valued facilities are properly maintained,<br />
we will devote significant resources to the<br />
restoration <strong>and</strong> upkeep of our older facilities<br />
(<strong>Moravian</strong> <strong>College</strong> 2009).<br />
Preparation <strong>and</strong> adoption of the <strong>Moravian</strong><br />
<strong>College</strong> <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> <strong>and</strong> the pending<br />
college-wide master development plan by Ayers/<br />
Saint/Gross are vital in making the vision a reality.<br />
Integrating recommendations from these plans into<br />
everyday maintenance, planning, <strong>and</strong> budgeting<br />
processes will foster an institutional ethic <strong>for</strong><br />
preserving these nationally significant historic<br />
resources while accommodating well-planned<br />
growth.<br />
4.2 Vision <strong>for</strong> Stewardship<br />
<strong>Preservation</strong> Objectives<br />
With respect to historic resources <strong>and</strong> significance,<br />
the following preservation objectives have been<br />
identified <strong>for</strong> <strong>Moravian</strong> <strong>College</strong>:<br />
• Formalize the <strong>College</strong>’s principles <strong>and</strong> practices<br />
regarding historic preservation of [its]<br />
architectural resources <strong>and</strong> l<strong>and</strong>scapes as part<br />
of an overall facilities master plan.<br />
• Per<strong>for</strong>m a comprehensive analysis of [its]<br />
historic structures <strong>and</strong> l<strong>and</strong>scapes in order to<br />
maximize their usefulness <strong>and</strong> vitality.<br />
• Re-evaluate which buildings, if not currently<br />
listed on the National Register of Historic<br />
Places, should be considered <strong>for</strong> nomination.<br />
• Create a plan from which to raise financial<br />
support <strong>for</strong> the preservation <strong>and</strong> stewardship of<br />
[its] historic architecture.<br />
• Improve our interpretive ef<strong>for</strong>ts in raising<br />
awareness <strong>and</strong> appreciation of [its] historic<br />
resources (<strong>Moravian</strong> <strong>College</strong> Getty Campus<br />
Heritage Grant Narrative 2008:9).<br />
4.3 Historical Significance<br />
In presenting a review of existing historic resources<br />
at <strong>Moravian</strong> <strong>College</strong> in this preservation plan, the<br />
terms “significance,” “integrity,” <strong>and</strong> “existing<br />
conditions” are used. These terms have specific<br />
meanings within the field of historic preservation.<br />
Although these terms are not commonly used by the<br />
public, underst<strong>and</strong>ing their meaning is important<br />
to appreciation of the preservation concepts <strong>and</strong><br />
approach outlined in the preservation plan <strong>and</strong><br />
included in its design guidelines.<br />
Significance<br />
In order to maintain the significant historic building<br />
<strong>and</strong> l<strong>and</strong>scape resources that define the character<br />
of <strong>Moravian</strong> <strong>College</strong>’s campus <strong>and</strong> contribute to<br />
its historical importance, it is important to first<br />
underst<strong>and</strong> how historical significance is defined.<br />
The National Register of Historic Places provides<br />
criteria <strong>for</strong> evaluating the significance of a historic<br />
property. These criteria are used as the benchmark<br />
<strong>for</strong> establishing the significance of a historic<br />
resource.<br />
The quality of significance in American<br />
history, architecture, archeology, engineering,<br />
<strong>and</strong> culture is present in districts, site,<br />
buildings, structures, <strong>and</strong> objects that possess<br />
integrity of location, design, setting, materials,<br />
workmanship, feeling, <strong>and</strong> association, <strong>and</strong>:<br />
A. That are associated with events that have<br />
made a significant contribution to the<br />
broad patterns of our history, or<br />
B. That are associated with the lives of persons<br />
significant in our past; or<br />
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C. That embody the distinctive characteristics<br />
of a type, period, or method of construction,<br />
or that represent the work of a master, or<br />
that possess high artistic values, or that<br />
represent a significant <strong>and</strong> distinguishable<br />
entity whose components may lack<br />
individual distinction; or<br />
D. That have yielded or may be likely to yield,<br />
in<strong>for</strong>mation important in prehistory or<br />
history (U.S. Department of the Interior<br />
1990:2).<br />
The <strong>Moravian</strong> <strong>College</strong> campuses include historic<br />
building <strong>and</strong> l<strong>and</strong>scape resources that are significant<br />
to all four of the categories listed above. As discussed<br />
in detail in Chapters 2 <strong>and</strong> 3, both campuses are<br />
associated with several historic contexts that span<br />
over 250 years of European settlement. <strong>Moravian</strong><br />
<strong>College</strong> is significant in the areas of settlement<br />
<strong>and</strong> community planning, architecture, social <strong>and</strong><br />
educational history, <strong>and</strong> historic preservation.<br />
Through archeological investigations <strong>and</strong> the<br />
1968 architectural documentation of the Single<br />
Brethren’s House by the Historic American Building<br />
Survey (HABS), it also has yielded, <strong>and</strong> has further<br />
potential to yield, important historic <strong>and</strong> prehistoric<br />
in<strong>for</strong>mation.<br />
These areas of significance are summarized below:<br />
Settlement <strong>and</strong> Community <strong>Plan</strong>ning<br />
<strong>Moravian</strong> <strong>College</strong>’s Priscilla Payne Hurd Campus<br />
encompasses some of the earliest large buildings<br />
constructed by <strong>Moravian</strong> settlers during the<br />
mid-1700s, namely the Single Brethren’s House <strong>and</strong><br />
the Widows’ House. These remaining buildings <strong>and</strong><br />
their surrounding l<strong>and</strong>scape represent not only the<br />
earliest core of the original Bethlehem settlement,<br />
but community planning principles imported<br />
directly from the <strong>Moravian</strong> church headquarters in<br />
Herrnhut, Germany. <strong>Plan</strong>s <strong>for</strong> Bethlehem’s layout<br />
<strong>and</strong> buildings were dictated by church leaders <strong>and</strong><br />
based upon the community of Herrnhut.<br />
Architecture<br />
<strong>Moravian</strong> <strong>College</strong>’s eighteenth-century buildings,<br />
together with their neighboring church-owned<br />
counterparts across Church Street, <strong>for</strong>m a renowned<br />
collection of striking Germanic stone buildings.<br />
Designs <strong>for</strong> the buildings were <strong>for</strong>mulated at<br />
Herrnhut, following local models, <strong>and</strong> resulted in<br />
architecture that is purely European <strong>and</strong> largely<br />
unadulterated by the assimilating <strong>for</strong>ces that<br />
shaped other architectural traditions brought to<br />
the New World. Though time <strong>and</strong> local conditions<br />
resulted in some changes to the original designs,<br />
such as removal of the heavy tiled roofs, these<br />
buildings nonetheless are remarkable not only <strong>for</strong><br />
their designs, but <strong>for</strong> their survival in largely intact<br />
<strong>for</strong>m into the present day.<br />
Subsequent buildings at <strong>Moravian</strong> <strong>College</strong>,<br />
particularly on the North Main Street campus,<br />
provide echoes of these early Bethlehem buildings<br />
through the use of stone, brick lintels, segmental<br />
arches, gambrel roofs, <strong>and</strong> dormers. The tall brick<br />
nineteenth-century buildings of the Priscilla Payne<br />
Hurd Campus, <strong>and</strong> the somewhat newer buildings<br />
at the North Main Street Campus also share a<br />
monumental scale with the early buildings, making<br />
all appear large <strong>and</strong> solid in proportion, conveying<br />
history <strong>and</strong> permanence.<br />
Social <strong>and</strong> Educational History<br />
The <strong>Moravian</strong> male <strong>and</strong> female boarding schools<br />
that evolved into today’s <strong>Moravian</strong> <strong>College</strong> were<br />
<strong>for</strong>med as part of the communal lifestyle practiced<br />
by the first <strong>Moravian</strong> settlers. <strong>Moravian</strong> religious<br />
philosophy, as expressed by Bishop John Amos<br />
Comenius, emphasized education as a means<br />
to draw one closer to salvation. Traditionally, a<br />
child’s education was the responsibility of his or<br />
her parents. However, the <strong>Moravian</strong> Economy<br />
practiced in Bethlehem’s first two decades was<br />
a lifestyle in which the nuclear family did not<br />
exist. Under the Economy system, people lived<br />
in communal household groups based on age,<br />
gender, <strong>and</strong> marital status, <strong>and</strong> those of sufficient<br />
age contributed their labor to the community in<br />
exchange <strong>for</strong> basic needs. Children lived with other<br />
children of the same age <strong>and</strong> sex. Hardworking<br />
parents, whose labors supported survival on the<br />
frontier, lived apart from their children <strong>and</strong> had<br />
no opportunity to teach them basic literacy skills<br />
or oversee their <strong>for</strong>mal education. Boarding schools<br />
<strong>for</strong> both sexes were <strong>for</strong>med to address this need.<br />
Though the Economy was phased out in 1762, just<br />
twenty years after Bethlehem’s founding, <strong>Moravian</strong><br />
schools persisted <strong>and</strong> attracted considerable<br />
interest from outside the <strong>Moravian</strong> community. In<br />
a new civilization where educational opportunities<br />
were scarce, the girls’ seminary was particularly<br />
remarkable <strong>and</strong> experienced continuous growth,<br />
particularly after opening its doors to non-<strong>Moravian</strong><br />
students. The <strong>Moravian</strong> Theological Seminary,<br />
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currently located on the North Main Street<br />
Campus, is significant as the first institution to<br />
train <strong>Moravian</strong> clergy outside of Europe. Over the<br />
past 150 years, both the men’s <strong>and</strong> women’s schools<br />
were part of nationwide trends in secondary <strong>and</strong><br />
higher education, including the development of<br />
st<strong>and</strong>ard high school <strong>and</strong> college curricula; the<br />
embrace of liberal arts; campus planning <strong>and</strong><br />
architectural characteristics; <strong>and</strong> the movement<br />
toward coeducation following World War II.<br />
Historic <strong>Preservation</strong><br />
<strong>Moravian</strong> <strong>College</strong> was an early partner in<br />
attempts to revitalize <strong>and</strong> preserve the core of<br />
downtown Bethlehem during the 1950s, <strong>and</strong><br />
participated in a lengthy process to restore its<br />
Church Street buildings through the 1970s. The<br />
position of the campuses as anchors at both ends<br />
of the commercial district assists the ongoing<br />
redevelopment. <strong>Moravian</strong> <strong>College</strong>’s ef<strong>for</strong>ts have<br />
had a major impact on the success of downtown<br />
Bethlehem as a destination <strong>for</strong> both local citizens<br />
<strong>and</strong> visitors. Busy shops, restaurants, <strong>and</strong> other<br />
businesses share the cityscape with historical <strong>and</strong><br />
cultural l<strong>and</strong>marks <strong>and</strong> commemorative signs, <strong>and</strong><br />
traditional <strong>Moravian</strong> stars are a common symbol<br />
throughout the downtown. The <strong>College</strong>’s restored<br />
buildings with their c<strong>and</strong>le-lit windows <strong>for</strong>m a<br />
centerpiece <strong>for</strong> images of historic Bethlehem <strong>and</strong> a<br />
quaint inspiration <strong>for</strong> “the Christmas City.”<br />
Archeology<br />
The early core of Bethlehem has already been<br />
investigated in several archeological digs, but the<br />
potential exists <strong>for</strong> many other subsurface features<br />
<strong>and</strong> evidence of historic <strong>and</strong> prehistoric human<br />
occupation of this site. The recent uncovering of<br />
multiple eighteenth-century storage cellars in the<br />
bluff of the Priscilla Payne Hurd Campus vividly<br />
illustrates this potential <strong>and</strong> the high significance<br />
of such sites. There is no doubt that additional<br />
significant sites also exist on both campuses that<br />
are likely to yield important in<strong>for</strong>mation about the<br />
region’s history <strong>and</strong> prehistory.<br />
Integrity<br />
Integrity is the authenticity of a resource’s historic<br />
identity, evidenced by the survival of physical<br />
characteristics that existed during the property’s<br />
period of significance. The seven qualities of<br />
integrity, as defined by the National Register,<br />
are location, setting, feeling, association, design,<br />
workmanship, <strong>and</strong> materials (U. S. Department of<br />
the Interior 1990:4). Integrity measures the degree<br />
to which the historically significant materials,<br />
features, <strong>and</strong> characteristics of a resource still exist.<br />
Integrity is frequently assessed by how much of a<br />
resource’s historic fabric is intact. Historic building<br />
fabric includes features (such as porches, windows,<br />
stairways, <strong>and</strong> trim), <strong>and</strong> materials (such as wood,<br />
stone, <strong>and</strong> plaster). Historic features <strong>and</strong> materials<br />
are also present in the historic l<strong>and</strong>scape, <strong>for</strong><br />
example spatial organization, l<strong>and</strong> use, circulation,<br />
vegetation, views <strong>and</strong> vistas, <strong>and</strong> built features.<br />
Authentic building <strong>and</strong> l<strong>and</strong>scape features <strong>and</strong><br />
historic fabric that survive can make the historic<br />
significance of a resource visible.<br />
When a resource retains most of its authentic historic<br />
fabric, the integrity of the resource is generally<br />
considered high. When there is little historic fabric<br />
remaining, integrity is generally considered low.<br />
<strong>Preservation</strong> ef<strong>for</strong>ts frequently focus on preserving<br />
the integrity of a resource by preserving historic<br />
fabric. Retaining the integrity of a resource is of<br />
paramount importance in preservation. Historic<br />
significance of a building or resource accrues over<br />
time. Changes <strong>and</strong> additions that have occurred are<br />
frequently considered to be historically significant.<br />
Many historic buildings, <strong>for</strong> example, incorporate a<br />
mixture of stylistic elements that have been added<br />
to an original structure over many years. These<br />
additions <strong>and</strong> alterations are a part of the evolution<br />
of the building. They contribute to its story <strong>and</strong><br />
significance <strong>and</strong> there<strong>for</strong>e also contribute to its<br />
integrity.<br />
Existing Conditions<br />
Existing conditions evaluations deal with a<br />
resource’s physical condition, appearance, <strong>and</strong><br />
soundness. These conditions are inextricably linked<br />
to maintenance. Inappropriate maintenance or lack<br />
of maintenance often leads to a loss of historic fabric<br />
<strong>and</strong> integrity, while appropriate maintenance retains<br />
<strong>and</strong> repairs historic fabric <strong>and</strong> supports integrity. In<br />
an existing conditions assessment, each resource or<br />
character area is broken down into elements based<br />
on materials, characteristics, or feature type, <strong>and</strong><br />
each element is briefly described <strong>and</strong> evaluated. The<br />
overall significance <strong>and</strong> integrity of the resource is<br />
also assessed. This lays the groundwork <strong>for</strong> making<br />
recommendations on how best to treat problems<br />
<strong>and</strong> preserve important features of the resource.<br />
The documentation of existing conditions establishes<br />
a basis <strong>for</strong> comparison during future projects <strong>and</strong><br />
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investigations. It provides a detailed snapshot of<br />
a resource at the time of documentation, outlining<br />
its characteristics, appearance, <strong>and</strong> integrity, as<br />
well as noting maintenance issues that threaten<br />
the stability, functionality, <strong>and</strong> historic fabric of the<br />
resource.<br />
4.4 Historic Designation<br />
Priscilla Payne Hurd Campus<br />
The entirety of the Priscilla Payne Hurd Campus<br />
became part of the city-level Bethlehem Historic<br />
District in 1961 (City of Bethlehem 1998:3). As<br />
such, projects on the campus are subject to the<br />
approval of the Historic Architectural Review<br />
Board of Bethlehem. The <strong>College</strong> is required to<br />
obtain a Certificate of Appropriateness <strong>for</strong> all<br />
proposed work that is visible from the public rightof-way<br />
(<strong>Moravian</strong> <strong>College</strong> RFP 2007:6). Detailed<br />
in<strong>for</strong>mation on the City’s review processes <strong>and</strong><br />
requirements can be found in Chapter 10 of this<br />
document.<br />
Along with city designation, the entire Priscilla<br />
Payne Hurd Campus is part of the National<br />
Register-listed Central Bethlehem Historic District.<br />
The district, initially known as Historic Subdistrict<br />
A in the Historic District of Bethlehem as defined<br />
by City Ordinance #1728, was listed on the<br />
National Register of Historic Places in 1972 (City<br />
of Bethlehem 1998:3; National Register of Historic<br />
Places 1972). In 1988, the district boundary was<br />
exp<strong>and</strong>ed (National Register of Historic Places<br />
1988), <strong>and</strong> additional in<strong>for</strong>mation was appended to<br />
the nomination in 1992. The Priscilla Payne Hurd<br />
Campus was already encompassed by the original<br />
district, so the 1988 boundary change had no impact<br />
on its designation status.<br />
The additional in<strong>for</strong>mation from 1992 contained<br />
a list of contributing buildings, architectural style<br />
in<strong>for</strong>mation, <strong>and</strong> other contextual discussion. The<br />
nomination focuses primarily on the eighteenth- <strong>and</strong><br />
nineteenth-century built resources concentrated in<br />
the oldest part of the town, <strong>and</strong> the later boundary<br />
includes some early twentieth century resources.<br />
According to the 1992 data, all of <strong>Moravian</strong><br />
<strong>College</strong>’s historic buildings on the Hurd Campus are<br />
considered contributing resources to this district.<br />
Foy Hall, as a modern building, does not contribute.<br />
These resources should be maintained, repaired,<br />
rehabilitated, or preserved, as recommended in this<br />
report, in order to preserve the larger integrity of the<br />
college’s cultural l<strong>and</strong>scape <strong>and</strong> the encompassing<br />
historic district within which it resides. The<br />
following chapters provide specific guidance on<br />
how to go about doing so.<br />
Archeological resources located to the rear of the<br />
Hurd Campus, notably a group of eighteenthcentury<br />
root cellars, were documented in 2008.<br />
Three cellars were excavated <strong>and</strong> documented<br />
in a data recovery operation be<strong>for</strong>e they were<br />
removed <strong>for</strong> the construction of a new dormitory<br />
building. These sites were recommended eligible<br />
to be added as a contributing resource within the<br />
Central Bethlehem Historic District. A fourth cellar<br />
was separate from the others <strong>and</strong> discovered by<br />
construction workers subsequent to the excavation<br />
of the first three cellars. This resource was not<br />
excavated <strong>and</strong> has been reburied <strong>and</strong> left intact<br />
(Gerhardt et al. 2008:14-17).<br />
The high significance <strong>and</strong> rarity of the archeological<br />
sites discovered on <strong>and</strong> near the Priscilla Payne<br />
Hurd Campus cannot be overstated. Protection<br />
of the subsurface of the grounds must be a top<br />
priority when considering any future grounddisturbing<br />
activity at the Hurd Campus. Along<br />
with evidence of the <strong>Moravian</strong> community of the<br />
eighteenth century, <strong>and</strong> vanished outbuildings <strong>and</strong><br />
backyard l<strong>and</strong>scape features from the nineteenth<br />
century, the campus grounds may contain precious<br />
archeological evidence of the Revolutionary War<br />
hospital that was housed in the Single Brethren’s<br />
House over two winters. Given that hundreds of<br />
patients lived <strong>and</strong> died at the hospital during this<br />
time period, <strong>and</strong> that the burial locations of these<br />
casualties remain unknown, this archeological<br />
evidence may include unidentified human remains.<br />
It is recommended that proactive designation <strong>and</strong><br />
protection of the Priscilla Payne Hurd Campus<br />
grounds be made a priority.<br />
North Main Street Campus<br />
The North Main Street campus <strong>and</strong> its surrounding<br />
neighborhood are not subject to historic designations<br />
to date, <strong>and</strong> none of the buildings has been deemed<br />
individually eligible. However, JMA believes<br />
that the oldest sector of the campus (bounded by<br />
Main, Elizabeth, Locust, <strong>and</strong> Monocacy Streets<br />
<strong>and</strong> containing Comenius, Hamilton, Zinzendorf,<br />
Monocacy <strong>and</strong> Memorial Halls) may be eligible<br />
as a small historic district. It is recommended that<br />
<strong>Moravian</strong> <strong>College</strong> pursue <strong>for</strong>mal designation <strong>for</strong><br />
this campus sector both with the City of Bethlehem<br />
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<strong>and</strong> with the National Register of Historic Places.<br />
A successful listing on the National Register will<br />
not only honor the <strong>Moravian</strong> <strong>College</strong> North Main<br />
Street Campus as a significant historic resource, but<br />
will also provide a layer of protection from future<br />
government undertakings that may impact it.<br />
The neighborhood surrounding the North Main<br />
Street Campus contains a variety of historic<br />
buildings, many of which belong to <strong>Moravian</strong><br />
<strong>College</strong>. In its current condition, the neighborhood<br />
possesses a level of historical integrity that may<br />
make it eligible <strong>for</strong> the National Register. While<br />
the establishment <strong>and</strong> growth of the <strong>Moravian</strong><br />
<strong>College</strong> campus was an important factor in its<br />
development, the neighborhood’s overall historic<br />
significance lies within the larger context of<br />
Bethlehem’s industrial-age development. As<br />
such, it would be appropriate to consider the<br />
neighborhood as a potential historic district within<br />
the city, but it should not be included as a part of<br />
a <strong>Moravian</strong> <strong>College</strong> historic district. JMA believes<br />
that any impetus <strong>for</strong> historic designation of the<br />
neighborhood should come from the city or local<br />
residents <strong>and</strong> property owners, <strong>and</strong> not from the<br />
<strong>College</strong>. <strong>Moravian</strong> <strong>College</strong> is welcome to support<br />
a future designation if such circumstances arise<br />
<strong>and</strong> designation is deemed to be in the <strong>College</strong>’s<br />
best interest in terms of overall stewardship <strong>and</strong><br />
campus preservation. However, no action towards<br />
neighborhood designation is recommended at the<br />
present time.<br />
4.5 <strong>Preservation</strong> Treatments<br />
<strong>and</strong> the Secretary of the<br />
Interior’s St<strong>and</strong>ards<br />
The philosophy behind the recommendations<br />
in the <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> is based upon a<br />
set of federal guidelines entitled The Secretary of<br />
the Interior’s St<strong>and</strong>ards <strong>for</strong> the Treatment of Historic<br />
Properties, commonly called the Secretary of the<br />
Interior’s St<strong>and</strong>ards. The St<strong>and</strong>ards (36 CFR [Code<br />
of Federal Regulations] Part 68) were established<br />
by the National Historic <strong>Preservation</strong> Act of 1966<br />
to provide consistent, national st<strong>and</strong>ards <strong>and</strong><br />
guidelines <strong>for</strong> the treatment of historic resources.<br />
Because of their wisdom, flexibility, <strong>and</strong> usefulness,<br />
The Secretary of the Interior’s St<strong>and</strong>ards are widely<br />
used throughout the field of historic preservation to<br />
aid property owners, designers, <strong>and</strong> preservation<br />
professionals in making good decisions affecting<br />
their historic buildings <strong>and</strong> l<strong>and</strong>scapes. They are<br />
intended to promote responsible preservation<br />
practices <strong>and</strong> help protect the nation’s irreplaceable<br />
historic resources. The St<strong>and</strong>ards can be applied to<br />
virtually all types of properties, whether they are<br />
buildings, l<strong>and</strong>scapes, bridges, roadways, statuary,<br />
or archeological remains.<br />
The St<strong>and</strong>ards address four specific types of<br />
treatments: <strong>Preservation</strong>, Rehabilitation, Restoration,<br />
<strong>and</strong> Reconstruction. Of the four, <strong>Preservation</strong><br />
st<strong>and</strong>ards require retention of the greatest amount of<br />
historic fabric, features, <strong>and</strong> materials. Rehabilitation<br />
st<strong>and</strong>ards acknowledge the need to alter or add to<br />
a property to meet continuing or new uses while<br />
retaining historic character. Restoration st<strong>and</strong>ards<br />
allow <strong>for</strong> an accurate depiction of the property’s<br />
appearance at a particular time in its history.<br />
Reconstruction st<strong>and</strong>ards establish a framework<br />
<strong>for</strong> recreating vanished historic elements based on<br />
documentation (Weeks <strong>and</strong> Grimmer 1995:2).<br />
These four preservation treatments are used in<br />
subsequent chapters of this preservation plan as the<br />
basis <strong>for</strong> specific recommendations <strong>for</strong> identified<br />
historic resources <strong>and</strong> features. They are more fully<br />
described below:<br />
<strong>Preservation</strong><br />
<strong>Preservation</strong> is defined as the process of applying<br />
measures necessary to sustain the existing <strong>for</strong>m,<br />
integrity, <strong>and</strong> materials of an historic property. Work,<br />
including preliminary measures to protect <strong>and</strong> stabilize<br />
the property, generally focuses upon the ongoing<br />
maintenance <strong>and</strong> repair of historic materials <strong>and</strong> features<br />
rather than extensive replacement <strong>and</strong> new construction.<br />
New exterior additions are not within the scope of this<br />
treatment; however, the limited <strong>and</strong> sensitive upgrading<br />
of mechanical, electrical, <strong>and</strong> plumbing systems <strong>and</strong><br />
other code-required work to make properties functional<br />
is appropriate within a preservation project.<br />
1. A property will be used as it was historically, or<br />
be given a new use that maximizes the retention<br />
of distinctive materials, features, spaces, <strong>and</strong><br />
spatial relationships. Where a treatment <strong>and</strong><br />
use have not been identified, a property will<br />
be protected <strong>and</strong>, if necessary, stabilized until<br />
additional work may be undertaken.<br />
2. The historic character of a property will be<br />
retained <strong>and</strong> preserved. The replacement of intact<br />
or repairable historic materials or alteration of<br />
features, spaces, <strong>and</strong> spatial relationships that<br />
characterize a property will be avoided.<br />
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3. Each property will be recognized as a physical<br />
record of its time, place, <strong>and</strong> use. Work needed<br />
to stabilize, consolidate, <strong>and</strong> conserve existing<br />
historic materials <strong>and</strong> features will be physically<br />
<strong>and</strong> visually compatible, identifiable upon close<br />
inspection, <strong>and</strong> properly documented <strong>for</strong> future<br />
research.<br />
4. Changes to a property that have acquired<br />
historic significance in their own right will be<br />
retained <strong>and</strong> preserved.<br />
5. Distinctive materials, features, finishes,<br />
<strong>and</strong> construction techniques or examples of<br />
craftsmanship that characterize a property will<br />
be preserved.<br />
6. The existing condition of historic features will<br />
be evaluated to determine the appropriate level<br />
of intervention needed. Where the severity<br />
of deterioration requires repair or limited<br />
replacement of a distinctive feature, the new<br />
material will match the old in composition,<br />
design, color, <strong>and</strong> texture.<br />
7. Chemical or physical treatments, if appropriate,<br />
will be undertaken using the gentlest means<br />
possible. Treatments that cause damage to<br />
historic materials will not be used.<br />
8. Archeological resources will be protected <strong>and</strong><br />
preserved in place. If such resources must<br />
be disturbed, mitigation measures will be<br />
undertaken (Weeks <strong>and</strong> Grimmer 1995:18-<br />
19).<br />
<strong>Preservation</strong> as a Treatment<br />
When the property’s distinctive materials, features, <strong>and</strong><br />
spaces are essentially intact <strong>and</strong> thus convey the historic<br />
significance without extensive repair or replacement;<br />
when depiction at a particular period of time is not<br />
appropriate; <strong>and</strong> when a continuing or new use does not<br />
require additions or extensive alterations, <strong>Preservation</strong><br />
may be considered as a treatment (Weeks <strong>and</strong> Grimmer<br />
1995:21).<br />
Of the four treatments, <strong>Preservation</strong> retains the<br />
most historic fabric <strong>and</strong> is the least invasive. It<br />
offers the greatest protection to historic features,<br />
<strong>and</strong> is valuable in instances where it is critical to<br />
preserve as much physical evidence of a resource as<br />
possible. However, it makes little accommodation<br />
<strong>for</strong> future changes, <strong>and</strong> is appropriate only <strong>for</strong><br />
resources that are substantially intact to begin<br />
with. Several particularly intact, sensitive <strong>and</strong><br />
significant resources at <strong>Moravian</strong> <strong>College</strong>, such as<br />
the basement <strong>and</strong> two attics of the Single Brethren’s<br />
House, the attic of West Hall, the top floor of<br />
South Hall, <strong>and</strong> sensitive archeological areas on<br />
the Priscilla Payne Hurd Campus, should receive<br />
continued <strong>Preservation</strong> treatment.<br />
Rehabilitation<br />
Rehabilitation is defined as the act or process of making<br />
possible a compatible use <strong>for</strong> a property through repair,<br />
alterations, <strong>and</strong> additions while preserving those<br />
portions or features which convey its historical, cultural,<br />
or architectural values.<br />
1. A property will be used as it was historically<br />
or be given a new use that requires minimal<br />
change to its distinctive materials, features,<br />
spaces, <strong>and</strong> spatial relationships.<br />
2. The historic character of a property will<br />
be retained <strong>and</strong> preserved. The removal<br />
of distinctive materials or alteration of<br />
features, spaces, <strong>and</strong> spatial relationships that<br />
characterize a property will be avoided.<br />
3. Each property will be recognized as a physical<br />
record of its time, place, <strong>and</strong> use. Changes that<br />
create a false sense of historical development,<br />
such as adding conjectural features or elements<br />
from other historic properties, will not be<br />
undertaken.<br />
4. Changes to a property that have acquired<br />
historic significance in their own right will be<br />
retained <strong>and</strong> preserved.<br />
5. Distinctive materials, features, finishes,<br />
<strong>and</strong> construction techniques or examples of<br />
craftsmanship that characterize a property will<br />
be preserved.<br />
6. Deteriorated historic features will be repaired<br />
rather than replaced. Where the severity<br />
of deterioration requires replacement of a<br />
distinctive feature, the new feature will match<br />
the old in design, color, texture, <strong>and</strong>, where<br />
possible, materials. Replacement of missing<br />
features will be substantiated by documentary<br />
<strong>and</strong> physical evidence.<br />
7. Chemical or physical treatments, if appropriate,<br />
will be undertaken using the gentlest means<br />
possible. Treatments that cause damage to<br />
historic materials will not be used.<br />
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8. Archeological resources will be protected <strong>and</strong><br />
preserved in place. If such resources must<br />
be disturbed, mitigation measures will be<br />
undertaken.<br />
9. New additions, exterior alterations, or related<br />
new construction will not destroy historic<br />
materials, features, <strong>and</strong> spatial relationships<br />
that characterize the property. The new work<br />
will be differentiated from the old <strong>and</strong> will be<br />
compatible with the historic materials, features,<br />
size, scale <strong>and</strong> proportion, <strong>and</strong> massing to<br />
protect the integrity of the property <strong>and</strong> its<br />
environment.<br />
10. New additions <strong>and</strong> adjacent or related new<br />
construction will be undertaken in such a<br />
manner that, if removed in the future, the<br />
essential <strong>for</strong>m <strong>and</strong> integrity of the historic<br />
property <strong>and</strong> its environment would be<br />
unimpaired (Weeks <strong>and</strong> Grimmer 1995:61-<br />
62).<br />
Rehabilitation as a Treatment<br />
When repair <strong>and</strong> replacement of deteriorated features are<br />
necessary; when alterations or additions to the property<br />
are planned <strong>for</strong> a new or continued use; <strong>and</strong> when its<br />
depiction at a particular period of time is not appropriate,<br />
Rehabilitation may be considered as a treatment (Weeks<br />
<strong>and</strong> Grimmer 1995:66).<br />
Often referred to as adaptive re-use, Rehabilitation<br />
protects <strong>and</strong> preserves the historic features,<br />
materials, elements, <strong>and</strong> spatial relationships<br />
that convey historical, cultural, <strong>and</strong> architectural<br />
values. In this context, new, exp<strong>and</strong>ed, or upgraded<br />
facilities should be designed to avoid impacts to<br />
character-defining historic elements. They should<br />
also be constructed of compatible materials.<br />
Retention of original historic fabric should be the<br />
primary consideration in undertaking a program of<br />
rehabilitation <strong>and</strong> adaptive reuse.<br />
Rehabilitation accommodates needed change while<br />
preserving historic fabric to the greatest extent. Of<br />
the four treatments, Rehabilitation provides the<br />
most flexibility <strong>and</strong> can be used <strong>for</strong> resources with<br />
varying degrees of historical integrity. As such, it is<br />
the appropriate treatment <strong>for</strong> most buildings <strong>and</strong><br />
l<strong>and</strong>scapes at <strong>Moravian</strong> <strong>College</strong>.<br />
Nearly all of <strong>Moravian</strong> <strong>College</strong>’s historic building<br />
interiors, <strong>and</strong> some of the exteriors, have already<br />
undergone Rehabilitation treatments. Any change<br />
in use has typically resulted in work to adapt each<br />
building to its new use. The treatments vary in<br />
their appropriateness but set interesting examples<br />
of how the school has restructured its campus over<br />
time. For example, Monocacy Hall, originally a<br />
gymnasium, became a theater <strong>and</strong> a library annex<br />
be<strong>for</strong>e its conversion to its current use as college<br />
offices. The sensitive addition of the new atrium<br />
on the south end provided ADA access to all levels<br />
without destroying remaining historic fabric in<br />
the building. The Single Brethren’s House, with<br />
its thick walls, was well suited <strong>for</strong> adaptive reuse<br />
as soundproofed music classrooms <strong>and</strong> practice<br />
areas. Specifics of each building’s treatment will be<br />
discussed in Chapter 8 of this preservation plan.<br />
Restoration<br />
Restoration is defined as the act or process of<br />
accurately depicting the <strong>for</strong>m, features, <strong>and</strong><br />
character of a property as it appeared at a particular<br />
time by means of removal of features from other<br />
periods in its history <strong>and</strong> the reconstruction of<br />
missing features from the restoration period. The<br />
limited <strong>and</strong> sensitive upgrading of mechanical,<br />
electrical, <strong>and</strong> plumbing systems <strong>and</strong> other<br />
code-related work to make properties functional is<br />
appropriate within a restoration project.<br />
1. A property will be used as it was historically or<br />
be given a new use which reflects the property’s<br />
restoration period.<br />
2. Materials <strong>and</strong> features from the restoration<br />
period will be retained <strong>and</strong> preserved. The<br />
removal of materials or alteration of features,<br />
spaces, <strong>and</strong> spatial relationships that<br />
characterize the period will not be undertaken.<br />
3. Each property will be recognized as a physical<br />
record of its time, place, <strong>and</strong> use. Work needed<br />
to stabilize, consolidate <strong>and</strong> conserve materials<br />
<strong>and</strong> features from the restoration period will be<br />
physically <strong>and</strong> visually compatible, identifiable<br />
upon close inspection, <strong>and</strong> properly documented<br />
<strong>for</strong> future research.<br />
4. Materials, features, spaces, <strong>and</strong> finishes that<br />
characterize other historical periods will<br />
be documented prior to their alteration or<br />
removal.<br />
5. Distinctive materials, features, finishes,<br />
<strong>and</strong> construction techniques or examples of<br />
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craftsmanship that characterize the restoration<br />
period will be preserved.<br />
6. Deteriorated features from the restoration period<br />
will be repaired rather than replaced. Where the<br />
severity of deterioration requires replacement of<br />
a distinctive feature, the new feature will match<br />
the old in design, color, texture, <strong>and</strong>, where<br />
possible, materials.<br />
7. Replacement of missing features from the<br />
restoration period will be substantiated by<br />
documentary <strong>and</strong> physical evidence. A false<br />
sense of history will not be created by adding<br />
conjectural features, features from other<br />
properties, or by combining features that never<br />
existed together historically.<br />
8. Chemical or physical treatments, if appropriate,<br />
will be undertaken using the gentlest means<br />
possible. Treatments that cause damage to<br />
historic materials will not be used.<br />
9. Archeological resources affected by a project<br />
will be protected <strong>and</strong> preserved in place. If<br />
such resources must be disturbed, mitigation<br />
measures will be undertaken.<br />
10. Designs that were never executed historically<br />
will not be constructed (Weeks <strong>and</strong> Grimmer<br />
1995:117-118).<br />
Restoration as a Treatment<br />
When the property’s design, architectural, or historical<br />
significance during a particular period of time outweighs<br />
the potential loss of extant materials, features, spaces, <strong>and</strong><br />
finishes that characterize other historical periods; when<br />
there is substantial physical <strong>and</strong> documentary evidence<br />
<strong>for</strong> the work; <strong>and</strong> when contemporary alterations <strong>and</strong><br />
additions are not planned, Restoration may be considered<br />
as a treatment. Prior to undertaking work, a particular<br />
period of time, i.e., the restoration period, should be<br />
selected <strong>and</strong> justified, <strong>and</strong> a documentation plan <strong>for</strong><br />
Restoration developed (Weeks <strong>and</strong> Grimmer 1995:121).<br />
Restoration is an intensive process which essentially<br />
freezes a resource at a specific time in its history.<br />
While it retains significant historic fabric from the<br />
desired historic period <strong>and</strong> reconstructs missing<br />
elements of that period, it also removes later historic<br />
fabric that may have become significant in its own<br />
right, <strong>and</strong> requires scrupulous investigation of past<br />
conditions to guide the restoration work. Given its<br />
narrow focus on a particular time, it is not adaptive<br />
to future changes, particularly if the interior is part<br />
of the treatment.<br />
Most of the buildings on <strong>Moravian</strong> <strong>College</strong>’s<br />
Priscilla Payne Hurd campus have already<br />
undergone an exterior Restoration treatment. These<br />
include the Single Brethren’s House, Main Hall,<br />
West Hall, Old Chapel, New Chapel, South Hall,<br />
<strong>and</strong> the Frueauff House. Restoration work on most<br />
of these was confined to exterior paint removal<br />
<strong>and</strong> window restoration, but in a few cases, the<br />
work undertaken was quite drastic <strong>and</strong> required<br />
wholesale removal of later materials, additions <strong>and</strong><br />
details, including porches, hyphens, entranceways,<br />
<strong>and</strong> in the case of the heavily restored Frueauff<br />
House, an entire floor. The Single Brethren’s House<br />
was also a virtual trans<strong>for</strong>mation, as its nineteenthcentury<br />
stucco, windows, front entrances, <strong>and</strong><br />
back porches were removed, <strong>and</strong> its exposed stone<br />
exterior was restored to what was believed to be<br />
its eighteenth century appearance. It is unlikely<br />
that Restoration will be a treatment used again <strong>for</strong><br />
projects at <strong>Moravian</strong> <strong>College</strong> except <strong>for</strong> possible<br />
isolated, special circumstances, such as the possible<br />
restoration of selected l<strong>and</strong>scape features.<br />
Reconstruction<br />
Reconstruction is defined as the act or process of depicting,<br />
by means of new construction, the <strong>for</strong>m, features, <strong>and</strong><br />
detailing of a non-surviving site, l<strong>and</strong>scape, building,<br />
structure, or object <strong>for</strong> the purpose of replicating its<br />
appearance at a specific period of time <strong>and</strong> in its historic<br />
location.<br />
1. Reconstruction will be used to depict vanished<br />
or non-surviving portions of a property when<br />
documentary <strong>and</strong> physical evidence is available<br />
to permit accurate reconstruction with minimal<br />
conjecture, <strong>and</strong> such reconstruction is essential<br />
to the public underst<strong>and</strong>ing of the property.<br />
2. Reconstruction of a l<strong>and</strong>scape, building,<br />
structure, or object in its historic location<br />
will be preceded by a thorough archeological<br />
investigation to identify <strong>and</strong> evaluate those<br />
features <strong>and</strong> artifacts which are essential to<br />
an accurate reconstruction. If such resources<br />
must be disturbed, mitigation measures will be<br />
undertaken.<br />
3. Reconstruction will include measures to<br />
preserve any remaining historic materials,<br />
features, <strong>and</strong> spatial relationships.<br />
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4. Reconstruction will be based on the accurate<br />
duplication of historic features <strong>and</strong> elements<br />
substantiated by documentary or physical<br />
evidence rather than on conjectural designs<br />
or the availability of different features from<br />
other historic properties. A reconstructed<br />
property will re-create the appearance of the<br />
non-surviving historic property in materials,<br />
design, color, <strong>and</strong> texture.<br />
5. A reconstruction will be clearly identified as a<br />
contemporary re-creation.<br />
6. Designs that were never executed historically<br />
will not be constructed (Weeks <strong>and</strong> Grimmer<br />
1995:165-166).<br />
Reconstruction as a Treatment<br />
When a contemporary depiction is required to<br />
underst<strong>and</strong> <strong>and</strong> interpret a property’s historic value<br />
(including the re-creation of missing components in a<br />
historic district or site); when no other property with the<br />
same associative value has survived; <strong>and</strong> when sufficient<br />
historical documentation exists to ensure an accurate<br />
reproduction, Reconstruction may be considered as a<br />
treatment (Weeks <strong>and</strong> Grimmer 1995:169).<br />
A reconstruction is a new resource made to replace<br />
an historic resource that has been lost, <strong>and</strong> is<br />
used only in the instance of a significant loss.<br />
Reconstruction has not been used to treat <strong>Moravian</strong><br />
<strong>College</strong>’s historic resources previously, although it<br />
was used in the <strong>for</strong>mer Industrial Quarter opposite<br />
the Priscilla Payne Hurd Campus to help interpret<br />
the city’s early industries. Like Restoration,<br />
Reconstruction is not anticipated to be relevant<br />
to future projects at <strong>Moravian</strong> <strong>College</strong> with the<br />
possible exception of the re-creation of selected<br />
l<strong>and</strong>scape features.<br />
In planning <strong>for</strong> the stewardship of historic buildings<br />
<strong>and</strong> l<strong>and</strong>scapes at <strong>Moravian</strong> <strong>College</strong>, <strong>Preservation</strong><br />
<strong>and</strong> Rehabilitation are the most appropriate <strong>and</strong><br />
applicable treatments <strong>for</strong> consideration <strong>and</strong> use.<br />
These terms have been applied in recommending<br />
overall treatment approaches to individual<br />
buildings, l<strong>and</strong>scape character areas, <strong>and</strong> specific<br />
l<strong>and</strong>scape features in subsequent chapters of this<br />
<strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>.<br />
4.6 A Treatment Philosophy<br />
<strong>and</strong> Recommended<br />
Approach <strong>for</strong> <strong>Moravian</strong><br />
<strong>College</strong><br />
Working within the context of the Secretary of<br />
the Interior’s St<strong>and</strong>ards <strong>and</strong> considering <strong>Moravian</strong><br />
<strong>College</strong>’s specific preservation objectives, outlined<br />
previously, the recommended philosophical<br />
treatment approach <strong>for</strong> the <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
is one of sensitive rehabilitation. This approach<br />
recognizes that <strong>Moravian</strong> <strong>College</strong> is not a static<br />
environment <strong>and</strong> must continue to evolve to<br />
meet the needs of its academic program offerings<br />
<strong>and</strong> student body. However, <strong>Moravian</strong> <strong>College</strong>’s<br />
strong regard <strong>for</strong> its remarkable history provides<br />
a solid basis <strong>for</strong> preservation-minded stewardship.<br />
Beginning as early as the 1814 conversion of an old<br />
choir house to a girls’ boarding school, <strong>Moravian</strong><br />
<strong>College</strong> has demonstrated significant leadership<br />
in historic preservation as it continuously adapted<br />
<strong>and</strong> reused its cherished historic buildings <strong>and</strong><br />
grounds <strong>for</strong> most aspects of modern-day college<br />
life. Its historic buildings are highly visible models<br />
of preserved architecture, which <strong>for</strong>m prominent<br />
gateways into Historic Bethlehem at opposite ends<br />
of Main Street. The concept of sensitive rehabilitation<br />
recognizes <strong>Moravian</strong> <strong>College</strong>’s many successes in<br />
the preservation of its campuses over time, but lays<br />
the groundwork <strong>for</strong> fine-tuning its approach to<br />
future stewardship of its historic resources.<br />
This philosophy espouses the recognized treatment<br />
approach of rehabilitation, the process of creating <strong>and</strong><br />
maintaining a compatible use in an historic property<br />
through careful planning, minimal alterations, <strong>and</strong><br />
compatible additions. It also accommodates the<br />
current conditions of the <strong>College</strong>’s historic fabric,<br />
much of which has undergone one or more historic<br />
preservation treatments. Sensitive rehabilitation<br />
makes provisions <strong>for</strong> the needs of tomorrow, but<br />
also preserves the resources significant to <strong>Moravian</strong><br />
<strong>College</strong>’s history, rein<strong>for</strong>ces <strong>Moravian</strong> <strong>College</strong>’s<br />
distinctive sense of place, <strong>and</strong> reflects the values<br />
inherent in the college’s mission <strong>and</strong> strategic plan.<br />
The retention, rehabilitation, <strong>and</strong> enhancement<br />
of historic campus resources will rein<strong>for</strong>ce the<br />
<strong>College</strong>’s connection to the educational ideals of its<br />
founders, its commitment to integrity of character,<br />
<strong>and</strong> its traditions of community service <strong>and</strong><br />
leadership. Successful preservation of the historic<br />
campus will ensure that the centuries-old physical<br />
link between <strong>Moravian</strong> <strong>College</strong>’s beginnings <strong>and</strong> its<br />
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present day remains unbroken, visible <strong>and</strong> relevant<br />
into the future.<br />
The sensitive rehabilitation approach supports the<br />
preservation of historic buildings <strong>and</strong> l<strong>and</strong>scape<br />
characteristics that contribute to the significance<br />
of <strong>Moravian</strong> <strong>College</strong>’s multiple historical contexts.<br />
These resources <strong>and</strong> characteristics are related to:<br />
• <strong>Moravian</strong> settlement <strong>and</strong> community<br />
planning <strong>for</strong> Bethlehem;<br />
• European/<strong>Moravian</strong> architecture <strong>and</strong> l<strong>and</strong><br />
use <strong>for</strong> communal lifestyle;<br />
• The Pleasure Grounds, Steel Field, <strong>and</strong><br />
North Main Street campus l<strong>and</strong>scapes;<br />
• Development of the North Main Street<br />
neighborhood <strong>and</strong> the city of Bethlehem;<br />
• Nineteenth <strong>and</strong> early twentieth century<br />
collegiate trends <strong>and</strong> their reflection in<br />
campus planning <strong>and</strong> development;<br />
• Physical expansion of <strong>Moravian</strong> <strong>College</strong><br />
into today’s dual campuses;<br />
• <strong>Moravian</strong> <strong>College</strong>’s role in historic<br />
preservation <strong>and</strong> revitalization of<br />
downtown Bethlehem.<br />
The built architectural features <strong>and</strong> materials,<br />
recreational grounds, streetscapes, campus<br />
organization, views, <strong>and</strong> human scale found at<br />
<strong>Moravian</strong> <strong>College</strong> are distinctive assets. This<br />
important physical legacy rein<strong>for</strong>ces <strong>and</strong> promotes<br />
interaction <strong>and</strong> provides a tangible link to the<br />
past. Underst<strong>and</strong>ing <strong>and</strong> rein<strong>for</strong>cing these unique<br />
characteristics are central to preservation. When<br />
students, faculty, residents, <strong>and</strong> visitors walk<br />
through this thriving academic environment,<br />
they should recognize the special characteristics<br />
that make it different from every other place.<br />
Familiar buildings <strong>and</strong> l<strong>and</strong>scapes, not just<br />
the most significant ones, all contribute to this<br />
distinctive identity. Since historic resources are<br />
strongly identified with campus character, their<br />
preservation is crucial in creating what planners call<br />
a sense of place. A treatment approach of sensitive<br />
rehabilitation will strengthen <strong>and</strong> give perceptible<br />
meaning to <strong>Moravian</strong> <strong>College</strong>’s sense of place.<br />
Subsequent chapters of this preservation plan<br />
provide general design <strong>and</strong> development guidelines<br />
on how to approach change within the <strong>Moravian</strong><br />
Campus l<strong>and</strong>scape within the context of a sensitive<br />
rehabilitation approach on a building-by-building<br />
<strong>and</strong> l<strong>and</strong>scape-by-l<strong>and</strong>scape basis.<br />
St<strong>and</strong>ards <strong>for</strong> Rehabilitation<br />
The Secretary of the Interior’s St<strong>and</strong>ards <strong>for</strong> the<br />
Treatment of Historic Properties provides an individual<br />
set of st<strong>and</strong>ards <strong>for</strong> each of the four commonly<br />
identified historic preservation treatments<br />
discussed above: <strong>Preservation</strong>, Rehabilitation,<br />
Restoration, <strong>and</strong> Reconstruction. As mentioned<br />
earlier, Rehabilitation is the most appropriate<br />
preservation treatment where extensive changes<br />
are anticipated to meet changing programmatic<br />
needs. The discussion below builds upon the<br />
previous discussion of preservation treatments to<br />
provide additional detail with respect to sensitive<br />
rehabilitation treatments <strong>for</strong> historic resources at<br />
<strong>Moravian</strong> <strong>College</strong>.<br />
The St<strong>and</strong>ards <strong>for</strong> Rehabilitation are essentially<br />
“best practices” <strong>for</strong> historic preservation projects.<br />
They ensure that important issues about the<br />
care of historic buildings <strong>and</strong> l<strong>and</strong>scapes are not<br />
<strong>for</strong>gotten in the process of making decisions about<br />
other issues. When these guidelines are used in<br />
the context of a new project involving an historic<br />
building, they provide a starting point <strong>for</strong> the<br />
discussion of proposed changes to the building’s<br />
historic character <strong>and</strong> fabric. They were developed<br />
to ensure that policies toward historic resources<br />
were applied uni<strong>for</strong>mly, even if the end result was<br />
different in every case.<br />
All preservation ef<strong>for</strong>ts, whether they are publicly<br />
or privately funded, can be in<strong>for</strong>med <strong>and</strong> enhanced<br />
by underst<strong>and</strong>ing the St<strong>and</strong>ards <strong>for</strong> Rehabilitation.<br />
Because the St<strong>and</strong>ards outline a sensitive approach<br />
<strong>for</strong> assessing changes to historic properties, they are<br />
often included in preservation plans, ordinances,<br />
<strong>and</strong> regulations that govern activities affecting<br />
local historic districts. These St<strong>and</strong>ards articulate<br />
basic principles that are fundamental to historic<br />
preservation. Although they have been modified<br />
over the years to accommodate changing views of<br />
historic significance <strong>and</strong> treatment options, their<br />
basic message has remained the same.<br />
The durability of the St<strong>and</strong>ards <strong>for</strong> Rehabilitation<br />
is testimony not only to their soundness, but also<br />
to the flexibility of their language. They provide<br />
a philosophy <strong>and</strong> approach to problem solving<br />
<strong>for</strong> those involved in managing the treatment of<br />
historic buildings, rather than a set of solutions<br />
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to specific design issues. Following a balanced,<br />
reasonable, <strong>and</strong> disciplined process is often more<br />
important than the exact nature of the treatment<br />
option that is chosen. Instead of predetermining an<br />
outcome in favor of retaining or recreating historic<br />
features, the St<strong>and</strong>ards <strong>for</strong> Rehabilitation ensure that<br />
all the critical issues are considered. The St<strong>and</strong>ards<br />
<strong>for</strong> Rehabilitation are useful in consideration of the<br />
construction of new buildings in an historic context<br />
<strong>and</strong> the alteration of older buildings as necessary<br />
<strong>for</strong> reuse, safety, accessibility, or maintenance. As<br />
with any public policy issue, the public interest in<br />
preserving historic buildings <strong>and</strong> l<strong>and</strong>scapes must<br />
be balanced with other public interests.<br />
The ten st<strong>and</strong>ards that comprise The Secretary of<br />
the Interior’s St<strong>and</strong>ards <strong>for</strong> Rehabilitation are quoted<br />
in full below, followed by a brief discussion of the<br />
implications of each.<br />
St<strong>and</strong>ard 1 -- a property will be used as it was<br />
historically or be given a new use that requires<br />
minimal change to its distinctive materials,<br />
features, spaces, <strong>and</strong> spatial relationships.<br />
St<strong>and</strong>ard 1 recommends compatible use in the<br />
context of adaptive re-use <strong>and</strong> changes to historic<br />
buildings <strong>and</strong> l<strong>and</strong>scapes. This st<strong>and</strong>ard encourages<br />
owners <strong>and</strong> managers to find uses that retain <strong>and</strong><br />
enhance historic character, not detract from it.<br />
For example, the work involved in re-use projects<br />
should be carefully planned to minimize impacts<br />
on historic features, materials, <strong>and</strong> spaces. The<br />
destruction of character-defining features should<br />
be avoided.<br />
At <strong>Moravian</strong> <strong>College</strong>, a number of buildings<br />
demonstrate this principle. Old Chapel/Hearst<br />
Hall <strong>and</strong> New Chapel/Peter Hall both began with<br />
ground-floor refectories <strong>and</strong> top-floor chapels.<br />
This use has continued into the present, with the<br />
adjoining ground floors combined as Clewell<br />
Dining Hall, <strong>and</strong> the two chapels now being<br />
used as per<strong>for</strong>mance spaces. The Gymnasium at<br />
the Priscilla Payne Hurd Campus was no longer<br />
needed following the merger of the women’s <strong>and</strong><br />
men’s schools <strong>and</strong> the relocation of sports activities<br />
to the North Main Street campus. As the merged<br />
school decided to concentrate its arts programs at<br />
the Priscilla Payne Hurd Campus, the Gymnasium’s<br />
soaring interior became first an art studio, <strong>and</strong> then<br />
a gallery, <strong>and</strong> its exterior was preserved largely<br />
intact.<br />
St<strong>and</strong>ard 2 – The historic character of a property<br />
will be retained <strong>and</strong> preserved. The removal of<br />
distinctive materials or alteration of features,<br />
spaces, <strong>and</strong> spatial relationships that characterize<br />
a property will be avoided.<br />
St<strong>and</strong>ard 2 recommends the retention <strong>and</strong><br />
preservation of character-defining features. It<br />
emphasizes the importance of preserving integrity<br />
<strong>and</strong> as much existing historic fabric as possible.<br />
Alterations that repair or modify existing historic<br />
fabric are preferable to those that require total<br />
removal.<br />
Historic character is preserved to an unusually<br />
high degree at <strong>Moravian</strong> <strong>College</strong>, with a number<br />
of buildings displaying intact distinctive elements<br />
<strong>and</strong> historic interior spaces. However, some<br />
l<strong>and</strong>scapes have been altered by drastic changes to<br />
their composition. For example, the conversion of<br />
part of the Priscilla Payne Hurd Campus Pleasure<br />
Grounds to a parking lot required removal of the<br />
ceremonial gateway entrance <strong>and</strong> circular fountain<br />
that once characterized the core of the resource.<br />
St<strong>and</strong>ard 3 – Each property will be recognized as a<br />
physical record of its time, place, <strong>and</strong> use. Changes<br />
that create a false sense of historical development,<br />
such as adding conjectural features or elements from<br />
other historic properties, will not be undertaken.<br />
St<strong>and</strong>ard 3 focuses on authenticity <strong>and</strong> discourages<br />
the conjectural restoration of an entire property,<br />
feature, or design. It also discourages combining<br />
<strong>and</strong>/or grafting historic features <strong>and</strong> elements<br />
from different properties, <strong>and</strong> constructing<br />
new buildings that appear to be historic. Literal<br />
restoration to an historic appearance should only<br />
be undertaken when detailed documentation is<br />
available <strong>and</strong> when the significance of the resource<br />
warrants restoration. Reconstruction of lost<br />
features should not be attempted without adequate<br />
documentation.<br />
The concept of a physical record has been explored<br />
in different ways at <strong>Moravian</strong> <strong>College</strong>. The Single<br />
Brethren’s House was given a careful physical<br />
investigation <strong>for</strong> clues to its evolution over time<br />
(HABS 1968), <strong>and</strong> restoration was guided by these<br />
findings. While its exterior was returned to an<br />
early appearance, evidence of changes inside has<br />
been preserved <strong>and</strong>, in the case of the covered-over<br />
fireplaces <strong>and</strong> early central heating elements,<br />
highlighted as points of historical interest. Despite<br />
restoration of the original paired central entrances,<br />
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the original central stairwell was not replicated.<br />
One of the two Federal-style end stairwells, dating<br />
from the conversion of the building to a school in<br />
1814-1815, was preserved intact <strong>and</strong> is now the<br />
primary stairwell in the building.<br />
Frueauff House is an example of a building where<br />
this St<strong>and</strong>ard was not applied. The house was<br />
altered by ca. 1870 to be a story taller than its original<br />
height <strong>and</strong> featured modest Italianate details. The<br />
house remained in this configuration <strong>for</strong> nearly a<br />
century. In the 1960s burst of enthusiasm to restore<br />
downtown Bethlehem to its early appearance, the<br />
added floor <strong>and</strong> mid-nineteenth-century elements<br />
of Frueauff House were removed <strong>and</strong> it was<br />
restored to its conjectured Federal early appearance,<br />
utilizing recreated millwork <strong>and</strong> other details. It is<br />
unclear what physical <strong>and</strong> documentary evidence<br />
was utilized in this work, but the overall result is a<br />
house lacking in authentic historic fabric.<br />
St<strong>and</strong>ard 4 – Changes to a property that have<br />
acquired historic significance in their own right<br />
will be retained <strong>and</strong> preserved.<br />
St<strong>and</strong>ard 4 recognizes that buildings <strong>and</strong> l<strong>and</strong>scapes<br />
change, <strong>and</strong> that many of these changes contribute to<br />
a building’s historical significance. Underst<strong>and</strong>ing<br />
a building’s history <strong>and</strong> development is just as<br />
important as underst<strong>and</strong>ing its original design,<br />
appearance, <strong>and</strong> function. This point should be kept<br />
in mind when considering treatments <strong>for</strong> buildings<br />
<strong>and</strong> l<strong>and</strong>scapes that have undergone many changes.<br />
Most historic buildings <strong>and</strong> l<strong>and</strong>scapes contain a<br />
visual record of their own evolution. This evolution<br />
can be identified, <strong>and</strong> changes that are significant<br />
to the history of the building or l<strong>and</strong>scape should<br />
be retained. The opportunity to compare multiple<br />
periods of time in the same building lends interest<br />
to the structure <strong>and</strong> helps communicate changes<br />
that have occurred within the larger l<strong>and</strong>scape <strong>and</strong><br />
community context.<br />
At <strong>Moravian</strong> <strong>College</strong>, there are several examples of<br />
historic buildings with later additions or changes<br />
that have their own significance. Comenius Hall<br />
was originally constructed as a st<strong>and</strong>alone building,<br />
but its interior <strong>and</strong> exterior were soon augmented<br />
by the addition of Borhek Chapel on its north<br />
<strong>and</strong> Harvey Library on its south. These buildings<br />
were constructed in different but complementary<br />
architectural styles <strong>and</strong> contribute immensely to<br />
the overall significance of Comenius Hall.<br />
St<strong>and</strong>ard 5 – Distinctive materials, features,<br />
finishes, <strong>and</strong> construction techniques or examples<br />
of craftsmanship that characterize a property will<br />
be preserved.<br />
St<strong>and</strong>ard 5 recommends preserving the distinctive<br />
historic components of a building or l<strong>and</strong>scape that<br />
represent its historic character. Workmanship,<br />
materials, methods of construction, floor plans, <strong>and</strong><br />
both ornate <strong>and</strong> typical details should be identified<br />
prior to undertaking work.<br />
Many examples of fine craftsmanship can be found<br />
at <strong>Moravian</strong> <strong>College</strong>. The skills of eighteenthcentury<br />
stonemasons are evident in the facades of<br />
the Widows’ House <strong>and</strong> Single Brethren’s House.<br />
Fine details like the Federal-style stairways <strong>and</strong><br />
arched moldings in the Single Brethren’s House<br />
<strong>and</strong> the early-twentieth-century stained glass of<br />
Peter Hall are key characteristics of these buildings.<br />
The elaborate main facade of Comenius, with its<br />
stonework <strong>and</strong> ornamental use of terra cotta <strong>and</strong><br />
tile detail, remains a hallmark of the campus. Next<br />
door, Zinzendorf Hall retains nearly all of the<br />
distinctive woodwork that characterizes its primary<br />
interior spaces.<br />
St<strong>and</strong>ard 6 – Deteriorated historic features will<br />
be repaired rather than replaced. Where the<br />
severity of deterioration requires replacement of a<br />
distinctive feature, the new feature will match the<br />
old in design, color, texture, <strong>and</strong>, where possible,<br />
materials. Replacement of missing features will<br />
be substantiated by documentary <strong>and</strong> physical<br />
evidence.<br />
St<strong>and</strong>ard 6 encourages property owners to<br />
repair historic character-defining features instead<br />
of replacing them when historic features are<br />
deteriorated. In cases where deterioration makes<br />
replacement necessary, new features should closely<br />
match historic conditions in all respects. Be<strong>for</strong>e<br />
any features are altered or removed, property<br />
owners are urged to document existing conditions<br />
with photography <strong>and</strong> notes. These records assist<br />
future choices that are appropriate to the property’s<br />
historic character.<br />
This St<strong>and</strong>ard has already been applied in several<br />
cases at <strong>Moravian</strong> <strong>College</strong>, notably the repairs<br />
that have been made to street-facing windows<br />
<strong>and</strong> other details on several of the Priscilla Payne<br />
Hurd Campus buildings. However, the historic<br />
rear-facing windows on several buildings, including<br />
South Hall <strong>and</strong> Old Chapel/Peter Hall, have been<br />
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replaced with modern synthetic windows which<br />
do not replicate the design, materials, or profile of<br />
the originals. This type of action should be avoided<br />
in future.<br />
St<strong>and</strong>ard 7 – Chemical or physical treatments, if<br />
appropriate, will be undertaken using the gentlest<br />
means possible. Treatments that cause damage to<br />
historic materials will not be used.<br />
St<strong>and</strong>ard 7 cautions against using chemical <strong>and</strong><br />
physical treatments that can permanently damage<br />
historic features. Many commercially available<br />
treatments are irreversibly damaging. S<strong>and</strong>blasting<br />
<strong>and</strong> harsh chemical cleaning, in particular, are<br />
extremely harmful to wood <strong>and</strong> masonry surfaces<br />
because they destroy the material’s basic physical<br />
properties <strong>and</strong> speed their deterioration. Potential<br />
maintenance treatments should not alter or damage<br />
these materials.<br />
At <strong>Moravian</strong> <strong>College</strong>, strong masonry cleaning<br />
methods were used on the Priscilla Payne Hurd<br />
Campus buildings as they were being restored.<br />
While the exteriors were cleaned of paint <strong>and</strong> dirt,<br />
the cleaning also caused considerable damage to the<br />
brickwork. This type of treatment was common at<br />
the time but has since been recognized as harmful<br />
<strong>and</strong> often unnecessary. It is recommended that<br />
future cleaning be per<strong>for</strong>med as gently as possible<br />
to avoid further damage.<br />
St<strong>and</strong>ard 8 – Archeological resources will be<br />
protected <strong>and</strong> preserved in place. If such resources<br />
must be disturbed, mitigation measures will be<br />
undertaken.<br />
St<strong>and</strong>ard 8 is addresses the importance of belowground<br />
prehistoric <strong>and</strong> historic features. This issue<br />
is of paramount importance when a construction<br />
project involves excavation, but depending on the<br />
sensitivity of a particular site, can also apply to<br />
less invasive work like laying a new walkway. An<br />
assessment of a site’s archeological potential prior<br />
to work is recommended. If archeological resources<br />
are found, some type of mitigation may be required.<br />
Solutions should be developed that minimize the<br />
need <strong>for</strong> excavation of previously unexcavated<br />
sites.<br />
At <strong>Moravian</strong> <strong>College</strong>, the Priscilla Payne Hurd<br />
Campus grounds have high archeological sensitivity<br />
<strong>and</strong> should be protected from disturbance to the<br />
greatest possible extent. Preliminary archeological<br />
investigation is recommended prior to commencing<br />
any type of ground-disturbing activity there.<br />
St<strong>and</strong>ard 9 – New additions, exterior alterations, or<br />
related new construction will not destroy historic<br />
materials, features, <strong>and</strong> spatial relationships that<br />
characterize the property. The new work shall be<br />
differentiated from the old <strong>and</strong> will be compatible<br />
with the historic materials, features, size, scale<br />
<strong>and</strong> proportion, <strong>and</strong> massing architectural features<br />
to protect the integrity of the property <strong>and</strong> its<br />
environment.<br />
St<strong>and</strong>ard 10 – New additions <strong>and</strong> adjacent or<br />
related new construction will be undertaken in<br />
such a manner that, if removed in the future, the<br />
essential <strong>for</strong>m <strong>and</strong> integrity of the historic property<br />
<strong>and</strong> its environment would be unimpaired.<br />
St<strong>and</strong>ards 9 <strong>and</strong> 10 are linked by issues of the<br />
compatibility <strong>and</strong> reversibility of additions,<br />
alterations, <strong>and</strong> new construction. Both st<strong>and</strong>ards<br />
are intended to 1) minimize the damage to historic<br />
fabric caused by building additions, <strong>and</strong> 2) ensure<br />
that new work will be different from, but compatible<br />
with, existing historic conditions. Following these<br />
st<strong>and</strong>ards will help to protect a building’s or<br />
l<strong>and</strong>scape’s historic integrity (U. S. Department of<br />
the Interior [1999]).<br />
Modern-day updates to both Monocacy <strong>and</strong><br />
Colonial Halls successfully reflect this principle.<br />
Monocacy received a new south atrium which<br />
provided an ADA-accessible entrance <strong>and</strong> elevator<br />
to all levels of the building, while preserving the<br />
original south wall <strong>and</strong> window openings of the<br />
<strong>for</strong>mer gymnasium within the new lobby. Across<br />
Main Street, Colonial Hall’s two st<strong>and</strong>alone wings<br />
were united with a new corner addition, which<br />
exp<strong>and</strong>ed the interior space, provided ADA access<br />
throughout the building, <strong>and</strong>, reusing an original<br />
gateway detail, created a modern but compatible<br />
new courtyard entrance <strong>for</strong> the admissions office.<br />
In conclusion, the basis <strong>for</strong> the St<strong>and</strong>ards <strong>for</strong><br />
Rehabilitation is the premise that historic resources<br />
are more than objects of aesthetic merit; they<br />
are repositories of historical in<strong>for</strong>mation. It<br />
is important to reiterate that the St<strong>and</strong>ards <strong>for</strong><br />
Rehabilitation provide a framework <strong>for</strong> evaluating<br />
preservation activities <strong>and</strong> emphasize preservation<br />
of historic fabric, honesty of historical expression,<br />
<strong>and</strong> reversibility. All decisions should be made on<br />
a case-by-case basis. The level of craftsmanship,<br />
detailing, <strong>and</strong> quality of materials should be<br />
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appropriate to the significance of the resource.<br />
When the St<strong>and</strong>ards <strong>for</strong> Rehabilitation are carefully<br />
<strong>and</strong> consistently applied, they meet the test of<br />
common sense.<br />
4.7 Principles <strong>for</strong><br />
Accommodating Change<br />
The philosophy behind this <strong>Preservation</strong> <strong>Master</strong><br />
<strong>Plan</strong> is that a preservation approach to stewardship<br />
should contribute to a viable, healthy campus by<br />
preserving <strong>and</strong> strengthening character <strong>and</strong> by<br />
accommodating change in a sensitive manner. A<br />
primary goal is to identify <strong>and</strong> preserve characterdefining<br />
building <strong>and</strong> l<strong>and</strong>scape elements <strong>and</strong><br />
thereby enhance the campus as a significant <strong>and</strong><br />
distinctive place. Continued education of students,<br />
faculty, staff, <strong>and</strong> visitors regarding the history <strong>and</strong><br />
significance of the <strong>College</strong> <strong>and</strong> its buildings <strong>and</strong><br />
l<strong>and</strong>scapes is important in generating appreciation<br />
<strong>and</strong> support <strong>for</strong> the appropriate treatment of its<br />
resources. Appropriate maintenance is vital to<br />
the conservation of character-defining building<br />
<strong>and</strong> l<strong>and</strong>scape elements. Flexibility in planning<br />
<strong>and</strong> design is the key to developing solutions <strong>for</strong><br />
changing needs that will last <strong>for</strong> the long-term.<br />
The concept of rehabilitation, encouraging <strong>and</strong><br />
facilitating the long-term preservation of characterdefining<br />
building <strong>and</strong> l<strong>and</strong>scape features, can be<br />
summarized in the following general principles<br />
that are based upon the Secretary of the Interior’s<br />
St<strong>and</strong>ards <strong>and</strong> should be considered in planning<br />
maintenance, reuse, renovations, new construction,<br />
<strong>and</strong> other future work at <strong>Moravian</strong> <strong>College</strong>:<br />
• Continue to use a property as it was<br />
designed to be used, or find a new use that<br />
minimizes necessary changes to characterdefining<br />
features.<br />
• Identify <strong>and</strong> retain distinguishing<br />
building <strong>and</strong> l<strong>and</strong>scape qualities <strong>and</strong><br />
characteristics.<br />
• Maintain, protect, <strong>and</strong> repair existing<br />
character-defining features, materials, <strong>and</strong><br />
finishes. If features are deteriorated beyond<br />
repair, replace in-kind.<br />
• Be authentic: if a feature is missing or must<br />
be removed, use accurate documentation<br />
to guide replacement.<br />
• Respect the evolution of historic changes,<br />
fashion, taste, <strong>and</strong> use.<br />
• Do not use maintenance methods or<br />
materials that damage significant building<br />
<strong>and</strong> l<strong>and</strong>scape fabric.<br />
Where needed changes requires new construction:<br />
• Respect the college’s evolving master plan.<br />
• Follow an established design review<br />
process.<br />
• Accommodate the needed program to<br />
the maximum extent possible without<br />
destroying the character of existing<br />
resources.<br />
• Underst<strong>and</strong> that future change will<br />
continue to occur.<br />
• Respect the existing building <strong>and</strong> l<strong>and</strong>scape<br />
context.<br />
• Maintain a high quality of design <strong>and</strong><br />
craftsmanship.<br />
• Take a humanist approach – design places<br />
where people want to be.<br />
• Take a sustainable approach – be<br />
responsible to society <strong>and</strong> the local <strong>and</strong><br />
regional ecology.<br />
• Where change is necessary, existing<br />
college buildings <strong>and</strong> l<strong>and</strong>scapes offer<br />
opportunities <strong>for</strong> creative new uses.<br />
Often found with multiple layers of<br />
history <strong>and</strong> aesthetics, existing buildings<br />
<strong>and</strong> l<strong>and</strong>scapes can inspire creative <strong>and</strong><br />
compatible designs <strong>for</strong> new construction.<br />
• New construction should not destroy<br />
character-defining building or l<strong>and</strong>scape<br />
features or materials.<br />
• Additions <strong>and</strong> alterations to historic<br />
buildings <strong>and</strong> l<strong>and</strong>scapes should speak of<br />
their own time but should be compatible<br />
with the character of the existing resource.<br />
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Chapter Five<br />
Cultural L<strong>and</strong>scapes at <strong>Moravian</strong> <strong>College</strong><br />
5.0 Introduction<br />
This chapter presents an inventory of existing<br />
cultural l<strong>and</strong>scape features at <strong>Moravian</strong> <strong>College</strong>,<br />
<strong>and</strong> an assessment of their physical condition.<br />
The purpose of this inventory <strong>and</strong> assessment is<br />
two-fold: to compare existing <strong>and</strong> historic physical<br />
conditions to determine how the l<strong>and</strong>scape has<br />
evolved over time, <strong>and</strong> to create a baseline of<br />
data <strong>for</strong> preparation of treatment guidelines <strong>and</strong><br />
recommendations. Ultimately, the in<strong>for</strong>mation<br />
presented in this chapter will help <strong>Moravian</strong> <strong>College</strong><br />
administrators underst<strong>and</strong> the opportunities <strong>and</strong><br />
constraints related to preserving the campus’<br />
historic cultural l<strong>and</strong>scape. Photographs <strong>and</strong> maps<br />
that illustrate feature conditions <strong>and</strong> their integrity<br />
are found throughout the text <strong>and</strong> referenced<br />
accordingly.<br />
5.1 Methodology<br />
This chapter’s findings are based upon field<br />
surveys undertaken by JMA in the summer of 2008.<br />
While the entire campus was examined at a broad<br />
scale to underst<strong>and</strong> how the cultural l<strong>and</strong>scapes<br />
of <strong>Moravian</strong> <strong>College</strong> physically <strong>and</strong> functionally<br />
interact, the focus of these investigations was on<br />
historic l<strong>and</strong>scape resources that are at least 50 years<br />
old (pre-1959). Areas of campus that are not historic<br />
were subject to an overview visual inspection, but<br />
not surveyed in detail.<br />
Features of historic significance found in the<br />
l<strong>and</strong>scape were identified through research of<br />
primary <strong>and</strong> secondary sources. Historic features<br />
that contribute to the significance of the campus<br />
l<strong>and</strong>scape are identified as “contributing resources”<br />
in the table summary that concludes this chapter.<br />
Management issues <strong>and</strong> condition assessments that<br />
pose a threat to the integrity of these contributing<br />
resources were also identified. Features that may<br />
be historic but whose date of origin could not be<br />
identified have been denoted as not determined<br />
(ND).<br />
To assist in evaluating the integrity of a historic<br />
property, JMA used the guidelines set <strong>for</strong>th by the<br />
Secretary of the Interior in National Register Bulletin<br />
15: How to Apply the National Register Criteria <strong>for</strong><br />
Evaluation, which states that:<br />
[i]ntegrity is the ability of a property<br />
to convey its significance….Historic<br />
properties either retain integrity (convey<br />
their significance) or they do not. Within<br />
the concept of integrity, the National<br />
Register criteria recognize seven qualities,<br />
or aspects, that in various combinations,<br />
define integrity. The seven aspects of<br />
integrity are: location, design, setting,<br />
materials, workmanship, feeling, <strong>and</strong><br />
association. To retain historic integrity a<br />
property will always posses several, <strong>and</strong><br />
usually most, of these aspects. (Department<br />
of the Interior 1990:44)<br />
If a character area retains integrity to a specific<br />
historic period or periods, the resources that remain<br />
from this period have been noted.<br />
5.2 Context <strong>and</strong> Setting<br />
Located in southeastern Pennsylvania, the<br />
<strong>Moravian</strong> <strong>College</strong> l<strong>and</strong>scape is part of the Great<br />
Valley physiographic province, a large limestone<br />
<strong>for</strong>mation measuring eight to twelve miles in width<br />
that curves from Virginia northward through<br />
Maryl<strong>and</strong>, Pennsylvania, <strong>and</strong> New Jersey (figure<br />
5-1). The Great Valley is the eastern edge of the larger<br />
Ridge <strong>and</strong> Valley province of the Appalachians <strong>and</strong><br />
lies adjacent to the Piedmont Province which leads<br />
eventually to the Atlantic Coastal Plain. The Lehigh<br />
River flows across the northern end of the Great<br />
Valley; the site of <strong>Moravian</strong> <strong>College</strong> is part of the<br />
Lehigh River drainage area. As part of the Great<br />
Valley <strong>for</strong>mation, the bedrock beneath the college<br />
consists of medium-gray thick-bedded dolomite<br />
<strong>and</strong> limestone siltstone at its base. Subsoil in the<br />
area is yellow to reddish-yellow clay (Gerhardt et<br />
al. 2008:4; National Heritage Corporation 1977:20).<br />
<strong>Moravian</strong> <strong>College</strong> is located in the center of<br />
Bethlehem, Pennsylvania. The site chosen <strong>for</strong> the<br />
original settlement of Bethlehem had a number<br />
of features attractive to the first European settlers.<br />
Foremost was an abundant spring that would<br />
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Figure 5-1. Physiographic Provinces of Pennsylvania. Annotated to show location of Bethlehem <strong>and</strong> Lehigh River (Commonwealth of<br />
Pennsylvania Department of Conservation <strong>and</strong> Natural Resources. www.dcnr.state.pa.us/topogeo. Accessed December 12, 2008).<br />
North Main<br />
Street Campus<br />
Steel Field<br />
Hurd Campus<br />
Figure 5-2. USGS topographical map of Bethlehem, Pennsylvania. Annotated to show locations of the separate campuses (United<br />
States Geological Survey).<br />
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Main Street<br />
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provide water in all seasons <strong>and</strong> was a primary<br />
reason <strong>for</strong> the purchase of this particular tract.<br />
The hillside on which the town was located was<br />
wooded with a steep descent to the Lehigh River<br />
<strong>and</strong> Monocacy Creek. The creek flowed south along<br />
the west side of the future city <strong>and</strong> then turned east,<br />
meeting the river southeast of the town site, which<br />
<strong>for</strong>med a long east-west peninsula between the<br />
two waterways. On the south side of the Monocacy<br />
Creek peninsula was a <strong>for</strong>d across the river. The<br />
new town was sited “some distance from the river”<br />
beside an old Indian trail that extended north <strong>and</strong><br />
west from the <strong>for</strong>d, crossing the peninsula <strong>and</strong><br />
Monocacy Creek, <strong>and</strong> running uphill past the new<br />
site (Murtagh 1967:23).<br />
<strong>Moravian</strong> <strong>College</strong> consists of three campuses: the<br />
Hurd Campus, the North Main Street Campus, <strong>and</strong><br />
Steel Field. The Hurd Campus was constructed at<br />
the location of part of the original settlement of<br />
Bethlehem, atop the bluff overlooking the confluence<br />
of the Lehigh River <strong>and</strong> Monocacy Creek (figure 5-2).<br />
The North Main Street Campus, approximately<br />
eight blocks north of the Hurd Campus, was built<br />
on a hill above the northern reaches of Monocacy<br />
Creek. Steel Field was constructed on the eastern<br />
slope of a minor north-south tributary to the creek,<br />
approximately three blocks east of the North Main<br />
Street Campus.<br />
The settlement that became the Hurd Campus<br />
developed alongside the early Bethlehem industrial<br />
complex, which arose to the west of the central<br />
core of the town along Monocacy Creek <strong>and</strong> just<br />
one block from the campus. The need <strong>for</strong> water<br />
<strong>and</strong> a sufficient current <strong>for</strong> mill power dictated the<br />
selection of the site, which surrounded the original<br />
town spring. A millrace, no longer extant, was<br />
dug parallel to the Monocacy to power a grist <strong>and</strong><br />
fulling mill <strong>and</strong> an oil mill. During a later expansion<br />
of the industrial area in 1829, the Lehigh Canal was<br />
constructed parallel to the river <strong>and</strong> is extant on<br />
the other side of Monocacy Creek, past the south<br />
boundary of the Hurd Campus (Kane 1963:3-5;<br />
Murtagh 1967:13-15; Myers 1981:35).<br />
City of Bethlehem<br />
<strong>Moravian</strong> <strong>College</strong> lies within the jurisdiction of<br />
the City of Bethlehem <strong>and</strong> is subject to compliance<br />
with the city’s Subdivision <strong>and</strong> L<strong>and</strong> Development<br />
Ordinance, as well as the city’s zoning <strong>and</strong> building<br />
permitting regulations (City of Bethlehem).<br />
Church Street<br />
Hurd<br />
Campus<br />
Figure 5-3. Bethlehem Historic District map, annotated to show the location of Hurd Campus (“Historic <strong>and</strong> Conservation Districts,”<br />
City of Bethlehem web site, http://www.bethlehem-pa.gov/dept/planning_Zoning_Permits/historicDistricts.htm. Accessed December<br />
12, 2008).<br />
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The Hurd Campus of <strong>Moravian</strong> <strong>College</strong> lies within<br />
the boundaries of the Bethlehem Historic District<br />
(figure 5-3). Within this district, a Certificate of<br />
Appropriateness is required prior to the issuance<br />
of a building permit. <strong>Plan</strong>s <strong>for</strong> any changes to<br />
exteriors that are visible from a public right-of-way<br />
are subject to review by the Historical Architectural<br />
Review Board (HARB).<br />
5.4 Character Areas<br />
<strong>Preservation</strong> planners use l<strong>and</strong>scape character<br />
areas as a tool to organize l<strong>and</strong>scape features <strong>and</strong><br />
l<strong>and</strong> uses according to their distinct aesthetic <strong>and</strong><br />
physical characteristics. Once identified as distinct<br />
character areas, l<strong>and</strong>scapes with similar features,<br />
opportunities, <strong>and</strong> constraints are more easily<br />
understood in terms of their evolution <strong>and</strong> future<br />
management options.<br />
For purposes of this study, ten individual l<strong>and</strong>scape<br />
character areas have been identified within the<br />
overall <strong>Moravian</strong> <strong>College</strong> l<strong>and</strong>scape (figure 5-4):<br />
• Hurd Campus<br />
• Steel Field<br />
• Comenius Hall<br />
• Old Quad<br />
• Monocacy Quad<br />
• Colonial Hall<br />
• Sports Quad<br />
• Hillside<br />
• Betty Prince Field<br />
• Campus Ring<br />
Each of the character area descriptions below<br />
includes an evaluation <strong>and</strong> assessment of<br />
natural systems <strong>and</strong> features, buildings, spatial<br />
organization, l<strong>and</strong> use, circulation, vegetation,<br />
views <strong>and</strong> vistas, l<strong>and</strong>scape structures, <strong>and</strong> site<br />
furnishings <strong>and</strong> objects particular to that area.<br />
Where possible, known archeological features are<br />
also identified. This is followed by a summary of<br />
historic resources <strong>and</strong> an evaluation of historic<br />
integrity.<br />
Several features are referred to as “possibly<br />
historic” or “may be historic”. This indicates that<br />
there was not enough in<strong>for</strong>mation available to<br />
support the historicity of a feature or the exact date<br />
of its installation, but enough evidence existed to<br />
suggest the feature may be over 50 years old. For<br />
these features, more research should be conducted<br />
to verify their age.<br />
For each character area, existing l<strong>and</strong>scape<br />
features <strong>and</strong> conditions were photographed <strong>and</strong><br />
documented through field notes. Site photographs<br />
have been incorporated into the chapter to illustrate<br />
features <strong>and</strong> condition issues described in the<br />
text. Based on this inventory, base mapping was<br />
updated to illustrate existing conditions. Unless<br />
stated otherwise, features were found to be in good<br />
condition.<br />
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Hurd Campus Character Area<br />
General Character<br />
This character area encompasses the more than<br />
250-year-old original core of <strong>Moravian</strong> <strong>College</strong>,<br />
now called the Priscilla Payne Hurd Campus<br />
(Hurd Campus), <strong>and</strong> includes the oldest group of<br />
buildings <strong>and</strong> spaces associated with the college,<br />
as well as buildings <strong>and</strong> spaces associated with<br />
the original <strong>Moravian</strong> settlers of Bethlehem (figure<br />
5-5).<br />
The area now comprising the Hurd Campus was<br />
purchased by the <strong>Moravian</strong> Church as part of<br />
a 500-acre tract in 1741 <strong>and</strong> the buildings <strong>and</strong><br />
associated spaces were originally part of the highly<br />
structured <strong>Moravian</strong> social system, as described in<br />
Chapter 2 – Historic Overview. Several residential<br />
buildings, as well as communal gardens, were built<br />
on the property. In 1814, the property was sold to<br />
the <strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies, which<br />
had been founded in 1742 by Countess Benigna<br />
von Zinzendorf. The Seminary had previously<br />
been quartered in the Bell House, among other<br />
locations.<br />
Today, the Hurd Campus includes the area that<br />
lies between Church Street to the north, Monocacy<br />
Creek to the south, Main Street to the west, <strong>and</strong><br />
Sakon Place to the east It is primarily characterized<br />
by its l<strong>and</strong><strong>for</strong>m – a curved bluff sloping southwest<br />
to the level area of the Monocacy Creek floodplain.<br />
The most historically significant buildings on the<br />
campus are grouped along Church Street at the<br />
top of the bluff <strong>and</strong> along the original alignment<br />
of Main Street. These buildings frame the north<br />
<strong>and</strong> west edges of an open space with steep slopes<br />
covered with brushy vegetation <strong>for</strong>ming a visual<br />
boundary to the east, <strong>and</strong> riparian vegetation<br />
along Monocacy Creek providing both a visual <strong>and</strong><br />
physical edge to the south. The space is interrupted<br />
by several private parcels <strong>and</strong> small parking lots at<br />
the top of the bluff <strong>and</strong> a new residential building<br />
<strong>for</strong> the college at its center (figure 5-6). Circulation<br />
within the area consists primarily of service <strong>and</strong><br />
access drives, which double as pedestrian paths.<br />
The center of the campus is used primarily as<br />
a pass-through zone from campus buildings to<br />
parking lots.<br />
Character Area Assessment<br />
The Hurd Campus character area is an essential<br />
component of the college’s historic campus, as well<br />
as a key factor in the development of the original<br />
<strong>Moravian</strong> settlement <strong>and</strong> subsequent development<br />
of Bethlehem. The Single Brethren’s House, one<br />
of the most emblematic features of <strong>Moravian</strong><br />
<strong>College</strong> <strong>and</strong> of Bethlehem itself, is the terminus<br />
of Bethlehem’s wide Main Street, which was once<br />
the central square of this community, der Platz. The<br />
trapezoidal spatial configuration of der Platz is still<br />
discernable in the l<strong>and</strong>scape.<br />
To the south of the Single Brethren’s House <strong>and</strong> the<br />
other historic buildings extending along Church<br />
Street is a sloping, mostly grassy l<strong>and</strong>scape that<br />
has hosted a wide range of uses over time, from<br />
community gardens managed by the original<br />
<strong>Moravian</strong> settlers, to the Pleasure Grounds, a<br />
complex conglomeration of gardens, fields, <strong>and</strong><br />
walking paths managed by the school <strong>for</strong> both<br />
passive <strong>and</strong> active recreation.<br />
While the area does not retain all of its l<strong>and</strong>scape<br />
characteristics from the historic period, enough<br />
survives to give the in<strong>for</strong>med visitor a sense of<br />
the various roles the campus has played since<br />
its development. Historic l<strong>and</strong>scape features<br />
remaining include the overall sloping topography<br />
of the site <strong>and</strong> the upper edge of the bluff on<br />
which the historic buildings were constructed, as<br />
well as level areas on which various gardens had<br />
been established. One of the walking paths of the<br />
Pleasure Grounds survives in the <strong>for</strong>m of a service<br />
drive that leads to the rear of the Single Brethren’s<br />
House. In addition, several trees have survived<br />
from the historic period.<br />
Construction of a large parking lot southwest of Foy<br />
Concert Hall in the 1960s <strong>and</strong> recent construction<br />
of the new residence hall along the bluff have<br />
negatively affected the integrity of the historic<br />
l<strong>and</strong>scape due to removal of a number of historic<br />
features, such as the cast-iron fountain, sundial,<br />
tennis courts, playing fields, topographic details,<br />
archeological sites, large shade trees, <strong>and</strong> historic<br />
views of the campus.<br />
Natural Systems <strong>and</strong> Features<br />
The Hurd Campus is situated atop the bluff above<br />
the confluence of Monocacy Creek with the Lehigh<br />
Canal, just to the north of the Lehigh River (see figure<br />
5-2). The primary natural features of the character<br />
area are its l<strong>and</strong><strong>for</strong>m <strong>and</strong> topography <strong>and</strong> Monocacy<br />
Creek, which <strong>for</strong>ms its southern boundary. The<br />
l<strong>and</strong><strong>for</strong>m rises out of the level floodplain along<br />
Monocacy Creek, a sharply sloping hillside oriented<br />
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Figure 5-5. Hurd Campus character area map (JMA 2009).<br />
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Monocacy Creek has undergone a number of<br />
changes since the <strong>Moravian</strong>s settled the area. A<br />
millrace was constructed to serve the industrial<br />
area to the west of the Hurd Campus <strong>and</strong> then<br />
later removed. In addition, the creek itself was<br />
likely realigned sometime in the nineteenth<br />
century, around the same time the Lehigh Canal<br />
was constructed. Features that were located on<br />
Monocacy Creek, such as Wonder Isl<strong>and</strong> <strong>and</strong> the<br />
bridge that crossed the creek to the east, are no<br />
longer extant (figure 5-7).<br />
Figure 5-6. New residence hall construction located downslope<br />
from the historic campus buildings. View is from the southwest<br />
end (JMA 2009).<br />
generally southwest to northeast, flattening out<br />
where most of the buildings are grouped. Grading<br />
has been used to create terracing <strong>for</strong> building<br />
construction, with several retaining walls in place<br />
to hold the cut slope. The creek, floodplain, slope,<br />
<strong>and</strong> bluff constitute historic resources; their historic<br />
use as garden spaces <strong>and</strong> effect on the early spatial<br />
organization on the site contribute to its integrity.<br />
Contributing features:<br />
• Monocacy Creek<br />
• Floodplain<br />
• Slope<br />
• Bluff<br />
Missing features:<br />
• Original alignment of Monocacy Creek<br />
<strong>and</strong> millrace<br />
• Wonder Isl<strong>and</strong><br />
• East bridge<br />
Single Brethren’s House<br />
East bridge<br />
Wonder Isl<strong>and</strong><br />
Figure 5-7. Map of the <strong>Moravian</strong> settlement of Bethlehem, dated 1751, showing Wonder Isl<strong>and</strong> on Monocacy Creek just south of the<br />
Single Brethren’s House (<strong>Moravian</strong> Church Archives, annotated by JMA 2009).<br />
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Spatial Organization<br />
The overall spatial organization of the Hurd<br />
Campus reflects its roots in the original <strong>Moravian</strong><br />
settlement of Bethlehem (refer to Chapter 2 –<br />
Historic Overview). The spatial character, then <strong>and</strong><br />
now, is generally defined by the linear arrangement<br />
of the buildings along Church Street above a central<br />
open space or garden.<br />
The oldest building on the campus, the Single<br />
Brethren’s House, was the terminus of Main Street<br />
as it widened at its intersection with Church to<br />
become the settlement’s town square, der Platz (figure<br />
5-8). The Platz was the major organizing element of<br />
the town into the 1800s <strong>and</strong> its slightly trapezoidal<br />
shape is still perceptible in the l<strong>and</strong>scape. Eventually,<br />
Main Street was extended south of Church Street,<br />
turning the corner to avoid West Hall. A linear<br />
alignment of buildings developed along this section<br />
of Main, enclosed the open garden space to the west<br />
as newer structures were added in the nineteenth<br />
<strong>and</strong> twentieth centuries.<br />
The inner core of the campus has changed<br />
significantly from its original <strong>for</strong>m. It has been<br />
used <strong>for</strong> a variety of purposes over the course of<br />
its settled history, including subsistence gardens,<br />
Main Street<br />
tree-lined walking paths, tennis courts <strong>and</strong> playing<br />
fields, per<strong>for</strong>mance space, <strong>and</strong> study area. At the<br />
time of the <strong>Moravian</strong> settlement, the area was<br />
used as community gardens <strong>and</strong> was laid out in<br />
a <strong>for</strong>mal, geometrical configuration common to<br />
European gardens of the fifteenth <strong>and</strong> sixteenth<br />
centuries (figures 5-9 <strong>and</strong> 5-10). During construction<br />
of the new residence hall, several root cellars, one<br />
of which dates to the eighteenth century, were<br />
discovered in this area <strong>and</strong> were likely used to store<br />
produce from these gardens (Gerhardt et al. 2008).<br />
Figure 5-9. Pownal’s 1754 view of the <strong>Moravian</strong> settlement<br />
showing the Single Brethren’s House at the center <strong>and</strong> the area<br />
to the south as working yards <strong>and</strong> gardens (<strong>Moravian</strong> Church<br />
Archives).<br />
Der Platz<br />
Single<br />
Brethren’s<br />
House<br />
Figure 5-8. Golkowski’s plan of Bethlehem from 1771 showing<br />
the layout of the town around der Platz <strong>and</strong> the placement of<br />
the Single Brethren’s House at the terminus of the view. The<br />
<strong>for</strong>ced perspective from north to south would have made the<br />
space seem even longer than it was (<strong>Moravian</strong> Church Archives,<br />
annotated by JMA 2009).<br />
Figure 5-10. Map of the <strong>Moravian</strong> settlement of Bethlehem by<br />
Golkowski, dated 1758, showing the gardens south <strong>and</strong> east of<br />
the Single Brethren’s House (<strong>Moravian</strong> Church Archives).<br />
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In the nineteenth century, this area evolved into<br />
the Pleasure Grounds, expressing the Romantic<br />
l<strong>and</strong>scape style with its system of curving in<strong>for</strong>mal<br />
walking paths leading down to Monocacy Creek<br />
below the school <strong>and</strong> ornamented with a variety<br />
of trees <strong>and</strong> shrubs (figures 5-11 <strong>and</strong> 5-12). Later,<br />
the Pleasure Grounds developed into a series of<br />
smaller garden spaces <strong>and</strong> playing fields, including<br />
the central green, the Sundial Garden, the Rose<br />
Garden, the Tennis Courts, <strong>and</strong> the Sunken Garden<br />
(where games such as field hockey were played)<br />
(figures 5-13 through 5-16).<br />
Today, most of these garden spaces no longer exist<br />
(figure 5-17). The area of the Sundial Garden is now<br />
a large parking lot, <strong>and</strong> the area that held the Tennis<br />
Courts <strong>and</strong> Sunken Garden is the site of the new<br />
residence hall. The area where the central green<br />
<strong>and</strong> Rose Garden stood, <strong>and</strong> the bluff, which was<br />
more heavily wooded in the Female Seminary era,<br />
are the only remaining open spaces on the campus.<br />
Figure 5-13. Viewbook image of students in the Rose Garden<br />
behind Main Hall ca. 1929 (<strong>Moravian</strong> Viewbook [1929]).<br />
Figure 5-14. Terrace behind Main Hall containing the Rose<br />
Garden in the 1930s (1930s Yearbook).<br />
Figure 5-11. Roepper’s 1855 map of the Female Seminary<br />
<strong>and</strong> surrounding Bethlehem, showing the edge of the bluff<br />
of Monocacy Creek <strong>and</strong> the location of the Pleasure Grounds<br />
(<strong>Moravian</strong> Church Archives).<br />
Figure 5-15. Viewbook image of students playing tennis on the<br />
lower level of the Hurd Campus ca. 1929 (<strong>Moravian</strong> Viewbook<br />
[1929]).<br />
Figure 5-12. View of the Female Seminary grounds from<br />
the south, showing the curving paths <strong>and</strong> rugged, romantic<br />
character of the Pleasure Grounds (<strong>Moravian</strong> Souvenir 1856).<br />
Figure 5-16. Lower level of the Hurd Campus, 1936. Note that<br />
corner post of tennis court is visible on the right edge (1930s<br />
Yearbook).<br />
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Figure 5-17. Hurd Campus period plan, ca. 1936 (JMA 2009).<br />
Sources:<br />
1936 Yearbook<br />
<strong>Moravian</strong> Viewbook [1929]<br />
1912 Sanborn Fire Insurance Map<br />
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The new residence hall under construction in this<br />
area led to the removal of the three root cellars<br />
dating to the eighteenth <strong>and</strong> nineteenth centuries.<br />
Contributing features:<br />
• Main Street<br />
• Church Street<br />
• Monocacy Creek<br />
• Bluff/slope<br />
• Central green<br />
• Axial placement of Single Brethren’s House<br />
on der Platz<br />
• Der Platz space<br />
• Pleasure Grounds space<br />
Missing features:<br />
• Community gardens of early Bethlehem<br />
• Female Seminary gardens <strong>and</strong> recreational<br />
facilities<br />
◦ Sundial Garden<br />
◦ Rose Garden<br />
◦ Tennis courts<br />
◦ Sunken Garden<br />
L<strong>and</strong> Use<br />
L<strong>and</strong> within the Hurd Campus character area has<br />
been primarily used <strong>for</strong> institutional <strong>and</strong> residential<br />
purposes since it was purchased by the <strong>Moravian</strong><br />
Seminary <strong>for</strong> Young Ladies in 1814. Prior to the<br />
establishment of the school, religious institutional<br />
use, in the <strong>for</strong>m of church-owned residential<br />
buildings, dominated the area.<br />
Over the property’s life as an educational<br />
institution, some of the buildings <strong>and</strong> l<strong>and</strong>scapes<br />
have undergone a change in use. Buildings that<br />
were once residential, such as the Single Brethren’s<br />
House, are now used as classrooms, while the<br />
<strong>for</strong>mer Gymnasium is now the Payne Art Gallery.<br />
The Widows’ House, Main Hall, Clewell Hall,<br />
<strong>and</strong> Frueauff House are still primarily residential.<br />
The Widows’ House, purchased by the <strong>College</strong> in<br />
1992, contains 13 apartments <strong>and</strong> two guest rooms.<br />
It currently houses a mix of seminary students<br />
<strong>and</strong> <strong>Moravian</strong> widows. The new Residence Hall,<br />
currently under construction, will be used <strong>for</strong><br />
student housing.<br />
Agricultural <strong>and</strong> medical uses of the Hurd Campus<br />
grounds were documented during the pre-Seminary<br />
era, when the l<strong>and</strong> was used as vegetable <strong>and</strong> herb<br />
gardens, providing both food <strong>and</strong> medicinal herbs<br />
<strong>for</strong> community members. The Single Brethren’s<br />
House also served as a hospital during the<br />
Revolutionary War, adding another facet to the use<br />
of this property <strong>for</strong> medical purposes. The l<strong>and</strong><br />
was also used <strong>for</strong> storage, both in sheds (visible in<br />
historic views) <strong>and</strong> in underground brick cellars<br />
built into the hillside. After the practical uses by the<br />
<strong>Moravian</strong> community ceased <strong>and</strong> the l<strong>and</strong> became a<br />
school campus, the open space at the middle of the<br />
campus was used <strong>for</strong> passive <strong>and</strong> active recreation,<br />
but in recent times, the majority of active recreation<br />
was relocated to the Main Street Campus <strong>and</strong> the<br />
space is used primarily <strong>for</strong> b<strong>and</strong> practice, parking,<br />
<strong>and</strong> circulation.<br />
Contributing features:<br />
• Educational/Institutional<br />
• Residential<br />
Missing features:<br />
• Agricultural<br />
• Religious/Communal<br />
• Active recreational<br />
• Medical<br />
Buildings<br />
The Hurd Campus area contains <strong>Moravian</strong> <strong>College</strong>’s<br />
oldest academic buildings, including the Single<br />
Brethren’s House <strong>and</strong> the Widows’ House. Both<br />
reflect variations on stone-constructed vernacular<br />
Germanic architecture. Other historical styles are<br />
also represented, including Classical Revival in the<br />
Payne Art Gallery <strong>and</strong> French Second Empire in the<br />
Clewell House. Other buildings have details that<br />
can be attributed to the Italianate <strong>and</strong> Queen Anne<br />
styles. Please see Chapter 8 – Historic Buildings of<br />
this <strong>Preservation</strong> <strong>Plan</strong> <strong>for</strong> photographs <strong>and</strong> more<br />
details about these buildings, as well as condition<br />
evaluations.<br />
A number of smaller buildings are no longer extant<br />
within this character area. These include a number<br />
of small outbuildings behind the Single Brethren’s<br />
<strong>and</strong> Widows’ houses (see figures 5-8 through 5-11);<br />
the Principal’s House, which was replaced by Main<br />
Hall; gazebos or summerhouses in the Pleasure<br />
Grounds (see figure 5-16, left side); <strong>and</strong> the b<strong>and</strong> shell<br />
that was located in the Sunken Garden area.<br />
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Contributing features:<br />
• Single Brethren’s House (1748)<br />
• Widows’ House (1768)<br />
• Frueauff House (1819)<br />
• Day House (1840)<br />
• Old Chapel/Hearst Hall (1848)<br />
• Main Hall (1854)<br />
• West Hall (1859)<br />
• Peter Hall/New Chapel (1867)<br />
• Clewell Hall (1867)<br />
• South Hall (1873)<br />
• Payne Art Gallery (1890)<br />
Figure 5-18. Main Street, looking south towards the Single<br />
Brethren’s House, prior to 1887 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Missing features:<br />
• Outbuildings<br />
• Root cellars<br />
• Principal’s House<br />
• Gazebos/summerhouses<br />
• B<strong>and</strong> shell<br />
Circulation Features<br />
Figure 5-19. A similar view in 2008 (JMA 2008).<br />
The Hurd Campus character area is accessible<br />
to both pedestrians <strong>and</strong> vehicles. The campus<br />
is bounded on three sides by public streets, with<br />
smaller private access drives on the interior of the<br />
campus. Sidewalks parallel each of the boundary<br />
streets; entrance walks <strong>and</strong> plazas are clustered<br />
around buildings.<br />
Vehicular Circulation<br />
Main Street is the primary connection between the<br />
Hurd Campus <strong>and</strong> the rest of Bethlehem. It follows<br />
the path of a north-to-south Native American trail<br />
that once passed through the area. Main Street was<br />
not paved until 1887, <strong>and</strong> has traditionally been<br />
lined with large elms planted in the street lawn<br />
between the sidewalk <strong>and</strong> the road, as it is today<br />
(figures 5-18 <strong>and</strong> 5-19). South of Church Street, Main<br />
Street curves gently around West Hall <strong>and</strong> the end<br />
of the Hill-to-Hill Bridge toward Monocacy Creek.<br />
The two-laned, asphalt-paved Main Street becomes<br />
concrete south of the intersection <strong>and</strong> is flanked by<br />
concrete curbs <strong>and</strong> sidewalks on both sides.<br />
Perpendicular to Main is Church Street, which is<br />
oriented east-to-west <strong>and</strong> <strong>for</strong>ms the north edge of<br />
the building cluster that comprises this campus.<br />
Figure 5-20. Postcard view of Church Street, looking west, ca.<br />
late 1800s (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 5-21. A similar view in 2008 (JMA 2008).<br />
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Church Street, originally called Sister’s Lane, was<br />
established in the 1740s as the <strong>Moravian</strong>s developed<br />
Bethlehem. It intersects with Main in front of the<br />
Single Brethren’s House; together they <strong>for</strong>m the<br />
southeast corner of the <strong>for</strong>mer Platz. Vehicular<br />
circulation on Church Street is one-way today,<br />
with parallel parking available along its south<br />
side. Until 1890, the street was unpaved, but even<br />
then featured the broad sidewalks <strong>and</strong> street trees<br />
that continue to lend Church Street its pedestrian<br />
character (figures 5-20 <strong>and</strong> 5-21).<br />
Sakon Place, also known in the past as both New<br />
Street <strong>and</strong> Bartow Alley, <strong>for</strong>ms the eastern boundary<br />
of the Hurd campus. This two-way asphalt street<br />
has parallel parking available on both sides. These<br />
parking areas, set into the curb, are paved with<br />
granite block. The street is separated from the<br />
campus by a wide turf lawn, set with a grove-like<br />
st<strong>and</strong> of trees.<br />
On the west side of the campus, an asphalt drive<br />
leads off of Main to provide access to the south<br />
parking lot. The entrance is flanked by two grey<br />
stone pillars. This entrance replaced a brick, stone,<br />
<strong>and</strong> cast iron gateway that was located further<br />
down the hill (figures 5-22 <strong>and</strong> 5-23). The access<br />
drive slopes to the south toward Monocacy Creek<br />
<strong>and</strong> a large parking lot, then bends around the<br />
end of Foy Concert Hall, where it rises up the hill,<br />
curving toward the back of the Single Brethren’s<br />
House. This alignment provides access <strong>for</strong> service<br />
vehicles, though it was originally established as<br />
a gravel path through the Pleasure Grounds (see<br />
Pedestrian Circulation, below <strong>for</strong> more in<strong>for</strong>mation)<br />
(figures 5-24 <strong>and</strong> 5-25). From the corner of the Single<br />
Brethren’s House to South Hall, this drive is edged<br />
with medium-sized river rocks, which are intended<br />
to mitigate stormwater runoff. This drive also<br />
provides access to the parking area south of the<br />
new residence hall. Parking <strong>for</strong> service vehicles is<br />
available in front of the passageway under Peter <strong>and</strong><br />
South Halls, on a stamped concrete pad abutting<br />
the east side of South Hall <strong>and</strong> Payne Art Gallery,<br />
<strong>and</strong> in front of the planting bed to the south of the<br />
Main Hall porch (figure 5-26).<br />
The large asphalt parking lot below Foy Concert<br />
Hall has space <strong>for</strong> approximately 100 vehicles<br />
(figure 5-27). It was installed in 1967, covering the<br />
area where the tennis courts, the Sundial Garden,<br />
<strong>and</strong> a decorative cast iron fountain once stood<br />
(Schamberger 2008, personal communication).<br />
Figure 5-22. Granite piers at the entrance to the main Hurd<br />
Campus parking lot (JMA 2008).<br />
Figure 5-24. Pedestrian walk <strong>and</strong> service access to rear of Single<br />
Brethren’s House (JMA 2008).<br />
Figure 5-23. West entrance to the Pleasure Grounds ca. 1911<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 5-25. Historic view of the winding path through the<br />
Pleasure Grounds (<strong>Moravian</strong> Church Archives).<br />
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Medium <strong>and</strong> large trees shade the lot, held in<br />
planting beds with rounded asphalt curbs. The<br />
south <strong>and</strong> west sides of the lot are bounded by<br />
Monocacy Creek <strong>and</strong> riparian vegetation. Small<br />
light posts are set around the parking lot at regular<br />
intervals.<br />
Two private, non-historic driveways extend off of<br />
Church Street onto the college property. A small<br />
private asphalt drive to the parking area <strong>for</strong> the<br />
Frueauff House leads to the space between it <strong>and</strong><br />
Main Hall. The drive is flanked by a picket fence<br />
<strong>and</strong> a strip of ground planted with hostas <strong>and</strong><br />
young maple trees (figure 5-28). The drive extends<br />
along the length of Main Hall, where it opens up<br />
to a small asphalt pad, on one side of which is a<br />
garage.<br />
A second drive off of Church Street, between the<br />
Widows’ House <strong>and</strong> the adjacent <strong>Moravian</strong> Church<br />
Parsonage, leads to a parking area <strong>for</strong> the parsonage,<br />
the Widows’ House, <strong>and</strong> the two private residences<br />
to the west of Clewell Hall (figure 5-29). The entrance<br />
of the drive is paved in granite blocks where it meets<br />
with the Church Street sidewalk, <strong>and</strong> transitions to<br />
asphalt at the edge of the Widows’ House, where it<br />
is flanked by low concrete walls <strong>and</strong> a planting area<br />
on the parsonage side. The drive leads to parking<br />
areas <strong>for</strong> the parsonage, church administrative<br />
offices, the Widows’ House, <strong>and</strong> the houses at 49<br />
<strong>and</strong> 45 W. Church Street. It is lit with box lights at<br />
irregular intervals.<br />
Figure 5-26. Cobbles are used to control erosion along the<br />
service drive. Parking <strong>for</strong> service vehicles is available in several<br />
locations (JMA 2008).<br />
Figure 5-27. The parking lot behind Foy Concert Hall (JMA<br />
2008).<br />
Pedestrian Circulation<br />
Buildings on the south side of Church Street are set<br />
back about fifteen feet from the curb, with porches<br />
<strong>and</strong> stairwells intruding into the walking path (see<br />
figure 5-29). The planted street yard separates the<br />
curb from the sidewalk in most places. A variety<br />
of trees grow within the street yard, including<br />
sycamores from the 1960s, lindens, <strong>and</strong> ornamental<br />
pear trees. Street signs, municipal street lights, <strong>and</strong><br />
utility poles are also located there. The sidewalk is<br />
a patchwork of brick, several different concretes,<br />
<strong>and</strong> granite blocks, <strong>and</strong> is interrupted by driveways<br />
leading to parking areas behind the buildings.<br />
The Church Street sidewalk narrows as it curves<br />
around West Hall to Main Street. It is lined on its<br />
east side by a bed of ornamental grasses in front<br />
of a low stone wall bearing a carved inset reading<br />
“Priscilla Payne Hurd Campus.” From this walk,<br />
pedestrians can access the plaza in front of Payne<br />
Art Gallery via a set of concrete steps set under a<br />
Figure 5-28. The Frueauff House driveway (JMA 2008).<br />
Figure 5-29. The entrance to the Widows’ House parking area<br />
(JMA 2008).<br />
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Figure 5-30. A metal archway <strong>and</strong> low stone wall along the west<br />
edge of the campus (JMA 2008).<br />
Figure 5-31. Paved area that comprises the Payne Art Gallery<br />
plaza (JMA 2008).<br />
Figure 5-32. Postcard view of the Gymnasium ca. early 1900s.<br />
This building is now the Payne Art Gallery (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
contemporary black metal archway (figure 5-30)<br />
The Payne Art Gallery plaza fills the space between<br />
the gallery, South Hall, <strong>and</strong> New Chapel/Peter Hall<br />
<strong>and</strong> can be accessed by service vehicles by a ramp<br />
extending along the west façade of the gallery<br />
(figure 5-31). Both the plaza <strong>and</strong> its associated drive<br />
are paved with red <strong>and</strong> gray pre-cast concrete units.<br />
This plaza is a fairly recent addition since historic<br />
photographs show a simple grassy bank <strong>and</strong> what<br />
appears to be a small garden in this space (figure<br />
5-32).<br />
An arched portico that passes under South Hall<br />
connects the plaza with the interior of the campus<br />
<strong>and</strong> frames historic views looking east into the<br />
garden space (figures 5-33 <strong>and</strong> 5-34). A metal gate on<br />
the west side of the portico <strong>and</strong> a lantern hanging<br />
from the eastern arch appear in photographs from<br />
the 1920s. They were installed in 1916. A small<br />
brick plaza at the eastern edge of the passageway<br />
separates it from the asphalt service drive, <strong>and</strong> a<br />
black metal bollard prevents vehicular access. The<br />
plaza extends north into an entrance ramp to the<br />
New Chapel/Peter Hall.<br />
A passageway between the Single Brethren’s House<br />
<strong>and</strong> Main Hall connects the interior of the campus<br />
to Main <strong>and</strong> Church streets. This ten-foot wide<br />
alley is not covered, although a narrow building<br />
connecting Main Hall <strong>and</strong> the Single Brethren’s<br />
House occupied the space from the 1850s until<br />
1958, when the porch at the back of the Single<br />
Brethren’s House was also removed (figures 5-35 <strong>and</strong><br />
5-36). The walkway is paved with poured concrete<br />
aggregate, <strong>and</strong> a black metal bollard at each end<br />
blocks vehicular traffic (figure 5-37). Doorways<br />
leading into the Single Brethren’s House <strong>and</strong> Main<br />
Hall can be accessed from this passageway. Views<br />
Figure 5-33. View into the campus interior from the portico<br />
(JMA 2008).<br />
Figure 5-34. Viewbook photos from portico: left is view into the<br />
Pleasure Grounds <strong>and</strong> right is view from same location towards<br />
the bridge, both ca. 1920s. Note that lantern has been relocated<br />
to the eastiside of the arch (<strong>Moravian</strong> Viewbook [1929]).<br />
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south into the interior of the campus <strong>and</strong> north to<br />
Main Street <strong>and</strong> the Central Church are framed by<br />
the building walls.<br />
Most of the buildings of the Hurd Campus are<br />
accessed from Church Street via painted wood<br />
plank steps (figure 5-38). A few have concrete access<br />
walks, connecting sidewalks, or parking areas<br />
directly to building entrances. An access walk<br />
paved in brick connects from the brick plaza at the<br />
east side of the South Hall portico, to an entrance to<br />
the New Chapel/Peter Hall.<br />
Pedestrian circulation internal to the campus<br />
includes the multi-use service drive, mentioned<br />
above, that was once the main path into the<br />
Pleasure Grounds (see figures 5-24 <strong>and</strong> 5-25). Historic<br />
photographs show that it curved up to the Single<br />
Brethren’s House, then around past the back porch<br />
of Main Hall <strong>and</strong> south again, <strong>for</strong>ming the edges<br />
of a lozenge-shaped <strong>for</strong>mal lawn aligned with<br />
the passageway to Church Street (figure 5-39). The<br />
path then curved west to rejoin itself <strong>and</strong> descend<br />
the slope past the flag pole towards the cast-iron<br />
fountain <strong>and</strong> brick gateway. The path appears to<br />
have been gravel-paved historically <strong>and</strong> at one<br />
time was lined on both sides with gutter made from<br />
granite pavers <strong>and</strong> at another with a concrete curb<br />
<strong>and</strong> gutter system. Other paths diverged from this<br />
one, some leading to the playing fields along the<br />
bluff above the old root cellars <strong>and</strong> another leading<br />
along the base of the bluff in the same direction<br />
Figure 5-35. Passageway between Single Brethren’s House <strong>and</strong><br />
Main Hall (JMA 2008).<br />
Figure 5-36. Similar view from 1943, showing structure that<br />
once spanned the passageway (1943 Yearbook).<br />
Figure 5-38. Wooden porches provide access to Hurd Campus<br />
buildings along Church Street (JMA 2008).<br />
Figure 5-37. Detail of the passageway showing bollards <strong>and</strong><br />
doorways (JMA 2008).<br />
Figure 5-39. View of east arm of the main path in the Pleasure<br />
Grounds, looking towards Main Hall (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
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(figure 5-40 <strong>and</strong> see figure 5-16). A four-piered brick<br />
gateway once provided access from Main Street<br />
into the Sundial Garden <strong>and</strong> the Playing Fields,<br />
beyond. A narrow path, lined with silver poplars,<br />
led from the pedestrian opening in the gateway to<br />
the main path towards the central green.<br />
• Paths leading to the Playing Fields<br />
Southwest campus entrance with brick<br />
columns<br />
• Granite cobble gutters<br />
Views <strong>and</strong> Vistas<br />
A number of historic illustrations depict views of<br />
what became the Hurd campus in the eighteenth<br />
<strong>and</strong> nineteenth centuries (figures 5-41 <strong>and</strong> 5-42 <strong>and</strong><br />
see figures 5-9 <strong>and</strong> 5-12). It is not known if these were<br />
actual views or imagined <strong>and</strong> idealized images of<br />
the town <strong>and</strong> college. Because the old Hill-to-Hill<br />
Bridge has been demolished it is not likely that the<br />
view to the Pleasure Grounds from that point is still<br />
available. However, these historic views present an<br />
overall picture of the historic l<strong>and</strong>scape setting of<br />
the campus.<br />
Figure 5-40. Path to the playing fields along the bluff. Note old<br />
root cellars visible to the right (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
In general, the few circulation features remaining<br />
from the historic period are in good condition. The<br />
main path into the Pleasure Grounds is currently<br />
maintained in asphalt in what appears to be its<br />
original alignment, although the cobbles on its<br />
edges differ in character from the original granite<br />
gutters. In addition, the sidewalk along Church<br />
Street, is cracked <strong>and</strong> uplifted in places, creating<br />
a tripping hazard. In areas where paving is not<br />
adequately sized, turf has been worn away at the<br />
edges from foot traffic <strong>and</strong> service vehicle parking.<br />
Contributing features:<br />
• Main Street<br />
• Church Street<br />
• Sakon Place<br />
• Church Street sidewalk<br />
• Service road in Pleasure Grounds space<br />
(originally the main path)<br />
• Passage between South <strong>and</strong> New Chapel/<br />
Peter Hall<br />
• Passage between Single Brethren’s House<br />
<strong>and</strong> Main Hall<br />
Missing features:<br />
• Small paths in Pleasure Grounds<br />
Historic photographs show framed vistas of the<br />
Pleasure Grounds as seen through the passageway<br />
under South Hall <strong>and</strong> between the Single Brethren’s<br />
House <strong>and</strong> Main Hall (see figures 5-33 through 5-37).<br />
From the South Hall passageway, an axial view to<br />
Figure 5-41. View of the Pleasure Grounds of the Hurd Campus<br />
as seen from the southwest (<strong>Moravian</strong> Souvenir 1856).<br />
Figure 5-42. View of the Hurd Campus as seen from the<br />
southwest, 1784 (<strong>Moravian</strong> Souvenir 1856).<br />
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the Widows’ House was framed by the symmetrical<br />
placement of arbors in the Rose Garden (figure<br />
5-43). The connecting structure between the Single<br />
Brethren’s House <strong>and</strong> Main Hall was added when<br />
Main was built <strong>and</strong> removed in 1964 when the<br />
porch was removed from Single Brethren’s House.<br />
the Single Brethren’s House into der Platz <strong>and</strong> down<br />
Main Street. These are still available today (see<br />
figures 5-18 through 5-21).<br />
Contributing features:<br />
• Views up <strong>and</strong> down Church <strong>and</strong> Main<br />
•<br />
streets<br />
View from Single Brethren’s House<br />
belvedere to Lehigh Valley<br />
Missing features:<br />
• View from bridge to Pleasure Grounds<br />
• Vista to Rose Garden <strong>and</strong> Widows’ House<br />
from South Hall portico<br />
Vegetation<br />
The vegetation on the Hurd Campus has changed<br />
significantly over the course of its history. The open<br />
area to the south of the row of buildings along<br />
Church Street has been the site of vegetable gardens,<br />
tidy <strong>for</strong>mal allées, unruly woodl<strong>and</strong> vegetation, <strong>and</strong><br />
ornamental plantings. Little of the original planting<br />
material or patterns survive, though some of what<br />
is there today attempts to recall past vegetation <strong>and</strong><br />
garden designs.<br />
Historic Vegetation<br />
Figure 5-43. A historic view through the South Hall passageway<br />
shows the Widows’ House framed between two arbors in the<br />
Rose Garden (1947 Yearbook).<br />
Another vista that would have been available<br />
historically from the Hurd Campus would be<br />
to the Lehigh Valley from the Single Brethren’s<br />
House belvedere. As described in the Pennsylvania<br />
Magazine of History <strong>and</strong> Biography:<br />
The belvedere, from which a fine view of<br />
the valley of the Lehigh could be obtained,<br />
in ante-revolutionary days was a favorite<br />
resort from some of the governors of the<br />
Province, where they were entertained<br />
with cake, wine, <strong>and</strong> music, when en route<br />
to Easton to make treaties with the Indians,<br />
or on social visits to the Allens at Trout Hall<br />
(Jordan, 1896)<br />
The belvedere is not accessible at the present time<br />
<strong>and</strong> it is not known if this vista is still available. It<br />
may be blocked by buildings or vegetation.<br />
Other historic views would include linear views<br />
up <strong>and</strong> down Church Street, as well as views from<br />
Historic vegetation patterns contributing to the<br />
integrity of Hurd Campus includes street trees<br />
along Church Street, large trees in the area behind<br />
the Single Brethren’s House <strong>and</strong> Main Hall, turf<br />
lawns behind Main Hall <strong>and</strong> Clewell Hall, <strong>and</strong> rose<br />
bushes surrounding the rear wing of the Widows’<br />
House. It is possible that some large trees behind<br />
the Single Brethren’s House are historic, but the<br />
other plants replace or represent what was there<br />
historically.<br />
Street trees have been a feature of Church Street<br />
since its earliest days, with several engravings from<br />
the 1700s showing trees planted at regular intervals<br />
along the street (figure 5-44 <strong>and</strong> see figure 5-10). The<br />
original species of the trees on Church Street is<br />
difficult to determine, but historic photographs in<br />
the <strong>Moravian</strong> Church Archives indicate that Church<br />
Street was lined with tulip poplars <strong>and</strong> Main Street<br />
was lined with London planes. Today, Church<br />
Street is lined with a variety of trees, including<br />
sycamores, lindens, ornamental pear trees, <strong>and</strong><br />
maples. Though these trees are not historic, their<br />
placement <strong>and</strong> function contributes greatly to the<br />
historic integrity of the street. The largest of the<br />
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Figure 5-44. View of the <strong>Moravian</strong> settlement by Garrision, dated<br />
1757. Note trees lining most roads, including Church Street at<br />
the center of the drawing (<strong>Moravian</strong> Church Archives).<br />
trees are the sycamores (figure 5-45), ranging from<br />
12” to 20” caliper, which were planted between<br />
1958 <strong>and</strong> 1964, as is evidenced from be<strong>for</strong>e <strong>and</strong><br />
after photographs of the restoration of the Main<br />
Hall front entrance steps.<br />
Large trees located on the bluff behind the Single<br />
Brethren’s House <strong>and</strong> Main Hall may be a remnant<br />
of several <strong>for</strong>mer l<strong>and</strong>scapes. The two large (63”<br />
<strong>and</strong> 82” caliper) lindens dominating the central<br />
space behind the Single Brethren’s House may be a<br />
remnant of the allée that once lined a path through<br />
the Pleasure Grounds (figure 5-46). Other large trees,<br />
including 42” <strong>and</strong> 55” caliper honey locusts (figure<br />
5-47), a 40” caliper Norway maple (figure 5-48), <strong>and</strong><br />
a 54” caliper sycamore (figure 5-49) located at the<br />
crest of the slope <strong>and</strong> set over turf, may be vestiges<br />
of the grove-like woodl<strong>and</strong> vegetation established<br />
on the slope between the late 1800s <strong>and</strong> early<br />
Figure 5-46. Large lindens that are likely historic (JMA 2008).<br />
1900s. Photographs from about 1870 <strong>and</strong> onward<br />
show footpaths winding around large shade trees<br />
in similar locations (see figures 5-14, 5-16, 5-25, 5-39<br />
<strong>and</strong> 5-40).<br />
Although little is known about the presence of<br />
smaller plants, such as shrubs, perennials, <strong>and</strong><br />
annuals, historic photographs show that roses<br />
were planted around the Widows’ House <strong>and</strong> the<br />
Pleasure Grounds summer house. Roses grow<br />
around the Widows’ House today, although their<br />
age has not been determined (figure 5-50).<br />
Figure 5-45. Large sycamores on Church Street that may date<br />
from the early 1960s (JMA 2008).<br />
Figure 5-47. This 55” caliper honey locust behind the Widow’s<br />
House may be historic (JMA 2008).<br />
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Figure 5-50. Possible historic location of Widows’ House garden.<br />
Roses are still grown around the base of the house (JMA 2008).<br />
Non-Historic Vegetation<br />
Figure 5-48. This Norway maple may be historic. (JMA 2008).<br />
Non-historic plantings include several beds of<br />
ornamental plants, st<strong>and</strong>s of trees, <strong>and</strong> screening<br />
vegetation located throughout the campus.<br />
Ornamental beds are located at the base of the<br />
stone wall that parallels Main Street, within the<br />
area between West Hall <strong>and</strong> the Chapel, around<br />
the statue of Countess Benigna von Zinzendorf, in<br />
the small beds east of Peter Hall <strong>and</strong> south of Main<br />
Hall, <strong>and</strong> in the garden of the Frueauff House (see<br />
figures 5-30 <strong>and</strong> 5-31). These plants include perennial<br />
flowers, shrubs, hostas, ornamental grasses, <strong>and</strong><br />
several small trees, including dogwood, maple,<br />
spruce, hawthorn, <strong>and</strong> ornamental pear trees.<br />
Other non-historic tree plantings include the<br />
trees within the large parking lot in the southwest<br />
corner of the site <strong>and</strong> the grove of trees between<br />
the Clewell Hall lot <strong>and</strong> Sakon Place (figure 5-51).<br />
These trees include maples, ginkgos, honey locusts,<br />
pines, oaks, <strong>and</strong> ornamental apple <strong>and</strong> pear trees.<br />
A few non-historic plant groupings are intended to<br />
screen undesirable elements, such as the cedar <strong>and</strong><br />
arborvitae surrounding the A/C units next to Foy<br />
Concert Hall (figure 5-52).<br />
Figure 5-49. This sycamore may be vestige of the woodl<strong>and</strong><br />
vegetation that previously covered this area (JMA 2008).<br />
Figure 5-51. Hawthorns at the north end of Sakon Place (JMA<br />
2008).<br />
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The last large elm on Church Street, located at the<br />
northeast corner of Main Hall <strong>and</strong> visible in a 1964<br />
photograph, was removed in 2007 <strong>for</strong> safety reasons<br />
(Schamberger 2008, personal communication).<br />
Trees, probably also elms, lined Main Street as well.<br />
A few of these trees are visible in photographs from<br />
as late as 1954 (figure 5-54 <strong>and</strong> see figure 5-23), though<br />
none remain today.<br />
Figure 5-52. Screen shrubs adjacent to West Hall (JMA 2008).<br />
Missing Historic Vegetation<br />
As a part of the early <strong>Moravian</strong> settlement, the parcel<br />
contained gardens producing medicinal herbs,<br />
vegetables, <strong>and</strong> other plants <strong>for</strong> the sustenance of<br />
the community. Maps dating to 1751 show these<br />
gardens as rectangular plots divided by paths<br />
covering most of the slope. They are depicted in<br />
eighteenth century engravings of the city, as well as<br />
several other illustrations, as lined with white picket<br />
fences (see figures 5-9 <strong>and</strong> 5-42). The gardens served<br />
in their sustaining capacity in conjunction with the<br />
nearby fruit orchards <strong>and</strong> farms, as well as the later<br />
citizen gardens on S<strong>and</strong> Isl<strong>and</strong>. Additionally, the<br />
plot of l<strong>and</strong> where the Widows’ House now st<strong>and</strong>s<br />
is illustrated as a <strong>for</strong>mal parterre garden, featuring<br />
turf beds edged with shrubs with an intervening<br />
network of paths (see figures 5-10 <strong>and</strong> 5-44). None of<br />
this garden vegetation survives today.<br />
The <strong>Moravian</strong>s’ communal way of life began to<br />
give way to nuclear family living <strong>and</strong> in the early<br />
nineteenth century, the area between Church Street<br />
<strong>and</strong> Monocacy Creek began to evolve into the<br />
Pleasure Grounds, a recreational space featuring<br />
both <strong>for</strong>mal <strong>and</strong> in<strong>for</strong>mal tree-lined walking paths<br />
twisting among sloping lawns <strong>and</strong> specimen trees<br />
such as elms <strong>and</strong> weeping willows. The few large<br />
lindens that dominate the central space behind the<br />
Single Brethren’s House may be a remnant of the<br />
allée that once lined the path (see figures 5-12, 5-16,<br />
<strong>and</strong> 5-39), while the sloping lawns of the Pleasure<br />
Grounds are recalled by the turf stretches west of<br />
Peter Hall, south of the Single Brethren’s House,<br />
<strong>and</strong> south of Clewell Hall (figure 5-53 <strong>and</strong> see figures<br />
5-35 <strong>and</strong> 5-46).<br />
As mentioned previously, Church Street has<br />
been planted with street trees since the early<br />
days of Bethlehem. Early engravings show only<br />
representations of trees, but photographs from the<br />
late 1800s show elms <strong>and</strong> oaks lining the street.<br />
Historic photographs also depict an allée of silver<br />
poplars lining a pedestrian walkway that descended<br />
from the Pleasure Grounds down to the ornamental<br />
fountain, below. There may be remnant trees from<br />
this feature still remaining in the l<strong>and</strong>scape (figure<br />
5-55 <strong>and</strong> see figure 5-16).<br />
Dense woodl<strong>and</strong> vegetation is depicted in historic<br />
photographs as lining the slope below the college,<br />
but it was much denser then than it is today (see<br />
figures 5-35 <strong>and</strong> 5-40). It appears that many of these<br />
trees were removed <strong>for</strong> the construction of the new<br />
residence hall, or were lost to age <strong>and</strong> disease <strong>and</strong><br />
not replaced. Possible remnants of this woodl<strong>and</strong><br />
include the sycamores, honey locusts, <strong>and</strong> lindens<br />
behind Main Hall.<br />
Figure 5-53. This sloping lawn behind Clewell Hall recalls the<br />
open quality of the historic l<strong>and</strong>scape (JMA 2008).<br />
Figure 5-54. 1954 aerial photo of Hurd Campus. Street trees are<br />
visible along both South Main Street <strong>and</strong> West Church Street.<br />
Also visible is the woodl<strong>and</strong> that existed along the slope below<br />
these buildings <strong>and</strong> the riparian vegetation along Monocacy<br />
Creek (1954 Yearbook).<br />
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L<strong>and</strong>scape Structures<br />
L<strong>and</strong>scape structures within the Hurd Campus<br />
include a number of retaining <strong>and</strong> freest<strong>and</strong>ing<br />
walls, as well as gate <strong>and</strong> plinth compositions that<br />
mark entrances. There is a variety of walls ranging<br />
from concrete to field stone. Between Main Hall<br />
<strong>and</strong> the Frueauff House is a three-to-four foot high<br />
stone retaining wall that supports the Frueauff<br />
House garden. It is topped with a painted wood<br />
picket fence on its southwest <strong>and</strong> south sides (figure<br />
5-56). A second stone wall retains the stream bank<br />
on the south side of Monocacy Creek; it is visible<br />
from the lower levels of the Hurd Campus (figure<br />
5-57). These two walls appear to be historic.<br />
Figure 5-55. Viewbook photo of allée of silver poplars leading<br />
through the Pleasure Grounds ca. 1929 (<strong>Moravian</strong> Viewbook<br />
[1929]).<br />
Historic photographs also show a number of<br />
smaller plants that are missing today. These include<br />
the English ivy that covered the Single Brethren’s<br />
House, Main Hall, <strong>and</strong> the Payne Art Gallery;<br />
roses <strong>and</strong> other flowering plants, such as tulips,<br />
in the Rose Garden; <strong>and</strong> shrubs along the bases of<br />
buildings (see figures 5-13, 5-14, 5-25, 5-32, 5-36, <strong>and</strong><br />
5-39).<br />
Contributing features:<br />
• Allée to Single Brethren House (large<br />
lindens may remain)<br />
Missing features:<br />
• Medicinal herb <strong>and</strong> vegetable gardens<br />
• Citizen gardens on S<strong>and</strong> Isl<strong>and</strong><br />
• Fruit gardens/Orchards<br />
• Pleasure Grounds<br />
◦ Sloping lawn<br />
◦ Trees <strong>and</strong> shrubs along paths<br />
◦ Weeping willow/specimen trees<br />
◦ Elms<br />
• Formal garden behind the Widows’ House<br />
• Allée of silver poplars<br />
• Elms<br />
• English ivy<br />
• Rose Garden<br />
• Foundation shrubs<br />
A third stone retaining wall was constructed to<br />
hold the slope around a honey locust behind<br />
the Frueauff House. In addition, concrete walls<br />
have been constructed on the campus adjacent to<br />
buildings <strong>and</strong> provide ramped or staired entrances<br />
or create window wells. All of these walls appear to<br />
be non-historic.<br />
Missing structures include the <strong>for</strong>mal brick gateway<br />
to the Pleasure Grounds (see figure 5-23), the tennis<br />
courts (see figure 5-15), the cast iron fountain (see<br />
figure 5-16), the stacked stone retaining wall that<br />
supported the south end of the Rose Garden (see<br />
figure 5-14), <strong>and</strong> the stone garden wall behind Main<br />
Hall (see figure 5-39).<br />
Figure 5-56. Retaining wall topped with picket fence between<br />
Main Hall <strong>and</strong> Frueauff House (JMA 2008).<br />
Figure 5-57. Retaining wall along Monocacy Creek (JMA 2008).<br />
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Contributing features:<br />
• Retaining wall between Main Hall <strong>and</strong><br />
Frueauff House<br />
• Retaining wall along Monocacy Creek<br />
• Retaining wall around honey locust behind<br />
Frueauff House<br />
Missing features:<br />
• Formal brick gateway into campus<br />
• Tennis courts<br />
• Cast iron fountain<br />
• Rose Garden retaining wall<br />
• Stone garden wall<br />
Site Furnishings <strong>and</strong> Objects<br />
The Hurd Campus contains a variety of types <strong>and</strong><br />
styles of site furnishings, including fences, gates,<br />
railings, bollards, benches, lighting, sculpture,<br />
signage, <strong>and</strong> other items. Some of these items<br />
contribute to the historic character of the area <strong>and</strong><br />
some detract from it. Descriptions of these items<br />
are detailed below.<br />
A cream-painted, four-foot tall wood picket fence<br />
surrounds the garden area behind the Frueauff<br />
House. It rests atop the stone retaining wall <strong>and</strong><br />
has vertical pickets affixed to a top <strong>and</strong> bottom rail<br />
(see figure 5-56). A gate with black metal hinges set<br />
in the fenceline allows access to the garden below<br />
(figure 5-58). Historic views of the gardens on this<br />
parcel show picket fences surrounding the plots;<br />
this fence may be an imitation of that style (see<br />
figure 5-9).<br />
picket gate, with 4”x4” corner posts topped with<br />
decorative black metal lanterns (see figure 5-28). On<br />
the east side of the Freuauff House, a six-foot-tall<br />
gate, flanked by two sections of fence, closes off the<br />
space between the house <strong>and</strong> the Central <strong>Moravian</strong><br />
Administrative Office.<br />
In addition to these two wood gates, a metal gate<br />
is located on the west side of the portico under<br />
South Hall. This gate <strong>and</strong> a lantern hanging from<br />
the western arch appear in photographs from the<br />
1920s (see figures 5-33 <strong>and</strong> 5-34). They were installed<br />
in 1916. Note that the lantern was later moved to<br />
the eastern arch as it appears today.<br />
West of these features is a black metal gateway that<br />
arches over the entrance to the plaza in front of<br />
the Payne Art Gallery. Its provenance <strong>and</strong> date of<br />
installation are not known.<br />
Along the property line between the Clewell Hall<br />
<strong>and</strong> 45 W. Church Street is a post <strong>and</strong> wire fence<br />
of indeterminate age (figure 5-59). The posts are<br />
concrete with chamfered tops <strong>and</strong> rectangular wire<br />
mesh affixed to the posts with large metal staples.<br />
This fence is similar to a fence that appears in a<br />
1929 photograph next to the <strong>for</strong>mal entrance gate<br />
that was located on Main Street <strong>and</strong> may be historic<br />
(see figures 5-23 <strong>and</strong> 5-32).<br />
On the Church Street front of the Frueauff House<br />
are two gates in a similar style. At the entrance<br />
to the private drive between Main Hall <strong>and</strong> the<br />
Frueauff House is a double inward-swinging<br />
Figure 5-58. Wood picket fence behind the Frueauff House (JMA<br />
2008).<br />
Figure 5-59. Concrete fence posts that are likely historic (JMA<br />
2008).<br />
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Other such features include the utilitarian tubular<br />
steel railings, painted black <strong>and</strong> mounted in a<br />
concrete wall, that guard several service areas<br />
on the campus (figure 5-60); they appear to be of<br />
recent vintage. In addition, a wood post <strong>and</strong> rail<br />
fence runs the length of the east boundary of the<br />
campus between the Clewell lot <strong>and</strong> Sakon Place.<br />
It is similar to other such fences on the North Main<br />
Street Campus <strong>and</strong> is of recent vintage (see figure<br />
5-53).<br />
Figure 5-60. Concrete window well topped with black pipe<br />
railing (JMA 2008).<br />
Also of recent vintage are the bollards used<br />
throughout campus to block vehicular access. Many<br />
bollards used in this capacity are black metal, with<br />
rounded decorative caps <strong>and</strong> fluted bases. They are<br />
located at each end of the access alley between the<br />
Single Brethren’s House <strong>and</strong> Main Hall, at the east<br />
end of the passageway under South Hall, <strong>and</strong> at<br />
the block-laid drive on the west side of Payne Art<br />
Gallery (see figures 5-22, 5-33, <strong>and</strong> 5-37).<br />
A few more utilitarian-style bollards are located<br />
in the parking lot below Foy Concert Hall. One is<br />
located in front of the flagpole structure just south<br />
of the Concert Hall. An unpainted metal tube with<br />
a black rubber cap <strong>and</strong> an eyebolt <strong>for</strong> a chain, the<br />
bollard was likely one of a pair or series of bollards<br />
intended to protect the flagpole.<br />
A cluster of site furnishings is located at the back<br />
of Main Hall. This includes two concrete <strong>and</strong> wood<br />
benches, a variety of trash containers, <strong>and</strong> utility<br />
features. Note also that a Brad<strong>for</strong>d pear <strong>and</strong> large<br />
boulders ornament the spot. The benches also serve<br />
as impromptu bike racks. These items detract from<br />
the historic character of this part of the campus,<br />
although they serve the purpose of outdoor<br />
gathering. This is also the only area where trash can<br />
be collected (figure 5-61).<br />
Other site furnishings <strong>and</strong> objects include the large<br />
flagpole that is the only remaining feature extant<br />
from the garden area that contained the cast iron<br />
fountain (figure 5-62 <strong>and</strong> see figure 5-16). It is still<br />
in its original location <strong>and</strong> in good condition.<br />
However, it is visually crowded by the parking lot<br />
that was constructed there in the 1960s. Adjacent<br />
to the flagpole is a painted statue of a mule (see<br />
figure 5-62). The statue was part of the 2003 Miles<br />
of Mules public art project. It was originally placed<br />
in front of the Single Brethren’s House, facing north<br />
on Main Street, <strong>and</strong> moved to its current site after<br />
the arts project ended (<strong>Moravian</strong> <strong>College</strong> news<br />
release, 2003). In addition to these are a number of<br />
lights, signs, benches, <strong>and</strong> newspaper boxes placed<br />
in various places in the west part of the campus <strong>and</strong><br />
all of recent vintage. An accumulation of signage <strong>for</strong><br />
both traffic control, to provide historic in<strong>for</strong>mation<br />
(plaques), <strong>and</strong> <strong>for</strong> wayfinding (banners) detracts<br />
from the historic nature of views of the campus<br />
buildings from the front (see figure 5-38).<br />
Recently installed in the location of the Pleasure<br />
Grounds is a statue of Benigna, the Countess<br />
von Zinzendorf, who is credited with founding<br />
the school in 1742. The statue is centered in a<br />
small garden bordered on two sides by low brick<br />
semi-circular benches. A third <strong>and</strong> more portable<br />
garden bench faces east (figure 5-63).<br />
Furnishings that are missing from the existing<br />
l<strong>and</strong>scape include the arbors in the Rose Garden<br />
Figure 5-61. Benches, trash containers, utilities, Brad<strong>for</strong>d pear<br />
<strong>and</strong> ornamental rock. Note that bench serves as bike rack (JMA<br />
2008).<br />
Figure 5-62. Flagpole <strong>and</strong> adjacent mule statue (JMA 2008).<br />
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Figure 5-63. Statue of Benigna, Countess von Zinzendorf (JMA<br />
2008).<br />
(see figures 5-13 <strong>and</strong> 5-14), the low wooden benches<br />
that once lined the paths in the Pleasure Grounds<br />
(see figures 5-25 <strong>and</strong> 5-39), the lighting, plinth, <strong>and</strong><br />
fencing that once decorated the area in front of<br />
Payne Art Gallery (see figure 5-32), <strong>and</strong> the wood<br />
<strong>and</strong> wire fencing that once surrounded the Pleasure<br />
Grounds <strong>and</strong> was removed in 1910 (see figure 5-23).<br />
Contributing features:<br />
• Flagpole<br />
Missing features:<br />
• Rose arbors<br />
• Benches in the Pleasure Grounds<br />
• Lights, plinth, <strong>and</strong> fencing in front of Payne<br />
Art Gallery<br />
• Wood fence around Pleasure Grounds<br />
Archeological Features<br />
More than any other character area at <strong>Moravian</strong><br />
<strong>College</strong> the Hurd Campus character area retains<br />
a high probability that significant archeological<br />
resources are extant which are associated with<br />
the full range of historical settlement <strong>and</strong> use<br />
of the property. The Brethren’s House was used<br />
as a hospital during the American Revolution<br />
<strong>and</strong> any archeological resources associated with<br />
that occupation <strong>and</strong> use would be extremely<br />
significant. Other l<strong>and</strong>scape elements, while no<br />
longer visible above ground, may still be present<br />
beneath the ground. Elements that are likely to<br />
leave archeological footprints or signatures include<br />
footpaths, garden plots, fence lines, structures <strong>and</strong><br />
outbuildings. Beginning in the 1750s the maps<br />
showing the area are accurate depictions of the<br />
grounds, including boundaries or division lines,<br />
gardening areas, <strong>and</strong> outbuilding locations.<br />
The archeological potential of the Hurd Campus<br />
is illustrated by the recent historical archeological<br />
investigation of three storage cellars exposed<br />
during site preparation of the new residence<br />
hall. The archeological examination <strong>and</strong> archival<br />
research demonstrated that the westernmost of the<br />
three contiguous storage cellars was the earliest,<br />
constructed (circa 1766–1771) <strong>and</strong> was identified<br />
as a gemeinkeller (a storage cellar in which a wide<br />
range of perishable foodstuffs were kept). No<br />
records specifying the construction date of the two<br />
later cellars were discovered, <strong>and</strong> the nineteenthcentury<br />
maps of the town, while showing main<br />
buildings, do not depict smaller outbuildings<br />
such as storage cellars. The later two cellars share<br />
a common foundation wall, <strong>and</strong> based on artifacts<br />
recovered during the investigation date to the<br />
mid-nineteenth-century (Gerhardt et al. 2008). A<br />
fourth storage cellar was located during the early<br />
stages of construction of the new dormitory just<br />
southwest of the Day House, an archeological<br />
remnant of this important feature of the early<br />
<strong>Moravian</strong> community.<br />
Besides the archeological evidence of historic<br />
settlement, there is a strong probability that<br />
archeological resources may be present associated<br />
with the pre-European (i.e., Native American)<br />
settlement <strong>and</strong> occupation of today’s Hurd Campus.<br />
Native American archeological sites ranging in date<br />
from the Archaic through Woodl<strong>and</strong> periods have<br />
been located <strong>and</strong> recorded along the Lehigh River<br />
<strong>and</strong> its tributaries, in floodplain, terrace, lowl<strong>and</strong><br />
<strong>and</strong> upl<strong>and</strong> settings. The majority of recorded Native<br />
American archeological sites are located in upl<strong>and</strong><br />
settings, making this topographic setting the most<br />
common l<strong>and</strong><strong>for</strong>m <strong>for</strong> sites in the region (Siegel<br />
et al. 1999:68). Further, a colonial period Indian<br />
village was located west of the Hurd Campus, at the<br />
confluence of the Monocacy Creek <strong>and</strong> the Lehigh<br />
River. While no known Native American sites have<br />
been recorded on the Hurd Campus character<br />
area of <strong>Moravian</strong> <strong>College</strong>, locations of terraces<br />
<strong>and</strong> upl<strong>and</strong>s adjacent to floodplains, similar to<br />
the topography of the Hurd Campus, are likely to<br />
contain the archeological remains of prehistoric<br />
peoples.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
The Hurd Campus is nationally significant <strong>for</strong> its<br />
association with the Single Brethren’s House (1748)<br />
<strong>and</strong> the initial <strong>Moravian</strong> missionary settlement<br />
at Bethlehem, as well as later use of this site as a<br />
Revolutionary War hospital. The campus is an<br />
important part of the oldest sector of Bethlehem. It<br />
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also gained significance <strong>for</strong> its 140-year duration as<br />
a boarding school <strong>and</strong> college <strong>for</strong> young women.<br />
In its early decades, female schools of this caliber<br />
were rare in the United States. Finally, the Hurd<br />
Campus was a key part of the restoration <strong>and</strong><br />
revitalization of historic downtown Bethlehem that<br />
began with the restoration of Main Hall in 1958 <strong>and</strong><br />
has continued ever since. Its period of significance<br />
is considered to span the years 1742 to 1959.<br />
In general, the Hurd Campus retains a moderate<br />
degree of integrity through the preservation of its<br />
buildings <strong>and</strong> the spatial organization seen in its<br />
relationship to Monocacy Creek, Main Street, <strong>and</strong><br />
Church Street. Few of the historic buildings have<br />
been significantly altered or removed; changes<br />
have been almost entirely additive or interiorrelated.<br />
The rolling topography, the original<br />
building locations along the bluff, <strong>and</strong> some of the<br />
original garden spaces are all extant <strong>and</strong> support<br />
the character of the pre-1960 college l<strong>and</strong>scape. In<br />
addition a portion of the path through the Pleasure<br />
Grounds is still present in the alignment of the<br />
service drive that leads up the hill to the rear of the<br />
Single Brethren’s House.<br />
Some aspects of integrity have been diminished<br />
due to current conditions. The new residence<br />
hall has a negative impact on the integrity of this<br />
character area due to its central placement in<br />
what was an open recreational space, the removal<br />
of trees that created a woodl<strong>and</strong> on the slope<br />
leading to the Monocacy, <strong>and</strong> the disturbance of an<br />
important archeological site during construction.<br />
Prior to this project, the area that was once the<br />
lower garden around the cast iron fountain was<br />
replaced in the 1960s by a parking lot. In addition,<br />
the original brick <strong>and</strong> stone campus pedestrian<br />
entrance was demolished <strong>and</strong> replaced by a granite<br />
vehicular entrance further up the hill. Overall,<br />
historic recreational uses have been replaced with<br />
buildings, parking lots, <strong>and</strong> vehicular drives. The<br />
paving of the service drive with asphalt <strong>and</strong> the use<br />
of river cobbles to reduce erosion also detracts from<br />
the character of this historic feature. The current<br />
variety of site furnishings <strong>and</strong> their placement also<br />
diminish the integrity of this character area.<br />
The Hurd Campus character area is in overall<br />
fair physical condition. Condition-related <strong>and</strong><br />
hence, integrity, problems observed during field<br />
investigations conducted on behalf of this project<br />
are primarily those related to construction of the<br />
new residence building <strong>and</strong> construction of the<br />
parking lot in the 1960s.<br />
Steel Field Character Area<br />
The Steel Field character area encompasses<br />
approximately fourteen acres of fields <strong>and</strong><br />
building facilities that serve the athletic program<br />
of <strong>Moravian</strong> <strong>College</strong> (figure 5-64). The original Steel<br />
Field, including a playing field <strong>and</strong> gr<strong>and</strong>st<strong>and</strong>,<br />
was constructed by Bethlehem Steel in 1916 to serve<br />
its employees. The property was later acquired<br />
by Lehigh University <strong>and</strong> then sold to <strong>Moravian</strong><br />
<strong>College</strong> in 1962 (<strong>Moravian</strong> Buys Steel Field).<br />
Steel Field is located on Elizabeth Avenue, less than<br />
one block east of the edge of the North Main Street<br />
Campus. The boundaries of this character area<br />
are Elizabeth Avenue to the north, Center Street<br />
to the east, Fairview Street to the south, <strong>and</strong> Long<br />
Street to the west. While the other streets easily<br />
accommodate two-way traffic, it appears that Long<br />
Street was originally an alleyway that served the<br />
houses along New Street to the west.<br />
An undated plan, likely drawn sometime between<br />
1962 <strong>and</strong> 1965 <strong>and</strong> entitled “<strong>Moravian</strong> <strong>College</strong><br />
Existing Athletics,” indicates that the southern<br />
boundary of Steel Field was once Laurel Street,<br />
just one block north of Fairview (figure 5-65). This<br />
plan shows layouts <strong>for</strong> soccer, softball, <strong>and</strong> varsity<br />
baseball fields, as well as tennis courts. A second<br />
plan indicates that Steel Field was later exp<strong>and</strong>ed<br />
south to Fairview to accommodate more recreational<br />
facilities, including varsity football, soccer, <strong>and</strong><br />
baseball fields, as well as additional softball fields<br />
<strong>and</strong> tennis courts (figure 5-66). This plan also shows<br />
the Field House, which was constructed in 1966.<br />
Today, Laurel Street is closed between Long Street<br />
<strong>and</strong> Center Street. Most of the pavement has been<br />
removed with the exception of vehicular access to<br />
the Field House parking lot. The length of Laurel<br />
Street within that block has been replaced by a<br />
sidewalk.<br />
Natural Systems <strong>and</strong> Features<br />
The Steel Field character area does not include any<br />
notable natural features.<br />
Contributing features:<br />
• None identified<br />
Buildings<br />
Three buildings are located within the Steel Field<br />
character areas: the Gr<strong>and</strong>st<strong>and</strong> (1916), the Field<br />
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Figure 5-64. Steel Field character area map (JMA 2009).<br />
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Figure 5-65. <strong>Plan</strong> showing layouts of athletic fields in Steel Field<br />
prior to development by <strong>Moravian</strong> <strong>College</strong> (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
Figure 5-66. <strong>Plan</strong> showing planned development of Steel Field<br />
by <strong>Moravian</strong> <strong>College</strong> (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
House (1966), <strong>and</strong> a small concrete block building<br />
(2005) across the main field from the Gr<strong>and</strong>st<strong>and</strong><br />
(figures 5-67 through 5-70). 2005 renovations also<br />
included installing Sportex artificial turf, a new<br />
8-lane track, replacement of the structural steel in<br />
the gr<strong>and</strong>st<strong>and</strong>, waterproofing the exterior, painting<br />
the interior <strong>and</strong> repairing the ceiling (Schamberger<br />
2008, personal communication) (see figure 5-70).<br />
The Gr<strong>and</strong>st<strong>and</strong>, located on Elizabeth Avenue on<br />
the north end of the site, is a brick <strong>and</strong> steel building<br />
constructed in 1916 by Bethlehem Steel <strong>for</strong> its<br />
employees, primarily in support of the Bethlehem<br />
Steel Soccer Club (figure 5-71). The club was active<br />
as an industrial amateur league between 1913 <strong>and</strong><br />
1930 <strong>and</strong> later went on to become a professional<br />
club that founded the American Soccer League<br />
(Bethlehem Steel Soccer Club). The building itself<br />
does not appear to be greatly altered since 1916,<br />
although a few changes are evident in comparison<br />
of existing conditions with historic photos (see<br />
figures 5-67, 5-68, <strong>and</strong> 5-71). The most notable<br />
changes include the replacement of the transparent<br />
side screens of the gr<strong>and</strong>st<strong>and</strong> with brick <strong>and</strong> the<br />
“bricking up” of the windows along the back wall<br />
Figure 5-67. Steel Field gr<strong>and</strong>st<strong>and</strong> ca. 1918 (Yates 1976).<br />
Figure 5-68. Steel Field Gr<strong>and</strong>st<strong>and</strong>. Note that side wings <strong>and</strong><br />
rear windows have been enclosed (JMA 2008).<br />
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of the stadium <strong>and</strong> at the base of the building. These<br />
changes, while likely instigated <strong>for</strong> interior climate<br />
control, affected the visual weight of the building.<br />
Beginning in 1963, Steel Field was used <strong>for</strong> soccer,<br />
baseball, <strong>and</strong> intramural basketball. In the late<br />
1960s, the college improved the site with a new field<br />
house, new bleachers near the gr<strong>and</strong>st<strong>and</strong>, a new<br />
baseball field, <strong>and</strong> upgrades to the existing fields.<br />
The improved Steel Field was dedicated in 1967. The<br />
Hoffman Memorial Tennis Courts were constructed<br />
in memory of Howard Hoffman, who promoted<br />
the sport during his time as a professor <strong>and</strong> then<br />
left a sizable estate to the <strong>College</strong>. Funds from the<br />
bequest were used to build the courts, which were<br />
dedicated in 1969. In 2005, the Gr<strong>and</strong>st<strong>and</strong> was<br />
renovated <strong>and</strong> a number of changes were made to<br />
its appearance.<br />
Figure 5-69.<br />
Field House built ca. 1966 (JMA 2008).<br />
For more detailed building analysis <strong>and</strong> discussion,<br />
refer to Chapter 8 of this report.<br />
Contributing features:<br />
• Gr<strong>and</strong>st<strong>and</strong><br />
Spatial Organization<br />
The Steel Field character area is generally<br />
organized into two primary spaces: the North Field<br />
<strong>and</strong> the South Field (see figure 5-64). The North<br />
Field comprises the area contained in the original<br />
facility, prior to expansion past Laurel Street. The<br />
South Field includes the block between Laurel <strong>and</strong><br />
Fairview.<br />
The South Field is spatially simple, consisting of<br />
an open ball field edged by chain link fencing <strong>and</strong><br />
vegetation that separates the field from the houses<br />
on its east <strong>and</strong> west sides, as well as Fairview Street<br />
to the south <strong>and</strong> the tennis courts to the north.<br />
Figure 5-70. Open playing field <strong>and</strong> l<strong>and</strong>scape of trees <strong>and</strong> turf<br />
in the southern half of Steel Field. The recently constructed shed<br />
on concrete slab is visible next to the bleachers (JMA 2008).<br />
Figure 5-71. 1924 Bethlehem Steel Soccer Club in front of<br />
gr<strong>and</strong>st<strong>and</strong> on Steel Field. Note that side wings <strong>and</strong> rear<br />
windows are open (Bethlehem Steel Soccer Club 2005).<br />
The North Field is more complex <strong>and</strong> can be<br />
further divided into six smaller spaces. Because<br />
of the fill added to the site to create the main<br />
field, a steep slope divides the street side of the<br />
Gr<strong>and</strong>st<strong>and</strong> from the seating side <strong>and</strong> creates an<br />
enclosure along the street that spatially divides the<br />
streetscape from the rest of the field. At the top of<br />
the slope is the main field, which is enclosed on the<br />
north <strong>and</strong> south sides by the Gr<strong>and</strong>st<strong>and</strong> <strong>and</strong> steel<br />
bleachers. It is bordered on the east side by chain<br />
link fencing, beyond which is visible the façades of<br />
the residences that face Center Street. It is enclosed<br />
on the west side by screening shrubs <strong>and</strong> the rear<br />
façades of the houses that front New Street <strong>and</strong> the<br />
garage structures behind them on Long Street. Just<br />
south of the main field are an open field on the west<br />
<strong>and</strong> a softball field on the east. South of these are<br />
the Field House, its parking lot, <strong>and</strong> tennis courts<br />
enclosed with tall chain link fencing.<br />
Contributing features:<br />
• Main field<br />
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L<strong>and</strong> Use<br />
The north part of Steel Field is used exclusively<br />
<strong>for</strong> recreation <strong>and</strong> has been at least since 1916.<br />
The original use of the area between Laurel <strong>and</strong><br />
Fairview is not known, but it is currently used <strong>for</strong><br />
recreation.<br />
Circulation Features<br />
Primary circulation features affecting Steel Field<br />
are Elizabeth Avenue to the north, Center Street<br />
to the east, <strong>and</strong> Long Street to the west. Three<br />
vehicular entrances into the site are apparent, two<br />
providing access to the Gr<strong>and</strong>st<strong>and</strong> <strong>and</strong> main field<br />
from Elizabeth <strong>and</strong> Center, <strong>and</strong> one to the Field<br />
House from Long Street. Sidewalks along Elizabeth<br />
Avenue <strong>and</strong> Center Street provide pedestrian<br />
access around <strong>and</strong> into the site. The block of Laurel<br />
Street within Steel Field was closed after 1966 <strong>and</strong><br />
the pavement removed, except <strong>for</strong> the driveway<br />
to the Field House parking lot. The rest of Laurel<br />
was replaced with a sidewalk entering from Center<br />
Street <strong>and</strong> leading to the center of the complex.<br />
Contributing features:<br />
• Elizabeth Avenue<br />
• Center Street<br />
• Long Street<br />
• Sidewalks along Elizabeth <strong>and</strong> Center<br />
• Portion of Laurel Street to Field House<br />
parking lot<br />
Views <strong>and</strong> Vistas<br />
Views <strong>and</strong> vistas available within the Steel Field<br />
character area include linear views of the streetscape<br />
along Elizabeth, Center, <strong>and</strong> Long that likely date<br />
to the time of construction of the Gr<strong>and</strong>st<strong>and</strong>. The<br />
most prominent views, however, are provided from<br />
the Gr<strong>and</strong>st<strong>and</strong> into the main field <strong>and</strong> beyond.<br />
Here one can see not only the action on the field, but<br />
the fabric of the historic townscape that surrounds<br />
the field (see figure 5-70).<br />
Contributing features:<br />
• Linear views of streetscape<br />
• Views of field <strong>and</strong> townscape from<br />
Gr<strong>and</strong>st<strong>and</strong><br />
Vegetation<br />
The palette of vegetation is quite simple within<br />
Steel Field. The primary elements are turf <strong>and</strong><br />
trees. The turf provides a playing surface <strong>for</strong> the<br />
baseball, softball, <strong>and</strong> open fields while trees along<br />
the edge provide a translucent screen between the<br />
area <strong>and</strong> its surroundings <strong>and</strong> between interior<br />
fields. The main playing field was once a natural<br />
turf field, but was renovated in 2005 to artificial turf<br />
(see figure 5-70). Ornamental shrubs were planted<br />
at the northwest corner of the field as part of the<br />
recent renovation.<br />
Contributing features:<br />
• Street trees<br />
L<strong>and</strong>scape Structures<br />
Structures within the l<strong>and</strong>scape of Steel Field include<br />
two sets of temporary open steel bleachers that<br />
supplement the seating provided in the Gr<strong>and</strong>st<strong>and</strong><br />
<strong>and</strong> the brick retaining wall that encloses the east<br />
end of the main field. All of these features appear to<br />
have been constructed in the recent past.<br />
Contributing features:<br />
• None identified<br />
Site Furnishings <strong>and</strong> Objects<br />
Site furnishings <strong>and</strong> objects found with the Steel<br />
Field character area are primarily related to sports<br />
functions. The fields <strong>and</strong> tennis courts are each<br />
surrounded by chainlink fencing, ranging from<br />
four feet to upwards of approximately twenty or<br />
more feet in height. Other features include goals,<br />
signs, <strong>and</strong> field lights. It appears that most if not all<br />
of these features have been recently installed.<br />
Contributing features:<br />
• None identified<br />
Archeological Features<br />
No archeological resources are presently known<br />
or recorded within the Steel Field character area.<br />
The topographic setting of this character area <strong>and</strong><br />
the historical development of the area suggest that<br />
the potential <strong>for</strong> prehistoric (Native American)<br />
archeological resources to be extant is considered to<br />
be low. It is likely that archeological evidence of the<br />
pre-1916 historical agricultural uses of the area may<br />
be present, although the likelihood of significant<br />
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historical archeological resources is considered to<br />
be low.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
The Gr<strong>and</strong>st<strong>and</strong> is an example of an early twentieth<br />
century event-viewing structure. Constructed of<br />
steel fabricated by its original owner, U.S. Steel, it<br />
had a roof <strong>and</strong> glass side walls to shelter spectators<br />
<strong>and</strong> interior space below the bleacher seats to<br />
accommodate a gymnasium. The surrounding<br />
l<strong>and</strong>scape was originally designed to host soccer<br />
games, particularly those of the Bethlehem Steel<br />
Soccer Club.<br />
The Steel Field Gr<strong>and</strong>st<strong>and</strong> building <strong>and</strong> its<br />
l<strong>and</strong>scape have a moderate level of integrity.<br />
Major changes to the building include the bricking<br />
up of original windows at the front <strong>and</strong> back of<br />
the building, both under the bleachers <strong>and</strong> at the<br />
top rear of the viewing section, removal of clear<br />
paneled side walls, <strong>and</strong> the addition of partial brick<br />
side walls in the viewing section. Since its original<br />
construction, changes have been made to the field<br />
to trans<strong>for</strong>m it into a track <strong>and</strong> football facility.<br />
Comenius Lawn Character Area<br />
The Comenius Lawn character area encompasses<br />
the front <strong>and</strong> side yards of Comenius Hall, the<br />
first college building to be constructed on the<br />
North Main Street Campus tract (figure 5-72). The<br />
tract was donated by the <strong>Moravian</strong> Congregation<br />
of Bethlehem in 1889 <strong>for</strong> expansion of the college<br />
<strong>and</strong> included a hill that slopes to the east <strong>and</strong> south<br />
to a tributary of Monocacy Creek <strong>and</strong> west to the<br />
creek, itself. A farmhouse, built in the 1820s (now<br />
known as Hamilton Hall), was already located<br />
at the crest of this hill <strong>and</strong> was purchased by the<br />
<strong>College</strong> in 1889 along with the tract. Comenius Hall<br />
was constructed in 1891 approximately 100 feet to<br />
the east of the farmhouse.<br />
This character area comprises slightly over two<br />
acres bounded by Main Street to the east, Locust<br />
Street to the south, <strong>and</strong> Elizabeth Avenue to the<br />
north. The west boundary is considered to be the<br />
back façade of Comenius Hall. This character area<br />
encompasses Comenius Hall <strong>and</strong> its generous front<br />
lawn dotted with large, historic trees dating to the<br />
late Victorian era.<br />
Natural Systems <strong>and</strong> Features<br />
The hilltop upon which Comenius Hall was<br />
constructed is the most dominant natural feature in<br />
the character area.<br />
Contributing features:<br />
• Hilltop topography<br />
Buildings<br />
Comenius Hall was designed by architect A.W.<br />
Leh in the Richardsonian Romanesque style<br />
<strong>and</strong> constructed in 1891 (figure 5-73). The ornate<br />
exterior was adorned with <strong>Moravian</strong> tilework<br />
<strong>and</strong> a slate roof. At the time, all needs of the<br />
school could be met within this single building,<br />
which contained dormitories, classrooms, <strong>and</strong> a<br />
basement gymnasium. In 1893, the Gothic Revival<br />
Borhek Chapel was constructed on its north end.<br />
A corresponding addition on the south end of<br />
Comenius was planned but was not built at this<br />
point (<strong>Moravian</strong> <strong>College</strong> 2007:7-8; Yates 1976:262).<br />
This addition, the Harvey Memorial Library, was<br />
not constructed until 1907 (figure 5-74). For a more<br />
detailed building analysis <strong>and</strong> discussion, refer to<br />
Chapter 8 of this report.<br />
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Figure 5-72. Comenius Lawn character area map (JMA 2009).<br />
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(now used as college offices) to the north; <strong>and</strong> the<br />
streetscape of Main Street to the east. This space is<br />
punctuated by a mixed planting of large <strong>and</strong> small<br />
deciduous <strong>and</strong> evergreen trees. The canopies of<br />
the larger, historic trees provide a sense of vertical<br />
enclosure.<br />
Figure 5-73. Comenius Hall prior to construction of the Harvey<br />
Library in 1907 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Because Comenius Hall was built on the edge<br />
of the hill, it was necessary to extend an earthen<br />
terrace out about sixty feet to the east to support<br />
the entrance <strong>and</strong> circular drive. The slope between<br />
the entrance terrace <strong>and</strong> the lawn emphasizes the<br />
verticality of the building <strong>and</strong> creates a subtle<br />
bowl-like enclosure of the lawn on its west side.<br />
Contributing features:<br />
• Comenius lawn<br />
L<strong>and</strong> Use<br />
Figure 5-74. Comenius Hall after construction of the Harvey<br />
Library. Note increase in tree size <strong>and</strong> amount of ivy coverage<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Contributing features:<br />
• Comenius Hall<br />
• Borhek Chapel<br />
• Harvey Memorial Library<br />
Spatial Organization<br />
The Comenius Lawn character area encompasses<br />
one large, open space, the lawn that leads down<br />
from the east façade of Comenius Hall to Main<br />
Street (figure 5-75). The space is bounded by the<br />
façade of Comenius Hall on the west side, the line<br />
of street trees along the extension of Locust Street<br />
to the south, the façades of the brick residences<br />
Figure 5-75. Open lawn in front of Comenius Hall (JMA 2008).<br />
Comenius Lawn is used primarily <strong>for</strong> passive<br />
recreation <strong>and</strong> commemoration of the establishment<br />
of the college <strong>and</strong> various classes who donated funds<br />
to construct features on campus. Its secondary,<br />
supportive use is <strong>for</strong> education as part of the college<br />
campus. As a part of the original tract related to the<br />
Hamilton House, its previous use was agricultural.<br />
Circulation Features<br />
Comenius Lawn is characterized by three types<br />
of circulation features: public streets, the circular<br />
drive, <strong>and</strong> concrete walkways. Main Street bounds<br />
the east side of the character area. That Main Street<br />
had already been extended to that area of Bethlehem<br />
by the time Comenius Hall was built is evident in<br />
historic photographs depicting the circular driveway<br />
that has historically connected Main Street to the<br />
front door of the building. In 2003, Main Street was<br />
widened a few feet, eliminating street parking <strong>and</strong><br />
creating a planted central median (see figure 5-75).<br />
Locust Street bounds the south side of the character<br />
area <strong>and</strong> appears to have been narrowed some time<br />
in the past from 45’ to 20’ in width, likely <strong>for</strong> safety<br />
issues (figure 5-76). Elizabeth Avenue bounds the<br />
north side of the character area <strong>and</strong> still functions as<br />
a public through-street. All three streets are paved<br />
in asphalt with concrete curbs <strong>and</strong> gutters.<br />
The circular driveway, as depicted in historic<br />
photographs, led from the corner of Main <strong>and</strong><br />
Locust Streets to the front of Comenius Hall <strong>and</strong><br />
returned to the corner of Main Street <strong>and</strong> Elizabeth<br />
Avenue (figure 5-77 <strong>and</strong> see figures 5-73 <strong>and</strong> 5-74).<br />
The paving of the northern arm of this driveway<br />
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Figure 5-76. Narrowing of Locust Street on the south edge of<br />
Comenius Lawn (JMA 2008).<br />
two buildings. The new walk appears on a postcard<br />
from around that time that depicts Comenius Hall<br />
<strong>and</strong> the newly-installed plantings on either side of<br />
the walkway (figure 5-79). The walkway also appears<br />
in a 1954 aerial photograph of the North Main Street<br />
Campus (figure 5-80). Both images show glimpses<br />
of the stone l<strong>and</strong>ing that was originally constructed<br />
at the top of the stairs, directly across from the front<br />
door of Comenius (figure 5-81). The l<strong>and</strong>ing, along<br />
with its globe lanterns, was removed at a later date<br />
<strong>and</strong> replaced with a concrete slab <strong>and</strong> metal pipe<br />
railings.<br />
This concrete walk starts at a concrete l<strong>and</strong>ing on<br />
the east side of the circular drive, then proceeds<br />
down three sets of concrete steps as it descends the<br />
earthen terrace slope <strong>and</strong> then extends east to Main<br />
Figure 5-77. South arm of circular drive (JMA 2008).<br />
that led to Elizabeth Avenue was removed in 2007<br />
<strong>and</strong> replaced with a geo-system with a turf overlay<br />
to maintain access <strong>for</strong> emergency vehicles (figure<br />
5-78). The original curb cut is still extant. The<br />
long-range plan <strong>for</strong> the <strong>College</strong> is to remove the<br />
remaining driveway (Schamberger 2008, personal<br />
communication).<br />
Figure 5-79. Postcard depicting the front of Comenius Hall after<br />
1930 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
The central walkway was constructed in 1930 when<br />
Colonial Hall was built, in order to connect those<br />
Figure 5-78. Geogrid <strong>and</strong> turf replacement of northern arm of<br />
circular drive (JMA 2008).<br />
Figure 5-80. Aerial photograph from 1954 showing the North<br />
Main Street Campus from the east. At the center is Comenius<br />
Hall <strong>and</strong> at the bottom right is Colonial Hall (Revista 1954).<br />
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Missing features:<br />
• North arm of circular drive<br />
• Stone l<strong>and</strong>ing at top of stairs<br />
Views <strong>and</strong> Vistas<br />
The dramatic view from Main Street, up the<br />
sloping lawn to Comenius Hall, is one of the most<br />
important features of this character area today (see<br />
figure 5-75). The potential impact of this view is<br />
somewhat inhibited by elements such as the large<br />
shrubs that flank the central walk <strong>and</strong> ornament the<br />
statue of Comenius, as well as street furnishings<br />
such as benches <strong>and</strong> trash receptacles.<br />
Figure 5-81. Stone l<strong>and</strong>ing at the top of the stairs across from the<br />
front door of Comenius Hall (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Contributing features:<br />
• View of Comenius from Main Street<br />
Vegetation<br />
Figure 5-82. Axial view from the front of Colonial Hall to<br />
Comenius Hall (JMA 2008).<br />
Street (figure 5-82). There, the walk is framed by a<br />
stone gateway (see L<strong>and</strong>scape Structures, below).<br />
Other circulation features include concrete<br />
sidewalks along Main Street <strong>and</strong> Locust Street, a<br />
narrow concrete sidewalk that runs alongside the<br />
south arm of the circular drive, a concrete access<br />
ramp <strong>and</strong> sidewalk associated with the Chapel,<br />
<strong>and</strong> a concrete sidewalk that leads from Locust to<br />
the Old Quad (see figures 5-76 <strong>and</strong> 5-77).<br />
Contributing features:<br />
• Main Street<br />
• Locust Street<br />
• Elizabeth Avenue<br />
• South arm of circular drive<br />
• Central walkway<br />
The Comenius Lawn character area possesses a<br />
variety of significant vegetation, some dating to<br />
the late nineteenth century. Of particular note are<br />
the four large trees, extant, that were planted after<br />
the construction of Comenius Hall <strong>and</strong> appear in<br />
historic photographs that appear to date to shortly<br />
after the construction of the Harvey Memorial<br />
Library in 1907 (see figures 5-73 through 5-75, 5-77,<br />
<strong>and</strong> 5-79). The two large purple beech <strong>and</strong> two large<br />
oaks that frame the central pavilion of Comenius<br />
Hall are of relatively slow-growing species <strong>and</strong><br />
appear to be the same trees depicted as saplings in<br />
the historic photographs. These photographs also<br />
suggest that a variety of trees were planted in the<br />
lawn area at that time, including purple beech,<br />
oak, cedar, maple, <strong>and</strong> an evergreen that may be<br />
either fir or spruce. A similar variety of species<br />
exists today, including purple beech, pine, maple,<br />
dogwood, magnolia, oak, gingko, <strong>and</strong> cedar.<br />
This mix of species that highlights differences<br />
in color <strong>and</strong> texture is not unusual in public<br />
l<strong>and</strong>scape design from the late nineteenth <strong>and</strong> early<br />
twentieth century. This romantic style of planting<br />
design was made popular by the publications of<br />
Andrew Jackson Downing, particularly A Treatise<br />
on the Theory <strong>and</strong> Practice of L<strong>and</strong>scape Gardening,<br />
in which he promotes as appropriate <strong>for</strong> Gothic<br />
style buildings the Picturesque l<strong>and</strong>scape, with<br />
its “bold projections, deep shadows, <strong>and</strong> irregular<br />
outlines” (Downing 1850:75). Trees selected <strong>for</strong><br />
such a l<strong>and</strong>scape “should in many places be old<br />
<strong>and</strong> irregular, with rough stems <strong>and</strong> bark, <strong>and</strong><br />
pines, larches, <strong>and</strong> other trees of striking, irregular<br />
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growth, must appear in numbers sufficient to give<br />
character to the woody outlines” (Downing 1850:74).<br />
In addition, he recommends “[f]oreign trees of<br />
picturesque growth.” This mix of textures <strong>and</strong> colors<br />
is attractive to many people, he asserts, because of<br />
the “imperfection of our natures by which most of<br />
us sympathize more with that in which the struggle<br />
between spirit <strong>and</strong> matter is most apparent, than<br />
with that in which the union is harmonious <strong>and</strong><br />
complete; <strong>and</strong> partly because from the comparative<br />
rarity of highly picturesque l<strong>and</strong>scape, it affects us<br />
more <strong>for</strong>cibly when bought into contrast with our<br />
daily life” (Downing 1850:77).<br />
Of particular relevance to the Picturesque character<br />
of Comenius Lawn is the importance that Downing<br />
placed on the ornamentation of stone walls<br />
with English ivy (Hedera helix), particularly <strong>for</strong><br />
Gothic buildings: “This vine is the inseparable<br />
accompaniment of the old feudal castles <strong>and</strong><br />
crumbling towers of Europe, <strong>and</strong> borrows a great<br />
additional interest from the romance <strong>and</strong> historical<br />
recollections connected with such spots. Indeed<br />
half the interest, picturesque as well as poetical,<br />
of those time-worn buildings, is conferred by this<br />
plant, which seeks to bind together <strong>and</strong> adorn with<br />
something of their <strong>for</strong>mer richness, the crumbling<br />
fragments that are fast tottering to decay…” He adds<br />
that “on stone buildings, it fastens itself firmly, <strong>and</strong><br />
holds both stone <strong>and</strong> mortar together like a coat of<br />
cement. The thick garniture of foliage with which<br />
it covers the surface, excludes stormy weather, <strong>and</strong><br />
has, there<strong>for</strong>e, a tendency to preserve the walls,<br />
rather than accelerate their decay” (Downing<br />
1850:314-315). Historic photographs show that the<br />
front of Comenius Hall was once almost totally<br />
covered in English ivy, which contributed to its<br />
Picturesque character (see figures 5-73, 5-74, <strong>and</strong><br />
5-79). The ivy began deteriorating in 1940, <strong>and</strong><br />
was removed in 1977 (Schamberger 2008, personal<br />
communication).<br />
After the construction of Colonial Hall directly<br />
across Main Street from Comenius, the central walk<br />
was installed to connect the two buildings. Historic<br />
photographs suggest that shortly after installation,<br />
the central walk was ornamented with a mix of<br />
plantings, including evergreen <strong>and</strong> flowering<br />
shrubs. Today, the walkway is dominated by a<br />
group of yews (Taxus baccata) that are overlarge <strong>for</strong><br />
their placement <strong>and</strong> block the view of the lower<br />
façade of Comenius Hall. They are currently kept<br />
under control by heavy pruning (see figure 5-82).<br />
Their date of installation is not known. A small<br />
planting of creeping juniper <strong>and</strong> variegated hosta<br />
flanks the stairway at its lowest set of steps.<br />
Other yews <strong>and</strong> a type of arborvitae (Arborvitae<br />
sp.), apparently of the same vintage, also grow<br />
along the foundation of Comenius on the east side<br />
<strong>and</strong> suffer from the same “right plant in the wrong<br />
place” fate. These have been hedged on the top<br />
<strong>and</strong> pruned heavy from the bottom, giving them<br />
a Japanese bonsai-like appearance. They also block<br />
views of the stone <strong>and</strong> tilework of the lower part of<br />
the building (figure 5-83).<br />
Figure 5-83. Over-large yews <strong>and</strong> arborvitae block views of the<br />
front wall of Comenius Hall (JMA 2008).<br />
On the east end of the central walk, where it meets<br />
Main Street, the stone gate pier <strong>and</strong> wall composition<br />
is ornamented by plantings of yew, vinca, <strong>and</strong><br />
daffodils. The statue of John Amos Comenius is<br />
ornamented at its base by a planting of a type of<br />
dwarf arborvitae (Thuja sp.) <strong>and</strong> small azaleas. The<br />
monument sign, described below, is ornamented<br />
with flowering small trees <strong>and</strong> shrubs with a mix of<br />
variegated hosta <strong>and</strong> other low groundcover. These<br />
all appear to be of recent vintage.<br />
Contributing features:<br />
• Purple beech <strong>and</strong> oaks<br />
Missing features:<br />
• English ivy<br />
L<strong>and</strong>scape Structures<br />
L<strong>and</strong>scape structures within the Comenius Lawn<br />
character area include the central walk gateway,<br />
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the brick gateway that marks the entrance into the<br />
campus from Locust <strong>and</strong> Main, <strong>and</strong> the monument<br />
sign at the corner of Main <strong>and</strong> Elizabeth.<br />
The central walk gateway was constructed prior to<br />
1954, when it was shown in an aerial photograph<br />
(see figure 5-80). It may have been built in concert<br />
with the central walk in the 1930s after Colonial Hall<br />
was constructed as the inside of the north pier is<br />
inscribed “Class of 1932.” The gateway is composed<br />
of two rough-cut limestone piers designed in the<br />
Figure 5-84. Stone entrance gateway to the front of Comenius<br />
Hall (JMA 2009).<br />
Gothic style with shallow faux buttresses, but with<br />
flattened cut stone pedestal tops that support black<br />
metal lanterns (figures 5-84 <strong>and</strong> 5-85 <strong>and</strong> see figure<br />
5-82). This gateway was renovated in 2003 when<br />
the work on Main Street was done (Schamberger<br />
2008, personal communication). The renovation<br />
included the removal of these piers <strong>and</strong> replacement<br />
of the same atop bases of cut stone. The spacing<br />
of the piers was also widened. Attached to each<br />
pier is a low, curved, cut stone wall that supports<br />
black metal fencing <strong>and</strong> curves inward to create<br />
an entrance foyer, which is paved in faux-brick<br />
concrete units. There is a matching gateway directly<br />
across Main Street that frames the walk to Colonial<br />
Hall <strong>and</strong> that was renovated at the same time as<br />
the Comenius gate. These renovations have served<br />
to raise both sets of piers about twelve inches<br />
above their original placement <strong>and</strong> widen their<br />
spacing, which has changed their relative scale to<br />
the streetscape <strong>and</strong> the buildings they frame. Their<br />
stone bases are cracked <strong>and</strong> show damage at the top<br />
where mis-cuts <strong>for</strong> the metal piers were made <strong>and</strong><br />
not repaired (figure 5-86). In addition, the lanterns<br />
atop these piers were replaced in 2003 with smaller<br />
lanterns with faux finishes that are out of scale with<br />
the bulk <strong>and</strong> height of the piers.<br />
Figure 5-86. Detail of the extension of the new base <strong>for</strong> the<br />
entrance gate piers. Note cracking <strong>and</strong> damage where miscuts<br />
were made <strong>for</strong> the metal posts <strong>and</strong> not repaired (JMA 2008).<br />
Figure 5-85. Stone entrance gateway to the front of Comenius<br />
Hall prior to the installation of the John Amos Comenius statue,<br />
which would be located where the white wood sign is shown.<br />
Note new lantern style <strong>and</strong> other changes (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
Another gateway located within this character area<br />
is the brick <strong>and</strong> stone composition that marks the<br />
entrance of Locust Street into the campus (figure<br />
5-87 <strong>and</strong> see figure 5-76). It is composed of two brick<br />
piers laid in a rusticated pattern with flattened<br />
pedestal tops of cut stone that support black metal<br />
lanterns. Attached to each pier is a short, curved,<br />
low wall that supports a black metal railing. This<br />
addition was built in May 1980 <strong>and</strong> the north pier is<br />
inscribed: “Gift of the Class of 1980” (Schamberger<br />
2008, personal communication).<br />
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Figure 5-87. Brick <strong>and</strong> concrete entrance gateway from Locust<br />
into the campus. (JMA 2008).<br />
The most recently installed l<strong>and</strong>scape structure<br />
in this character area is the monument sign<br />
at the corner of Main Street <strong>and</strong> Elizabeth<br />
Avenue, constructed in May 2003 (figure 5-88)<br />
(Schamberger 2008, personal communication).<br />
The sign is composed of what appears to be cast<br />
concrete, inscribed with the words, “Founded 1742,<br />
<strong>Moravian</strong> <strong>College</strong>.” The sign is supported on a low<br />
limestone wall <strong>and</strong> two limestone piers, all capped<br />
in stone or concrete. The wall extends to <strong>for</strong>m a<br />
narrow planter in front of the sign.<br />
Contributing features:<br />
• Central walk gateway<br />
Figure 5-89. Statue of John Amos Comenius located in the front<br />
lawn of Comenius Hall. (JMA 2008).<br />
<strong>Moravian</strong> Church in Czechoslovakia to <strong>Moravian</strong><br />
college as “an expression of friendship between<br />
the people of Czechoslovakia <strong>and</strong> the people of the<br />
United States” (figure 5-89).<br />
Other site furnishings <strong>and</strong> objects include the metal<br />
h<strong>and</strong>rail that flanks the stairway of the central walk,<br />
four benches <strong>and</strong> three trash receptacles along Main<br />
Street, four benches <strong>and</strong> one trash receptacle along<br />
the trace of the north arm of the circular drive, <strong>and</strong><br />
spotlights aimed at the front of Comenius Hall <strong>and</strong><br />
at the Comenius statue (see figures 5-75, 5-78, <strong>and</strong><br />
5-89).<br />
Large, white, PVA drainage pipes have been<br />
installed to direct water away from the building.<br />
Their size <strong>and</strong> color detract from the historic<br />
character of the area (see figure 5-83).<br />
Contributing features:<br />
• None identified<br />
Archeological Features<br />
Figure 5-88. <strong>Moravian</strong> <strong>College</strong> monument sign at Main <strong>and</strong><br />
Elizabeth. (JMA 2008).<br />
Site Furnishings <strong>and</strong> Objects<br />
Most of the site furnishings <strong>and</strong> objects within<br />
the Comenius Lawn character area are of recent<br />
vintage, including the statue of John Amos<br />
Comenius, which was installed in 1960. The base<br />
supports a bronze plaque that described the statue<br />
as a gift from Charles University in Prague <strong>and</strong> the<br />
No archeological resources are presently known<br />
or recorded within the Comenius Lawn character<br />
area. The area has been heavily l<strong>and</strong>scaped <strong>and</strong><br />
modified since the creation of the college. Despite<br />
the l<strong>and</strong>scaping, archeological remains associated<br />
with the farm complex that occupied this area<br />
prior to the creation of the college may be present.<br />
A working farm would have included a dwelling<br />
house (nearby Hamilton Hall, see Old Quad<br />
Character Area description), barns, wells, privies,<br />
sheds, other outbuildings, trash midden areas, <strong>and</strong><br />
fencelines – archeological remains of these resources<br />
may still be extant beneath the present ground<br />
surface. The locations of those <strong>for</strong>mer structures at<br />
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the farmstead are not currently known. Further, the<br />
topography of the character area, a small hillock<br />
about a tributary to Monocacy Creek suggests that<br />
area retains a low potential <strong>for</strong> prehistoric (Native<br />
American) archeological remains.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
Comenius <strong>for</strong>ms the core of the historic North<br />
Main Street Campus. Its imposing east façade with<br />
its <strong>for</strong>eground of expansive lawn <strong>and</strong> framed by<br />
large, historic trees, is the predominant image <strong>for</strong><br />
the campus. Its architecture is a unique <strong>and</strong> creative<br />
interpretation of the Romanesque, incorporating<br />
<strong>Moravian</strong> tiles <strong>and</strong> a variety of stone into an ornate<br />
composition of arches <strong>and</strong> gables. With its fine<br />
workmanship, evocative presence, <strong>and</strong> importance<br />
in the history of <strong>Moravian</strong> <strong>College</strong>, Comenius is<br />
inarguably the most significant of the North Main<br />
Street Campus’ historic buildings. Additions such<br />
as the stone gate piers at the Main Street entrance<br />
only add to its historic character.<br />
The exterior of Comenius Hall retains a high level<br />
of integrity. The ornate exterior terra cotta, tile, <strong>and</strong><br />
stonework are well preserved. The original design,<br />
setting, feeling, <strong>and</strong> association of the building<br />
<strong>and</strong> its l<strong>and</strong>scape are still perceptible. Features<br />
associated with materials <strong>and</strong> workmanship that<br />
detract from the historic character of the façade <strong>and</strong><br />
l<strong>and</strong>scape, such as the overgrown shrubs, metal<br />
pipe railings, <strong>and</strong> the damage to the entrance gate<br />
piers are easily overcome.<br />
Old Quad Character Area<br />
The Old Quad character area is the rectangular space<br />
created by Comenius Hall to the east; Memorial Hall<br />
to the south; Monocacy, Zinzendorf, <strong>and</strong> Hamilton<br />
Halls to the west, <strong>and</strong> W. Elizabeth Avenue to the<br />
north (figure 5-90). It gains its character by this sense<br />
of enclosure, the façades of the buildings, <strong>and</strong> the<br />
shade trees within that provide a leafy ceiling <strong>for</strong><br />
the space.<br />
Natural Systems <strong>and</strong> Features<br />
The Old Quad character area does not include any<br />
notable natural features.<br />
Contributing features:<br />
• None identified<br />
Buildings<br />
As described above, Comenius Hall was built of<br />
stone in a Richardsonian Romanesque style in 1891.<br />
Two years later, the Borhek Chapel was added to<br />
the north end <strong>and</strong> in 1907 the Harvey Library was<br />
added to the south end. When Comenius Hall was<br />
constructed, the Hamilton House was already<br />
in existence, having been built in the 1820s as a<br />
residence <strong>for</strong> the farm that comprised the original<br />
tract of the North Main Street Campus.<br />
Zinzendorf Hall, a brick building with a hipped,<br />
dormered roof <strong>and</strong> Dutch Colonial details, was<br />
constructed next to Hamilton House as a refectory<br />
<strong>and</strong> laundry <strong>for</strong> the college. Hamilton, Comenius,<br />
<strong>and</strong> Zinzendorf were officially occupied by the<br />
college in September 1892. A new gambrel-roofed<br />
brick gymnasium, now known as Monocacy Hall,<br />
was added in 1913, completing the west enclosure of<br />
the Old Quad space. In 1923, the Memorial Science<br />
Building, now Memorial Hall, was constructed in<br />
Colonial Revival style, enclosing the south end of<br />
the Old Quad.<br />
For a more detailed building analysis <strong>and</strong><br />
discussion, refer to Chapter 8 of this report.<br />
Contributing features:<br />
• Comenius Hall<br />
• Hamilton Hall<br />
• Monocacy Hall<br />
• Zinzendorf Hall<br />
• Memorial Hall<br />
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Figure 5-90. Old Quad character area map (JMA 2009).<br />
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Spatial Organization<br />
The space of the Old Quad is enclosed by the vertical<br />
walls of the surrounding buildings; by shrubby<br />
vegetation at the corners, between buildings, <strong>and</strong><br />
at the north end; <strong>and</strong> by the canopy of trees above<br />
(figure 5-91). This enclosed space is pierced by<br />
openings between buildings that allow pedestrian<br />
access <strong>and</strong> by the driveway at the north end that<br />
provides access <strong>for</strong> service vehicles.<br />
Figure 5-92. Zinzendorf Hall on the left side <strong>and</strong> Comenius<br />
Hall on the right begin to enclose the Old Quad space in 1907.<br />
An orchard of small trees is visible within the space (Sue<br />
Schamberger).<br />
Figure 5-91. View into Old Quad from the southwest corner<br />
(JMA 2008).<br />
A photograph of the Old Quad from 1907 suggests<br />
that the space may have once contained an orchard<br />
or other dense planting of small trees (figure 5-92).<br />
This photograph also appears to have been taken<br />
prior to the construction of Monocacy Street. A<br />
second historic photograph, taken later, but prior<br />
to the construction of Monocacy Hall, shows the<br />
street in place (figure 5-93).<br />
Aerial photographs from 1954 <strong>and</strong> 1956 show that<br />
the quad space later became more open, cleared of<br />
trees, <strong>and</strong> used primarily <strong>for</strong> vehicular access <strong>and</strong><br />
parking (figure 5-94 <strong>and</strong> see figure 5-80). It appears<br />
that in the 1950s each of the five buildings was<br />
oriented to a street, with Hamilton, Monocacy,<br />
<strong>and</strong> Zinzendorf oriented to Monocacy Street,<br />
Memorial to Locust, <strong>and</strong> Comenius to Main. It is<br />
not surprising, then, that if these buildings are still<br />
serviced primarily from the quad that there is some<br />
conflict between vehicular <strong>and</strong> pedestrian use.<br />
Contributing features:<br />
• Space enclosed by buildings<br />
L<strong>and</strong> Use<br />
Use of the area comprising the Old Quad character<br />
area has changed over time, starting with<br />
agricultural use associated with the farm that once<br />
occupied the school tract, then service <strong>and</strong> parking<br />
Figure 5-93. The Refectory (now Zinzendorf Hall) in the<br />
<strong>for</strong>efront with Hamilton Hall, the Resident Professor’s House,<br />
behind it <strong>and</strong> Comenius Hall to the right, ca. 1890s (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Figure 5-94. Aerial photograph from 1956 showing the North<br />
Main Street Campus from the northeast. Comenius Hall is the<br />
the center <strong>and</strong> the Old Quad behind it (Revista 1956).<br />
up to at least the late 1950s. In 1967, the quad was<br />
closed off to most vehicular access, except service<br />
vehicles <strong>and</strong> accessible parking at the north end.<br />
The quad is used in the manner of an urban park,<br />
with paved walkways <strong>and</strong> areas such as benches<br />
<strong>and</strong> open lawn used <strong>for</strong> study <strong>and</strong> recreation.<br />
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Circulation Features<br />
The most dominant circulation feature in the Old<br />
Quad is the pattern of sidewalks that provides<br />
pedestrian access from other parts of campus into<br />
<strong>and</strong> through the quad space. These sidewalks<br />
circumnavigate the space <strong>and</strong> criss-cross diagonally<br />
through the quad, <strong>and</strong> were laid out in response to<br />
natural foot-traffic patterns (figure 5-95). Most of the<br />
walkways are paved in concrete with an attractive<br />
scoring pattern that enhances the pedestrian scale<br />
<strong>and</strong> purpose of the space today (figure 5-96 <strong>and</strong> see<br />
figure 5-91). A small plaza at the rear of Memorial<br />
Hall, designed in a symmetrical layout, is composed<br />
of a mixture of bricks <strong>and</strong> concrete pavers.<br />
The aerial photograph from 1956 shows a parking<br />
area at the north end of the quad (see figure 5-94). The<br />
entrance led from Elizabeth Avenue, approximately<br />
in the same location as today, into the east side<br />
of a circular drive that appears to have provided<br />
vehicular access <strong>and</strong> parking <strong>for</strong> Comenius,<br />
Hamilton, <strong>and</strong> Zinzendorf, <strong>and</strong> possibly Monocacy<br />
<strong>and</strong> Memorial Halls. While there is now a two-space<br />
parking area at the north end of the quad, the only<br />
historic characteristic related to vehicular use is the<br />
location of the vehicular entrance.<br />
Generally, these circulation systems are in good<br />
condition, with the exception of the asphalt paving<br />
at the north end, which needs repair. However, there<br />
is a conflict between pedestrian <strong>and</strong> vehicular use<br />
of this space. Although the only vehicular access is<br />
on the north end, service vehicles occasionally drive<br />
into the space <strong>and</strong> park on the sidewalk, even as far<br />
as the south end of the Old Quad (see figure 5-96).<br />
Contributing features:<br />
• Service drive entrance location<br />
Views <strong>and</strong> Vistas<br />
Because of the enclosed nature of the Old Quad<br />
character area today <strong>and</strong> the heavy, low branching,<br />
vegetation within <strong>and</strong> on its edges, views into <strong>and</strong><br />
out of the quad are limited (see figure 5-91). With<br />
the exception of parts of Comenius Hall, views to<br />
the façades of the historic buildings surrounding<br />
the quad have have been compromised somewhat<br />
because of the presence of a number of service<br />
features, such as air conditioning units, basement<br />
access doors, <strong>and</strong> utilities. However, from the edges<br />
of the quad, glimpses of the arching windows<br />
<strong>and</strong> fenestration patterns of Comenius Hall are<br />
intriguing.<br />
Figure 5-95. Memorial Hall in the 1970s with the Old Quad<br />
in the <strong>for</strong>eground. Note that the pathways are not yet paved<br />
(<strong>Moravian</strong> Church Archives).<br />
Figure 5-96. Service vehicles often park on the sidewalk. Utilities,<br />
benches, lights, <strong>and</strong> trash cans are also visible (JMA 2008).<br />
Historic photos show views into what later<br />
became the quad is mentioned above <strong>and</strong> depicts<br />
Zinzendorf <strong>and</strong> Monocacy prior to the construction<br />
of Memorial Hall, but that particular view of the<br />
area is not available today (see figures 5-92 <strong>and</strong><br />
5-93).<br />
Contributing features:<br />
• None identified<br />
Vegetation<br />
Historically, it appears from the historic photograph<br />
of 1907 that the quad area may have once been<br />
an orchard or ornamental planting of small trees<br />
lined with evergreens that appear to be white pine<br />
(see figure 5-92). The 1956 aerial shows that these<br />
trees were later removed <strong>and</strong> the area cleared <strong>for</strong><br />
a driveway <strong>and</strong> parking (see figure 5-94). None of<br />
the vegetation within the Old Quad appears to be<br />
historic.<br />
Today, the quad is dominated by a grove of<br />
honey locust, which provides dappled shade in<br />
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the summer. In the winter, the symmetry of their<br />
arrangement is more evident (figure 5-97). Other<br />
trees located within the quad include three Brad<strong>for</strong>d<br />
pear at the crossing between the Old Quad <strong>and</strong> the<br />
library to the west, as well as a number of small<br />
trees such as a weeping cherry, a grouping of pines<br />
<strong>and</strong> dogwoods at the northern end of the quad, <strong>and</strong><br />
lines of small trees at the base of Comenius <strong>and</strong><br />
opposite, along the facing buildings (figure 5-98).<br />
A variety of shrubs are used as foundation plantings<br />
at the base of all of the buildings surrounding the<br />
quad <strong>and</strong> are mixed with flowering perennials in<br />
small planting beds located throughout the quad<br />
(see figure 5-98).<br />
Figure 5-97. View of the symmetrical arrangement of honey<br />
locust. Memorial Hall is in the background (JMA 2008).<br />
Contributing features:<br />
• None identified<br />
L<strong>and</strong>scape Structures<br />
The only l<strong>and</strong>scape structure contained within the<br />
Old Quad is the raised stone planter at the center<br />
of the entrance to the quad from the direction of<br />
the library (figure 5-99). The planter was installed in<br />
1995; at its west side is a bronze plaque that reads:<br />
“In fond memory of the students, faculty, <strong>and</strong> staff<br />
of the <strong>for</strong>mer <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological<br />
seminary, founded in Nazareth on October 2, 1807,<br />
moved to Bethlehem in 1858, located on this site<br />
in 1892, <strong>and</strong> merged with the <strong>for</strong>mer <strong>Moravian</strong><br />
<strong>College</strong> <strong>for</strong> Women in 1954 to create the modern<br />
<strong>Moravian</strong> <strong>College</strong>. Dedicated May 6, 1995.”<br />
Contributing features:<br />
• None identified<br />
Figure 5-98. Smaller trees <strong>and</strong> planting beds within the lawn of<br />
the Old Quad (JMA 2008).<br />
Figure 5-99. Raised planter on the west side of the Old Quad<br />
(JMA 2008).<br />
Site Furnishings <strong>and</strong> Objects<br />
All of the site furnishings <strong>and</strong> other objects contained<br />
within the Old Quad character area appear to be<br />
recently installed. Furnishings include benches<br />
made of steel <strong>and</strong> wood, steel trash containers,<br />
one steel bicycle rack (painted blue), a few utility<br />
meters, <strong>and</strong> several light st<strong>and</strong>ards supporting<br />
Colonial-style lanterns (figure 5-100 <strong>and</strong> see figure<br />
5-96). Also scattered within the l<strong>and</strong>scape are a<br />
few large boulders that appear to have been placed<br />
as ornamental features in the style of a Japanese<br />
garden. Their significance is not known.<br />
Contributing features:<br />
• None identified<br />
Figure 5-100. Benches, lights, bike racks, <strong>and</strong> trash cans in the<br />
Old Quad (JMA 2008).<br />
Archeological Features<br />
No archeological resources are presently known or<br />
recorded within the Old Quad character area. Prior<br />
to the creation of the North Main Street Campus the<br />
Hamilton House, built circa 1820, was already in<br />
existence as a residence <strong>for</strong> the farm that comprised<br />
the original tract. While the character area has been<br />
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modified by college l<strong>and</strong>scaping, archeological<br />
potential of this property is considered to be high.<br />
Material remains associated with the occupants<br />
of the farm complex may be present. Besides the<br />
house, a working farm would have included barns,<br />
wells, privies, sheds, midden areas, <strong>and</strong> other<br />
outbuildings – archeological remains of these<br />
resources may still be extant beneath the present<br />
ground surface. The locations of those <strong>for</strong>mer<br />
structures at the farmstead are not currently known.<br />
The potential <strong>for</strong> prehistoric (Native American)<br />
archeological resources is likely to be low in this<br />
character area. Archeological resources (features<br />
<strong>and</strong> artifacts) associated with the college buildings<br />
are also likely to be present.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
As a group, the buildings that surround the Old<br />
Quad vary in significance <strong>and</strong> integrity, but the<br />
presence of a number of utility features further<br />
detract from the character of the open, shaded,<br />
contemplative space that is desired by the college.<br />
Hamilton Hall has only moderate integrity due to<br />
the loss of its rural setting <strong>and</strong> its significance is<br />
primarily historical. On the other h<strong>and</strong>, Comenius<br />
is the most significant of the North Main Street<br />
Campus’ historic buildings <strong>and</strong> retains a high level<br />
of integrity. Zinzendorf was constructed at the same<br />
time as Comenius <strong>and</strong> its exterior has a high level of<br />
integrity, particularly as the eccentric, stone-topped<br />
window wells on its west side have been retained<br />
<strong>and</strong> add to its historic character. Monocacy Hall is<br />
not overly distinctive <strong>and</strong> there has been some loss<br />
of exterior features, but Memorial Hall’s exterior is<br />
in excellent condition.<br />
While the Old Quad space has only moderate<br />
integrity from the historic period, it has great<br />
potential to be successful as an adaptively re-used<br />
space. With the exception of the north end, the quad<br />
is no longer used <strong>for</strong> parking or other vehicular<br />
uses <strong>and</strong> it possesses a functional <strong>and</strong> attractive<br />
circulation system that is in good condition. Shade<br />
trees have been added that create a translucent<br />
ceiling to the space <strong>and</strong> this adds to its sense of<br />
enclosure. Scatterings of small plantings <strong>and</strong> site<br />
furnishings detract from the simplicity of the<br />
space, but this is easily remedied. Of most concern<br />
is the poor appearance of utility features located<br />
along building walls, which recollects the original<br />
service function of the space. However, this is<br />
easily remedied with consolidation, relocation, <strong>and</strong><br />
screening.<br />
Monocacy Quad Character Area<br />
The Monocacy Quad character area is defined<br />
on the east by the west sides of Monocacy Hall,<br />
Zinzendorf Hall, <strong>and</strong> Hamilton Hall; on the west by<br />
Reeves Library; on the south by Locust Street, <strong>and</strong><br />
on the north by W. Elizabeth Avenue (figure 5-101).<br />
This area was once a residential block of Monocacy<br />
Street, which still extends from the north <strong>and</strong> south<br />
ends of the area (see figure 5-80). In 1966, seven large<br />
late nineteenth to early twentieth century houses<br />
that faced onto Monocacy Street were demolished<br />
<strong>and</strong> the street was vacated <strong>and</strong> absorbed into the<br />
campus grounds to accommodate the Reeves<br />
Library (Weinlick 1977:112) (see figure 5-94).<br />
Natural Systems <strong>and</strong> Features<br />
The Monocacy Quad character area does not<br />
include any notable natural features.<br />
Contributing features:<br />
• None identified<br />
Buildings<br />
Five buildings enclose the Monocacy Quad area:<br />
Hamilton House, Zinzendorf Hall, Monocacy Hall,<br />
Memorial Hall, <strong>and</strong> the Reeves Library. Hamilton<br />
was originally a farmhouse <strong>and</strong> was constructed<br />
in the 1820s; it <strong>and</strong> Zinzendorf Hall were officially<br />
occupied by the college in September 1892. A new<br />
gambrel-roofed brick gymnasium, now known as<br />
Monocacy Hall, was added south of Zinzendorf<br />
in 1913. In 1923, the Memorial Science Building,<br />
now Memorial Hall, was constructed in Colonial<br />
Revival style, <strong>and</strong> completed the east enclosure of<br />
the Monocacy Quad space.<br />
After the residences were demolished along that<br />
block of Monocacy Street, Reeves Library was<br />
constructed in their place <strong>and</strong> completed in 1967.<br />
The new 200,000-volume library replaced both<br />
Harvey Library, at the south end of Comenius<br />
Hall, <strong>and</strong> the Library Annex, which was in what is<br />
now Monocacy Hall. Reeves Library was further<br />
exp<strong>and</strong>ed when additions to each end were<br />
constructed in 1992 (Schamberger 2008, personal<br />
communication).<br />
For more detailed building descriptions, analysis,<br />
<strong>and</strong> discussion, refer to Chapter 8 of this report.<br />
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Figure 5-101. Monocacy Quad character area map (JMA 2009).<br />
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Contributing features:<br />
• Hamilton Hall<br />
• Zinzendorf Hall<br />
• Monocacy Hall<br />
• Memorial Hall<br />
Spatial Organization<br />
The Monocacy Quad is well defined on its east<br />
<strong>and</strong> west sides by the façades of the buildings<br />
mentioned above. Additional enclosure is provided<br />
by the trunks <strong>and</strong> canopies of the large sycamores<br />
that line the space on both sides (figure 5-102). The<br />
space is physically blocked on the north end by<br />
a composition of vegetation <strong>and</strong> fencing, but the<br />
opposite end opens onto Monocacy Street.<br />
Contributing features:<br />
• Façades of Hamilton, Zinzendorf, <strong>and</strong><br />
Monocacy Halls<br />
• Large tree trunks <strong>and</strong> canopies<br />
Figure 5-102. View into Monocacy Quad from its northeast<br />
corner. Note the double row of street trees marking the old<br />
Monocacy Street alignment (JMA 2008).<br />
L<strong>and</strong> Use<br />
The l<strong>and</strong> that now comprises the Monocacy Quad<br />
functioned until the 1960s as a combination of public<br />
street right-of-way <strong>and</strong> streetyards associated with<br />
the residential structures that once lined Monocacy<br />
Street within that block. This l<strong>and</strong> is now used to<br />
provide circulation between campus buildings.<br />
Figure 5-103. The library plaza from the southeast (JMA 2008).<br />
Circulation Features<br />
Monocacy Street, the sidewalks that lined it on both<br />
sides, <strong>and</strong> the front walkways to residences once<br />
comprised the primary circulation features in this<br />
area. In 1966, the residences along this block were<br />
demolished, the street vacated, <strong>and</strong> the paving<br />
removed. Circulation within Monocacy Quad<br />
now consists of several concrete sidewalks <strong>and</strong> the<br />
entrance plaza to Reeves Library (figure 5-103 <strong>and</strong><br />
see figure 5-102).<br />
At the south end of the quad is a paving feature<br />
that may be an attempt to control through traffic<br />
down Locust Street. The design is a raised<br />
colored-concrete plaza with an off-center design<br />
featuring a round emblem reading “1742”. Due<br />
to the asymmetry of the design, it is a confusing<br />
feature <strong>and</strong> detracts from the simple, linear historic<br />
character of the space (figure 5-104).<br />
Figure 5-104. Traffic control feature at the south end of the<br />
Monocacy Quad (JMA 2008).<br />
Contributing features:<br />
• None identified<br />
Views <strong>and</strong> Vistas<br />
Historically, the block of Monocacy Street now<br />
contained within the Monocacy Quad presented<br />
linear views of the streetscape to the north <strong>and</strong><br />
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south. Reeves Library was constructed with a<br />
setback similar to those of the original residences<br />
once existing on Monocacy Street, so the linear<br />
view of the streetscape space was preserved. Views<br />
south along Monocacy Street are still available from<br />
the open southern end of the quad. In the winter<br />
months, views north along Monocacy Street are<br />
also available even though planting beds located on<br />
the north end of the quad physically close the space<br />
(figure 5-105). In the summer, the planting material<br />
obscures the view of Monocacy Street to the north,<br />
though this is easily remedied.<br />
trees <strong>and</strong> other shade trees at the north end of the<br />
space (see figure 5-105, right side). The enclosure<br />
presented by this grove is enhanced by a large bed<br />
of shrubs <strong>and</strong> perennials, ornamented by a split-rail<br />
fence that was installed parallel to Elizabeth Avenue<br />
(figure 5-106). The date of installation of this feature<br />
<strong>and</strong> the small trees within the space is not known.<br />
Contributing features:<br />
• Large sycamores, >/=30” caliper<br />
• Large white ash, 53” caliper<br />
Figure 5-105. Monocacy Street is visible north of the quad during<br />
the winter (JMA 2009).<br />
From the entrance plaza of Reeves Library, an<br />
attractive axial view is available into the Old Quad<br />
area. Central to the view is a planter, now raised,<br />
that was placed in the center of the walkway that<br />
leads from the Library plaza towards Comenius<br />
Hall (see figure 5-99).<br />
Contributing features:<br />
• Axial view down Monocacy Street to the<br />
south<br />
Vegetation<br />
Vegetation within the Monocacy Quad consists<br />
primarily of a number of large sycamores that line<br />
the space that was once Monocacy Street (see figures<br />
5-102 <strong>and</strong> 5-105). It is likely that the larger of these<br />
trees were street-side plantings dating to at least<br />
several decades prior to the construction of Reeves<br />
Library in the 1960s. It appears that the college has<br />
attempted to preserve the sense of linear space<br />
enhanced by these trees by continuing the linear<br />
plantings, but the substitution of maples <strong>and</strong> a<br />
weeping mulberry <strong>for</strong> the original species erodes<br />
the original symmetry of the space.<br />
Other vegetation within the space includes a very<br />
large (53” caliper) white ash tree at the southwest<br />
corner of Zinzendorf Hall <strong>and</strong> a number of maple<br />
Figure 5-106. <strong>Plan</strong>tings at the north end of Monocacy Quad<br />
(JMA 2008).<br />
L<strong>and</strong>scape Structures<br />
The entrance to Reeves Library comprises a large<br />
brick <strong>and</strong> concrete stairway <strong>and</strong> ramp structure that<br />
features two large concrete orbs installed atop the<br />
large brick <strong>and</strong> concrete piers flanking the central<br />
entrance stairway (see figures 5-102 <strong>and</strong> 5-103). This<br />
feature was constructed in 1992, at the same time as<br />
the side additions to the library (Schamberger 2008,<br />
personal communication).<br />
At the southern end of Reeves Library is a small<br />
amphitheater consisting of a circular seat wall<br />
constructed of interlocking concrete block, then an<br />
earthen bank sloping up to a taller retaining wall<br />
constructed of the same block (figure 5-107). This<br />
Figure 5-107. Amphitheater at the south end of Reeves Library<br />
(JMA 2008).<br />
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second wall supports a tall, sheared evergreen<br />
hedge. The courtyard serves as a classroom <strong>for</strong><br />
in<strong>for</strong>mal instruction <strong>and</strong> was constructed in 1992<br />
(Schamberger 2008, personal communication).<br />
Contributing features:<br />
• None identified<br />
Site Furnishings <strong>and</strong> Objects<br />
Site furnishings <strong>and</strong> objects within the Monocacy<br />
Quad character area include wood <strong>and</strong> steel<br />
benches, steel trash cans, light st<strong>and</strong>ards supporting<br />
Colonial-style lanterns, building identification<br />
signage, the split rail fence at the north end of the<br />
quad, <strong>and</strong> several boulders placed as ornament in<br />
a few planting beds (see figures 5-102 through 5-107).<br />
It does not appear that any of these site furnishings<br />
<strong>and</strong> objects is historic.<br />
Contributing features:<br />
• None identified<br />
Archeological Features<br />
No archeological resources are presently known<br />
or recorded within the Monacacy Quad character<br />
area. Prior to the creation of the North Main Street<br />
Campus the Hamilton House, built circa 1820, was<br />
already in existence as a residence <strong>for</strong> the farm that<br />
comprised the original tract. While the character<br />
area has been modified by college l<strong>and</strong>scaping,<br />
archeological potential of this property is<br />
considered to be high. Material remains associated<br />
with the occupants of the farm complex may be<br />
present. Besides the house, a working farm would<br />
have included barns, wells, privies, sheds, midden<br />
areas, <strong>and</strong> other outbuildings – archeological<br />
remains of these resources may still be extant<br />
beneath the present ground surface. The locations<br />
of those <strong>for</strong>mer structures at the farmstead are<br />
not currently known. The potential <strong>for</strong> prehistoric<br />
(Native American) archeological resources is likely<br />
to be low in this character area.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
As a redeveloped historic streetscape, this character<br />
area has significance only in its relationship to the<br />
larger historic campus <strong>and</strong> town fabric. Historic<br />
integrity is only fair due to the removal of the street<br />
<strong>and</strong> the houses that lined its west side.<br />
Colonial Hall Character Area<br />
The Colonial Hall character area includes the<br />
western third of the block between Elizabeth<br />
Avenue to the north, Locust Street to the south,<br />
<strong>and</strong> Main Street to the west (figure 5-108). Within<br />
this area are Colonial Hall <strong>and</strong> two early twentiethcentury<br />
residences at the southwest corner of the<br />
block. A number of large trees provide a shady<br />
canopy over much of the area; flowering trees <strong>and</strong><br />
shrubs provide a layer of vegetation throughout.<br />
Natural Systems <strong>and</strong> Features<br />
The Colonial Hall character area does not include<br />
any notable natural features.<br />
Contributing features:<br />
• None identified<br />
Buildings<br />
Colonial Hall was constructed in 1929 to provide<br />
student dormitory housing <strong>for</strong> the college. In 1930,<br />
a second building was constructed perpendicular<br />
to Colonial Hall <strong>and</strong> initially housed the <strong>Moravian</strong><br />
Church Archives (figure 5-109). A third building<br />
was originally planned to mirror the Archives<br />
building <strong>and</strong> complete a quadrangle on that<br />
corner, but it was never built. Colonial Hall <strong>and</strong> the<br />
Archives building were constructed of stone in a<br />
style echoing the European buildings of the early<br />
<strong>Moravian</strong> settlement, with modern revival details,<br />
such as wooden shutters installed on the buildings<br />
combined to create a picturesque small complex<br />
surrounding a wide lawn (<strong>Moravian</strong> <strong>College</strong><br />
2007:7-9; Reker <strong>and</strong> Reid 1992:17).<br />
In 2001, an addition was made between these two<br />
buildings <strong>and</strong> enclosed what had been an open<br />
walkway with an entrance constructed of stone with<br />
a brick arch at the juncture of the buildings (figures<br />
5-110 <strong>and</strong> 5-111). The addition was constructed<br />
in brick, perhaps an attempt to differentiate new<br />
from old construction <strong>and</strong> yet relate to the original<br />
brick arch. The arched entrance was reconstructed<br />
<strong>and</strong> the lantern that hung over it was retained <strong>and</strong><br />
reinstalled over the new entrance. Instead of being<br />
attached to the reconstructed brick arch, it was<br />
installed about two feet higher, on the stone wall.<br />
On the southwest corner of the block are two early<br />
twentieth century brick residences, originally<br />
constructed as variations on the basic American<br />
Four-Square type, a boxy, two-story house with<br />
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Figure 5-108. Colonial Hall character area map (JMA 2009).<br />
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four rooms up <strong>and</strong> down (figure 5-112). This type<br />
was popular in the United States around the turn<br />
of the century <strong>and</strong> often was constructed with<br />
Craftsman details, including wide front porches,<br />
heavy brackets supporting the eaves, <strong>and</strong> hipped<br />
roofs. These buildings along Main Street now house<br />
two sororities, Tri Sigma (ΣΣΣ) <strong>and</strong> Zeta Tau Alpha<br />
(ΖΤΑ).<br />
Figure 5-109. View of Colonial Hall from the west. The original<br />
Colonial Hall faces Main Street <strong>and</strong> the building that was the<br />
<strong>Moravian</strong> Church Archives is to the left (JMA 2009).<br />
For a more detailed building analysis <strong>and</strong><br />
discussion, refer to Chapter 8 of this report.<br />
Contributing features:<br />
• Colonial Hall<br />
• Early twentieth-century residences<br />
Figure 5-112. American Foursquare houses at the corner of Main<br />
<strong>and</strong> Locust Streets (JMA 2009).<br />
Spatial Organization<br />
Figure 5-110. Original open walkway between Colonial Hall <strong>and</strong><br />
the <strong>Moravian</strong> <strong>College</strong> Archives (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 5-111. The same view showing the addition (JMA 2008).<br />
Colonial Hall <strong>and</strong> its additions <strong>for</strong>m an L-shape<br />
that encloses a small courtyard <strong>and</strong> lawn (see<br />
figure 5-109). Entrance to this courtyard is through<br />
a gateway <strong>for</strong>med by a pair of stone piers <strong>and</strong> a<br />
low curb that supports curved picket fencing. The<br />
gateway provides a sense of enclosure on the west<br />
side of this courtyard. At least as late as the 1950s,<br />
the area in front of Colonial Hall was divided by a<br />
double row of shrubs that lined the walkway (figure<br />
5-113). However, these were later removed <strong>and</strong><br />
street trees added along Main Street that provide<br />
more enclosure.<br />
Today, to the south of the courtyard, the l<strong>and</strong>scape<br />
opens up onto a wide, rolling open lawn that curves<br />
around the two older residences <strong>and</strong> leads down<br />
a slope towards the Bahnson Center (figure 5-114).<br />
The spaces <strong>for</strong>med by building walls between the<br />
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historic residences is narrow <strong>and</strong> reflects the typical<br />
urban scale of what remains of this early twentiethcentury<br />
residential block (see figure 5-112).<br />
Contributing features:<br />
• Enclosure <strong>for</strong>med by Colonial Hall<br />
L<strong>and</strong> Use<br />
The Colonial Hall character area was set aside<br />
primarily <strong>for</strong> residential use until Colonial Hall<br />
was built in 1929. Afterward, uses were mixed <strong>and</strong><br />
included both residences <strong>and</strong> offices.<br />
Circulation Features<br />
Three city streets border the Colonial Hall character<br />
area: Main Street to the west, Elizabeth Avenue to<br />
the north, <strong>and</strong> Locust Street to the south. These<br />
three streets are asphalt-paved <strong>and</strong> have curb <strong>and</strong><br />
gutter systems. Main Street has a central planted<br />
area installed in 2003 to unify the two sides of<br />
Main Street <strong>and</strong> create a safer pedestrian crosswalk<br />
(<strong>Moravian</strong> <strong>College</strong> 2003). All three streets are also<br />
lined with concrete sidewalks as is typical of the<br />
rest of downtown Bethlehem.<br />
Figure 5-113. Colonial Hall ca. 1950s, with shrubs lining the<br />
front walkway (<strong>Moravian</strong> Church Archives).<br />
A number of concrete walkways curve through<br />
this character area, connecting the Colonial Hall<br />
buildings with other areas within the block <strong>and</strong><br />
to the sidewalks that edge the surrounding streets<br />
(see figures 5-109 <strong>and</strong> 5-114). Colonial Hall is itself<br />
accessed by a walkway that extends from the<br />
gateway on Main Street to its terraced entrance<br />
plaza (see figure 5-82). The walkway also connects<br />
Colonial Hall directly with Comenius Hall, located<br />
to the west across Main Street. The terraced<br />
entrance plaza <strong>for</strong> Colonial Hall was constructed in<br />
2001 <strong>and</strong> presents a complex of stone <strong>and</strong> concrete<br />
stairs, ramps, <strong>and</strong> planting beds centered on the<br />
new entrance created by the addition that connects<br />
the two buildings. Other than the streetscape<br />
sidewalks, the central walkway that leads to the<br />
entrance plaza appears to be the only other historic<br />
feature still remaining.<br />
Contributing features:<br />
• Streetscape sidewalks<br />
• Central walkway<br />
Views <strong>and</strong> Vistas<br />
When Colonial Hall <strong>and</strong> its addition were first<br />
constructed, a third wing had been planned, which<br />
would have completed the enclosure of what was<br />
to be a college quad that would have been axially<br />
oriented to Comenius Hall. The third wing was<br />
never constructed <strong>and</strong> although <strong>for</strong> many years<br />
the axial orientation was still strong through the<br />
placement of the straight walkway between the<br />
two buildings, that relationship was altered with<br />
the construction of the new entrance plaza at the<br />
corner of the ell (figure 5-115 <strong>and</strong> see figure 5-82).<br />
This strong axial relationship is further weakened<br />
by the placement of two trees that block the central<br />
Figure 5-114. Rolling lawn to the south of Colonial Hall (JMA<br />
2008).<br />
Figure 5-115. Close-up view of the recently-installed terraced<br />
entrance plaza at Colonial Hall (JMA 2008).<br />
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entrance to what was once the <strong>Moravian</strong> Church<br />
Archives.<br />
Other significant views within this area are linear<br />
views of the streetscape along Main Street <strong>and</strong><br />
Elizabeth Avenue, which are strongly enhanced<br />
by narrow building setbacks, sidewalks, <strong>and</strong> street<br />
trees along both streets (figure 5-116).<br />
Contributing features:<br />
• Vista to <strong>and</strong> from Comenius Hall<br />
• Linear views along Main Street <strong>and</strong><br />
Elizabeth Avenue<br />
Figure 5-116. View of streetscape of Main Street, looking south<br />
(JMA 2008).<br />
Vegetation<br />
It is likely that several of the large trees located<br />
within this character area could be dated to as<br />
late as the 1950s, but little documentation has<br />
been located to determine exactly which ones. The<br />
large, 40” caliper, oak located at the intersection<br />
of Elizabeth <strong>and</strong> Main Streets may be one of those<br />
historic trees (figure 5-117). Most small tree, shrub,<br />
<strong>and</strong> perennial plantings in the area appear to be<br />
recently installed.<br />
Contributing features:<br />
• 40” caliper oak at Main <strong>and</strong> Elizabeth.<br />
L<strong>and</strong>scape Structures<br />
L<strong>and</strong>scape structures within this character area<br />
include the stair <strong>and</strong> ramp composition that<br />
<strong>for</strong>ms the entrance plaza <strong>for</strong> Colonial Hall <strong>and</strong><br />
the concrete <strong>and</strong> masonry retaining wall structure<br />
that appears to screen utilities behind the building.<br />
Both structures were constructed in 2001 (see figure<br />
5-115).<br />
The gateway to Colonial Hall from Main Street<br />
was constructed in 2003 to match the gateway<br />
to Comenius Hall (see figures 5-82 <strong>and</strong> 5-109). It<br />
is composed of two rough-cut limestone piers<br />
designed in the Gothic style with shallow faux<br />
buttresses, but with flattened cut stone pedestal<br />
tops that support black metal lanterns. The piers<br />
rest atop bases of cut stone. Attached to each pier<br />
is a low, curved, cut stone curb that supports<br />
black metal fencing <strong>and</strong> curves inward to create<br />
an entrance foyer, which is paved in faux-brick<br />
concrete units. The south pier supports a bronze<br />
plaque that reads: “In memory of your service <strong>and</strong><br />
ultimate sacrifice during Operation Iraqi Freedom;<br />
Captain Christopher Seifert ’97, 1975-2003” (figure<br />
5-118).<br />
The new structures are in good condition with the<br />
exception of the gateway base, which is cracked in<br />
Figure 5-117. This 40” caliper oak may have been planted in the<br />
1930s (JMA 2008).<br />
Figure 5-118. Close-up of plaque on gateway pier at the entrance<br />
to the Colonial Hall front lawn (JMA 2008).<br />
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places <strong>and</strong> is marred with misplaced drill holes (see<br />
figure 5-86).<br />
Contributing features:<br />
• None identified<br />
Site Furnishings <strong>and</strong> Objects<br />
Site furnishings <strong>and</strong> objects within the Colonial Hall<br />
character area include wood <strong>and</strong> metal benches,<br />
building identification signs, traffic signs along the<br />
street, light st<strong>and</strong>ards with Colonial-style lanterns,<br />
<strong>and</strong> utility units (see figures 5-109, 5-115, <strong>and</strong> 5-116).<br />
A small boulder supports a bronze plaque in the<br />
entrance plaza that reads: “Let this view soothe<br />
your brow as you look across <strong>for</strong> your enjoyment<br />
now. Dedicated to Beverly Sobol Schachter who<br />
once enjoyed this same view”.<br />
Contributing features:<br />
• None identified<br />
Archeological Features<br />
No archeological resources are presently known<br />
or recorded within the Colonial Hall character<br />
area. The potential in this character area <strong>for</strong> both<br />
prehistoric (Native American) <strong>and</strong> historic period<br />
archeological remains (features <strong>and</strong> artifacts) is<br />
likely to be low.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
Colonial Hall is a unique 1920s interpretation of<br />
the early Germanic architecture of Bethlehem.<br />
The exterior of Colonial Hall is largely intact <strong>and</strong><br />
possesses a high level of integrity.<br />
The l<strong>and</strong>scape space shows integrity to early<br />
planning <strong>for</strong> this building <strong>and</strong> lacks only the third<br />
wing to make it complete. The axial connection to<br />
Comenius Hall is still in place, however weakened<br />
slightly by the new diagonal orientation of the<br />
entrance plaza. The symmetry of the space could be<br />
resolved if this configuration is mirrored when the<br />
third wing is added. <strong>Plan</strong>tings today do not reflect<br />
historic conditions, but as a rehabilitated space, it is<br />
safer <strong>and</strong> more user-friendly without the restricting<br />
presence of the double row of shrubs.<br />
Sports Quad Character Area<br />
The Sports Quad character area includes the<br />
sports field at the center of the North Main Street<br />
Campus, the surrounding buildings, <strong>and</strong> accessory<br />
drives <strong>and</strong> parking areas (figure 5-119). Its general<br />
character is that of a wide open space ringed<br />
by low, long buildings constructed primarily of<br />
native “south mountain stone,” as described in<br />
the architect’s plans, <strong>and</strong> shaded by large trees<br />
(Weinlick 1977:107).<br />
Overall, the design of this character area reflects<br />
changing trends in campus design during the<br />
twentieth century. It shows a move away from<br />
the reliance on Beaux Arts symmetry, verticality,<br />
hierarchy of spaces, <strong>and</strong> use of strong axial<br />
orientation in placement of buildings <strong>and</strong> l<strong>and</strong>scape<br />
features seen in the earlier arrangement of buildings<br />
on the North Main Street Campus toward a more<br />
free-<strong>for</strong>m <strong>and</strong> Modernistic expression of <strong>for</strong>m <strong>and</strong><br />
function. The placement of the Rau-Hassler <strong>and</strong><br />
Bernhardt-Wilhelm Residence Halls in an in<strong>for</strong>mal<br />
arrangement is expressive of the nature of the<br />
site—particularly characteristic of a Modernistic<br />
approach. Jo Smith Hall, Johnston Hall, <strong>and</strong><br />
the Haupert Student Union, with their low <strong>and</strong><br />
broad façades <strong>and</strong> horizontal banks of windows<br />
are characteristic of the Prairie Style developed<br />
by Frank Lloyd Wright. Even Rau-Hassler <strong>and</strong><br />
Bernhardt-Wilhelm, although actually four floors<br />
each in total, are set into the slope so that their<br />
verticality is downplayed.<br />
While, with the exception of Johnston Hall, the<br />
buildings <strong>and</strong> l<strong>and</strong>scape features within this area<br />
are not quite 50 years old, their expression of<br />
Modernistic design principles may support findings<br />
of historical significance in another 10-20 years.<br />
Natural Systems <strong>and</strong> Features<br />
The most notable natural feature within the<br />
Sports Quad character area is the slope that leads<br />
to Monocacy Creek, within which the sports<br />
field is sculpted <strong>and</strong> into which Rau-Hassler <strong>and</strong><br />
Bernhardt-Wilhelm were nestled to lower their<br />
vertical impact on the space.<br />
Contributing features:<br />
• Natural slope to Monocacy Creek<br />
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Figure 5-119. Sports Quad character area map (JMA 2009).<br />
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Buildings<br />
With the exception of Johnston Hall (1952) <strong>and</strong> its<br />
expansion by the construction of Breidegam Field<br />
House (1991), the buildings surrounding the Sports<br />
Quad Character area were constructed as part of a<br />
ten-year plan of campus expansion begun after the<br />
<strong>for</strong>mation of <strong>Moravian</strong> <strong>College</strong> as a co-educational<br />
institution in 1954. Johnston Hall was constructed<br />
in 1952 as the school’s first field house providing<br />
modern athletic facilities as well as a high-capacity<br />
space <strong>for</strong> large school <strong>and</strong> community events (figure<br />
5-120).<br />
dormitory, Jo Smith Hall in 1972, which completed<br />
the architectural enclosure of the Sports Quad<br />
Character area (figure 5-121).<br />
Breidegam Field House was built in 1991 as an<br />
extension of Johnston Hall. For this project, the<br />
block of Otis Place north of Locust was vacated<br />
<strong>and</strong> a row of small houses along its west side was<br />
demolished.<br />
For a more detailed building analysis <strong>and</strong><br />
discussion, refer to Chapter 8 of this report.<br />
Contributing features:<br />
• Johnston Hall (1952)<br />
Figure 5-121. Bird’s eye view from the northeast of the completed<br />
Sports Quad after 1972 when Jo Smith Hall was constructed.<br />
Note modernistic style of lighting (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Spatial Organization<br />
Figure 5-120. Unveiling of the mascot statue at Johnston Hall, ca.<br />
1952 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Eight years later, in 1960, the Rau-Hassler dormitory<br />
complex was built west of Johnston Hall to face the<br />
college sports fields to the east. In 1962, the <strong>College</strong><br />
Union Building was completed to the southeast of<br />
Johnston Hall. Seven years later it was renamed<br />
the Haupert Union Building in honor of retiring<br />
President Haupert, <strong>and</strong> has since been known as<br />
the HUB.<br />
The next building project included more dormitories<br />
designed to face onto the sports field, both named<br />
after their benefactors: Willard C. Bernhardt<br />
Hall in 1964 <strong>and</strong> Imogene Beck Wilhelm Hall in<br />
1965. The early 1970s saw completion of a fifth<br />
The Sports Quad character area is dominated by<br />
the large, grassed field enclosed by the buildings<br />
mentioned, above (figures 5-122 <strong>and</strong> 5-123). It is a<br />
broad, but simple enclosure, pierced by openings<br />
between the buildings <strong>and</strong> by the extension of<br />
Locust Street, which ends in a turn-around in front<br />
of Rau <strong>and</strong> Hassler. Notable is the entrance plaza of<br />
Johnston Hall.<br />
Figure 5-122. View of the Sports Quad, looking towards the<br />
Haupert Union Building (JMA 2008).<br />
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Field House. Current l<strong>and</strong> uses in this area are<br />
primarily residential, athletic, <strong>and</strong> social.<br />
Contributing features:<br />
• Recreation<br />
Circulation Features<br />
Figure 5-123. View of the eastern half of the Sports Quad,<br />
looking towards Johnston Hall (JMA 2008).<br />
Smaller spaces that relate to individual buildings,<br />
such as entrances or outdoor gathering places,<br />
are differentiated from the larger open space by<br />
specialized paving, site furnishings such as picnic<br />
tables, shrub plantings, <strong>and</strong> overhead tree canopies<br />
(figure 5-124).<br />
Contributing features:<br />
• Open sports field<br />
Two primary circulation features edge the Sports<br />
Quad: the extension of Locust Street to the north,<br />
which provides vehicular access to the front of<br />
the dormitories. It originally ended in a circular<br />
turnaround, but a driveway was later cut through<br />
to provide a connection to housing constructed<br />
down hill from the quad. Locust is restricted in<br />
use <strong>and</strong> fairly unobtrusive when viewed from the<br />
sports fields because the field is topographically<br />
lower (figure 5-125).<br />
On the opposite side of the field is a concrete<br />
sidewalk that encircles the field, leading from the<br />
circular drive, around its south <strong>and</strong> east sides to an<br />
open patio outside the HUB <strong>and</strong> north to reconnect<br />
with Locust (figure 5-126). Other concrete sidewalks<br />
Figure 5-124. Entrance lobby <strong>for</strong> Rau-Hassler Residence Hall<br />
(JMA 2008).<br />
Figure 5-125. Locust Street as it descends past the sports fields<br />
to the left (JMA 2008).<br />
L<strong>and</strong> Use<br />
Historically, this area was part of the farml<strong>and</strong> that<br />
once occupied this tract outside of Bethlehem. By<br />
the early twentieth century, residential development<br />
had surrounded the historic core of the college <strong>and</strong><br />
extended down Monocacy Street to the east of the<br />
Sports Quad. The Sports Quad itself was used as a<br />
baseball field. The houses on Monocacy Street were<br />
demolished in 1966 to make way <strong>for</strong> the Haupert<br />
Union Building. Small houses located along Otis<br />
Place east of Locust were demolished around 1990<br />
to make way <strong>for</strong> the construction of Breidegam<br />
Figure 5-126. Concrete walks that edge most sides of the sports<br />
fields (JMA 2008).<br />
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lead from this path, away from the fields, providing<br />
access to the surrounding buildings.<br />
Contributing features:<br />
• Extension of Locust Street past Johnston<br />
Hall<br />
Views <strong>and</strong> Vistas<br />
Views into the sports fields are available from most<br />
of the buildings surrounding the space, with the<br />
exception of the Breidegam Field House, which<br />
has no windows on that side. There are many<br />
places surrounding the field from which students<br />
can casually view games, such as the open lawns<br />
in front of the dormitories. Recently, the college<br />
constructed a viewing plat<strong>for</strong>m as an extension of<br />
the HUB that presents an almost boundless vista of<br />
the sports fields (figure 5-127).<br />
Figure 5-127. Viewing plat<strong>for</strong>m at the back of the Haupert Union<br />
Building (west side) (JMA 2008).<br />
Contributing features:<br />
• Views from Johnston Hall entrance plaza<br />
Vegetation<br />
A dominating characteristic of the Sports Quad<br />
is the ring of large trees that shades its perimeter,<br />
including a variety of white <strong>and</strong> red oaks, maples,<br />
<strong>and</strong> sycamores (figure 5-128). A grove of pines was<br />
planted on the edge of the field on the southeast<br />
corner, presumably to screen parking in that area,<br />
but they have since become large canopy trees.<br />
Other, smaller, ornamental trees have been planted<br />
on the edges, closer to buildings.<br />
After Breidegam Field House was constructed,<br />
lavish plantings of colorful shrubs were installed<br />
flanking its south entrance <strong>and</strong> in a small grouping<br />
directly across Locust from the entrance (figure<br />
5-129). It appears that at the same time, the plantings<br />
in front of Johnston were also installed.<br />
Figure 5-128. Ring of large trees around the Sports Quad. Visible<br />
are the façades of Bernhardt <strong>and</strong> Wilhelm (JMA 2008).<br />
Figure 5-129. <strong>Plan</strong>tings at the entrances to Breidegam (left) <strong>and</strong><br />
Johnston (right) (JMA 2008).<br />
Contributing features:<br />
• None identified<br />
L<strong>and</strong>scape Structures<br />
The most dominant l<strong>and</strong>scape structures within<br />
the Sports Quad character area are the entrances to<br />
Johnston Hall <strong>and</strong> Breidegam Field House (figure<br />
5-130 <strong>and</strong> see figure 5-129). The entrance to Johnston<br />
features two native stone wing walls that extend<br />
from the walls of the building, stepping down to<br />
approximately 24” where they are capped with cast<br />
concrete plat<strong>for</strong>ms that support two cast concrete<br />
Figure 5-130. Entrance to Johnston Hall. Note native stone wing<br />
walls <strong>and</strong> mascot sculptures (JMA 2008).<br />
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sculptures of recumbent greyhounds, the college<br />
mascot.<br />
The entrance to Breidegam is newer <strong>and</strong> more<br />
elaborate, consisting of a cascade of concrete stairs,<br />
l<strong>and</strong>ings, ramps, <strong>and</strong> planters leading from the<br />
hyphen that connects the building with Johnston<br />
<strong>and</strong> provides the primary entrance.<br />
Between Reeves Library <strong>and</strong> Johnston Hall is the<br />
large utility structure housing the central electrical<br />
feed <strong>for</strong> the campus (Schamberger 2008, personal<br />
communication) (figure 5-131).<br />
Contributing features:<br />
• Johnston Field House entrance<br />
of prehistoric (Native American) archeological sites<br />
in the lower Lehigh valley reveal that sites are<br />
frequently located in the floodlplain <strong>and</strong> on the<br />
terrace <strong>and</strong> upl<strong>and</strong> immediately adjacent to the<br />
floodplain of drainages such as Monacacy Creek<br />
(Siegel et al. 1999:68-74). There<strong>for</strong>e the archeological<br />
potential <strong>for</strong> Native American sites within the<br />
Sports Quad area is likely to be moderate to high.<br />
Archeological remains of the early twentiethcentury<br />
housing that was demolished in the 1960s<br />
<strong>and</strong> 1990s may also be present, but the significance<br />
of such remains is considered to be low.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
Johnston Hall was built in 1952 as a modern new<br />
field house <strong>for</strong> athletics <strong>and</strong> large events. The<br />
building has a sweeping modernist horizontal<br />
character with its low-pitched roof, horizontal<br />
b<strong>and</strong>s of windows, <strong>and</strong> deep eaves. However, it also<br />
incorporates details reminiscent of the eighteenthcentury<br />
<strong>Moravian</strong> buildings downtown, such as<br />
stone veneer exterior walls <strong>and</strong> simulated buttresses.<br />
Johnston Hall is an example of a mid-twentiethcentury<br />
field house <strong>and</strong> was the first new athletic<br />
constructed on campus since the Gymnasium was<br />
built in 1913. The exterior of Johnston Hall possesses<br />
high integrity to the 1950s.<br />
Figure 5-131. Utility structure behind Johnston Hall <strong>and</strong> Reeves<br />
Library (JMA 2008).<br />
Site Furnishings <strong>and</strong> Objects<br />
Site furnishings <strong>and</strong> objects contained within<br />
the Sports Quad character area include benches,<br />
concrete or metal <strong>and</strong> wood; trash containers; picnic<br />
tables; lighting st<strong>and</strong>ards supporting Colonialstyle<br />
lanterns; a flagpole in front of Jo Smith Hall; a<br />
blue-painted metal bike rack in front of Breidegam;<br />
<strong>and</strong> a large stone masonry <strong>and</strong> concrete scoreboard<br />
in front of Jo Smith (see figures 5-124 through 5-126<br />
<strong>and</strong> 5-129).<br />
Contributing features:<br />
• None identified<br />
Archeological Features<br />
No archeological resources are presently known<br />
or recorded within the Sports Quad character area.<br />
However, the western boundary of this character<br />
area is <strong>for</strong>med by the terrace <strong>and</strong> upl<strong>and</strong> adjacent<br />
to the Monocacy Creek floodplain. Previous studies<br />
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Hillside Character Area<br />
Located on the edge of the North Main Street<br />
Campus, the Hillside character area encompasses<br />
the cluster of small-scale apartment buildings <strong>and</strong><br />
duplexes built <strong>for</strong> student housing (figure 5-132).<br />
These residences curve around the southeast<br />
corner of the Sports Quad, following the line of<br />
the slope that leads to Monocacy Creek. They were<br />
constructed in two distinctly different building<br />
campaigns, one in the 1970s <strong>and</strong> one in the late<br />
1980s (figures 5-133 through 5-135). While this area<br />
is not over fifty years old, this area is distinct in<br />
that the buildings were constructed specifically <strong>for</strong><br />
campus housing in two community clusters <strong>and</strong><br />
may become historically significant.<br />
Natural Systems <strong>and</strong> Features<br />
The natural slope leading to Monocacy Creek is the<br />
most distinctive natural feature in this character<br />
area. The design of the site plan, particularly <strong>for</strong><br />
the Hillside Residences responds to the drop of the<br />
slope.<br />
Contributing features:<br />
• Natural slope to Monocacy Creek<br />
Spatial Organization<br />
Hillside is organized into smaller clusters of<br />
buildings. On the north end, three brick <strong>and</strong> wood<br />
residences (Antes House, Burnside House, <strong>and</strong><br />
Lenape House) are clustered around the curve of<br />
the access drive as it ascends the hill towards the<br />
Sports Quad (see figure 5-134). Further down the hill,<br />
two brick, ranch-style residences, DeSchweinitz<br />
House <strong>and</strong> Beck House, face a small recreation area<br />
containing a s<strong>and</strong> volleyball court (see figure 5-133).<br />
Hillside 4 faces both this area <strong>and</strong> Laurel Street,<br />
completing the enclosure of this space.<br />
The other buildings more or less face Laurel Street,<br />
including Hillside 1, 2, 3, <strong>and</strong> 5 (see figure 5-135).<br />
Hillside 1, 2, <strong>and</strong> 3 are oriented towards an open<br />
lawn that parallels Laurel Street. Also included<br />
in this group are the Nitschmann House <strong>and</strong> the<br />
Spangenburg House, which is L-shaped, enclosing<br />
two sides of an open lawn area along Laurel (figure<br />
5-136).<br />
Contributing features:<br />
• None identified<br />
Buildings<br />
Beck House <strong>and</strong> DeSchweinitz House, built in 1978,<br />
are the oldest buildings in this area. The six Hillside<br />
residences were all built in 1988, followed by<br />
Spangenberg, Antes, Burnside, <strong>and</strong> Lenape Houses<br />
in 1989, <strong>and</strong> Nitschmann in 1990 (Schamberger<br />
2008, personal communication).<br />
For a more detailed building analysis <strong>and</strong><br />
discussion, refer to Chapter 8 of this report.<br />
Contributing features:<br />
• None identified<br />
L<strong>and</strong> Use<br />
L<strong>and</strong> use in the Hillside character area is primarily<br />
residential, comprised of a mix of duplexes <strong>and</strong><br />
low-scale multi-unit structures. A small recreational<br />
area is located at the center of the older complex<br />
<strong>and</strong> includes a s<strong>and</strong> volleyball court. It appears that<br />
prior to college ownership the only l<strong>and</strong> use in this<br />
area was agriculture.<br />
Circulation Features<br />
Circulation within the Hillside area consists of<br />
Laurel Street, which leads from Main Street, through<br />
campus, curving around the sports fields down<br />
the hill through the Hillside area to meet Mauch<br />
Chunk Road along Monocacy Creek. Comparison<br />
of current maps with the Sanborn map of 1952<br />
suggests that this is its historic location.<br />
About midway down the hill, an asphalt driveway<br />
branches off of Laurel Street <strong>and</strong> heads north<br />
to provide vehicular access to the north part of<br />
Hillside. At its terminus, it curves around <strong>and</strong><br />
meets the circular drive at the end of Locust Street.<br />
Concrete sidewalks lead off of the access drive to<br />
serve the front doors of the residences.<br />
A concrete sidewalk parallels Laurel Street from<br />
Main <strong>and</strong> continues almost all the way to Mauch<br />
Chunk. A number of concrete walkways lead from<br />
the main sidewalk to provide access to the main<br />
doors of these residences. On the north side of<br />
Hillside 5, walkways lead to a circular pathway<br />
distinguished by ornamental paving with a<br />
planter at the center (see figure 5-135). The purpose<br />
of this node is not known <strong>and</strong> it complicates<br />
comprehension of the area.<br />
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Figure 5-132. Hillside character area map (JMA 2009).<br />
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A 27-car parking lot is located on the east side of<br />
Nitschmann House <strong>and</strong> a number of parallel spaces<br />
are available on both sides of Laurel Street.<br />
Contributing features:<br />
• Laurel Street<br />
Views <strong>and</strong> Vistas<br />
Views within this area are to <strong>and</strong> from residential<br />
buildings <strong>and</strong> are in<strong>for</strong>mal <strong>and</strong> intimate in scale.<br />
Figure 5-133. View of the north portion of the Hillside area.<br />
Beck House <strong>and</strong> DeSchweinitz House, on the right side, were<br />
constructed in1978 (JMA 2008).<br />
Contributing features:<br />
• None identified<br />
Vegetation<br />
Hillside is dominated by the woodl<strong>and</strong>s on its west<br />
side, which covers the slope from the back of the<br />
residences down to Mauch Chunk Road. The age<br />
of this woodl<strong>and</strong> is not known, but it appears to be<br />
secondary growth arising from what was possibly<br />
agricultural l<strong>and</strong>.<br />
Figure 5-134. View of Antes, Burnside, <strong>and</strong> Lenape Houses, built<br />
in 1989 (JMA 2008).<br />
There are few shade trees in this area <strong>and</strong> the ones<br />
that have been planted are still quite small. As the<br />
building campaign progressed, the area was also<br />
ornamented by small plantings of flowering trees<br />
<strong>and</strong> shrubs (see figure 5-135). None of the vegetation<br />
appears to be historic.<br />
Contributing features:<br />
• None identified<br />
L<strong>and</strong>scape Structures<br />
There are a number of retaining walls in this area,<br />
constructed of a variety of materials, <strong>and</strong> none of<br />
which appear to be historic.<br />
Figure 5-135. View of the north side of Hillside 5, constructed in<br />
1988 (JMA 2008).<br />
Contributing features:<br />
• None identified<br />
Site Furnishings <strong>and</strong> Objects<br />
Site furnishings within the Hillside area include<br />
black-painted metal benches <strong>and</strong> trash containers,<br />
as well as black light st<strong>and</strong>ards supporting<br />
Colonial-style metal <strong>and</strong> glass lanterns (see figures<br />
5-135 <strong>and</strong> 5-136). Additional furnishings <strong>and</strong> objects<br />
include volleyball equipment <strong>and</strong> outdoor cooking<br />
equipment (see figure 5-133).<br />
Figure 5-136. View of the Spangenburg House <strong>and</strong> the<br />
Nitschmann House, constructed in the 1989 <strong>and</strong> 1990. (JMA<br />
2008).<br />
Contributing features:<br />
• None identified<br />
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Archeological Features<br />
No archeological resources are presently known or<br />
recorded within this character area. However, the<br />
western boundary of this character area is <strong>for</strong>med<br />
by the terrace <strong>and</strong> upl<strong>and</strong> adjacent to the Monocacy<br />
Creek floodplain. Previous studies of prehistoric<br />
(Native American) archeological sites in the lower<br />
Lehigh valley reveal that sites are frequently<br />
located in the floodlplain <strong>and</strong> on the terrace <strong>and</strong><br />
upl<strong>and</strong> immediately adjacent to the floodplain of<br />
drainages such as Monacacy Creek (Siegel et al.<br />
1999:68-74). There<strong>for</strong>e the archeological potential<br />
<strong>for</strong> Native American sites within the Sports Quad<br />
area is likely to be moderate to high.<br />
Archeological resources associated with the<br />
<strong>for</strong>mer milling industry may also be present in this<br />
character area.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
This character area does not have historical<br />
significance.<br />
Betty Prince Field Character Area<br />
Located on the western edge of the North Main<br />
Street Campus, the Betty Prince Field character<br />
area encompasses the wooded slope below the<br />
Hillside area <strong>and</strong> the open, grassed fields that<br />
accommodate college field hockey (figure 5-137).<br />
The field was always owned by the college <strong>and</strong> used<br />
<strong>for</strong> intramural sports <strong>and</strong> recreation until the 1960’s<br />
when it was designated solely <strong>for</strong> field hockey<br />
(Schamberger 2008, personal communication).<br />
Natural Systems <strong>and</strong> Features<br />
The natural slope leading to Monocacy Creek<br />
<strong>and</strong> the floodplain below are the most distinctive<br />
natural features in this character area. The slope is<br />
wooded with what appears to be secondary growth<br />
<strong>for</strong>est.<br />
Contributing features:<br />
• Natural slope to Monocacy Creek<br />
• Floodplain of Monocacy Creek<br />
Spatial Organization<br />
Betty Prince Field comprises a simple open space<br />
enclosed on the east <strong>and</strong> south sides by wooded<br />
slopes, bounded on the west side by Mauch Chunk<br />
Road, <strong>and</strong> on the north side by Elizabeth Avenue<br />
(figure 5-138). Field limits are demarcated by a chain<br />
link fence on the street sides of the field.<br />
Contributing features:<br />
• Open recreational space<br />
Buildings<br />
A small building located on the east side of the field<br />
functions as a storage space. A painted sign on the<br />
side reads: <strong>Moravian</strong> <strong>College</strong> Field Hockey.<br />
For a more detailed building analysis <strong>and</strong><br />
discussion, refer to Chapter 8 of this report.<br />
Contributing features:<br />
• None identified<br />
L<strong>and</strong> Use<br />
L<strong>and</strong> use in the Betty Prince Field is recreational<br />
<strong>and</strong> has been such <strong>for</strong> at least 50 years, if not more.<br />
That corner of Mauch Chunk Road <strong>and</strong> Elizabeth<br />
Avenue was labeled “Ball Park” in the 1952 Sanborn<br />
map.<br />
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Figure 5-137. Betty Prince Field character area map (JMA 2009).<br />
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Figure 5-138. View of Betty Prince Field from the northeast corner (JMA 2008).<br />
Contributing features:<br />
• Recreational use.<br />
Circulation Features<br />
Betty Prince Field is bounded on the west side<br />
by Mauch Chunk Road <strong>and</strong> on the north side by<br />
Elizabeth Avenue (figure 5-139). Just north of the<br />
intersection of the two, Mauch Chunk Road turns<br />
west <strong>and</strong> passes via a small bridge over Monocacy<br />
Creek. In addition to these public streets, access is<br />
also available via a gravel road that leads from the<br />
back of Rau Residence Hall, down the slope to the<br />
northeast corner of the field. It does not appear that<br />
this road is in active use.<br />
A sidewalk along Elizabeth Avenue provides<br />
pedestrian access to the field. A small concrete stair<br />
leads from the sidewalk <strong>and</strong> down a short slope<br />
onto the flat expanse of the field. The sidewalk does<br />
not appear to be historic.<br />
Contributing features:<br />
• Mauch Chunk Road<br />
• Elizabeth Avenue<br />
Views <strong>and</strong> Vistas<br />
From the field, one can see industrial buildings that<br />
line Mauch Chunk road to the north <strong>and</strong> south (see<br />
figure 5-139). These buildings are shown on the 1952<br />
Sanborn map <strong>and</strong> are historic.<br />
Contributing features:<br />
• Views to factories<br />
Vegetation<br />
The south <strong>and</strong> east sides of Betty Prince Field are<br />
dominated by secondary growth woodl<strong>and</strong>s which<br />
extend up to the back of the Hillside area above. A<br />
number of large trees provide shade on the west<br />
side <strong>and</strong> at the northwest corner of the field. They<br />
appear to be planted to provide definition to the<br />
space to separate it visually from its industrial<br />
surroundings (see figure 5-138).<br />
Contributing features:<br />
• None identified<br />
L<strong>and</strong>scape Structures<br />
No l<strong>and</strong>scape structures were identified in this<br />
area.<br />
Contributing features:<br />
• None identified<br />
Site Furnishings <strong>and</strong> Objects<br />
Figure 5-139. Intersection of Elizabeth (right) with Mauch Chunk<br />
Road (left) Note historic factory buildings in the background<br />
(JMA 2008).<br />
Site furnishings at Betty Prince Field consist of two<br />
sets of portable aluminum bleachers that provide<br />
seating on the east side of the field, a scoreboard at<br />
the southeast corner, <strong>and</strong> the chain link fence that<br />
encloses the field on the north <strong>and</strong> west sides (see<br />
figure 5-138).<br />
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Contributing features:<br />
• None identified<br />
Archeological Features<br />
No archeological resources are presently known or<br />
recorded within the Betty Prince Field character area.<br />
However, the western boundary of this character<br />
area is <strong>for</strong>med by the terrace <strong>and</strong> upl<strong>and</strong> adjacent<br />
to the Monocacy Creek floodplain. Previous studies<br />
of prehistoric (Native American) archeological sites<br />
in the lower Lehigh valley reveal that sites are<br />
frequently located in the floodlplain <strong>and</strong> on the<br />
terrace <strong>and</strong> upl<strong>and</strong> immediately adjacent to the<br />
floodplain of drainages such as Monacacy Creek<br />
(Siegel et al. 1999:68-74). There<strong>for</strong>e the archeological<br />
potential <strong>for</strong> Native American sites within the<br />
Sports Quad area is likely to be moderate to high.<br />
Archeological resources associated with the<br />
<strong>for</strong>mer milling industry may also be present in this<br />
character area.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
More in<strong>for</strong>mation is needed to determine historic<br />
significance of this space <strong>and</strong> hence, integrity to<br />
that period.<br />
Campus Ring Character Area<br />
The Campus Ring character area is notable as an<br />
example of the pressures that the need <strong>for</strong> continued<br />
facility expansion <strong>and</strong> parking accommodation<br />
can put on a historic neighborhood surrounding a<br />
thriving college campus (figure 5-140). This character<br />
area includes all of the college-owned properties<br />
north of Elizabeth Avenue, south of Locust <strong>and</strong> east<br />
of Monocacy, south of Laurel Street, <strong>and</strong> the area<br />
from the back of Colonial Hall, east to Palmer Street,<br />
comprising approximately 10-12 city blocks.<br />
Natural Systems <strong>and</strong> Features<br />
Natural features within the character area include<br />
the gently sloping topography of the hill that is<br />
topped by Comenius Hall <strong>and</strong> the dramatic fall of<br />
l<strong>and</strong> from the bluff above Monocacy Creek.<br />
Contributing features:<br />
• Topography<br />
Spatial Organization<br />
The Campus Ring area is organized by a grid of<br />
streets that characterizes nineteenth <strong>and</strong> twentieth<br />
century urban development patterns in Bethlehem.<br />
This pattern is typical of many American cities <strong>and</strong><br />
suburbs developed be<strong>for</strong>e World War II. The grid is<br />
organized almost perfectly to magnetic north <strong>and</strong><br />
is fairly easy to underst<strong>and</strong> <strong>and</strong> navigate.<br />
Within this grid are the remnants of the residential<br />
neighborhood that once surrounded the historic<br />
core of <strong>Moravian</strong> <strong>College</strong>, being the block between<br />
Monocacy Street <strong>and</strong> Main, Elizabeth <strong>and</strong> Locust,<br />
<strong>and</strong> the west half of the block opposite containing<br />
Colonial Hall (figure 5-141). Most structures within<br />
the neighborhood were either Queen Anne or<br />
American Four-Square dwellings sited about 15<br />
feet from the street right-of-way, creating a tidy<br />
<strong>and</strong> pedestrian-scaled streetspace. Incremental<br />
acquisition <strong>and</strong> subsequent removal of these<br />
buildings has created a streetscape characterized by<br />
an open, undifferentiated l<strong>and</strong>scape containing both<br />
historic <strong>and</strong> modern buildings, dominated in areas<br />
by open-air parking lots (figure 5-142). Buildings<br />
constructed in place of the historic dwellings were<br />
designed with broad setbacks, usually presented as<br />
objects in the l<strong>and</strong>scape rather than contributing to<br />
the existing streetscape (figure 5-143).<br />
Contributing features:<br />
• Remnants of urban grid <strong>and</strong> streetscape<br />
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Figure 5-140. Campus Ring character area map (JMA 2009).<br />
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Figure 5-141. Aerial photograph of the south end of the campus, looking west up Locust Street (sports fields top left, Comenius to the<br />
right) showing residential area into which the campus exp<strong>and</strong>ed (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Buildings<br />
Campus buildings located within this area include<br />
the Collier Hall of Science (1970), the Hurd<br />
Academic Complex (2003), the Bahnson Center<br />
(1976), FMPC facilities in the northwest corner of<br />
the campus (2005), as well as historic buildings,<br />
once residences, that the college either owns <strong>and</strong><br />
uses as offices or housing <strong>and</strong> those that the college<br />
does not own, but leases <strong>for</strong> offices or housing.<br />
Figure 5-142. Typical character of Campus Ring, including<br />
parking lots, historic <strong>and</strong> modern buildings, <strong>and</strong> expressing the<br />
original grid of the area (JMA 2008).<br />
The other early twentieth century brick residences<br />
within this character area are located at the<br />
northeast corner, facing onto a large parking lot<br />
that was once an extension of Lenox Avenue (see<br />
figure 5-142). They are very similar in design <strong>and</strong><br />
construction to the other two residences in this<br />
block, described in the Colonial Hall character area<br />
section. While these were built as residences, they<br />
appear to currently house college offices.<br />
For a more detailed building analysis <strong>and</strong><br />
discussion, refer to Chapter Eight of this report.<br />
Contributing features:<br />
• Historic residences<br />
Figure 5-143. The Collier Hall of Science has a large setback<br />
facing Locust Street (JMA 2008).<br />
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L<strong>and</strong> Use<br />
L<strong>and</strong> use in this character area was originally<br />
agricultural, developed as residential in the late<br />
nineteenth <strong>and</strong> early twentieth centuries, <strong>and</strong> is now<br />
college-related use, either residential, academic, or<br />
office.<br />
Circulation Features<br />
The most dominant circulation feature in this area<br />
is the grid of streets that developed around the<br />
turn of the twentieth century as the residential<br />
neighborhoods of Bethlehem extended to <strong>and</strong><br />
around <strong>Moravian</strong> <strong>College</strong> (see figure 5-141). With<br />
the exception of a couple of blocks, this pattern has<br />
remained more or less intact despite the erosion of<br />
the historic building fabric of this area. The only<br />
streets that have been removed entirely <strong>for</strong> campus<br />
development are the block of Monocacy between<br />
Elizabeth <strong>and</strong> Locust <strong>and</strong> a block of Lenox Avenue<br />
between Elizabeth <strong>and</strong> Locust.<br />
Parking lots are the second most dominant feature<br />
in the l<strong>and</strong>scape of the Campus Ring (figure 5-144).<br />
Large expanses providing parking <strong>for</strong> anywhere<br />
from 15 to 145 cars are located in almost every block<br />
of this area <strong>and</strong> replaced, at minimum, 20-25 historic<br />
residential buildings. Some also replaced lots that<br />
were used <strong>for</strong> recreation, such as tennis courts.<br />
Parking lots are scattered throughout the area, but<br />
it appears that at least one-third of the parking is<br />
provided on two blocks north of Elizabeth, across<br />
the street from the core of the North Main Street<br />
Campus.<br />
likely historic in location, if not in material. Other<br />
circulation is internal to each block <strong>and</strong> provides<br />
access from parking lots to buildings or between<br />
facilities. In addition is the large pedestrian plaza<br />
constructed at the corner of Locust <strong>and</strong> Monocacy<br />
as part of the Hurd Academic Complex (figure<br />
5-145).<br />
Contributing features:<br />
• Original street grid with sidewalks<br />
Figure 5-145. Pedestrian plaza at the northwest corner of the<br />
Hurd Academic Complex, across Monocacy Street from the<br />
Haupert Union Building (JMA 2008).<br />
Views <strong>and</strong> Vistas<br />
Historic views within this part of the campus are<br />
limited to linear glimpses of what remains of the<br />
streetscape from the historic period.<br />
Contributing features:<br />
• Views to remnants of historic streetscape<br />
Vegetation<br />
Figure 5-144. Driveway leading from Main Street between<br />
Collier Hall of Science (right) <strong>and</strong> historic residences (left),<br />
leading to parking lots behind the Hurd Academic Complex<br />
(JMA 2008).<br />
Pedestrian circulation is provided by concrete<br />
sidewalks that parallel the historic streets on<br />
both sides along almost every block. These are<br />
Some large street trees, possibly of historic value,<br />
remain within the Campus Ring, having either<br />
been intentionally preserved or simply out of the<br />
way of development (figure 5-146). In addition some<br />
parking areas have been planted with trees that will<br />
eventually provide shade <strong>and</strong> a more human scale<br />
(figure 5-147). Other plantings include small trees,<br />
shrubs, <strong>and</strong> perennials planted in association with<br />
new buildings.<br />
Contributing features:<br />
• Large street trees<br />
L<strong>and</strong>scape Structures<br />
A variety of l<strong>and</strong>scape structures are present in this<br />
character area, mostly consisting of retaining walls,<br />
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Site Furnishings <strong>and</strong> Objects<br />
Site furnishings <strong>and</strong> objects in this character area<br />
include street, parking lot, <strong>and</strong> pedestrian-scale<br />
lighting; street signs; parking signs; <strong>and</strong> utility poles.<br />
Additional field research should be conducted to<br />
further determine the historic nature of small scale<br />
features in this area.<br />
Contributing features:<br />
• Not determined<br />
Archeological Features<br />
While no archeological resources have been<br />
discovered or recorded previously within this<br />
character area, future investigations may uncover<br />
artifacts or features associated with <strong>for</strong>mer<br />
agricultural operations.<br />
Signifi cance <strong>and</strong> Integrity Evaluation<br />
Figure 5-146. Large sycamore on Elizabeth Avenue (JMA 2008).<br />
Figure 5-147. Residential lots acquired by the college <strong>and</strong> used<br />
<strong>for</strong> campus parking (JMA 2008).<br />
outbuildings <strong>and</strong> other utilitarian structures (see<br />
figure 5-145). Additional field research should be<br />
conducted to further determine the historic nature<br />
of structures in this area.<br />
Contributing features:<br />
• Not determined<br />
The Campus Ring Character Area is an example<br />
of an early unplanned suburb which developed<br />
piecemeal based on the actions of different l<strong>and</strong><br />
owners <strong>and</strong> developers. While some streets <strong>and</strong><br />
blocks were developed with modest workers’<br />
housing, others contain upscale detached homes.<br />
Overall, the neighborhood reflects the gamut of<br />
housing needs driving Bethlehem’s development<br />
during the 1890-1940 period, <strong>and</strong> how individuals<br />
tried to fulfill them. The Campus Ring contains<br />
excellent examples of a number of different housing<br />
types <strong>and</strong> residential architectural styles.<br />
Integrity of buildings in the neighborhood varies,<br />
even among those buildings owned by the <strong>College</strong>.<br />
While all are recognizably of their construction<br />
period, some are well preserved while others<br />
exhibit unsympathetic changes. The setting of the<br />
neighborhood remains relatively intact in many<br />
outer areas of the Campus Ring, but buildings<br />
closer to campus have seen some loss of integrity<br />
of setting. L<strong>and</strong> acquisitions <strong>and</strong> construction of<br />
new facilities by the exp<strong>and</strong>ing <strong>College</strong> entailed<br />
the demolition of a number of houses or blocks,<br />
such as parts of Monocacy <strong>and</strong> Laurel Streets,<br />
<strong>and</strong> the closing of parts of those streets to traffic.<br />
Newer buildings on the outer edges of the campus<br />
core, such as the Collier Hall of Science <strong>and</strong> the<br />
Breidegam Field House, <strong>for</strong>m modern blockfaces<br />
across the street from older houses in the Campus<br />
Ring.<br />
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5.5 Significant Historic<br />
L<strong>and</strong>scapes <strong>and</strong> their<br />
Character-Defining Features<br />
The first step in developing treatment <strong>for</strong> a historic<br />
resource is to identify the <strong>for</strong>m <strong>and</strong> detailing of key<br />
features that are important in defining its historic<br />
character <strong>and</strong> which must be retained in order to<br />
preserve that character. For l<strong>and</strong>scapes, characterdefining<br />
features may consist of natural systems <strong>and</strong><br />
features, spatial organization, buildings, l<strong>and</strong> use,<br />
circulation features, views <strong>and</strong> vistas, vegetation,<br />
l<strong>and</strong>scape structures, <strong>and</strong> site furnishings <strong>and</strong><br />
objects.<br />
The following table (5A) lists the significant historic<br />
l<strong>and</strong>scapes identified within <strong>Moravian</strong> <strong>College</strong><br />
<strong>and</strong> summarize their important character-defining<br />
features. The second table (5B) lists other l<strong>and</strong>scapes<br />
within <strong>Moravian</strong> <strong>College</strong> that are not yet historic,<br />
but which contain important features that should<br />
be noted. Within the historic campus, significant<br />
l<strong>and</strong>scapes, such as portions of the Hurd Campus,<br />
the northern portion of Steel Field, Comenius Lawn,<br />
Colonial Hall, Betty Prince Field, <strong>and</strong> portions of the<br />
Campus Ring, should not be altered or modified to<br />
accommodate new buildings, l<strong>and</strong>scape features,<br />
roads, or other modern amenities that would detract<br />
from their historical value (see Table 5A). All other<br />
historic resources should be repaired, maintained,<br />
rehabilitated, or preserved, as recommended in this<br />
report (see Table 5B).<br />
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Table 5A. Significant Historic L<strong>and</strong>scapes<br />
Character<br />
Area<br />
Hurd<br />
Campus<br />
Steel Field<br />
L<strong>and</strong>scape<br />
Description<br />
Open space behind<br />
Single Brethren’s<br />
House <strong>and</strong> Main<br />
Hall, which has<br />
features remaining<br />
from the historic<br />
Pleasure Grounds<br />
Streetscape along<br />
Church Street<br />
Northern field<br />
organized around<br />
1916 Gr<strong>and</strong>st<strong>and</strong>,<br />
constructed <strong>for</strong><br />
Bethlehem Steel<br />
Soccer Club<br />
Character-Defining Features<br />
• Space enclosed by buildings<br />
• Historic Single Brethren’s House, Main<br />
Hall, West Hall, Old Chapel/Hearst<br />
Hall, Peter Hall/New Chapel, South<br />
Hall, <strong>and</strong> Day House<br />
• Rolling topography extant from<br />
historic period<br />
• Alignment of service drive similar to<br />
alignment of main garden pathway<br />
• Axial connection between Single<br />
Brethren’s House <strong>and</strong> Main Hall to<br />
Main Street<br />
• Large shade trees<br />
• Flagpole extant from historic period<br />
• Potential <strong>for</strong> significant archeological<br />
resources<br />
• Stream corridor edged by narrow<br />
woodl<strong>and</strong>s<br />
• Visual connection to der Platz section of<br />
Main Street<br />
• Alignment of buildings along edge of<br />
bluff above Monocacy Creek<br />
• Broad sidewalk space<br />
• Street trees<br />
• Building porches <strong>and</strong> l<strong>and</strong>ings<br />
• Level, open space of playing field<br />
• Terraced topography developed <strong>for</strong><br />
Gr<strong>and</strong>st<strong>and</strong> <strong>and</strong> field<br />
• Gr<strong>and</strong>st<strong>and</strong><br />
• Street trees along Elizabeth Avenue<br />
<strong>and</strong> Center Street<br />
• Views to townscape <strong>and</strong> mountains<br />
• Residential buildings facing east end<br />
of field<br />
Historic Status<br />
Central<br />
Bethlehem<br />
Historic<br />
District<br />
Central<br />
Bethlehem<br />
Historic<br />
District<br />
No official<br />
recognition<br />
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Table 5A. Significant Historic L<strong>and</strong>scapes<br />
Character<br />
Area<br />
Comenius<br />
Lawn<br />
Colonial<br />
Hall<br />
Betty Prince<br />
Field<br />
L<strong>and</strong>scape<br />
Description<br />
Open lawn from<br />
Main Street to<br />
façade of Comenius<br />
Hall, view framed<br />
by trees.<br />
L<strong>and</strong>scape from<br />
Elizabeth to Locust<br />
<strong>and</strong> Main to<br />
mid-block.<br />
One of the<br />
oldest surviving<br />
recreational areas<br />
of campus<br />
Character-Defining Features<br />
• Open space from Main Street to<br />
Comenius façade<br />
• Hilltop topography<br />
• Comenius Hall<br />
• Terraced topography developed <strong>for</strong><br />
Comenius Hall placement<br />
• Historic trees<br />
• Turf lawn<br />
• Linear pathway connection to Colonial<br />
Hall<br />
• South arm of circular driveway<br />
• Entrance gateway at Main Street<br />
• Open courtyard space created within<br />
“L” of building wings<br />
• Streetscape along Main<br />
• Linear pathway connection to<br />
Comenius Hall<br />
• Large oak at corner of Main <strong>and</strong><br />
Elizabeth<br />
• Turf lawn<br />
• Colonial Hall buildings<br />
• American Four-square residential<br />
buildings<br />
• Level, open space of playing field<br />
• Consistent use <strong>for</strong> athletics since<br />
establishment of college<br />
• Location along historic Mauch Chunk<br />
Road<br />
• Views to historic mills across road <strong>and</strong><br />
creek<br />
• Turf groundcover<br />
• Potential <strong>for</strong> significant archeological<br />
resources<br />
Historic Status<br />
No official<br />
recognition<br />
No official<br />
recognition<br />
No official<br />
recognition<br />
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Table 5A. Significant Historic L<strong>and</strong>scapes<br />
Character<br />
Area<br />
Campus<br />
Ring<br />
L<strong>and</strong>scape<br />
Description<br />
All college-owned<br />
properties north of<br />
Elizabeth, south of<br />
Locust, <strong>and</strong> east of<br />
Monocacy, south<br />
of Laurel, <strong>and</strong><br />
behind Colonial<br />
Hall to Palmer.<br />
Under pressure <strong>for</strong><br />
campus expansion.<br />
Character-Defining Features<br />
• Residential streetscapes developed in<br />
the late nineteenth century.<br />
• Concrete sidewalks<br />
• Shade trees edge some of the sidewalks<br />
• Linear views along streets<br />
• Historic residential buildings <strong>and</strong><br />
associated outbuildings <strong>and</strong> l<strong>and</strong>scape<br />
structures<br />
• Gently rolling topography overall,<br />
bluff topography at west edge<br />
Historic Status<br />
No official<br />
recognition<br />
Table 5B. Other L<strong>and</strong>scapes of Note<br />
L<strong>and</strong>scape<br />
Name<br />
Old Quad<br />
Monocacy<br />
Quad<br />
Description Character-Defining Features Historic Status<br />
Open space<br />
bounded by<br />
historic campus<br />
buildings<br />
Block of historic<br />
street between<br />
Elizabeth <strong>and</strong><br />
Locust<br />
• Adapted re-use of space <strong>for</strong> pedestrian<br />
circulation, relaxation, <strong>and</strong> study.<br />
• Recently-planted locusts <strong>for</strong>m<br />
translucent canopy<br />
• Adapted re-use of space <strong>for</strong> pedestrian<br />
circulation <strong>and</strong> access to Reeves<br />
Library<br />
• Linear character references previous<br />
use as street<br />
• Historic street trees have been retained<br />
• Scale of Reeves Library in keeping<br />
with historic buildings on opposite<br />
side of central walkway<br />
• Pleasant views to Old Quad from<br />
library entrance<br />
• Enclosed small amphitheater at south<br />
end of library<br />
NA<br />
NA<br />
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Table 5B. Other L<strong>and</strong>scapes of Note<br />
L<strong>and</strong>scape<br />
Name<br />
Sports Quad<br />
Hillside<br />
Description Character-Defining Features Historic Status<br />
Open space<br />
defined by<br />
façades of mostly<br />
mid-twentieth<br />
century buildings<br />
Small-scale,<br />
multi-unit<br />
residential<br />
development<br />
descending down<br />
slopes leading to<br />
Monocacy Creek<br />
• Extension of Locust Street to circle<br />
turn-around<br />
• Topography graded to <strong>for</strong>m gentlysloping<br />
field<br />
• Placement of dormitories along bluff<br />
to west<br />
• Horizontal lines of buildings <strong>and</strong> use<br />
of native stone<br />
• Space ringed by large shade trees<br />
• Turf groundcover<br />
• Johnston Hall (1952) <strong>and</strong> greyhound<br />
sculptures<br />
• Laurel Street in historic location<br />
• Groupings of buildings around<br />
recreation space, <strong>for</strong>ming smaller<br />
residential clusters<br />
• Slope leading to Monocacy Creek<br />
• In<strong>for</strong>mal feeling<br />
NA<br />
NA<br />
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Chapter Six<br />
Guidelines <strong>for</strong> Cultural L<strong>and</strong>scapes<br />
6.0 Introduction<br />
Recognizing the importance of the cultural<br />
l<strong>and</strong>scapes of <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> the need of<br />
the college to accommodate growth, this chapter<br />
provides general design <strong>and</strong> development<br />
guidelines <strong>for</strong> cultural l<strong>and</strong>scape preservation<br />
within the context of a Rehabilitation approach.<br />
These guidelines are based on the Secretary of<br />
the Interior’s St<strong>and</strong>ards <strong>for</strong> the Treatment of Historic<br />
Properties (St<strong>and</strong>ards) with Guidelines <strong>for</strong> the<br />
Treatment of Cultural L<strong>and</strong>scapes (Guidelines). This<br />
publication contains ten basic principles created to<br />
help preserve the distinctive character of a cultural<br />
l<strong>and</strong>scape, while allowing <strong>for</strong> reasonable change to<br />
meet new needs.<br />
6.1 L<strong>and</strong>scape <strong>Preservation</strong><br />
Treatment Approach<br />
Based upon <strong>Moravian</strong> <strong>College</strong>’s desire to both<br />
preserve historic resources <strong>and</strong> accommodate<br />
change <strong>and</strong> growth, Rehabilitation is recommended<br />
as the appropriate overarching treatment approach<br />
<strong>for</strong> the campus l<strong>and</strong>scapes. As defined by the<br />
Guidelines, the Rehabilitation approach focuses<br />
on the protection, maintenance, <strong>and</strong> retention of<br />
historic fabric, but allows <strong>for</strong> compatible new uses<br />
through sensitive alterations or additions <strong>and</strong> the<br />
adaptive reuse of existing resources when the<br />
college needs to accommodate change.<br />
These guidelines pertain to l<strong>and</strong>scape issues that<br />
are common throughout the <strong>Moravian</strong> <strong>College</strong><br />
campus, regardless of character area, <strong>and</strong> should be<br />
considered during the planning <strong>and</strong> design review<br />
process <strong>for</strong> any alterations or new projects that<br />
are proposed. Topics include natural systems <strong>and</strong><br />
features, spatial organization, buildings, l<strong>and</strong> use,<br />
circulation features, views <strong>and</strong> vistas, vegetation,<br />
l<strong>and</strong>scape structures, site furnishings <strong>and</strong> objects,<br />
<strong>and</strong> archeology. Specific recommendations that<br />
are applicable to conditions <strong>and</strong> resources within<br />
each character area are identified in Chapter 7 –<br />
Treatment Recommendations.<br />
It should be noted that these guidelines are neither<br />
technical nor prescriptive. In <strong>and</strong> of themselves,<br />
they cannot be used to make essential decisions<br />
about which features of a historic l<strong>and</strong>scape should<br />
be saved <strong>and</strong> which can be changed. Rather than<br />
providing a set of solutions to specific design<br />
issues, they provide a balanced, reasonable, <strong>and</strong><br />
disciplined approach to problem-solving.<br />
Implemented in conjunction with the more detailed<br />
l<strong>and</strong>scape recommendations contained in Chapter<br />
7, as well as the architectural treatment guidelines<br />
<strong>and</strong> recommendations in Chapters 8 <strong>and</strong> 9, this<br />
in<strong>for</strong>mation will assist <strong>Moravian</strong> <strong>College</strong> in<br />
effectively <strong>and</strong> comprehensively preserving <strong>and</strong><br />
protecting its historic resources.<br />
6.2 Cultural L<strong>and</strong>scape<br />
Guidelines<br />
The cultural l<strong>and</strong>scape guidelines that follow<br />
pertain to historic areas of <strong>Moravian</strong> <strong>College</strong>’s<br />
campus <strong>and</strong> should be used when planning <strong>for</strong><br />
any future l<strong>and</strong>scape change. They are intended<br />
to support the more specific l<strong>and</strong>scape treatment<br />
recommendations proposed in Chapter 7, <strong>and</strong><br />
should be considered in conjunction with any<br />
project or treatment alternative undertaken within<br />
areas of historical significance. The guidelines<br />
begin with general recommendations. Subsequent<br />
topics are arranged as they were in Chapter 5:<br />
natural systems <strong>and</strong> features, spatial organization,<br />
buildings, l<strong>and</strong> use, circulation features, views <strong>and</strong><br />
vistas, vegetation, l<strong>and</strong>scape structures, <strong>and</strong> site<br />
furnishings <strong>and</strong> objects.<br />
General<br />
Implement a process <strong>for</strong> evaluating how new<br />
projects or undertakings may affect historic<br />
l<strong>and</strong>scape resources. A recommended process is as<br />
follows:<br />
• Identify the type of project to be implemented.<br />
Will it involve demolishing a feature,<br />
constructing a new feature, or relocating an<br />
existing feature?<br />
• Assess how the proposed project may affect the<br />
cultural l<strong>and</strong>scape <strong>and</strong> historic character of the<br />
campus. Will the project require the removal or<br />
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alteration of historically significant features?<br />
Will the proposed project enhance or detract<br />
from the historic character of the campus?<br />
• Design new features to be visually compatible<br />
with the historic character of nearby features.<br />
Think creatively about how new buildings or<br />
l<strong>and</strong>scapes may incorporate contemporary<br />
design while respecting their historic environs.<br />
This applies to both new features that will be<br />
constructed, as well as to spaces that remain<br />
after a feature is removed or altered.<br />
• Implement the project in a way that minimizes<br />
damage to or loss of cultural resources,<br />
including historic l<strong>and</strong>scape features <strong>and</strong><br />
archeological resources.<br />
• Evaluate the end result of the project to<br />
determine how it relates to its historic <strong>and</strong><br />
non-historic surroundings. Make notes about<br />
what works well <strong>and</strong> what does not <strong>and</strong> apply<br />
these lessons to future projects.<br />
In addition, the following general guidelines are<br />
offered:<br />
• Maintain cultural l<strong>and</strong>scape features of the<br />
<strong>Moravian</strong> <strong>College</strong> campus in good condition.<br />
Repair all condition issues identified <strong>for</strong><br />
cultural l<strong>and</strong>scapes.<br />
• Consider recommendations made by the<br />
Guidelines <strong>for</strong> the Treatment of Cultural L<strong>and</strong>scapes<br />
section of the Secretary of the Interior’s<br />
St<strong>and</strong>ards <strong>for</strong> the Treatment of Historic Properties<br />
when making any changes or proposing<br />
additions to the historic l<strong>and</strong>scape within the<br />
campus (Birnbaum).<br />
• Base all work involving historically significant<br />
features on historic documentation discovered<br />
through primary <strong>and</strong> secondary research <strong>and</strong><br />
described in this plan. If further documentary<br />
evidence is discovered subsequent to the final<br />
publication of this plan, consider adding it in<br />
an appendix <strong>and</strong> include it in considerations<br />
<strong>for</strong> treatment.<br />
• Use the latest technologies, including GIS,<br />
remote sensing, <strong>and</strong> new archeological<br />
methodologies in order to identify l<strong>and</strong>scape<br />
features <strong>and</strong> accomplish l<strong>and</strong>scape-related<br />
goals.<br />
• Avoid introducing conjectural features into the<br />
historic l<strong>and</strong>scape, which may create a false<br />
sense of the historic <strong>and</strong> mislead an observer.<br />
• Document all alterations to historically<br />
significant l<strong>and</strong>scape features through<br />
drawings <strong>and</strong> photography.<br />
• Any alterations or work proposed on<br />
historically significant features should be based<br />
on historical <strong>and</strong> physical documentation.<br />
• All alterations to historically significant<br />
l<strong>and</strong>scape features should be documented<br />
through photography <strong>and</strong>/or drawings.<br />
• Ensure that any construction, demolition, or<br />
maintenance activity that involves grounddisturbance<br />
in an area that may contain<br />
subterranean cultural resources is monitored by<br />
a qualified archaeologist. Involve archaeologists<br />
in early planning <strong>for</strong> new developments, as<br />
well as subsequent planning stages.<br />
Natural Systems <strong>and</strong> Features<br />
The primary issues regarding natural systems <strong>and</strong><br />
features as they affect the cultural l<strong>and</strong>scape within<br />
the <strong>Moravian</strong> <strong>College</strong> campus on the campus are<br />
the preservation of topographical features <strong>and</strong> the<br />
course of Monocacy Creek as historic resources.<br />
The bluff topography of the Hurd Campus <strong>and</strong> the<br />
rolling quality of the North Main Street Campus are<br />
two of the college’s most defining natural features.<br />
In addition, Monocacy Creek was one of the most<br />
important resources that attracted the first settlers<br />
of Bethlehem <strong>and</strong> hence the founders of the <strong>College</strong>.<br />
The following recommendations regarding the<br />
treatment of soils <strong>and</strong> stormwater relate directly to<br />
the preservation of these features.<br />
Soils<br />
Protection of healthy soils is essential to the<br />
preservation of historic topography through the<br />
prevention of erosion <strong>and</strong> support of healthy<br />
vegetation that help to keep soils in place:<br />
• Preserve <strong>and</strong> protect healthy soils by assessing<br />
soil conditions; retaining topsoil; preventing<br />
erosion <strong>and</strong> sedimentation; minimizing<br />
grading, compaction <strong>and</strong> soil disturbance; <strong>and</strong><br />
avoiding vegetation removal <strong>and</strong> disturbance.<br />
• Improve health of degraded soils through soil<br />
restoration, reuse, <strong>and</strong> rehabilitation to achieve<br />
conditions similar to regional reference soil.<br />
• Limit ground-disturbing activities when<br />
implementing new development <strong>and</strong><br />
construction. Avoid excessive grading, make<br />
all ef<strong>for</strong>ts to control soil erosion <strong>and</strong> run-off,
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<strong>and</strong> consider other locations <strong>for</strong> development<br />
be<strong>for</strong>e building in ravines <strong>and</strong> other areas<br />
with steep slopes or with the potential to<br />
impact water resources, woodl<strong>and</strong>s, <strong>and</strong> other<br />
important natural resources.<br />
• Reduce waste during maintenance by<br />
recovering yard trimmings <strong>for</strong> composting.<br />
Compost reduces the need <strong>for</strong> fertilizers by<br />
supplying nutrients in a slow-release manner.<br />
It also helps soils hold more rainwater onsite,<br />
decreases runoff, <strong>and</strong> provides increased soil<br />
moisture <strong>and</strong> filtering capacity.<br />
• Retain existing woodl<strong>and</strong>s along riparian<br />
corridors to help stabilize soils, slow runoff, <strong>and</strong><br />
filter impurities be<strong>for</strong>e they enter waterways.<br />
• Monitor the bluffs above Monocacy Creek on<br />
both campuses <strong>for</strong> signs of soil erosion.<br />
• Protect slopes from erosion by maintaining a<br />
healthy vegetative cover.<br />
• Comply with the City of Bethlehem’s 2008<br />
Comprehensive <strong>Plan</strong> by protecting moderate<br />
to steep slopes (15% to over 25%). Erosion<br />
occurs more swiftly on steep slopes <strong>and</strong> is less<br />
controllable (City of Bethlehem 2008b).<br />
Stormwater Management<br />
Management of stormwater is essential to the<br />
protection of historic l<strong>and</strong> <strong>for</strong>ms, as well as the<br />
protection of the course <strong>and</strong> health of Monocacy<br />
Creek:<br />
• Mitigate the stormwater run-off associated with<br />
road, parking, <strong>and</strong> path development within<br />
the campus by reducing impervious cover.<br />
• Promote sheet flow of stormwater over the<br />
l<strong>and</strong>scape areas rather than concentrating or<br />
channeling flow, which can cause erosion.<br />
• Increase on-site infiltration of stormwater<br />
by using filter strips, grass swales, <strong>and</strong> rain<br />
gardens, which increase groundwater recharge<br />
by capturing excess water.<br />
• Reduce water pollution, particularly from<br />
parking areas, by reducing impervious cover,<br />
increasing on-site infiltration, eliminating<br />
sources of contaminants, <strong>and</strong> removing<br />
pollutants from stormwater runoff.<br />
Spatial Organization<br />
The organization of several large, open spaces<br />
within the campus represent the cultural heritage<br />
of Moravia <strong>College</strong>. <strong>Preservation</strong> of these spaces<br />
is essential to preservation of the overall historic<br />
character of the campus:<br />
• Maintain spatial relationships established<br />
during the historic period between buildings<br />
<strong>and</strong> l<strong>and</strong>scapes, <strong>and</strong> between historic l<strong>and</strong>scape<br />
features.<br />
• Consider the effects of new developments on<br />
historic spatial relationships between buildings<br />
<strong>and</strong> l<strong>and</strong>scapes.<br />
• Replace features slated <strong>for</strong> removal with<br />
compatible new features in order to maintain<br />
historic spatial patterns.<br />
• Consider the contribution of vegetation patterns<br />
to historic patterns of spatial organization<br />
within the campus. Replace historic trees <strong>and</strong><br />
other plants in-kind, if possible, <strong>and</strong> in their<br />
historic locations.<br />
Buildings<br />
Refer to overall building treatment guidelines <strong>and</strong><br />
recommendations presented in Chapters 8 <strong>and</strong> 9.<br />
L<strong>and</strong> Use<br />
When considering a new development project,<br />
consider how its l<strong>and</strong> use will impact the<br />
surrounding historic l<strong>and</strong>scape:<br />
• Maintain, if possible, the distinct historic l<strong>and</strong><br />
uses that currently exist within each l<strong>and</strong>scape<br />
character area.<br />
• Give equal weight to both natural <strong>and</strong> cultural<br />
features in treatment <strong>and</strong> l<strong>and</strong>-use decisions.<br />
• Avoid l<strong>and</strong>-use activities, permanent or<br />
temporary, which threaten or impair known or<br />
potential archeological resources.<br />
• Monitor <strong>and</strong> regulate use of the l<strong>and</strong>scape to<br />
minimize immediate <strong>and</strong> long-term damage to<br />
cultural resources.<br />
• Limit, monitor, <strong>and</strong> control access to areas that<br />
are vulnerable to damage from human use.<br />
• Avoid developing new uses <strong>for</strong> existing<br />
buildings <strong>and</strong> l<strong>and</strong>scapes that require new<br />
parking lots within historic l<strong>and</strong>scapes.<br />
Circulation Features<br />
The circulation issues most affecting the historic<br />
l<strong>and</strong>scapes of <strong>Moravian</strong> <strong>College</strong> are vehicular<br />
circulation, parking, <strong>and</strong> pedestrian circulation.<br />
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Driveways <strong>and</strong> service vehicle access encroach on<br />
spaces traditionally used <strong>for</strong> pedestrians negatively<br />
affect the historic character of those spaces <strong>and</strong><br />
present an opportunity <strong>for</strong> conflict. In addition,<br />
vehicular parking, which can disrupt the historic<br />
setting of certain buildings, still occurs along many<br />
of the road margins within the historic campus,<br />
in some historic l<strong>and</strong>scape areas, <strong>and</strong> in localized<br />
lots within proximity to some historic buildings.<br />
Modifications to vehicular circulation <strong>and</strong> to<br />
existing parking areas would benefit the character<br />
of the historic l<strong>and</strong>scape. Recommendations<br />
<strong>for</strong> pedestrian-ways have to do with restoring<br />
or preserving historic character <strong>and</strong> providing<br />
universal access.<br />
The following recommendations can be applied to<br />
the campus as a whole; specific recommendations<br />
<strong>for</strong> each character area are provided in Chapter 7.<br />
Vehicular Circulation<br />
• Protect <strong>and</strong> continue to use historic road<br />
corridors, such as Main Street, Elizabeth<br />
Avenue, <strong>and</strong> Church Street.<br />
• Avoid removing historically significant roads<br />
or drives within the campus. If a historic road<br />
is no longer needed <strong>for</strong> vehicles, consider<br />
retaining it as a pedestrian pathway.<br />
• Avoid constructing new roads or drives within<br />
historic character areas. If new roads or drives<br />
are essential to accommodate new uses, they<br />
should be compatible with historic patterns <strong>and</strong><br />
should not adversely impact existing historic<br />
features.<br />
• Be<strong>for</strong>e establishing a new road, consider<br />
re-establishing a roads or drive that was<br />
important during the historic period if its<br />
alignment can meet the needs of the circulation<br />
network.<br />
• Employ professionals trained in identifying<br />
<strong>and</strong> assisting with traffic <strong>and</strong> transportationrelated<br />
issues to evaluate circulation <strong>and</strong> traffic<br />
flow on public streets surrounding or passing<br />
through the campus, as well private drives on<br />
the interior.<br />
• Consider limiting vehicular access within<br />
historic portions of the entire campus not<br />
traditionally served by vehicles to enhance their<br />
historic character. If necessary, make campus<br />
vehicular access as unobtrusive as possible.<br />
Parking<br />
• Consolidate parking as much as possible,<br />
rather than exp<strong>and</strong>ing the existing pattern of<br />
dispersed parking areas. Consolidation will<br />
have the following positive impacts:<br />
◦ Better limit the impacts of vehicular<br />
circulation on historic resources by<br />
allowing greater retention of the existing<br />
historic fabric<br />
◦ Reduce the intrusiveness of the automobile<br />
on historic views<br />
◦ Limit vehicular-pedestrian safety conflicts,<br />
<strong>and</strong><br />
◦ Provide better opportunities controlling<br />
stormwater runoff via best management<br />
practices.<br />
• If structured parking is developed, ensure that<br />
views of the parking garage do not diminish<br />
the integrity of important historic views.<br />
• Promote carpooling <strong>and</strong>/or the use of<br />
fuel-efficient cars by creating dedicated parking<br />
spaces <strong>for</strong> these types of vehicles.<br />
Pedestrian Circulation<br />
• Retain historic sidewalks <strong>and</strong> pedestrian<br />
circulation patterns as much as possible.<br />
• Ensure that all proposed features associated<br />
with universal accessibility should con<strong>for</strong>m<br />
to ADAAG (Americans with Disabilities Act<br />
Accessibility Guidelines) st<strong>and</strong>ards. Refer to<br />
Chapter 10 <strong>for</strong> more in<strong>for</strong>mation.<br />
• <strong>Plan</strong> <strong>and</strong> undertake with care any universal<br />
accessibility programs within the historic<br />
l<strong>and</strong>scape so that projects do not result in the<br />
loss of character-defining features.<br />
• Consider the potential impacts of new<br />
pedestrian walks on important views, sensitive<br />
archeological resources, <strong>and</strong> accessibility. If<br />
issues of concern cannot be mitigated, consider<br />
using a different alignment <strong>for</strong> the walk that<br />
meets planned goals.<br />
• Monitor <strong>and</strong> upgrade pedestrian circulation<br />
features as necessary to address unsafe<br />
pavement conditions. When rehabilitating<br />
historic sidewalks, plazas, terraces, or patios,<br />
the following recommendations apply:<br />
◦ Document, through photographs <strong>and</strong><br />
measured drawings, the extent <strong>and</strong><br />
condition of the historic circulation<br />
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features prior to removal. If possible,<br />
compare existing conditions with historic<br />
photographs of these features to determine<br />
their integrity.<br />
◦ To re-use dry-laid brick <strong>and</strong> stone that is<br />
in good condition, remove <strong>and</strong> carefully<br />
stockpile all paving materials from the area<br />
<strong>for</strong> cleaning.<br />
◦ Carefully regrade the path or patio sub-base<br />
to allow <strong>for</strong> positive drainage <strong>and</strong> ensure<br />
that the feature drains away from adjacent<br />
building foundations.<br />
◦ Reset paving units in a manner consistent<br />
with historic construction methods,<br />
patterns, <strong>and</strong> appearance, taking into<br />
consideration the modifications that may<br />
be required to meet current Americans with<br />
Disabilities Act st<strong>and</strong>ards <strong>and</strong> guidelines.<br />
◦ Reuse pavers that are in good condition<br />
<strong>and</strong> place in their historic location to the<br />
greatest extent feasible. Avoid setting<br />
historic brick in a mortar base as this will<br />
limit opportunities <strong>for</strong> re-using these bricks<br />
in the future.<br />
◦ Brick <strong>and</strong> stone paths <strong>and</strong> patios with<br />
failing mortar joints may also be re-used<br />
if the pavers are set atop a s<strong>and</strong> base. The<br />
feasibility of cleaning these pavers should<br />
be evaluated be<strong>for</strong>e deciding to replace<br />
them with new materials.<br />
◦ If new pavers are required, they should<br />
match historic pavers in material, size,<br />
texture, color, <strong>and</strong> pattern of installation to<br />
the greatest extent possible.<br />
◦ Where only a few new replacement pavers<br />
are needed, these should be r<strong>and</strong>omly<br />
distributed to limit their visual impact.<br />
Views <strong>and</strong> Vistas<br />
Many of the historic buildings <strong>and</strong> l<strong>and</strong>scape spaces<br />
within campus were designed to take advantage<br />
of prospects af<strong>for</strong>ded by the natural topography<br />
overlooking views of Monocacy Creek, the Lehigh<br />
Canal, the Lehigh River, or the hills beyond. These<br />
views <strong>and</strong> vistas should be preserved <strong>and</strong> enhanced.<br />
In locations where the intended views <strong>and</strong> vistas<br />
have already been compromised, ef<strong>for</strong>ts should be<br />
made to restore them to their historic condition.<br />
• Preserve <strong>and</strong> enhance historic views <strong>and</strong><br />
vistas.<br />
• Undertake viewshed analyses when planning<br />
new development. These will help planners <strong>and</strong><br />
managers determine how proposed features<br />
will impact historic views.<br />
• Establish new views <strong>and</strong> vistas in selected areas<br />
to strengthen visual connections between new<br />
<strong>and</strong> historic l<strong>and</strong>scape spaces within campus.<br />
• Use vegetation or masonry walls to match<br />
historic walls to screen undesirable views in<br />
lieu of modern fencing <strong>and</strong> walls that may be<br />
incompatible with the historic l<strong>and</strong>scape.<br />
• Undertake periodic maintenance ef<strong>for</strong>ts to thin<br />
or remove vegetation that is obscuring important<br />
views. All pruning should be per<strong>for</strong>med under<br />
the direction of <strong>Moravian</strong>’s horticultural staff<br />
<strong>and</strong>/or professional <strong>for</strong>esters.<br />
Vegetation<br />
The primary goals concerning vegetation at<br />
<strong>Moravian</strong> <strong>College</strong> are the preservation of historic<br />
trees, the installation of new vegetation that<br />
contributes to the historic character of the campus<br />
l<strong>and</strong>scape, <strong>and</strong> potential locations <strong>for</strong> new tree<br />
plantings in non-historic areas.<br />
Many historic trees <strong>and</strong> patterns of vegetation<br />
have been identified that contribute to the historic<br />
character of the campus. The gradual loss or<br />
inappropriate replacement of trees <strong>and</strong> other plants<br />
that existed during the historic period, however, has<br />
led to some erosion of this character. The challenge<br />
is to maintain historic character by developing a<br />
program <strong>for</strong> tree <strong>and</strong> shrub replacement sensitive<br />
to the history of the site.<br />
Development of campus l<strong>and</strong>scape maintenance<br />
guidelines, with minimum st<strong>and</strong>ards <strong>for</strong> all<br />
l<strong>and</strong>scape work on the campus, would be useful.<br />
These guidelines might include building <strong>and</strong> site<br />
design considerations, l<strong>and</strong>scape specifications,<br />
scheduled maintenance, tree care, fertilization,<br />
plant health care <strong>and</strong> integrated pest management,<br />
<strong>and</strong> road <strong>and</strong> path specifications. The following<br />
guidelines are offered here as a framework <strong>for</strong><br />
issues having to do with historic vegetation, new<br />
vegetation located within historic character areas,<br />
or new plantings within non-historic character<br />
areas.<br />
<strong>Preservation</strong> of Historic Vegetation<br />
In support of the l<strong>and</strong>scape guidelines, an inventory<br />
of historic trees within the cultivated/developed<br />
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areas of campus is recommended. The inventory<br />
might include in<strong>for</strong>mation such as species, location,<br />
approximate age, trunk diameter, height, <strong>and</strong><br />
hazard rating based upon International <strong>Society</strong> of<br />
Arboriculture (ISA) st<strong>and</strong>ards. Trees located in the<br />
non-cultivated or undeveloped areas of campus<br />
(i.e. woodl<strong>and</strong>s) could be described by primary<br />
species group <strong>and</strong> habit.<br />
Within this inventory, trees associated with a<br />
notable local or regional historical event, person,<br />
structure, or l<strong>and</strong>scape could be identified as a<br />
l<strong>and</strong>mark or heritage tree. While there is no specific<br />
age (typically estimated by trunk diameter) that<br />
defines a historic tree, it is recommended that,<br />
as with buildings, structures, <strong>and</strong> objects, any<br />
tree over fifty years in age be considered historic<br />
<strong>and</strong> significant if associated with historic events,<br />
persons, structures, or larger historic l<strong>and</strong>scapes.<br />
The following guidelines apply to the preservation<br />
of historic trees:<br />
• Map all historic trees on campus using GPS<br />
technology <strong>and</strong> add this data to the campus GIS<br />
database to aid in the recognition, mapping, <strong>and</strong><br />
management of important campus resources.<br />
• Label <strong>and</strong> designate all historic trees. Avoid<br />
attached labels directly to the tree, but install<br />
small identification markers adjacent to the<br />
tree <strong>and</strong> facing the closest pedestrian path.<br />
• Maintain historic trees unless they are dying,<br />
dead, diseased, or pose a safety hazard to the<br />
public or to a structure.<br />
• Consider installing lightning rods on the<br />
largest <strong>and</strong> most significant trees, if they do not<br />
already exist.<br />
• Avoid using de-icing salts near historic trees as<br />
much as possible; their high-sodium content<br />
can damage plant materials. Even run-off from<br />
adjacent pavement can concentrate salts in the<br />
soil <strong>and</strong> damage plants.<br />
• Ensure that any possible impacts (or mitigation<br />
of impacts) to historic vegetation are considered<br />
as part of the st<strong>and</strong>ard review <strong>for</strong> any new<br />
construction or renovation project.<br />
• Ensure that the design of new buildings or<br />
l<strong>and</strong>scapes addresses preservation of historic<br />
trees <strong>and</strong> the developer is encouraged to utilize<br />
creative l<strong>and</strong> planning techniques to achieve<br />
this purpose.<br />
• Following approval of any new development<br />
or major renovation project, preserved trees<br />
shall be pruned <strong>for</strong> balance, structural integrity,<br />
ornamental appearance, <strong>and</strong>/or treated <strong>for</strong><br />
disease, as necessary.<br />
• Ensure that the root zones of historic trees are<br />
not compacted by inappropriate temporary<br />
uses that may not be regulated by development<br />
review, such as parking, snow storage, or<br />
storage of equipment or materials.<br />
• Existing vegetation, especially trees, in<br />
construction areas should be protected from soil<br />
compaction <strong>and</strong> closely monitored throughout<br />
the construction period. Tree roots typically<br />
extend at least to, <strong>and</strong> usually well past, the<br />
drip line of the tree. At a minimum, the area<br />
within the drip line should be protected from<br />
soil compaction from construction equipment,<br />
which will inhibit water penetration to the root<br />
zone <strong>and</strong> threaten the health of the tree.<br />
• Implement a cyclical maintenance program<br />
that includes periodic inspection of all historic<br />
trees <strong>for</strong> damage, disease, <strong>and</strong>/or evidence of<br />
decline in order to prevent deterioration or<br />
loss of plant material. Treat each condition<br />
appropriately <strong>and</strong> ensure that maintenance<br />
actions are documented <strong>for</strong> record. Frequent<br />
maintenance of vegetation will also prevent<br />
damage to adjacent <strong>and</strong> nearby resources, such<br />
as historic buildings <strong>and</strong> sidewalks.<br />
• Educate horticultural/maintenance staff on the<br />
significance of historic vegetation, <strong>and</strong> ensure<br />
that they receive training that is appropriate<br />
to the unique conditions within each area of<br />
campus.<br />
Removal of Historic Vegetation<br />
• Remove or cut back overgrown shrubs that are<br />
too close to building walls <strong>and</strong> require heavy<br />
sheering. Consider replacements with varieties<br />
that do not require regular pruning.<br />
• Remove historic vegetation only when it poses<br />
a hazard to humans, cultural resources, or other<br />
natural resources due to its potential to drop<br />
limbs, fall, or transfer disease to other plants.<br />
When removing vegetation, the following<br />
recommendations apply:<br />
◦ Use the most ecologically-sensitive means<br />
of vegetation removal.<br />
◦ Consider using mechanical means of<br />
removal, such as h<strong>and</strong>-pulling or removal<br />
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small tools, be<strong>for</strong>e employing chemicals.<br />
Avoid the use of heavy equipment.<br />
◦ Cut all tree <strong>and</strong> shrub trunks to be<br />
demolished flush with the ground, <strong>and</strong><br />
grind to remove. Avoid leaving stumps.<br />
• Prior to tree removal, field-check clearing<br />
locations with an archeologist, natural resource<br />
specialist, <strong>and</strong> historical l<strong>and</strong>scape architect to<br />
ensure that other natural or cultural resources<br />
will not be adversely affected.<br />
• Incorporate methods that minimize the impacts<br />
<strong>and</strong> threats to cultural <strong>and</strong> natural resources <strong>and</strong><br />
known <strong>and</strong> potential archeological resources.<br />
Undertake removal monitored by an historical<br />
l<strong>and</strong>scape architect <strong>and</strong>/or archeologist.<br />
• Work should be conducted by certified<br />
arborists with successful experience working<br />
at historically significant sites.<br />
• Cut stumps; do not uproot them. Remove<br />
to ground surface by using a stump grinder.<br />
Consult with an archeologist to determine the<br />
potential <strong>for</strong> archeological resources be<strong>for</strong>e<br />
grinding stumps. Exceptions to this rule would<br />
include streetscape trees. Stumps should be<br />
completely removed <strong>and</strong> the trees replaced in<br />
the original location in order to maintain the<br />
scale <strong>and</strong> character of the streetscape.<br />
• Minimize the use of heavy vehicles as much as<br />
possible to limit soil compaction in or around<br />
the root zone of other nearby trees; restrict use<br />
to times when soil is firm to reduce erosion<br />
potential.<br />
• Remove felled trees <strong>and</strong> large shrubs without<br />
dragging, which can gouge the ground<br />
surface.<br />
• On steep slopes, minimize scarring of the<br />
ground surface to the greatest extent possible<br />
during pruning operations <strong>and</strong> limiting access<br />
by heavy equipment. Do not remove or drag<br />
fallen limbs from the <strong>for</strong>est floor in heavily<br />
wooded areas. Rather, they should be left to<br />
decompose naturally. Large limbs <strong>and</strong> logs<br />
should be cut to minimize their potential to roll<br />
down the steep slopes, which may cause safety<br />
hazards, vegetation removal, or soil erosion.<br />
• If any scarring should occur, resulting in removal<br />
of leaf litter or exposure of the soil, the area<br />
should be replanted with native or naturalized<br />
species <strong>and</strong> covered immediately with hay<br />
or other approved erosion control material to<br />
reduce the potential <strong>for</strong> soil erosion.<br />
• Ensure that the removal of historic trees is<br />
noted in the tree inventory.<br />
Replacement of Historic Vegetation<br />
• Replace dead or damaged historic plant<br />
materials in-kind.<br />
• If in-kind species are no longer available<br />
or appropriate (due to disease, hardiness,<br />
maintenance requirements, etc.), replace with<br />
species of similar size, shape/habit, texture <strong>and</strong><br />
color.<br />
• Ensure that replacement vegetation is added<br />
to the tree inventory <strong>for</strong> record-keeping<br />
purposes.<br />
<strong>Plan</strong>ting of New Vegetation<br />
• Develop <strong>and</strong> adhere to a planting master plan<br />
that contains a list of preferred material <strong>for</strong><br />
any future plantings within the campus. This<br />
includes within either historic or non-historic<br />
areas.<br />
• Include in the planting master plan locations<br />
<strong>for</strong> tree-planting projects that would enhance<br />
the character of historic areas. Choose locations<br />
within non-historic areas that support designed<br />
qualities of these areas that are detailed in<br />
Chapter 5.<br />
• Ensure that the design palette incorporates<br />
appropriate species <strong>for</strong> each location. For<br />
example, avoid using a large-scale shrub<br />
adjacent to a walk that will require excessive<br />
pruning to maintain at an appropriate scale.<br />
• Engage a qualified archeologist to monitor<br />
new planting ef<strong>for</strong>ts in areas that may contain<br />
subterranean cultural resources.<br />
• Procure plants from local growers as much<br />
as possible, in order to reduce energy use<br />
<strong>and</strong> other negative environmental impacts of<br />
shipping <strong>and</strong> ensure that plants are adapted to<br />
local environmental conditions.<br />
• When proposing new plant materials in<br />
non-historic, non-specialized, or non-thematic<br />
locations, use species that are native or<br />
naturalized to the region, because they tend to<br />
require less maintenance, survive longer, <strong>and</strong><br />
rarely become invasive.<br />
• Avoid installing vegetation that is known<br />
to be invasive. Invasive plants grow quickly<br />
<strong>and</strong> aggressively, <strong>and</strong> tend to overtake <strong>and</strong><br />
out-compete native, or less aggressive,<br />
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vegetation <strong>for</strong> nutrients. Invasive plants can<br />
quickly escape their intended boundaries<br />
<strong>and</strong> colonize large portions of l<strong>and</strong> in a<br />
small amount of time. Visit the Pennsylvania<br />
Department of Conservation <strong>and</strong> Natural<br />
Resources website <strong>for</strong> more in<strong>for</strong>mation about<br />
what plants are considered invasive in this<br />
region (http://www.dcnr.state.pa.us/<strong>for</strong>estry/<br />
wildplant/invasivelist.aspx, Invasive <strong>Plan</strong>ts in<br />
Pennsylvania)<br />
• Refer to Chapter 7 <strong>for</strong> the treatment<br />
recommendations <strong>for</strong> each character area,<br />
which contain lists of preferred material <strong>for</strong><br />
any future plantings within the campus.<br />
Woodl<strong>and</strong> <strong>Preservation</strong><br />
The following guidelines promote the preservation<br />
of historic woodl<strong>and</strong> areas, particularly those<br />
that line Monocacy Creek <strong>and</strong> protect the slopes<br />
<strong>and</strong> bluffs above it. The guidelines reference the<br />
woodl<strong>and</strong>s’ ecological significance, rather than<br />
individual historic trees or other vegetation:<br />
• Designate areas of existing woodl<strong>and</strong> on<br />
campus, particularly wooded areas found<br />
on steep slopes, ravines, floodplains, within<br />
100 feet of a perennial or intermittent stream,<br />
within 50 feet of wetl<strong>and</strong>s, <strong>and</strong>/or containing<br />
wildlife corridors (<strong>for</strong>est, tree lines, or<br />
hedgerows that connect two or more woodl<strong>and</strong><br />
areas) as woodl<strong>and</strong> preservation zones <strong>for</strong><br />
priority retention, <strong>and</strong> protect these areas from<br />
disturbance.<br />
• Add delineation of these woodl<strong>and</strong><br />
preservation zones to the college Geographic<br />
In<strong>for</strong>mation Systems (GIS) database to aid in<br />
the recognition, mapping, <strong>and</strong> management of<br />
important campus resources.<br />
• Strongly encourage creative l<strong>and</strong> planning <strong>and</strong><br />
site design approaches during the project review<br />
process involving new development to ensure<br />
woodl<strong>and</strong> preservation <strong>and</strong> enhancement.<br />
• If, after review by <strong>Moravian</strong> staff, it is<br />
determined that plans cannot reasonably be<br />
altered to preserve woodl<strong>and</strong> areas, conduct<br />
a biological inventory of the proposed impact<br />
area to document the vegetation to be affected.<br />
Inventory should include the species, number,<br />
size, approximate age, <strong>and</strong> distribution of trees,<br />
as well as the composition of the woodl<strong>and</strong><br />
understory (shrubs <strong>and</strong> groundcovers).<br />
• Establish, in consultation with professional<br />
<strong>for</strong>esters, <strong>and</strong> en<strong>for</strong>ce st<strong>and</strong>ards <strong>for</strong> replacing<br />
lost vegetation, giving considerations <strong>for</strong> lost<br />
canopy coverage, species type <strong>and</strong> distribution,<br />
<strong>and</strong> location, to mitigate the cultural <strong>and</strong><br />
ecological impacts. Consider a allowing a<br />
variety of replacement strategies depending<br />
upon site conditions <strong>and</strong> project requirements,<br />
such as:<br />
◦ On-site re<strong>for</strong>estation (based upon a<br />
percentage of existing canopy coverage,<br />
species composition, <strong>and</strong> species<br />
distribution)<br />
◦ Re<strong>for</strong>estation of equivalent sites outside of<br />
the project area that will not be subject to<br />
future development.<br />
◦ Other methods, such as purchasing l<strong>and</strong>s<br />
or permanent conservation easements<br />
on developable l<strong>and</strong>s with equivalent<br />
woodl<strong>and</strong> resources located off campus.<br />
Total area, canopy cover, woodl<strong>and</strong> type,<br />
understory vegetation, wildlife habitat<br />
value, <strong>and</strong> other appropriate resource<br />
assessment criteria shall be considered in<br />
determining whether off-site resources are<br />
equivalent to those of the project site.<br />
L<strong>and</strong>scape Structures<br />
L<strong>and</strong>scape structures, such as retaining walls,<br />
free-st<strong>and</strong>ing walls, <strong>and</strong> gate piers, are an important<br />
character-defining feature of historic campus<br />
l<strong>and</strong>scape. The following general guidelines should<br />
be considered prior to undertaking any repair or<br />
rehabilitation work:<br />
• Deteriorated structures should be repaired<br />
rather than replaced, when possible. If the<br />
severity of deterioration requires replacement,<br />
the new structure should match the original<br />
in design, color, texture, materials, <strong>and</strong> other<br />
visual qualities. Existing materials should be<br />
reused to the greatest extent possible.<br />
• If replacement is necessary, document existing<br />
structures be<strong>for</strong>e <strong>and</strong> during demolition/<br />
removal with photographs, scaled drawings,<br />
<strong>and</strong> notes, giving particular attention to the<br />
following characteristics: materials, color,<br />
texture, dimensions of structure, dimensions of<br />
masonry unit, coping treatment, construction<br />
technique, <strong>and</strong> mortar.<br />
• If consultants are retained to develop details <strong>and</strong><br />
specifications <strong>for</strong> replacement work, <strong>Moravian</strong><br />
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staff should convey to the consultant the need<br />
<strong>for</strong> matching historic design characteristics<br />
while improving structure strength <strong>and</strong><br />
long-term stability.<br />
• Avoid adding walls or gate piers in historic<br />
l<strong>and</strong>scape areas that traditionally did not have<br />
such elements.<br />
• Any new walls or gate piers built within the<br />
campus should be designed <strong>and</strong> constructed to<br />
complement its historic character. For example,<br />
the use of concrete block or manufactured stone,<br />
or oversized weep holes with exposed PVC<br />
pipes are not appropriate design elements.<br />
• Treatment of mortared stone walls <strong>and</strong> piers<br />
should be undertaken according to guidelines<br />
<strong>for</strong> architectural treatment in Chapter 9 <strong>and</strong><br />
st<strong>and</strong>ards outlined in the National Park Service’s<br />
<strong>Preservation</strong> Brief #1, “Assessing Cleaning <strong>and</strong><br />
Water-Repellant Treatments <strong>for</strong> Historic Masonry<br />
Buildings,” <strong>and</strong> <strong>Preservation</strong> Brief #2, “Repointing<br />
Mortar Joints in Historic Masonry Buildings”<br />
(Mack 1998, 2000).<br />
• Materials are an important consideration when<br />
addressing repair or replacement of l<strong>and</strong>scape<br />
structures. The following recommendations<br />
apply to choosing materials:<br />
Historic Materials<br />
◦ If materials can not be preserved or<br />
rehabilitated <strong>for</strong> adaptive reuse, consider<br />
salvaging <strong>and</strong> reusing them in another<br />
construction project (i.e. masonry removed<br />
from a demolished structure can be reused<br />
in a stone or brick veneer wall in another<br />
building, or as paving <strong>for</strong> a path).<br />
◦ Where possible, reuse salvaged or<br />
refurbished materials be<strong>for</strong>e purchasing<br />
new materials.<br />
◦ Ensure that materials are not taken from<br />
historic structures unless the structure has<br />
been approved <strong>for</strong> demolition <strong>and</strong> fully<br />
documented prior to demolition.<br />
◦ Prohibit reuse of materials sourced from<br />
archeological resources.<br />
New Materials<br />
◦ When possible, new materials should<br />
match historic materials being replaced<br />
(i.e. brick is replaced with brick rather than<br />
with manufactured stone or concrete block<br />
that is colored to look like brick).<br />
◦ Select materials with a low life cycle cost<br />
(ones that do not consume a lot of energy<br />
to extract, manufacturer, transport, etc.).<br />
◦ Select new materials <strong>for</strong> durability. Specify<br />
materials that require less frequent<br />
maintenance <strong>and</strong> replacement.<br />
◦ Specify the use of local <strong>and</strong>/or regional<br />
materials (within 500 miles). This reduces<br />
the energy consumed during transport <strong>and</strong><br />
support local economies.<br />
◦ Select materials, if manufactured, with<br />
a high post-consumer or post-industrial<br />
recycled content.<br />
◦ When selecting wood materials, choose<br />
certified wood that is produced in<br />
accordance with Forest Stewardship<br />
Council guidelines.<br />
◦ Select materials that are non-toxic or<br />
non-hazardous to user <strong>and</strong> installers.<br />
◦ Ensure that all construction contractors<br />
have a waste management plan that<br />
considers how to salvage, recycle, or<br />
dispose of construction waste.<br />
Site Furnishings <strong>and</strong> Objects<br />
Comparison of existing conditions with historic<br />
photographs indicate that most historic site<br />
furnishings <strong>and</strong> objects that have existed within<br />
the campus have been replaced over time by<br />
new furnishings with few overarching aesthetic<br />
st<strong>and</strong>ards. Such items may include benches, bicycle<br />
racks, bollards, trash receptacles, fencing, lights,<br />
signage, <strong>and</strong> small art works or commemorative<br />
features. The following guidelines apply to future<br />
decisions regarding site furnishings <strong>and</strong> objects:<br />
Furnishings<br />
• Prepare a comprehensive site furnishings plan<br />
<strong>for</strong> the campus. This plan should identify<br />
appropriate locations <strong>for</strong> new furnishings <strong>and</strong><br />
make recommendations on their design.<br />
• A single theme <strong>for</strong> site furnishings should be<br />
identified <strong>and</strong> used in conjunction with all<br />
future projects <strong>and</strong> improvements (rather than<br />
a variety of styles <strong>for</strong> the multiple character<br />
areas of campus) in order to achieve a unique<br />
identity <strong>and</strong> cohesive design aesthetic <strong>for</strong> the<br />
college.<br />
• New site furnishings <strong>and</strong> objects need not be<br />
historic replicas, but should contribute to the<br />
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overall historic character of the campus in<br />
scale, design, <strong>and</strong> materials, rather than detract<br />
from it. A clear differentiation, however, should<br />
be made between historic <strong>and</strong> contemporary<br />
furnishings.<br />
• Preference should be given to durable <strong>and</strong> low<br />
maintenance furnishings in order to reduce the<br />
amount of required maintenance. Consider<br />
furnishings constructed of local <strong>and</strong>/or recycled<br />
materials.<br />
• Ensure that all consultants involved in new<br />
construction projects are aware of the current<br />
st<strong>and</strong>ards <strong>for</strong> lighting, signage, <strong>and</strong> future site<br />
furnishings. Make st<strong>and</strong>ards <strong>and</strong> specifications<br />
available at or be<strong>for</strong>e the schematic design<br />
phase of any project.<br />
• In historic areas, keep the number of<br />
contemporary site furnishing to the minimum<br />
required <strong>for</strong> the com<strong>for</strong>t <strong>and</strong> safety of the<br />
campus community.<br />
Fencing<br />
• Avoid the use of ornamental metal fences except<br />
where there is a precedent <strong>for</strong> this material.<br />
• Avoid installing chain-link, vinyl, or<br />
manufactured wood fencing in locations that<br />
are visible from historic areas.<br />
• Materials are an important consideration when<br />
addressing repair or replacement of fencing.<br />
While the Secretary of the Interior’s St<strong>and</strong>ards<br />
state that deteriorated features should<br />
always be repaired rather than replaced,<br />
severely deteriorated features that cannot be<br />
repaired shall be replaced with new features<br />
that match the old in design, color, texture,<br />
material, <strong>and</strong> other visual qualities. The<br />
following recommendations apply to choosing<br />
replacements <strong>for</strong> historic fencing, as well as<br />
considerations <strong>for</strong> choosing new materials:<br />
Historic Materials<br />
◦ If materials can not be preserved or<br />
rehabilitated <strong>for</strong> adaptive reuse, consider<br />
salvaging <strong>and</strong> reusing them in another<br />
construction project.<br />
◦ Where possible, reuse salvaged or<br />
refurbished materials be<strong>for</strong>e purchasing<br />
new materials.<br />
◦ Ensure that materials are not taken from<br />
another historic fence unless the fence has<br />
been approved <strong>for</strong> demolition <strong>and</strong> fully<br />
documented prior to demolition.<br />
New Materials<br />
◦ When possible, new materials should<br />
match historic materials being replaced.<br />
◦ Select materials with a low life cycle cost<br />
(ones that do not consume a lot of energy<br />
to extract, manufacturer, transport, etc.),<br />
that require less frequent maintenance<br />
<strong>and</strong> replacement, <strong>and</strong> that have a high<br />
post-consumer or post-industrial recycled<br />
content.<br />
◦ Specify the use of local <strong>and</strong>/or regional<br />
materials (within 500 miles) to reduce<br />
energy consumed during transport <strong>and</strong><br />
support local economies.<br />
◦ When selecting wood materials, choose<br />
certified wood that is produced in<br />
accordance with Forest Stewardship<br />
Council guidelines.<br />
◦ Select materials that are non-toxic<br />
or non-hazardous to occupants <strong>and</strong><br />
installers.<br />
◦ Ensure that all construction contractors<br />
have a waste management plan that<br />
considers how to salvage, recycle, or<br />
dispose of construction waste.<br />
Lighting<br />
Prepare a comprehensive lighting plan <strong>for</strong> the<br />
campus. This might include such in<strong>for</strong>mation as<br />
a hierarchical lighting system containing specific<br />
light st<strong>and</strong>ards <strong>for</strong> primary <strong>and</strong> secondary<br />
roads, primary, secondary, <strong>and</strong> tertiary paths,<br />
crosswalks, <strong>and</strong> parking areas. Installation of new<br />
or rehabilitation of existing lighting fixtures on<br />
campus would follow the guidelines established in<br />
this plan in order to meet the following objectives:<br />
• Reduce glare by increasing lighting intensity<br />
<strong>and</strong> uni<strong>for</strong>mity<br />
• Reduce illumination of excessively bright<br />
areas<br />
• Orient people to circulation routes <strong>and</strong> building<br />
entrances<br />
• Highlight the location of pedestrian road<br />
crossings<br />
• Illuminate pedestrians to oncoming vehicles<br />
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• Illuminate vertical planes <strong>for</strong> orientation,<br />
expression of architecture, <strong>and</strong> termination of<br />
important vistas.<br />
• Reduce light pollution by ensuring that all new<br />
lighting directs light towards the ground to<br />
eliminate the upward spill of ambient light. See<br />
the International Dark Sky Association website<br />
(www.darksky.org) <strong>for</strong> further guidance.<br />
• Ensure that any new underground electrical<br />
lines are placed with full consideration given<br />
to possible impacts on potential archeological<br />
resources <strong>and</strong> the root zone of historic trees.<br />
• Consider the use of lights powered by<br />
photovoltaic cells to reduce energy consumption<br />
on campus.<br />
Signage<br />
A variety of signage types currently characterizes<br />
the <strong>Moravian</strong> campus <strong>and</strong> contributes to a lack<br />
of a consistent visual identity <strong>for</strong> the campus.<br />
A comprehensive plan <strong>for</strong> campus signage is<br />
recommended in order to solidify this visual<br />
identity. Such a plan would provide graphic<br />
st<strong>and</strong>ards, technical specifications, <strong>and</strong> sign detail<br />
drawings that should be consistently applied to all<br />
new signage at <strong>Moravian</strong> <strong>College</strong>:<br />
• Develop a new signage palette <strong>for</strong> building<br />
identification markers <strong>and</strong> in<strong>for</strong>mational signs<br />
throughout the campus.<br />
• Mark historic resources on campus either<br />
through the placement of state historical<br />
markers or a system of campus-specific<br />
markers. An alternative to markers is a tour<br />
guide/brochure describing historic resources<br />
on the <strong>Moravian</strong> campus. The brochure could<br />
be made available at the Office of Admissions,<br />
<strong>and</strong> distributed with admissions packages<br />
<strong>and</strong> through local tourism <strong>and</strong> preservation<br />
organizations.<br />
• Consider installing markers indicating the<br />
Latin <strong>and</strong> common names of historic or<br />
unusual plant materials on campus that are<br />
not currently identified. These would include,<br />
<strong>for</strong> example, the purple beeches at Comenius<br />
Lawn, the historic sycamores in Monocacy<br />
Quad, <strong>and</strong> other trees thought to be historic or<br />
unusual.<br />
Commemorative Features <strong>and</strong> Art Works<br />
Commemorative features include monuments <strong>and</strong><br />
memorials of various sizes, scales, <strong>and</strong> materials,<br />
as well as special tree plantings. Artworks on<br />
campus include historic statuary that should be<br />
professionally treated or non-historic items that<br />
could be included in maintenance plans. These<br />
objects provide important links to historical<br />
<strong>and</strong> more recent events <strong>and</strong> persons associated<br />
with the college. Together with their l<strong>and</strong>scape<br />
setting, they are integral components of the entire<br />
campus. To adequately plan <strong>for</strong> their retention <strong>and</strong><br />
maintenance, as well as future additions, consider<br />
the guidelines that follow.<br />
• Create a long-term plan <strong>and</strong> vision <strong>for</strong> the<br />
accommodation of future commemorative <strong>and</strong><br />
artwork features within the entire campus.<br />
The plan should identify appropriate types<br />
<strong>and</strong> locations <strong>for</strong> proposed features, including<br />
statuary, monuments, <strong>and</strong> memorial tree<br />
plantings.<br />
• Prepare a comprehensive commemorative<br />
feature maintenance program that includes<br />
a manual to guide work <strong>for</strong> each individual<br />
artwork, monument, marker, or type of<br />
monument or marker. Artworks, monuments,<br />
<strong>and</strong> other memorials are revered objects that<br />
require regular maintenance to remain in good<br />
condition. Some of these objects should be<br />
treated by a professional artwork conservator.<br />
• Inspect monuments <strong>and</strong> markers regularly<br />
to ensure that they remain in good condition.<br />
Document inspections with reports <strong>and</strong><br />
photographs to aid in the underst<strong>and</strong>ing of any<br />
chronic conditions.<br />
• Maintain the l<strong>and</strong>scape compositions<br />
surrounding monuments <strong>and</strong> artwork as<br />
frameworks <strong>for</strong> the objects. Remove or correct<br />
overgrown plantings, cracked paving, <strong>and</strong><br />
poor site drainage as observed.<br />
• Refer to guidelines established <strong>for</strong> vegetation<br />
<strong>for</strong> further in<strong>for</strong>mation regarding care <strong>and</strong><br />
maintenance of important trees <strong>and</strong> other<br />
memorial plantings.<br />
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Archeological Resources<br />
There are several known <strong>and</strong> potential archeological<br />
sites within the <strong>Moravian</strong> <strong>College</strong> campus. Three<br />
archeological investigations have been undertaken<br />
in the area, one within the Hurd Campus in 2008 in<br />
relation to the construction of the new residential<br />
building <strong>and</strong> two others nearby in downtown<br />
Bethlehem. Nevertheless, greater documentation<br />
of significant existing <strong>and</strong> potential archeological<br />
sites is needed to ensure that these resources are<br />
considered be<strong>for</strong>e any changes are proposed:<br />
• Consider the archeological potential <strong>and</strong><br />
significance of a previously undisturbed site<br />
when selecting a site <strong>for</strong> new construction.<br />
• Evaluate construction projects in consultation<br />
with a professional in an appropriate discipline<br />
– such as archeology, history, or architectural<br />
history.<br />
• Obtain the services of a trained professional<br />
archeologist to conduct testing of any new<br />
construction sites with the potential to contain<br />
archeological resources.<br />
• Avoid impacts to archeological sites by<br />
designating a limit-of-disturbance area around<br />
the resource. The limit-of-disturbance area<br />
should be determined by an archeologist.<br />
It is recommended that a comprehensive<br />
archeological resources management plan be<br />
prepared <strong>for</strong> the campus to better in<strong>for</strong>m future<br />
master plans. The plan should include: a complete<br />
inventory of previously recorded archeological<br />
sites within (<strong>and</strong> immediately adjacent to) the<br />
campus; cultural contexts describing the prehistoric<br />
<strong>and</strong> historic-period occupations of the campus<br />
<strong>and</strong> vicinity; a map depicting archeologically<br />
sensitive areas; a summary of all previous<br />
archeological research conducted on the campus;<br />
a map depicting previously surveyed areas; a map<br />
depicting previously disturbed areas <strong>and</strong>/or areas<br />
where no archeological resources could exist <strong>for</strong><br />
other reasons; <strong>and</strong>, significance criteria, research<br />
priorities, <strong>and</strong> site evaluation protocols that can<br />
be used to in<strong>for</strong>m future archeological survey,<br />
investigation, mitigation, <strong>and</strong> planning decisions.<br />
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Chapter Seven<br />
Character Area Treatment Recommendations<br />
7.0 Introduction<br />
This chapter identifies the primary issues associated<br />
with stewardship of the historic l<strong>and</strong>scape<br />
resources within the <strong>Moravian</strong> <strong>College</strong> campus <strong>and</strong><br />
provides detailed guidance <strong>for</strong> individual features<br />
within the various l<strong>and</strong>scape character areas. The<br />
recommendations address physical condition<br />
issues, maintenance solutions, <strong>and</strong> appropriate<br />
methods <strong>for</strong> incorporating new design <strong>and</strong><br />
construction elements, as well as altering existing<br />
historic l<strong>and</strong>scape features.<br />
These recommendations are based on the overarching<br />
stewardship philosophy summarized in Chapter 4<br />
of this report, the existing conditions assessment<br />
of l<strong>and</strong>scape resources summarized in Chapter 5 –<br />
Cultural L<strong>and</strong>scapes at <strong>Moravian</strong> <strong>College</strong>, <strong>and</strong> the<br />
Guidelines <strong>for</strong> Cultural L<strong>and</strong>scapes summarized<br />
in Chapter 6. Implemented in conjunction with<br />
guidelines <strong>and</strong> treatment recommendations<br />
<strong>for</strong> historic buildings in Chapter 8 – Historic<br />
Buildings <strong>and</strong> Chapter 9 – Building Guidelines,<br />
this in<strong>for</strong>mation will assist <strong>Moravian</strong> <strong>College</strong> in<br />
effectively <strong>and</strong> comprehensively preserving <strong>and</strong><br />
protecting its historic resources.<br />
7.1 Character Area<br />
Treatment Recommendations<br />
Treatment recommendations are the tools that<br />
preservation professionals use to guide management,<br />
maintenance, change, <strong>and</strong> intervention within<br />
an historic property. They indicate what actual<br />
projects should be considered <strong>and</strong> are intended to<br />
link the overarching guideline approach to solving<br />
management issues with specific <strong>and</strong> concrete<br />
tasks.<br />
First, broad campus-wide recommendations are<br />
presented, which are then followed by character<br />
area-specific recommendations. For each character<br />
area, general recommendations that apply to the<br />
entire character area are listed <strong>and</strong> are followed<br />
by recommendations <strong>for</strong> the individual resources<br />
located within the character area. In some cases,<br />
recommendations are presented as alternatives<br />
when important variables to be considered are<br />
not currently known. Some recommendations are<br />
offered as consideration rather than firm action<br />
items.<br />
Hurd Campus Character Area<br />
General<br />
Hurd Campus contains the most recognizable<br />
<strong>and</strong> historic buildings on the <strong>Moravian</strong> campus<br />
<strong>and</strong> the l<strong>and</strong>scape associated with their history.<br />
This historic character area should be treated in a<br />
manner that celebrates this distinctive character,<br />
while, at the same time allowing <strong>Moravian</strong> <strong>College</strong><br />
to adapt the Hurd Campus to its growing needs<br />
<strong>for</strong> new facilities <strong>and</strong> additional parking. These<br />
recommendations identify opportunities <strong>for</strong> both<br />
the preservation <strong>and</strong> growth:<br />
• Retain <strong>and</strong> maintain all historic l<strong>and</strong>scape<br />
resources within this character area <strong>and</strong> protect<br />
its significant role in the college’s history.<br />
Qualities <strong>and</strong> characteristics to be retained<br />
include the alignment of buildings along West<br />
Church Street <strong>and</strong> South Main Street, the<br />
alignment of the service road behind the Single<br />
Brethren’s House <strong>and</strong> partial allée of trees, the<br />
open area behind the Single Brethren’s House,<br />
the sidewalk <strong>and</strong> remaining street trees along<br />
West Church Street, the location of the flagpole<br />
behind Foy Concert Hall, <strong>and</strong> the alignment<br />
<strong>and</strong> riparian edge of Monocacy Creek. The open<br />
space behind the buildings along Church Street<br />
should be preserved as much as possible as the<br />
location of the historic <strong>Moravian</strong> gardens.<br />
• Conduct further archeological studies in the<br />
area behind the Single Brethren’s House to<br />
determine historic locations of paths <strong>and</strong><br />
other l<strong>and</strong>scape features. Protect the existing<br />
l<strong>and</strong><strong>for</strong>m <strong>and</strong> topography from change unless<br />
absolutely necessary.<br />
Natural Systems <strong>and</strong> Features<br />
The natural features <strong>and</strong> systems of the Hurd<br />
Campus provide the overall context <strong>and</strong> setting<br />
that define its historic character:<br />
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• Preserve the historic topography <strong>and</strong> geology<br />
of the character area to the greatest extent<br />
possible. Avoid significant cut/fill, particularly<br />
to the bluff along which the historic buildings<br />
of this area are situated.<br />
• Preserve the native vegetation that lines<br />
Monocacy Creek. This b<strong>and</strong> of trees <strong>and</strong> plants<br />
filters pollutants <strong>and</strong> helps prevent erosion.<br />
Further enhance the water quality <strong>and</strong> plant<br />
diversity of Monocacy Creek by establishing<br />
buffers in areas where they are missing.<br />
Spatial Organization<br />
Opportunities are available <strong>for</strong> preserving or<br />
re-establishing some spaces related to the history<br />
of the Hurd Campus:<br />
• Retain <strong>and</strong> maintain the open space between<br />
the south façades of the Single Brethren’s House<br />
<strong>and</strong> Main Hall to the parking lot driveway at<br />
the south end of South Hall. This space is the<br />
core of the historic Pleasure Grounds.<br />
• Consider re-establishing the axial character of<br />
the central green behind the Single Brethren’s<br />
House by replanting the allée of trees that was<br />
in that location <strong>and</strong> maintaining a lawn in that<br />
area.<br />
• Consider re-establishing the space once<br />
occupied by the Rose Garden behind Main Hall<br />
by using shrubs to delineate the space.<br />
• Retain the open quality of the spaces between<br />
the south façades of the historic buildings along<br />
Church Street <strong>and</strong> the north retaining wall of the<br />
new residence hall. It was within these spaces<br />
that gardens <strong>and</strong> lawns were located during<br />
the historic period. If accessory structures are<br />
needed, consider adding them such in a way<br />
that they do not intrude into or negatively<br />
impact the historic character of these spaces.<br />
• Consider re-establishing a series of gardens in<br />
this area that could interpret the community<br />
gardens of the <strong>Moravian</strong> settlement. On a<br />
smaller scale, a garden could be created around<br />
the end of the pedestrian bridge that connects<br />
the new residence hall to the area behind the<br />
Widows’ House (figures 7-1 <strong>and</strong> 7-2).<br />
• Rein<strong>for</strong>ce the linear character of Church Street<br />
by maintaining the plantings of street trees<br />
along this block.<br />
L<strong>and</strong> Use<br />
Re-establish the recreational use of the Pleasure<br />
Grounds area behind the Single Brethren’s House.<br />
Consider limiting service vehicles to access from<br />
the west side of West Hall instead or limiting size<br />
<strong>and</strong> frequency of use by service vehicles.<br />
Buildings<br />
The historic buildings found within this area include<br />
<strong>Moravian</strong>’s <strong>College</strong>’s oldest academic buildings:<br />
Single Brethren’s House <strong>and</strong> the Widows’ House.<br />
However, all buildings on the Hurd Campus are<br />
listed in the National Register of Historic Places<br />
as part of the Bethlehem Historic District. While<br />
specific building treatment recommendations<br />
are contained in Chapters 8 <strong>and</strong> 9 of this report<br />
it is generally recommended that these historic<br />
building be rehabilitated <strong>for</strong> new <strong>and</strong> exp<strong>and</strong>ed<br />
programming, that their historic exteriors<br />
be preserved <strong>and</strong> maintained, <strong>and</strong> that new<br />
Figure 7-1. Kitchen garden maintained at Colonial Williamsburg<br />
(History.org).<br />
Figure 7-2. Formal garden maintained at Colonial Williamsburg<br />
(JMA Collection).<br />
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construction complements historic architectural<br />
features. As discussed in greater detail throughout<br />
this chapter, recommendations are also offered to<br />
strengthen <strong>and</strong> enhance relationships between<br />
historic buildings <strong>and</strong> l<strong>and</strong>scape features.<br />
Circulation Features<br />
Retain <strong>and</strong> maintain the circulation features<br />
identified as being at least fifty years of age in<br />
alignment <strong>and</strong> configuration: the service drive<br />
behind the Single Brethren’s House, the walkway<br />
between the Single Brethren’s House <strong>and</strong> Main Hall,<br />
the portico under South Hall, <strong>and</strong> the sidewalk on<br />
Church Street:<br />
Service Drive<br />
• The service drive leading to the south side<br />
of the Single Brethren’s House was once the<br />
main path within the system of walkways in<br />
the Pleasure Grounds. Consider restoring its<br />
function as a pedestrian walkway. This will<br />
also help to focus <strong>and</strong> organize the space.<br />
• Consider limiting service access to this feature,<br />
or limiting the frequency <strong>and</strong> size of service<br />
vehicles that have access. Relocate the vehicular<br />
turnaround further downhill <strong>and</strong> closer to<br />
utility areas.<br />
• Consider repaving the drive with a material<br />
more compatible with its historic character,<br />
using gravel or a hard surfaced gravel-like<br />
material such as Addastone (figure 7-3).<br />
• Consider restoring the east arm of the main<br />
walk loop to curve around <strong>and</strong> rejoin the walk<br />
at the historic location.<br />
Figure 7-3. Sample of Addastone resin-based paving material ,<br />
installed at Wakehurst Place, Sussex (www.addagrip.co.uk).<br />
• Consider replacing screen vegetation around<br />
the HVAC units adjacent to South Hall with<br />
a screen wall so that the main walk can be<br />
re-established in its original location in that<br />
area.<br />
• Reconfigure the design of the lower parking lot<br />
to create more lawn space around the historic<br />
flagpole to more closely approximate its historic<br />
setting.<br />
Walkway between Single Brethren’s House<br />
<strong>and</strong> Main Hall<br />
• Conduct further research to discover the<br />
historic paving material <strong>for</strong> this walkway. If<br />
not available, consider replacing the exposed<br />
aggregate surface with brick or other material<br />
more compatible with its historic nature.<br />
South Hall Portico<br />
• Replace the brushed concrete floor of this<br />
portico with brick or other material more<br />
compatible with its historic nature. Consider<br />
extending the brick surface of the walkway to<br />
the east into <strong>and</strong> through the portico area.<br />
Church Street Sidewalk<br />
• Replace cracked <strong>and</strong> dislodged pavers or<br />
concrete along this walkway. Replace historic<br />
materials in-kind if possible; if not available,<br />
use materials that do not detract from the<br />
historic character of the streetscape.<br />
Other Areas<br />
• Consider repaving other drives <strong>and</strong> parking<br />
areas, such as the Widows’ House parking<br />
lot, with gravel or a hard surfaced gravel-like<br />
material such as Addastone (see figure 7-3). If<br />
new parking is installed considering using this<br />
material there, as well.<br />
• Consider developing a pedestrian riparian<br />
walk along Monocacy Creek, using the location<br />
of the old Main Street gateway as the entrance.<br />
Make pedestrian connections from the riparian<br />
walk to the historic industrial sites to the west.<br />
• Create a pedestrian connection from the bridge<br />
of the new residence building to the open area<br />
south of Single Brethren’s House. Consider<br />
placing the walkway on axis with the statue of<br />
Countess von Zinzendorf in order to make a<br />
visual connection between the spaces.<br />
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Views <strong>and</strong> Vistas<br />
Views <strong>and</strong> vistas available within the historic<br />
character area of the Hurd Campus are well<br />
documented in historic photographs from the early<br />
twentieth century. A few of these are possible to<br />
recreate based on these photographs:<br />
• Re-establish the historic vista available from<br />
Church Street into the Pleasure Grounds from<br />
the walkway between the Single Brethren’s<br />
House <strong>and</strong> Main Hall. This includes restoring<br />
the east arm of the main path <strong>and</strong> the plantings<br />
that focus the view down towards Monocacy<br />
Creek.<br />
• Consider restoring the symmetry of the view<br />
from the South Hall portico into the Rose<br />
Garden area by either reconstructing the rose<br />
arbors in their historic locations or using some<br />
other device <strong>for</strong> framing (see figure 5-43).<br />
Vegetation<br />
The vegetation on the Hurd Campus has changed<br />
significantly over the course of its history. Few of the<br />
original planting materials or patterns survive <strong>and</strong><br />
little is known about the species previously used.<br />
Given this, the preservation approach <strong>for</strong> this area<br />
would include restoring the vegetative character<br />
of historic areas, if not the particular plant species.<br />
Particular zones of vegetation would include the<br />
vegetated slope, the main garden of the Pleasure<br />
Grounds, the Rose Garden, the community gardens,<br />
<strong>and</strong> the riparian buffer.<br />
Overall this area has been dominated by mature,<br />
large canopy deciduous trees that provided shade<br />
<strong>and</strong> dappled light <strong>for</strong> pathways, as well as various<br />
types of gardens or open lawns used <strong>for</strong> recreation.<br />
Some plantings were made adjacent to building<br />
foundations <strong>and</strong> some followed pathways or<br />
framed views. Given these parameters:<br />
• Retain <strong>and</strong> maintain vegetation identified as<br />
being at least fifty years of age by consulting<br />
an arborist that specializes in historic trees.<br />
Historic vegetation includes a few street trees<br />
along Church Street, large trees in the area<br />
behind the Single Brethren’s House <strong>and</strong> Main<br />
Hall, turf lawns behind Main Hall <strong>and</strong> Clewell<br />
Hall, <strong>and</strong> possibly the rose bushes surrounding<br />
the addition behind the Widows’ House. With<br />
the consulting arborist, develop a routine tree<br />
maintenance schedule to protect historic trees<br />
<strong>and</strong> a plan <strong>for</strong> their eventual replacement.<br />
• Partner with the City of Bethlehem to retain<br />
<strong>and</strong> maintain the trees on the east edge of the<br />
campus, along Sakon Place <strong>and</strong> on Church<br />
Street.<br />
• Consider redeveloping the Rose Garden,<br />
including reconstructing arbors as per historic<br />
photographs, as an outdoor study area <strong>for</strong><br />
students.<br />
• Consider restoring ivy to stone building walls,<br />
as it contributes to the historic character of this<br />
area. Carefully manage the ivy by keeping it<br />
away from windows <strong>and</strong> wood elements. This<br />
should be done by cutting the ivy back to the<br />
ground periodically every three to five years.<br />
• Consider re-establishing plantings that framed<br />
views or lined pathways through the campus.<br />
• Implement a campaign to re-establish large<br />
deciduous trees within the area, including trees<br />
along Church Street.<br />
• Stabilize cut slopes over 15% with soil<br />
stabilization fabrics <strong>and</strong> sod to hold the soil.<br />
• Avoid planting species that are adapted to basic<br />
soils, or soils with a high pH (8 or greater),<br />
next to historic mortared foundations as plant<br />
roots may be attracted to lime <strong>and</strong> can cause<br />
leaching.<br />
The following is a recommended plant list <strong>for</strong> the<br />
Hurd Campus. Other plants may be appropriate<br />
provided they are native or adapted to the region<br />
<strong>and</strong> non-invasive. Refer to the Pennsylvania<br />
Department of Conservation <strong>and</strong> Natural<br />
Resources web site, “L<strong>and</strong>scaping with Native<br />
<strong>Plan</strong>ts in Pennsylvania,” <strong>for</strong> more in<strong>for</strong>mation on<br />
native plants in the state (http://www.dcnr.state.<br />
pa.us/<strong>for</strong>estry/wildplant/native.aspx). Species<br />
on the list marked with a (+) are salt tolerant.<br />
Species marked with a (-) are highly sensitive to<br />
salt <strong>and</strong> should not be planted along walkways or<br />
road edges. For more in<strong>for</strong>mation on species salt<br />
tolerances, refer to the Cornell University Urban<br />
Horticulture Institute (http://www.hort.cornell.<br />
edu/uhi/outreach/recurbtree/index.html) <strong>and</strong> the<br />
University of Connecticut <strong>Plan</strong>t Database (http://<br />
www.hort.uconn.edu/plants/index.html).<br />
Large Trees (appropriate <strong>for</strong> open lawn areas)<br />
Red maple (Acer rubrum) (-)<br />
Sugar maple (Acer saccharium) (-)<br />
Shagbark hickory (Carya ovata)<br />
American beech (Fagus gr<strong>and</strong>iflora)<br />
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White ash (Fraxinus americana) (+)<br />
Black ash (Fraxinus nigra)<br />
Green ash (Fraxinus pennsylvanicum) (+)<br />
American holly (Ilex opaca) (+)<br />
Tulip poplar (Liriodendron tulipifera) (-)<br />
Princess tree (Paulownia tomentosa)<br />
White pine (Pinus strobus) (-)<br />
Austrian pine (Pinus nigra) (+)<br />
Sycamore (Platanus occidentalis) (+)<br />
Northern red oak (Quercus rubra) (+)<br />
Pin oak (Quercus palustrus) (-)<br />
White oak (Quercus alba)<br />
Black locust (Robinia pseudoacacia) (+)<br />
American basswood (Tilia americana)<br />
Hemlock (Tsuga canadensis)<br />
Elm hybrids (Ulmus x spp.) (+)<br />
Large Trees (appropriate <strong>for</strong> street plantings)<br />
White ash (Fraxinus americana) (+)<br />
Black ash (Fraxinus nigra)<br />
Green ash (Fraxinus pennsylvanicum) (+)<br />
Sycamore (Platanus occidentalis) (+)<br />
Northern red oak (Quercus rubra) (+)<br />
White oak (Quercus alba)<br />
Elm hybrids (Ulmus x spp.) (+)<br />
Large Trees (appropriate <strong>for</strong> re-creating garden allées)<br />
American holly (Ilex opaca) (+)<br />
Princess tree (Paulownia tomentosa)<br />
Silver poplar (Populus alba)<br />
Hemlock (Tsuga canadensis)<br />
Shrubs <strong>and</strong> Small Trees (over 6 feet)<br />
Shadblow serviceberry (Amelanchier<br />
canadensis) (+)<br />
Gray birch (Betula populifolia)<br />
Eastern redbud (Cercis canadensis) (+)<br />
Silky dogwood (Cornus amomum)<br />
Flowering dogwood (Cornus florida) (-)<br />
Witch Hazel (Hamamelis virginiana)<br />
Winterberry (Ilex verticillata)<br />
Junipers (Juniperus spp.) (+)<br />
Mountain laurel (Kalmia latifolia)<br />
Spicebush (Lindera benzoin) (+)<br />
Catawba rhododendron (Rhododendron<br />
catawbiense) (-)<br />
Highbush blueberry (Vaccinium corymbosum)<br />
(+)<br />
Small Shrubs (under six feet)<br />
New Jersey tea (Ceanothus americanus)<br />
Sweet pepper bush (Clethra alnifolia)<br />
Redosier dogwood (Cornus stolonifera)<br />
Smooth Hydrangea (Hydrangea arborescens)<br />
Inkberry (Ilex glabra)<br />
Drooping leucothoe (Leucothoe fontanesiana)<br />
Rose azalea (Rhododendron prinophyllum) (-)<br />
Pinkster azalea (Rhododendron<br />
periclymenoides) (-)<br />
Fragrant sumac (Rhus aromatica)<br />
Viburnums (Viburnum spp.)<br />
Ground covers<br />
Bearberry (Arctostaphylos uva-ursi) (+)<br />
Wild ginger (Asarum canadense)<br />
Common wintergreen (Gaultheria<br />
procumbens)<br />
Allegheny pachys<strong>and</strong>ra (Pachys<strong>and</strong>ra<br />
procumbens)<br />
Barren strawberry (Waldsteinia fragarioides)<br />
Ferns (various)<br />
L<strong>and</strong>scape Structures<br />
Two stone walls are extant in this character area<br />
from the historic period. Non-extant structures<br />
were identified in historic photographs, such as the<br />
brick entrance gateway from Main Street, but their<br />
exact locations are not known. It is possible that<br />
further archeological investigations may reveal<br />
foundations or other evidence.<br />
• Retain <strong>and</strong> maintain the stacked stone retaining<br />
wall between Main Hall <strong>and</strong> Frueauff House.<br />
Further investigate the stone retaining wall east<br />
of Frueauff House, <strong>and</strong> preserve <strong>and</strong> protect the<br />
wall if it is found to contribute to the integrity<br />
of the setting.<br />
• Investigate, if considering restoring the Rose<br />
Garden, also restoring the stone wall that<br />
supported the garden on the south end.<br />
• Stabilize <strong>and</strong> protect the stacked stone retaining<br />
wall identified on the south side of Monocacy<br />
Creek. Further investigation is needed<br />
regarding its extent <strong>and</strong> condition.<br />
Site Furnishings <strong>and</strong> Objects<br />
The Hurd Campus contains a variety of types<br />
<strong>and</strong> styles of site furnishings, but none but the<br />
flag pole are historic. Recommendations include<br />
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replacements of historic furnishings or additions<br />
<strong>for</strong> new uses:<br />
• Retain <strong>and</strong> maintain the historic flagpole.<br />
Restore the setting of the flagpole by removing<br />
the parking spaces immediately adjacent <strong>and</strong><br />
relocating the mule sculpture; also consider<br />
realigning the entrance drive to pull the curb<br />
further away from the base of the flagpole.<br />
• Increase the number of benches available within<br />
the historic space of the Pleasure Grounds.<br />
Consider furnishings that reference but do not<br />
mimic historic furnishings that were located<br />
within the Hurd Campus. Because of the casual<br />
<strong>and</strong> residential nature of the Pleasure Grounds<br />
<strong>and</strong> based on historic photographs, wooden<br />
benches would be appropriate in this area, but<br />
not those incorporating metal straps or <strong>for</strong>med<br />
concrete.<br />
• Consolidate individual site furnishings such<br />
as newspaper dispensers <strong>and</strong> ash receptacles<br />
to reduce visual clutter, especially where such<br />
site furnishings are located within historic<br />
viewsheds. Consider replacing these furnishings<br />
with designs <strong>and</strong> materials compatible with<br />
the historic character of this area (refer to the<br />
discussion of benches, above).<br />
• Protect <strong>and</strong> interpret the Countess Benigna<br />
von Zinzendorf statue, perhaps as a feature of<br />
a future interpretive trail.<br />
• Consider carefully the placement of utility <strong>and</strong><br />
service features, such as dumpsters <strong>and</strong> trash<br />
containers, within this historic l<strong>and</strong>scape area.<br />
For example, the trash containers placed at the<br />
south side of Main Hall are visually intrusive.<br />
Strive to screen or diminish the visual impact<br />
of these types of features from public use areas<br />
or relocate them to service areas.<br />
• Use plant materials <strong>for</strong> screening if possible<br />
because of the historic character of this area.<br />
For utility <strong>and</strong> mechanical features that cannot<br />
be practically screened with vegetation,<br />
consider screening the mechanical unit with a<br />
wall that is matched to the material <strong>and</strong> specific<br />
construction techniques of the building.<br />
Archeological Features<br />
The Hurd Campus has been found to contain<br />
archeological resources dating to the eighteenth<br />
century. In 2008, three historic storage cellars<br />
were unearthed during excavations made <strong>for</strong> the<br />
foundation of the new residence building in the<br />
Hurd Campus. A fourth cellar was also discovered<br />
to the west of these three <strong>and</strong> was reburied <strong>for</strong> later<br />
study (Gerhardt et al. 2008). It is likely that this area<br />
contains many other archeological resources (as<br />
discussed in Chapter 5); there<strong>for</strong>e it is recommended<br />
that an archeological survey be per<strong>for</strong>med in the<br />
area <strong>and</strong> that plans <strong>for</strong> any development include<br />
testing to locate other sites.<br />
Steel Field Character Area<br />
The Steel Field character area is significant as the<br />
original home of the Bethlehem Steel Soccer Club.<br />
The Gr<strong>and</strong>st<strong>and</strong>, constructed in 1916, is an example<br />
of an early twentieth century event-viewing<br />
structure. While the Gr<strong>and</strong>st<strong>and</strong> building has a<br />
moderate level of integrity, the field itself has been<br />
reconstructed more than once to accommodate new<br />
uses <strong>and</strong> new sports field technologies. Remaining<br />
historic features include the Gr<strong>and</strong>st<strong>and</strong>, the<br />
open space of the field, <strong>and</strong> its setting in this<br />
historic neighborhood. Recommendations are <strong>for</strong><br />
rehabilitation as follows:<br />
• Retain <strong>and</strong> maintain the Gr<strong>and</strong>st<strong>and</strong> as a<br />
historic structure. Avoid any further alterations<br />
to the building that are not consistent with<br />
the Secretary of the Interior’s St<strong>and</strong>ards <strong>for</strong> the<br />
Treatment of Historic Properties if the building<br />
is listed or deemed eligible <strong>for</strong> listing in the<br />
National Register of Historic Places. Refer to<br />
Chapters 8 <strong>and</strong> 9 <strong>for</strong> more detailed treatment<br />
recommendations.<br />
◦ Consider per<strong>for</strong>ming a Historic Structures<br />
Report to in<strong>for</strong>m removal of incompatible<br />
alterations to the Gr<strong>and</strong>st<strong>and</strong> <strong>and</strong> recover<br />
the structure’s historic character.<br />
◦ Investigate the historic nature of stairs <strong>and</strong><br />
sidewalks adjacent to the Gr<strong>and</strong>st<strong>and</strong>.<br />
• Maintain the existing terraced l<strong>and</strong> <strong>for</strong>m upon<br />
which the Gr<strong>and</strong>st<strong>and</strong> was constructed. Watch<br />
<strong>for</strong> erosion <strong>and</strong> other threats to its integrity.<br />
• Maintain the open quality of existing sports<br />
fields in this character area <strong>and</strong> views from the<br />
Gr<strong>and</strong>st<strong>and</strong> to South Mountain, to the south of<br />
Bethlehem.<br />
• Maintain sidewalks <strong>and</strong> pedestrian circulation<br />
connections into this character area. Consider<br />
strengthening pedestrian entrances with<br />
lighting, plantings, <strong>and</strong> site furnishings.<br />
• Retain <strong>and</strong> maintain vegetation identified as<br />
being at least fifty years of age, including the<br />
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trees that line Center Street <strong>and</strong> E. Fairview<br />
Street.<br />
• Consider replacing missing street trees along<br />
Center Street adjacent to Steel Field in order to<br />
restore a sense of enclosure between the field<br />
<strong>and</strong> residences.<br />
• Consider extending the line of tall evergreen<br />
shrubs screening the west end of the field to the<br />
north edge of the track. Relocate ornamental<br />
shrubs to pedestrian entrances to enhance<br />
wayfinding.<br />
• Develop a signage <strong>and</strong> wayfinding plan that<br />
would include enhancement of the visual <strong>and</strong><br />
perceptual connection of Steel Field with Hurd<br />
<strong>and</strong> North Campuses. This plan might include<br />
consistent graphic images, sign types, banners,<br />
or other easily identifiable items.<br />
• Consider grouping signage, lighting, <strong>and</strong><br />
utilities in order to reduce visual clutter with<br />
this character area.<br />
Comenius Lawn Character Area<br />
Comenius Hall <strong>for</strong>ms the core of the historic<br />
North Campus. Its imposing east façade, with its<br />
<strong>for</strong>eground of expansive lawn framed by large,<br />
historic trees, is the predominant image <strong>for</strong> the<br />
campus. The exterior of Comenius Hall retains<br />
a high level of integrity <strong>and</strong> the original design,<br />
setting, feeling, <strong>and</strong> association of the building<br />
<strong>and</strong> its l<strong>and</strong>scape are still perceptible. Features<br />
associated with materials <strong>and</strong> workmanship that<br />
detract from the historic character of the façade <strong>and</strong><br />
l<strong>and</strong>scape can be easily removed or rehabilitated.<br />
General<br />
Focus rehabilitation treatment within this area on<br />
the preservation, stabilization, <strong>and</strong> maintenance<br />
of historic spaces, buildings, circulation, view <strong>and</strong><br />
vistas, <strong>and</strong> vegetation features.<br />
Spatial Organization<br />
One of the most important historic features of this<br />
character area is the large open space of Comenius<br />
Lawn:<br />
• Maintain the space from the façades of the<br />
buildings to Main Street. Protect the existing<br />
sloping, bowl-like l<strong>and</strong><strong>for</strong>m from change<br />
unless absolutely necessary.<br />
• Maintain the sense of enclosure provided by<br />
the groupings of trees on the north <strong>and</strong> south<br />
ends of the lawn.<br />
• Avoid siting additional features within this<br />
character area, including <strong>for</strong>mal elements <strong>and</strong><br />
plazas, ornamental plantings <strong>and</strong> gardens, <strong>and</strong><br />
site furnishings <strong>and</strong> signage.<br />
• Maintain the unprogrammed, in<strong>for</strong>mal open<br />
character that has been an important quality of<br />
this space since the early twentieth century.<br />
Buildings<br />
Retain <strong>and</strong> maintain the buildings <strong>and</strong> structures<br />
associated with this character area that are at<br />
least fifty years of age with integrity: Comenius<br />
Hall, Borhek Chapel, <strong>and</strong> Harvey Library. Refer<br />
to Chapters 8 <strong>and</strong> 9 <strong>for</strong> more detailed treatment<br />
recommendations <strong>for</strong> these buildings.<br />
Circulation Features<br />
The historic semi-circular drive that provides<br />
access to Comenius Hall from Main Street is one<br />
of the character area’s most important features.<br />
It is documented in photographs of Comenius<br />
Hall dating to shortly after its construction. The<br />
following actions are recommended:<br />
• Retain the south arm of the semi-circular drive<br />
leading to the front door of Comenius Hall<br />
• Consider restoring the north arm of the drive<br />
to its original location. Partner with the City<br />
of Bethlehem to develop a safe pedestrian<br />
connection to Main Street <strong>and</strong> prevent vehicular<br />
access.<br />
• Consider removing existing asphalt <strong>and</strong> paving<br />
the circular drive in a pervious material that<br />
suggests its original gravel surface from the<br />
early twentieth century (see figure 7-3).<br />
• If the semi-circular driveway is reconfigured<br />
<strong>for</strong> pedestrian travel, remove all parking signs<br />
in order to reduce clutter.<br />
• Retain the central walkway <strong>and</strong> the direct<br />
pedestrian connection it provides between<br />
Comenius <strong>and</strong> Colonial halls.<br />
• Consider restoring the original l<strong>and</strong>ing at the<br />
top of the stairs leading down to the central<br />
walkway.<br />
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Views <strong>and</strong> Vistas<br />
Important to the historic character of this area are<br />
the views to <strong>and</strong> from Comenius Hall. In order to<br />
protect these views, the following recommendations<br />
apply:<br />
• Retain <strong>and</strong> maintain the central axial view<br />
through the entire character area from the front<br />
door of Comenius Hall to Colonial Hall <strong>and</strong> the<br />
open, sweeping view of Comenius Hall from<br />
Main Street.<br />
• Avoid placing vertical elements within these<br />
viewsheds, including additional trees, statuary,<br />
gates, or light st<strong>and</strong>ards that would distract<br />
from a clear view of the façade of Comenius<br />
Hall.<br />
• Remove <strong>and</strong> replace vegetation that is<br />
overgrown <strong>and</strong> which prevents clear views to<br />
the more important architectural elements of<br />
the building. Refer to the vegetation section,<br />
below.<br />
Vegetation<br />
The Comenius Lawn character area possesses a<br />
variety of significant vegetation, some dating to<br />
the late nineteenth century, including a number of<br />
large trees. Other types of documented vegetation<br />
are no longer extant from the historic period, or<br />
have been added since that time. In order to protect<br />
<strong>and</strong> enhance the historic character of this area, the<br />
following actions are recommended:<br />
• Retain <strong>and</strong> maintain vegetation identified as<br />
being at least fifty years of age. Perpetuate the<br />
in<strong>for</strong>mal clumps <strong>and</strong> groves of trees along the<br />
margins of the central open space.<br />
• Gather seed or clone specimens in preparation<br />
<strong>for</strong> eventual replacement of historic trees.<br />
Conduct tree survey to confirm exact locations,<br />
species, <strong>and</strong> variety of each tree within this<br />
character area.<br />
• Develop routine tree maintenance schedule<br />
employing a consulting arborist that specializes<br />
in historic trees.<br />
• Remove overgrown <strong>and</strong> heavily pruned yews<br />
that block views to the façade of the buildings<br />
(see figure 5-83). Replace with small evergreen<br />
shrubs or groundcover that will not exceed one<br />
to two feet in height at maturity.<br />
• Consider replacing the yews that flank the<br />
central walkway with a mix of evergreen <strong>and</strong><br />
flowering shrubs as per earlier designs.<br />
• Remove the arborvitae that flank the east<br />
entrance to Comenius Hall. If an accent shrub is<br />
desired to mark the entrance, consider species<br />
that will not block views of the tilework on the<br />
entrance porch.<br />
• Consider re-establishing the English ivy that<br />
once contributed to the Picturesque character<br />
of the building.<br />
• Consider removing the large shrubs that<br />
surround the statue of John Amos Comenius<br />
<strong>and</strong> replacing with a broad bed of small<br />
evergreen shrubs or groundcovers that do not<br />
exceed one foot in height, but that provide a<br />
base <strong>for</strong> the statue (figure 7-4).<br />
The following is a recommended plant list <strong>for</strong><br />
Comenius Lawn. Other plants may be appropriate<br />
provided they are native or adapted to the region<br />
<strong>and</strong> non-invasive. Refer to the Pennsylvania<br />
Department of Conservation <strong>and</strong> Natural<br />
Resources web site, “L<strong>and</strong>scaping with Native<br />
<strong>Plan</strong>ts in Pennsylvania,” <strong>for</strong> more in<strong>for</strong>mation on<br />
native plants in the state (http://www.dcnr.state.<br />
pa.us/<strong>for</strong>estry/wildplant/native.aspx). Also refer<br />
to “A Guide <strong>for</strong> Selecting Shrubs <strong>for</strong> Pennsylvania<br />
L<strong>and</strong>scapes” <strong>for</strong> an extensive shrub list (Nuss n.d.).<br />
Species on the list marked with a (+) are salt tolerant.<br />
Species marked with a (-) are highly sensitive to<br />
salt <strong>and</strong> should not be planted along walkways or<br />
road edges. For more in<strong>for</strong>mation on species salt<br />
tolerances, refer to the Cornell University Urban<br />
Horticulture Institute (http://www.hort.cornell.<br />
edu/uhi/outreach/recurbtree/index.html) <strong>and</strong> the<br />
University of Connecticut <strong>Plan</strong>t Database (http://<br />
www.hort.uconn.edu/plants/index.html).<br />
Large Trees (appropriate <strong>for</strong> open lawn areas)<br />
Red maple (Acer rubrum) (-)<br />
Sugar maple (Acer saccharium) (-)<br />
American beech (Fagus gr<strong>and</strong>iflora)<br />
White ash (Fraxinus americana) (+)<br />
Green ash (Fraxinus pennsylvanicum) (+)<br />
American holly (Ilex opaca) (+)<br />
Tulip poplar (Liriodendron tulipifera) (-)<br />
Magnolia (hardy only) (Magnolia sp.)<br />
Austrian pine (Pinus nigra) (+)<br />
White pine (Pinus strobus)<br />
Sycamore (Platanus occidentalis) (+)<br />
White oak (Quercus alba)<br />
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Figure 7-4. Existing conditions (top) <strong>and</strong> proposed changes (bottom), including replacement of large shrubs around the statue base<br />
with groundcover, removal of the large yews that block views of the base of Comenius Hall, <strong>and</strong> relocation of site furnishings to<br />
maintain uncluttered views to the building (JMA 2009).<br />
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Northern red oak (Quercus rubra) (+)<br />
Ginko (male only) (Salisburia adiantifolia)<br />
American basswood (Tilia americana)<br />
Hemlock (Tsuga canadensis)<br />
Elm hybrids (Ulmus x spp.) (+)<br />
Small Trees or Large Shrubs (over 6’,appropriate <strong>for</strong><br />
building corners <strong>and</strong> groves)<br />
Eastern redbud (Cercis canadensis) (+)<br />
Flowering dogwood (Cornus florida) (-)<br />
Witch Hazel (Hamamelis virginiana)<br />
Winterberry (Ilex verticillata)<br />
Junipers (Juniperus spp.) (+)<br />
Mountain laurel (Kalmia latifolia)<br />
Spicebush (Lindera benzoin) (+)<br />
Small Shrubs (under six feet, appropriate <strong>for</strong> walkways<br />
<strong>and</strong> entrances)<br />
New Jersey tea (Ceanothus americanus)<br />
Sweet pepper bush (Clethra alnifolia)<br />
Smooth Hydrangea (Hydrangea arborescens)<br />
Inkberry (Ilex glabra)<br />
Creeping juniper (Juniperus horizontalis)<br />
Drooping leucothoe (Leucothoe fontanesiana)<br />
Fragrant sumac (Rhus aromatica)<br />
Dwarf Japanese yew (Taxus cuspidata nana)<br />
Spreading English yew (Taxus baccata<br />
rep<strong>and</strong>ens)<br />
Dwarf viburnums (Viburnum spp.)<br />
L<strong>and</strong>scape Structures<br />
The only l<strong>and</strong>scape structure extant from the<br />
historic period within this character area is the<br />
central walk gateway that leads from Main Street<br />
to Comenius Hall. The stone l<strong>and</strong>ing at the top of<br />
the central walk stairs is no longer extant. Other<br />
structures have been installed since the historic<br />
period. The following recommendations apply:<br />
• Central walk gateway<br />
◦ Replace cracked <strong>and</strong> damaged stone<br />
footings at the base of the entrance fencing<br />
at this location.<br />
◦ Consider replacing gateway lanterns with<br />
fixtures that match historic as documented<br />
in historic photographs (see figure 5-85).<br />
◦ If this area is renovated, consider removing<br />
the footings <strong>and</strong> restoring the gateway to<br />
its original location.<br />
• Stairway l<strong>and</strong>ing: consider reconstructing this<br />
l<strong>and</strong>ing based on historic photographs <strong>and</strong><br />
any other documentation that may become<br />
available (see figure 5-81).<br />
• Locust Street gateway: monitor this structure<br />
<strong>for</strong> condition issues such as cracking or brick<br />
deterioration.<br />
• Monument sign: if this area is renovated,<br />
consider implementing a new design as part<br />
of the overall campus signage master plan<br />
recommended in Chapter 6 – L<strong>and</strong>scape<br />
Guidelines.<br />
Site Furnishings <strong>and</strong> Objects<br />
Site furnishings within this character area have all<br />
been installed after the historic period <strong>and</strong> most<br />
very recently. Recommendations have to do with<br />
minor adjustments to their current conditions:<br />
• Consider placing floodlights <strong>for</strong> the John Amos<br />
Comenius statue <strong>and</strong> <strong>for</strong> Comenius Hall in<br />
wells in order to reduce visual clutter in this<br />
area (see figure 7-4).<br />
• Consolidate the benches <strong>and</strong> trash receptacles<br />
along the block of Main Street to groupings at<br />
each end of the block so as to maintain an open<br />
<strong>and</strong> uncluttered view of Comenius Hall (see<br />
figure 7-4).<br />
• Place drainage from building roof underground<br />
so as to reduce the visual impact.<br />
Old Quad Character Area<br />
The focus of treatment within this character area is<br />
on the preservation, stabilization, <strong>and</strong> maintenance<br />
of the open space contained by Comenius Hall,<br />
Hamilton Hall, Monocacy Hall, Zinzendorf Hall,<br />
<strong>and</strong> Memorial Hall.<br />
General<br />
The use of this character area has changed<br />
dramatically during the last fifty year from<br />
primarily service <strong>and</strong> parking-oriented space to<br />
an open, pedestrian-oriented space. The addition<br />
of a <strong>for</strong>mal design of sidewalks <strong>and</strong> honey locust<br />
trees has trans<strong>for</strong>med this space into a closer<br />
approximation of a traditional campus quad.<br />
These recommendations are geared towards<br />
strengthening this character rather than returning<br />
the area to its previous historic use.<br />
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Spatial Organization<br />
Enhance the design intent evident in the placement<br />
of sidewalks <strong>and</strong> larger trees in this area as defining<br />
a traditional campus quad:<br />
• Consider removing or relocating smaller<br />
elements such as ornamental trees <strong>and</strong> site<br />
furnishings to the edges or corners of this area<br />
in order to enhance its open quality (figure<br />
7-5).<br />
• Maintain a high tree canopy in order to enhance<br />
the openness of the space.<br />
Buildings<br />
The five buildings that surround this space all date<br />
to the historic period. Recommendations are as<br />
follows:<br />
• Retain <strong>and</strong> maintain the surrounding buildings,<br />
which are at least fifty years of age <strong>and</strong> retain<br />
integrity. Refer to Chapters 8 <strong>and</strong> 9 <strong>for</strong> more<br />
detailed treatment recommendations.<br />
• Consider consolidating utilities related to<br />
these buildings <strong>and</strong> located in the Old Quad<br />
character area <strong>and</strong> screening them with shrubs<br />
or other material.<br />
Circulation Features<br />
Circulation patterns within this character area do<br />
not date to the historic period. Nevertheless, it is<br />
important to maintain the design intent expressed<br />
in the pattern of sidewalks that characterize this<br />
space:<br />
• Maintain the existing sidewalk layout <strong>and</strong><br />
paving materials as they are in good condition<br />
<strong>and</strong> appear to be functioning well to provide<br />
stable pathways.<br />
• Consider replacing asphalt driveway <strong>and</strong><br />
parking lot at north end of the Old Quad with<br />
brick paving in order to discourage casual use<br />
by delivery <strong>and</strong> maintenance vehicles. Install<br />
bollards adjacent to the parking area to prevent<br />
vehicles from entering the quad area from this<br />
end.<br />
Views <strong>and</strong> Vistas<br />
Important to the character of this area are the view<br />
to Comenius Hall from the southwest corner of the<br />
quad <strong>and</strong> the axial view between Memorial Hall<br />
<strong>and</strong> the north end of the quad.<br />
• Remove small trees <strong>and</strong> other ornamental<br />
vegetation from the central lawn <strong>and</strong> maintain<br />
the alleé of honey locust to preserve the axial<br />
view between Memorial Hall <strong>and</strong> the north<br />
end of the quad.<br />
• Consolidate utilities along the base of Comenius<br />
Hall <strong>and</strong> screen with vegetation.<br />
Vegetation<br />
Vegetation within this character area does not<br />
date to the historic period, but it is important to<br />
maintain the design intent expressed in the large<br />
tree plantings that characterize this space:<br />
• Remove or relocate small ornamental trees,<br />
such as weeping cherry <strong>and</strong> Brad<strong>for</strong>d pear,<br />
from the central lawn of the Old Quad as their<br />
low branch habits interfere with the desired<br />
open quality of the space. Consider placing<br />
these types at the north end or one of the two<br />
south corners to emphasize pedestrian entrance<br />
points.<br />
• Add two new honey locust in the central<br />
portion of the quad, in line with the existing<br />
trees, to complete the <strong>for</strong>mal design.<br />
• Maintain locust by regular pruning that will<br />
encourage the branches to <strong>for</strong>m a loose <strong>and</strong> airy<br />
ceiling <strong>for</strong> the Old Quad space. Raise branching<br />
to eight foot height, minimum.<br />
• Place additional screening shrubs at the north<br />
end of the Old Quad to increase the sense of<br />
enclosure <strong>and</strong> at the base of Comenius Hall to<br />
screen utilites (see figure 7-5).<br />
• Remove small, r<strong>and</strong>omly placed planting beds<br />
located within the central space of the Old<br />
Quad in order to emphasize the desired open<br />
quality of the space (see figure 7-5).<br />
L<strong>and</strong>scape Structures<br />
The only l<strong>and</strong>scape structure identified in this area<br />
is the raised planter located at the west central<br />
walkway that leads to Reeves Library. The planter<br />
is of recent vintage, but it is important that regular<br />
inspections are made of the structure to maintain<br />
it in good condition. If it becomes necessary to<br />
replace the planter, recommendations include<br />
consideration of an alternate bench style that would<br />
be more compatible with the historic character of<br />
adjacent areas of the campus (see Site Furnishings<br />
<strong>and</strong> Objects, below).<br />
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Figure 7-5. Existing conditions (top) <strong>and</strong> proposed changes (bottom), including removal of small plantings within the central lawn<br />
to maintain the axial view between Memorial Hall <strong>and</strong> the north end of the quad, <strong>and</strong> new plantings of shrubs around the base of<br />
Comenius Hall to screen utilities (JMA 2009).<br />
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Site Furnishings <strong>and</strong> Objects<br />
Site furnishings <strong>and</strong> objects within this character area<br />
do not date to the historic period. Nevertheless, it is<br />
important to have furnishings that are compatible<br />
with the historic character of adjacent character<br />
areas. In that vein, recommendations are to:<br />
• Relocate benches <strong>and</strong> trash containers from the<br />
center of the quad space to its borders in order<br />
to emphasize the open quality of the space.<br />
• Consider replacing all wooden benches with<br />
black metal benches that match existing trash<br />
containers <strong>and</strong> are more compatible with the<br />
historic character of the surrounding buildings<br />
(figure 7-6).<br />
• Consider replacing all pipe railings at building<br />
entrances with black metal railings that are<br />
more compatible with the historic character of<br />
the buildings (figure 7-7).<br />
• Maintain pedestrian-scale lighting within the<br />
Old Quad <strong>and</strong> assure that there is adequate<br />
lighting <strong>for</strong> safety <strong>and</strong> security at night.<br />
• Consider replacing bicycle racks with selection<br />
that is more compatible with the historic<br />
character of the adjacent buildings (figure 7-8).<br />
Relocate bicycle racks from planted areas to<br />
paved areas on the edges of the space.<br />
• Consolidate utilities along the base of Comenius<br />
Hall <strong>and</strong> screen with vegetation.<br />
Figure 7-6. Example of black metal strap bench (L<strong>and</strong>scape<br />
Forms).<br />
Monocacy Quad Character Area<br />
The focus of treatment within this character area is<br />
on the preservation, stabilization, <strong>and</strong> maintenance<br />
of the historic character of the linear space contained<br />
by Hamilton Hall, Monocacy Hall, Zinzendorf Hall,<br />
Memorial Hall, <strong>and</strong> Reeves Library.<br />
Figure 7-7. Example of h<strong>and</strong>rail that would be appropriate <strong>for</strong><br />
building entrances within the Old Quad area (JMA Collection).<br />
General<br />
Retain surviving historic elements <strong>and</strong> character<br />
within this character area that provide a connection<br />
to important aspects of <strong>Moravian</strong> <strong>College</strong>’s<br />
heritage, particularly the older trees, the relatively<br />
level l<strong>and</strong><strong>for</strong>m, linear views of the streetscape,<br />
the alignment of Monocacy Street, <strong>and</strong> the open<br />
character that has been an important quality of this<br />
space since the early twentieth century.<br />
Figure 7-8. Example of bike rack designs that would be<br />
compatible with the historic character of the campus (JMA<br />
Collection).<br />
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Spatial Organization<br />
While this is not a historic character area, the<br />
Monocacy Quad does maintain some characteristics<br />
from the historic period, including its linear<br />
orientation <strong>and</strong> its street trees. Recommendations<br />
are as follows:<br />
• Maintain the linear character of this space. This<br />
organization reflects the historical connection<br />
to the original layout of Monocacy Street prior<br />
to redevelopment.<br />
• When replacing trees, align new plantings with<br />
the historic sycamores <strong>and</strong> retain the original<br />
<strong>and</strong> regular spacing.<br />
• Site additional features within this character<br />
area, including memorials, site furnishings,<br />
or signage, towards the edge rather than to<br />
the center, retaining as much as possible the<br />
strength of the linear organization.<br />
Buildings<br />
Retain <strong>and</strong> maintain the buildings surrounding this<br />
space that are at least fifty years of age <strong>and</strong> retain<br />
integrity, including Hamilton House, Zinzendorf<br />
Hall, <strong>and</strong> Memorial Hall. Refer to Chapters 8 <strong>and</strong><br />
9 <strong>for</strong> more detailed treatment recommendations.<br />
In addition, recognize the historic significance<br />
of the original core of Reeves Library (1967) as a<br />
Modern-era building. Preserve character-defining<br />
features <strong>and</strong> apply rehabilitation treatment<br />
st<strong>and</strong>ards when renovating its exterior, designing<br />
additions, or otherwise altering the building.<br />
Circulation Features<br />
The circulation within Monocacy Quad recollects<br />
its historic use as a public street. Recommendations<br />
are as follows:<br />
• Consider extending the main walkway<br />
through the north end of this character area,<br />
re-establishing its connection to the west<br />
sidewalk along Monocacy.<br />
• Clarify the intersection of Monocacy <strong>and</strong> Locust<br />
Street to distinguish pedestrian <strong>and</strong> vehicular<br />
travelways. Consider a small, rectangular,<br />
raised plaza, paved in brick or other modular<br />
paver, which will be passable by vehicles when<br />
necessary, yet different in texture than the<br />
roadway.<br />
Views <strong>and</strong> Vistas<br />
Historic views north along Monocacy Street are<br />
blocked by low plantings <strong>and</strong> a rail fence at the<br />
Elizabeth Avenue end. Recommendations are as<br />
follows:<br />
• Consider removing low plantings <strong>and</strong> wood<br />
rail fence at the north end of this character<br />
area to re-establish the linear view north along<br />
Monocacy Street.<br />
Vegetation<br />
The large trees within this character area are historic<br />
<strong>and</strong> relate to the historic function of this space as a<br />
public street. Recommendations are as follows:<br />
• Avoid removing historic sycamores within this<br />
character area.<br />
• Replace historic sycamores as needed, that is,<br />
when removed due to hazardous conditions,<br />
in kind. Consider best way to assure a similar<br />
habit by cloning, seeding, or other method as<br />
recommended by horticulturalist.<br />
• Consider replacing maples <strong>and</strong> weeping<br />
mulberry in this are with sycamores in order<br />
to strengthen the spatial quality <strong>and</strong> historic<br />
character of this area.<br />
• Protect the historic white ash at the southwest<br />
of Zinzendorf Hall by following a maintenance<br />
plan provided by a consulting arborist<br />
specializing in historic trees.<br />
L<strong>and</strong>scape Structures<br />
There are no historic l<strong>and</strong>scape structures within<br />
this character area. However, more recently built<br />
structures, the entrance stairway at Reeves Library<br />
<strong>and</strong> the amphitheater at the south end, are examples<br />
of the Post-Modern design aesthetic <strong>and</strong> should be<br />
maintained as potentially significant structures.<br />
Site Furnishings <strong>and</strong> Objects<br />
Site furnishings <strong>and</strong> objects within this character area<br />
do not date to the historic period. Nevertheless, it is<br />
important to have furnishings that are compatible<br />
with the historic character of adjacent character<br />
areas. In that vein, recommendations are to:<br />
• Consider removal of the split rail wood fence<br />
at the north end of this character area, as it is<br />
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not compatible with the historic character of<br />
adjacent areas.<br />
• Consider replacing all wooden benches with<br />
black metal benches that match existing trash<br />
containers <strong>and</strong> are more compatible with the<br />
historic character of the surrounding buildings<br />
(see figure 7-6).<br />
• Maintain pedestrian-scale lighting <strong>and</strong> assure<br />
that it is adequate <strong>for</strong> safety <strong>and</strong> security.<br />
• Consider replacing bicycle racks with a<br />
selection that is more compatible with the<br />
historic character of the adjacent buildings,<br />
such as black painted metal railing types (see<br />
figure 7-8).<br />
Colonial Hall Character Area<br />
General<br />
This character area retains a small number of<br />
features that can be dated to the historic period.<br />
Recommendations <strong>for</strong> rehabilitation are as follows:<br />
Spatial Organization<br />
• Enhance the historic open spatial character of<br />
the area contained by the L-shape of Colonial<br />
Hall by relocating small trees to the north <strong>and</strong><br />
east sides of the building. These small trees are<br />
low branching <strong>and</strong> tend to obscure views to the<br />
details of these historic buildings.<br />
• Maintain the urban scale of the close spacing<br />
of the two American Foursquare houses in this<br />
block of Main Street.<br />
Buildings<br />
• Retain <strong>and</strong> maintain the buildings in this<br />
character area, as they are over fifty years of<br />
age <strong>and</strong> retain integrity, including Colonial<br />
Hall <strong>and</strong> the two large residences now housing<br />
sororities. Refer to Chapters 8 <strong>and</strong> 9 <strong>for</strong> more<br />
detailed treatment recommendations.<br />
• If a small new facility is needed on campus,<br />
consider using the site of the third building<br />
that was originally planned <strong>for</strong> this character<br />
area. The third building would complete the<br />
originally planned enclosure on the south side.<br />
Circulation Features<br />
• Maintain the straight walkway that connects<br />
Colonial Hall with Comenius Hall across Main<br />
Street <strong>and</strong> its orientation to the central door of<br />
what was the <strong>Moravian</strong> Archives building.<br />
• If a third building is added to the Colonial<br />
Hall grouping, mirror the new entrance<br />
plaza configuration in order to maintain the<br />
symmetrical design intent <strong>for</strong> this area.<br />
Views <strong>and</strong> Vistas<br />
• Maintain the strong axial view <strong>and</strong> spatial<br />
relationship between Colonial Hall <strong>and</strong><br />
Comenius Hall. Avoid placing vertical<br />
structures, objects, or vegetation within this<br />
viewshed.<br />
• Maintain the open, tree-lined quality of the<br />
streetscape view along Main Street.<br />
Vegetation<br />
• Protect the historic oak at the northwest<br />
corner of Elizabeth Avenue <strong>and</strong> Main Street<br />
by following a maintenance plan provided by<br />
a consulting arborist specializing in historic<br />
trees.<br />
• Remove the small tree planted in front of the<br />
entrance to what was the <strong>Moravian</strong> Archives.<br />
Its low branching obscures the historic axial<br />
relationship between Colonial <strong>and</strong> Comenius<br />
halls.<br />
• Avoid obscuring historic building details,<br />
maintain other plant materials to stay below<br />
the lower sills of the first floor windows <strong>and</strong><br />
away from central doorways.<br />
L<strong>and</strong>scape Structures<br />
• Replace the cracked <strong>and</strong> damaged stone base<br />
of the entrance fencing at this location.<br />
• If this gateway <strong>and</strong> its twin across Main Street<br />
are renovated, consider removing the stone<br />
base <strong>and</strong> resetting the piers to match those at<br />
Comenius, as shown in historic photographs.<br />
• If the new diagonally-oriented entrance plaza<br />
is renovated, consider a design that does not<br />
obscure the historic character of the two older<br />
buildings.<br />
Site Furnishings <strong>and</strong> Objects<br />
• Consider replacing wooden benches with<br />
black metal benches that are more compatible<br />
with the historic character of the surrounding<br />
buildings (see figure 7-6).<br />
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• Consider replacing lanterns on the gate piers<br />
with lanterns that more closely resemble those<br />
shown in historic photographs of the Comenius<br />
gateways (see figure 5-85).<br />
Sports Quad Character Area<br />
General<br />
Retain the character of this area as a reflection of<br />
Modernistic design, including its move away from<br />
Beaux-Arts symmetry <strong>and</strong> axial arrangements to<br />
a more free-<strong>for</strong>m expression of both setting <strong>and</strong><br />
function.<br />
Spatial Organization<br />
• Retain the organization of this area as a wide<br />
open space ringed by long, low buildings <strong>and</strong><br />
pierced by openings between the buildings.<br />
• Differentiate small spaces related to individual<br />
buildings from large by using specialized<br />
paving, site furnishings such as benches <strong>and</strong><br />
picnic tables, <strong>and</strong> vegetation such as low shrubs<br />
<strong>and</strong> canopy trees.<br />
Buildings<br />
• Retain <strong>and</strong> maintain the buildings <strong>and</strong> structures<br />
identified as being from the mid-twentieth<br />
century, including Johnston Hall (1952), Rau<br />
Residence Hall (1960), Hassler Residence<br />
Hall (1960), Haupert Union Building (1962),<br />
Bernhardt Residence Hall (1964), Wilhelm<br />
Residence Hall (1965), <strong>and</strong> Jo Smith Residence<br />
Hall (1972). Refer to Chapters 8 <strong>and</strong> 9 <strong>for</strong> more<br />
detailed treatment recommendations.<br />
• Protect the existing l<strong>and</strong><strong>for</strong>m <strong>and</strong> topography<br />
that was used to site this group of buildings<br />
from change unless absolutely necessary.<br />
• Consider adding a wing to the south end of<br />
Breidegam Field House that would express the<br />
materials <strong>and</strong> fenestration patterns common<br />
to the other buildings surrounding the sports<br />
field.<br />
Circulation Features<br />
• Keep paved pedestrian or vehicular circulation<br />
paths to the edge of the open space that<br />
characterizes this area.<br />
• Screen parking from view, if possible <strong>and</strong><br />
secure.<br />
Views <strong>and</strong> Vistas<br />
• Maintain protected areas from where sports<br />
events can be viewed, including both <strong>for</strong>mal<br />
(HUB) <strong>and</strong> in<strong>for</strong>mal (grassy areas under trees).<br />
• Avoid planting small trees within viewsheds<br />
that might block views from the surrounding<br />
buildings into the sports fields.<br />
Vegetation<br />
• Protect <strong>and</strong> maintain the large canopy trees<br />
that ring the sports field. Replace any that are<br />
removed with similar species (red <strong>and</strong> white<br />
oak, maples, <strong>and</strong> sycamores).<br />
• Remove overgrown shrubs in front of Johnston<br />
Hall <strong>and</strong> replace with varieties that are two-tothree<br />
feet maximum in height <strong>and</strong> do not<br />
require heavy sheering.<br />
• Consider removing ornamental plantings on<br />
either side of the curb cut on the south side of<br />
Locust Street. Relocate to an important entrance<br />
that requires identification.<br />
L<strong>and</strong>scape Structures<br />
• If additions or other changes are made to\the<br />
south end of Breidegam Field House consider<br />
redeveloping the entrance with a design more<br />
in keeping with the character of the entrance to<br />
Johnston Hall.<br />
• Consider creating a paved patio in front of the<br />
lobby that connects Rau <strong>and</strong> Hassler halls so<br />
that picnic tables may rest on a stable surface.<br />
Site Furnishings <strong>and</strong> Objects<br />
• Consider replacing all wooden benches<br />
<strong>and</strong> picnic tables with contemporary metal<br />
furnishings that are more compatible with<br />
the modernistic character of the surrounding<br />
buildings. Consider replacing bicycle racks with<br />
selections that match these site furnishings.<br />
• Relocate bicycle racks from planted or turf<br />
areas to paved areas on the edges of the space.<br />
• Maintain pedestrian-scale lighting <strong>and</strong> assure<br />
that there is adequate lighting <strong>for</strong> safety <strong>and</strong><br />
security at night.<br />
• Consider replacing the split-rail fences on<br />
the west side of the sports field, in front of<br />
Breidegam Field House, <strong>and</strong> close to the HUB<br />
with black-painted or other metal that is more<br />
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compatible with the character of adjacent<br />
buildings.<br />
• Relocate vertically-oriented site furnishings,<br />
such as trash receptacles <strong>and</strong> signage, to<br />
entrances <strong>and</strong> exits <strong>and</strong> away from central<br />
architectural features.<br />
• Relocate or screen utility features such as the<br />
gas meter in front of Rau-Hassler.<br />
• Remove boulders that have been placed along<br />
driveways or walks. They are not compatible<br />
with the character of the campus <strong>and</strong> inhibit<br />
mowing. If damage from vehicles is a problem,<br />
add a raised curb to these areas.<br />
• Develop a program to plan <strong>for</strong> <strong>and</strong> organize<br />
small memorial markers. Identify memorial<br />
plantings, such as trees or groves, with low,<br />
ground-mounted markers that do not clutter<br />
views or inhibit maintenance.<br />
• Consider alternate system <strong>for</strong> blocking<br />
vehicular access, such as pop-up or removable<br />
bollards.<br />
• Consolidate signage as much as possible.<br />
Consider preventing parking with curbs rather<br />
than signs.<br />
Hillside Character Area<br />
• Consider the character of this area when<br />
planning <strong>for</strong> the rest of the campus. Carry<br />
signage <strong>and</strong> furnishing systems into this area<br />
in order to connect it conceptually with the<br />
historic campus.<br />
• When planning new buildings <strong>for</strong> this<br />
area, utilize the same residential scale <strong>and</strong><br />
massing of the original buildings, along with<br />
arrangements into groupings that encourage<br />
social interaction.<br />
Betty Prince Field Character Area<br />
• Focus rehabilitation within this area on retaining<br />
historic patterns of spatial organization <strong>and</strong><br />
l<strong>and</strong> use.<br />
• Consider the character of this area when<br />
planning <strong>for</strong> the rest of the campus. Carry<br />
signage <strong>and</strong> furnishing systems into this area<br />
in order to connect it conceptually with the<br />
historic campus.<br />
• Consider improving access by identifying <strong>and</strong><br />
paving the gravel road that leads from the<br />
Sports Quad down to this area.<br />
• Protect large canopy trees that provide shade<br />
in this area.<br />
Campus Ring Character Area<br />
General<br />
Primary issues in this area have to do with campus<br />
facility expansion <strong>and</strong> parking. The currently<br />
on-going Facilities <strong>Master</strong> <strong>Plan</strong> <strong>for</strong> <strong>Moravian</strong> may<br />
address many of these problems. The following<br />
guidelines offer a preservation-oriented viewpoint.<br />
Spatial Organization<br />
When developing new facilities in this area,<br />
maintain the building setbacks <strong>and</strong> spacing<br />
patterns that characterize this late-nineteenth <strong>and</strong><br />
early-twentieth century neighborhood.<br />
Buildings<br />
• As a baseline, <strong>and</strong> in partnership with the<br />
City of Bethlehem, survey <strong>and</strong> assess historic<br />
buildings <strong>and</strong> l<strong>and</strong>scapes in the neighborhood<br />
surrounding <strong>Moravian</strong> <strong>College</strong> that merit<br />
preservation.<br />
• Retain all surviving historic elements <strong>and</strong><br />
maintain the historic character of this area<br />
due to its role in providing a connection to<br />
important aspects of the college’s heritage.<br />
Avoid altering or removing the historic<br />
buildings that survive within this area unless<br />
there is a compelling reason <strong>for</strong> their removal.<br />
Refer to Chapters 8 <strong>and</strong> 9 <strong>for</strong> more detailed<br />
treatment recommendations.<br />
• If facility expansion is desired in this area,<br />
consider incorporating the spatial organization,<br />
massing, <strong>and</strong> fenestration patterns found<br />
in residential buildings in the surrounding<br />
neighborhood.<br />
L<strong>and</strong> Use<br />
• Consolidate l<strong>and</strong> uses within the campus<br />
area, such as residential uses, offices, visitor<br />
orientation areas, science, athletics, <strong>and</strong><br />
maintenance.<br />
• Focus rehabilitation within this area on<br />
maintaining important physical relationships<br />
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<strong>and</strong> l<strong>and</strong> uses, yet recognizing the need to<br />
improve the aesthetics of the area <strong>and</strong> enhance<br />
its sustainability.<br />
Circulation Features<br />
• When developing new facilities in this area,<br />
maintain the grid pattern of streets that<br />
characterizes this area.<br />
• Consider constructing a parking facility in<br />
a non-historic area on the edge of campus to<br />
consolidate parking <strong>and</strong> open up space internal<br />
to the campus <strong>for</strong> education facility expansion<br />
or housing.<br />
• Promote sustainable stormwater management<br />
within this character area by converting<br />
impervious surfaces to pervious surfaces <strong>and</strong><br />
creating holding areas <strong>and</strong> filtering features<br />
such as rain gardens, filter strips, <strong>and</strong> dry wells<br />
to promote infiltration, detention, <strong>and</strong> sediment<br />
control associated with the parking lots.<br />
Site Furnishings <strong>and</strong> Objects<br />
Identify, in cooperation with the City of Bethlehem,<br />
historic site furnishings <strong>and</strong> objects within this<br />
area. <strong>Plan</strong> <strong>for</strong> preservation as per guidelines offered<br />
in Chapter 6.<br />
Views <strong>and</strong> Vistas<br />
Retain <strong>and</strong> maintain linear views of the historic<br />
streetscape when considering campus expansion<br />
or development of new facilities.<br />
Vegetation<br />
• Retain <strong>and</strong> maintain vegetation identified as<br />
being at least fifty years of age, including some<br />
of the older trees within the area.<br />
• Consider conducting a tree survey in the<br />
neighborhood in partnership with the City of<br />
Bethlehem.<br />
• Participate in City of Bethlehem tree planting<br />
initiatives in order to help maintain the historic<br />
streetscape of the neighborhood.<br />
• Retain <strong>and</strong> maintain the Monocacy Creek stream<br />
corridor, topography, <strong>and</strong> surrounding riparian<br />
woodl<strong>and</strong> when considering developing on the<br />
west edge of the campus.<br />
L<strong>and</strong>scape Structures<br />
Identify, in cooperation with the City of Bethlehem,<br />
historic l<strong>and</strong>scape structures within this area.<br />
<strong>Plan</strong> <strong>for</strong> preservation as per guidelines offered in<br />
Chapter 6.<br />
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Chapter Eight<br />
Historic Buildings at <strong>Moravian</strong> <strong>College</strong><br />
8.0 Introduction<br />
<strong>Moravian</strong> <strong>College</strong> is home to a wide range of<br />
historic buildings that <strong>for</strong>m two very different<br />
campus environments. As steward of these<br />
significant historic resources, <strong>Moravian</strong> recognizes<br />
its responsibility in their care, maintenance, <strong>and</strong><br />
appropriate use. Stewardship is undertaken with the<br />
idea that these resources will contribute materially<br />
to the learning environment of the <strong>College</strong>; that<br />
through these resources students will see, feel,<br />
experience, <strong>and</strong> appreciate the long history <strong>and</strong><br />
evolving intellectual life of the community. These<br />
buildings <strong>and</strong> their associated l<strong>and</strong>scapes provide<br />
a richness <strong>and</strong> context to the learning environment<br />
that in<strong>for</strong>ms today’s issues <strong>and</strong> actions <strong>and</strong> provides<br />
depth to the underst<strong>and</strong>ing of contemporary life.<br />
<strong>Moravian</strong>’s historic buildings are associated with<br />
three broad areas of historic context: the <strong>Moravian</strong><br />
settlement <strong>and</strong> resulting city development;<br />
<strong>Moravian</strong> education <strong>for</strong> females <strong>and</strong> males <strong>and</strong><br />
its connections with broader national trends on<br />
higher education; <strong>and</strong> historic preservation. These<br />
historic contexts are described <strong>and</strong> elaborated upon<br />
in Chapter 3 of this preservation plan. Chapter<br />
5 of the plan identifies ten l<strong>and</strong>scape character<br />
areas associated with the building <strong>and</strong> l<strong>and</strong>scape<br />
resources at <strong>Moravian</strong>.<br />
Chapter 8 provides an overview of the significance,<br />
context, <strong>and</strong> condition of each historic building at<br />
<strong>Moravian</strong>. Its purpose is to facilitate stewardship<br />
by providing in<strong>for</strong>mation that will assist in good<br />
decision-making about the buildings in the<br />
present <strong>and</strong> in the future. It is hoped that this<br />
in<strong>for</strong>mation will be consulted when changes to the<br />
campus are necessary. Combining the background<br />
underst<strong>and</strong>ing that this chapter provides with the<br />
use of the principles outlined in The Secretary of<br />
the Interior’s St<strong>and</strong>ards, discussed in Chapter 4,<br />
<strong>and</strong> the design guidelines included in subsequent<br />
chapters of this <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>, should<br />
assist the college with the ongoing stewardship of<br />
its historic buildings.<br />
The buildings are organized <strong>and</strong> presented in this<br />
chapter by campus area, including: the Priscilla<br />
Payne Hurd Campus, Steel Field, North Main Street<br />
Campus, <strong>and</strong> Campus Ring. For each building, the<br />
following subjects are outlined:<br />
• Historical Development: a brief summary of<br />
how the building developed <strong>and</strong> changed<br />
over time in conjunction with Chapter 2<br />
(Historic Overview of <strong>Moravian</strong> <strong>College</strong>) <strong>and</strong><br />
Chapter 3 (Historic Contexts of <strong>Moravian</strong><br />
<strong>College</strong>);<br />
• Significance: why the building is historically<br />
significant to the <strong>Moravian</strong> community;<br />
• Integrity: the degree to which authentic<br />
historic building fabric still exists in the<br />
building;<br />
• Condition: a review of existing materials that<br />
comprise the building <strong>and</strong> issues associated<br />
with those materials;<br />
• Current Use: how the building is currently<br />
used <strong>and</strong> any thoughts with respect to<br />
possible future changes in use; <strong>and</strong><br />
• Treatment: a recommended treatment<br />
approach to the building <strong>and</strong> specific issues<br />
that should be addressed as a priority.<br />
8.1 Priscilla Payne Hurd<br />
Campus Buildings<br />
The Priscilla Payne Hurd Campus (Hurd Campus)<br />
of <strong>Moravian</strong> <strong>College</strong> includes the l<strong>and</strong>scape area<br />
<strong>and</strong> historic buildings located along Main Street<br />
<strong>and</strong> West Church Street in downtown Bethlehem.<br />
The Single Brethren’s House is closely associated<br />
with the initial settlement of Bethlehem, <strong>and</strong> both<br />
it <strong>and</strong> its surrounding buildings reflect the 1814<br />
relocation <strong>and</strong> subsequent development of the<br />
Bethlehem Female Seminary/<strong>Moravian</strong> Seminary<br />
<strong>for</strong> Young Ladies. These buildings are a physical<br />
manifestation of the Seminary’s nineteenth-century<br />
educational principles <strong>and</strong> high reputation, as well<br />
as examples of continuous <strong>and</strong> adaptive use by both<br />
the Seminary <strong>and</strong> <strong>Moravian</strong> <strong>College</strong>. Most notably,<br />
the buildings are examples of careful restorations<br />
in celebration of the city’s early history. <strong>Moravian</strong><br />
<strong>College</strong>’s visual identity <strong>and</strong> important role in the<br />
history of Bethlehem is largely tied to the image<br />
<strong>and</strong> character of these buildings in the minds of<br />
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both the community <strong>and</strong> those affiliated with the<br />
<strong>College</strong>.<br />
Most of the historic buildings in the Hurd Campus<br />
have changed to varying degrees over time, both in<br />
use <strong>and</strong> in terms of alterations. Changes will most<br />
likely continue to occur as programs, institutional<br />
needs, <strong>and</strong> technology evolve. In most cases, the<br />
buildings can accommodate evolving rehabilitation<br />
<strong>and</strong> adaptive reuse.<br />
The historic buildings in the Hurd Campus<br />
character area, presented in geographical order<br />
beginning with the Single Brethren’s House <strong>and</strong><br />
proceeding south <strong>and</strong> then east, include:<br />
• The Single Brethren’s House,<br />
• West Hall,<br />
• Old Chapel/Hearst Hall,<br />
• New Chapel/Peter Hall,<br />
• South Hall,<br />
• Payne Art Gallery,<br />
• Day House,<br />
• Main Hall,<br />
• Frueauff House,<br />
• The Widows’ House, <strong>and</strong><br />
• Clewell Hall.<br />
Continental Army <strong>for</strong> use as its primary hospital<br />
<strong>for</strong> hundreds of wounded soldiers.<br />
In 1814, as the population of the house dwindled,<br />
the Church conveyed the Single Brethren’s House<br />
<strong>and</strong> six adjoining acres to the <strong>Moravian</strong> Seminary<br />
<strong>for</strong> Young Ladies, a <strong>Moravian</strong> girls’ boarding<br />
school founded in 1742. Renovations to the interior<br />
of the Single Brethren’s House occurred at this<br />
time, including installation of the Federal-style<br />
end stairwells <strong>and</strong> probably the reconfiguring of<br />
the front entrances to eliminate the original central<br />
entries <strong>and</strong> create new ones at the stairwells. Over<br />
the next 40 years, the building housed nearly all<br />
the functions of the school, including dormitories,<br />
refectory, classrooms, <strong>and</strong> chapel. As the school<br />
grew, the building became too small <strong>and</strong> additional<br />
buildings were constructed adjacent to the Single<br />
Brethren’s House. The Old Chapel building was<br />
constructed at the southwest corner of the Single<br />
Brethren’s House in 1848, providing a refectory <strong>and</strong><br />
a top-floor chapel. Main Hall, built in 1854, was the<br />
second of these new buildings <strong>and</strong> was connected<br />
The Single Brethren’s House – 1748<br />
Historical Development<br />
The Single Brethren’s House was constructed in<br />
1748, using wood floated downriver from the<br />
<strong>Moravian</strong> sawmill at Gnadenhuetten. As with the<br />
Gemeinhaus across the street, the Single Brethren’s<br />
House had strong European characteristics,<br />
including its thick stone wall <strong>and</strong> tiled doublemansard<br />
roof with small dormers. A large plat<strong>for</strong>m<br />
atop the roof provided a place <strong>for</strong> a trombone choir<br />
to broadcast messages to the community <strong>and</strong> play<br />
music to accompany festive events below. Deaths<br />
were announced through the playing of specific<br />
hymns to indicate the decedent’s choir. This practice<br />
continued until Central Church was constructed in<br />
1804. The building originally contained dormitories,<br />
workshop space, kitchen <strong>and</strong> dining facilities, <strong>and</strong> a<br />
chapel <strong>for</strong> the Single Brethren’s Choir. Many of the<br />
residents worked at skilled crafts in the building,<br />
such as hatmaking. During the winters of 1776-1777<br />
<strong>and</strong> 1777-1778, the building was taken over by the<br />
Figure 8-1. Single Brethren’s House, general view from the north<br />
(JMA 2008).<br />
Figure 8-2. Single Brethren’s House, general view from the south<br />
(JMA 2008).<br />
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to the Single Brethren’s House with a three-story<br />
hyphen. Gas lighting was installed in the Single<br />
Brethren’s House at this point.<br />
West Hall was built in 1859 adjoining the west end<br />
of the Single Brethren’s House. A connecting frame<br />
<strong>and</strong> brick addition was constructed to link Single<br />
Brethren’s House, West Hall, <strong>and</strong> Old Chapel. This<br />
entailed removal of the original exterior walls of the<br />
Single Brethren’s House on its southwest corner.<br />
West Hall’s new central corridors were designed<br />
to align with those in the Single Brethren’s House,<br />
<strong>and</strong> the removal of the exterior wall permitted<br />
the hallways to flow continuously, with only a<br />
half-stairwell on the first floor <strong>for</strong>ming a division<br />
between buildings.<br />
At some point during the nineteenth century, the<br />
exterior of the Single Brethren’s House was coated<br />
with stucco, which was scored to resemble stone<br />
blocks. The original windows were removed<br />
<strong>and</strong> taller new ones installed with gabled lintels,<br />
<strong>and</strong> gingerbread trim was applied to the dormer<br />
gables. The sequence of these changes in relation<br />
to construction of the adjacent wings is unclear, but<br />
the parged stucco was in place be<strong>for</strong>e 1859 when<br />
West Hall was built. A remnant of this coating<br />
can still be seen from the attic of West Hall. In its<br />
modified <strong>for</strong>m, the Single Brethren’s House had a<br />
nineteenth-century appearance similar in style to<br />
Main Hall <strong>and</strong> West Hall.<br />
The Single Brethren’s House, known as Colonial<br />
Hall, remained in use with dormitories, classrooms,<br />
offices, <strong>and</strong> a small library until 1954. Its use appears<br />
to have remained consistent over time. Sanborn<br />
maps from 1885 indicate that the Single Brethren’s<br />
House, by this time known as Colonial Hall,<br />
contained administrative offices on the first floor,<br />
classrooms on the second floor, <strong>and</strong> dormitories on<br />
the third <strong>and</strong> fourth floors. A 1947 fire insurance<br />
survey documented classrooms on the ground<br />
floor (referred to as the basement); administrative<br />
offices, a library, <strong>and</strong> visitors’ sitting rooms on the<br />
second floor; student dormitory rooms on the third<br />
floor; <strong>and</strong> study halls <strong>and</strong> game rooms on the fourth<br />
floor (now the lower attic level). Heat came from the<br />
furnaces in West Hall (Hampson 1947:6-7). After the<br />
merger, the building was once more known as the<br />
Single Brethren’s House to avoid confusion with the<br />
Colonial Hall on the North Main Street campus.<br />
Investigation of the building’s original appearance<br />
<strong>and</strong> work to restore it began in 1958, when Main<br />
Hall was renovated <strong>and</strong> the connecting hyphen<br />
Figure 8-3. Single Brethren’s House, ca. 1920s view to the<br />
southwest showing changes made during the nineteenth century<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 8-4. Single Brethren’s House, Second-floor library, ca.<br />
1929 (<strong>Moravian</strong> Viewbook [1929]).<br />
removed, exposing the east stone wall of the<br />
Brethren’s House. In 1967, further work was<br />
conducted <strong>and</strong> the multi-level porches on the<br />
rear (south) façade were removed. At this point,<br />
photos show the building with part of its façade<br />
showing its nineteeth-century appearance, <strong>and</strong><br />
other portions of the building in restored condition.<br />
Investigation <strong>and</strong> documentation of the building<br />
by HABS in 1968 revealed the multiple changes<br />
that had occurred <strong>and</strong> documented the dates of<br />
various elements. Work to fully restore the exterior<br />
was timed to coincide with the Bicentennial in 1976,<br />
<strong>and</strong> was per<strong>for</strong>med by Spillman Farmer Architects.<br />
Spillman Farmer also did follow-up restoration<br />
work on the windows <strong>and</strong> all exterior wood<br />
details in 2007. The interior’s primary floors were<br />
renovated to create soundproofed facilities <strong>for</strong> the<br />
music department.<br />
Signifi cance<br />
The Single Brethren’s House was the largest of<br />
several monumental stone buildings constructed by<br />
the <strong>Moravian</strong> settlers to house their different choirs,<br />
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<strong>and</strong> was the first permanent building erected on<br />
the south side of Sisters’ Lane (now Church Street).<br />
It was modeled after a building at Herrnhut, the<br />
<strong>Moravian</strong> Church’s European headquarters in<br />
Saxony. As such, it is a rare direct importation<br />
of Germanic architecture to the New World,<br />
avoiding the Americanization that characterized<br />
most buildings erected by European settlers. It is<br />
recognized as one of the best examples of German<br />
Colonial architecture in the United States.<br />
Integrity<br />
The Single Brethren’s House exterior was<br />
extensively restored in stages between 1958 <strong>and</strong><br />
1976. As such, its exterior features aside from the<br />
stonework are reproductions rather than historic<br />
materials in many cases. The 1859 addition of West<br />
Hall resulted in removal of the original southwest<br />
corner of the exterior walls, but the original walls<br />
<strong>and</strong> stone are otherwise present. On the interior,<br />
renovations of the primary floors in the nineteenth<br />
<strong>and</strong> twentieth centuries have altered original room<br />
layouts <strong>and</strong> finishes, but early-nineteenth-century<br />
corridors, staircases, floors, woodwork, <strong>and</strong> other<br />
details remain intact. The basement <strong>and</strong> two attic<br />
levels are more intact, retaining a number of early<br />
features such as timber-framed hallway partitions<br />
<strong>and</strong> remains of the kitchens <strong>and</strong> storage cellars<br />
in the basement. The 1968 HABS investigation<br />
documented many of the changes to the building,<br />
dated many of the building elements, <strong>and</strong> outlined<br />
the probable original floor plans.<br />
Condition<br />
Summary<br />
The Single Brethren’s House is an oblong five-story<br />
building of stone construction. The exterior is<br />
entirely stone except <strong>for</strong> a ca. 1859 clapboard end<br />
wall section on the southwest corner at the level of the<br />
lower attic. The primary façade faces north toward<br />
Main Street <strong>and</strong> Church Street, <strong>and</strong> the rear façade<br />
faces south over the campus l<strong>and</strong>scape toward the<br />
river. The building sits on a site that slopes down to<br />
the west, <strong>and</strong> connects to West Hall <strong>and</strong> Old Chapel<br />
on the west/southwest. The basement level is below<br />
grade at the east end, <strong>and</strong> partially exposed in front<br />
<strong>and</strong> back along the slope, with three full floors<br />
above. The double-level mansard roof contains<br />
two attic floors with dormers <strong>and</strong> has an oblong<br />
plat<strong>for</strong>m <strong>and</strong> balustrade along its top. Its exterior<br />
is restored to an eighteenth-century appearance,<br />
with the stonework fully exposed <strong>and</strong> wood trim<br />
painted red <strong>and</strong> white. The building is ten bays long<br />
at both the front <strong>and</strong> rear, <strong>and</strong> five bays deep, with<br />
symmetrical alignment of fenestration. Windows<br />
in the building are six-over-six double-hung wood<br />
windows <strong>and</strong> have segmental-arched brick lintels.<br />
On both the front <strong>and</strong> rear elevations, the first floor<br />
has two pairs of entrance doors set side-by-side near<br />
the center. Set into the stonework above the north<br />
doors is an inscribed marble tablet, <strong>and</strong> above the<br />
south doors is a historic stone sundial. The building<br />
overall is in very good physical condition with few<br />
maintenance issues.<br />
Additions<br />
The Single Brethren’s House was a st<strong>and</strong>alone<br />
building until 1848, when Old Chapel was built off<br />
the southwest corner. In 1854, Main Hall was built<br />
to the east <strong>and</strong> a connecting frame hyphen was<br />
added to connect it to the Single Brethren’s House.<br />
Multilevel rear porches were added at an unknown<br />
date during the nineteenth century. Finally, West<br />
Hall was added abutting the west end of the Single<br />
Brethren’s House in 1859.<br />
The Main Hall hyphen was removed in 1958,<br />
re-exposing the original east end of the Single<br />
Brethren’s House, <strong>and</strong> the rear porches were<br />
removed in 1967.<br />
Doors <strong>and</strong> Fenestration<br />
The paired doors on the front <strong>and</strong> rear façades are<br />
painted wood herringbone-style doors <strong>and</strong> are<br />
surmounted by six-light oblong transoms. These<br />
are reconstructed elements dating from the 1960s.<br />
The south doors are not used <strong>and</strong> are fixed in place.<br />
All are in good condition. On the east side of the<br />
building is a single central door entrance with a<br />
shed-roofed hood concealing a glass transom. The<br />
wood-shingled hood has biological growth from<br />
dampness, <strong>and</strong> the threshold of the door has some<br />
rot due to water runoff in the alley.<br />
Most of the windows in the building are reproduction<br />
six-over-six double-hung sash windows, set flush<br />
with the exterior wall surface <strong>and</strong> rein<strong>for</strong>ced with<br />
interior storm sash. Historic windows remain on<br />
the two attic levels. Both attics have dormers on<br />
the north <strong>and</strong> south exposures. The upper attic<br />
has shed dormers with three-over-six windows,<br />
which are believed to be original. The lower attic<br />
has gabled dormers with six-over-six windows,<br />
probably dating from the nineteenth century.<br />
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flared eaves, <strong>and</strong> is present only on the north <strong>and</strong><br />
south. The upper roof level is shallow-pitched <strong>and</strong><br />
hipped. The roof has a flat EPDM section at the top<br />
containing a plat<strong>for</strong>m with balustrade.<br />
Figure 8-5. Single Brethren’s House, east entrance threshold<br />
(JMA 2008).<br />
The roof drains to half-round gutters <strong>and</strong><br />
multiple downspouts. The north gutters drain to<br />
downspouts leading to underground drains on<br />
Church Street. Some overflow has occurred at the<br />
northwest corner. The southeast gutter drains to a<br />
rock-lined swale along the paved road at the rear.<br />
On the southwest, water is carried from the Single<br />
Brethren’s House over the Hearst Hall entrance to a<br />
downspout there. Some leaks are occurring here.<br />
Masonry<br />
The Single Brethren’s House is constructed of<br />
mortared r<strong>and</strong>om ashlar local limestone. Mortar<br />
joints are wide <strong>and</strong> flush with the stone surface,<br />
<strong>and</strong> exhibit pale brown to white repointing mortar.<br />
Window <strong>and</strong> door lintels are made of rubbed red<br />
brick. The window openings were resized during<br />
restoration. Some biogrowth is apparent at the base<br />
of the east wall facing Main Hall <strong>and</strong> along the<br />
north façade above the sidewalk.<br />
Wood<br />
Figure 8-6. Single Brethren’s House, east wall showing biogrowth<br />
(JMA 2008).<br />
The exterior wood cornices <strong>and</strong> other trim are in<br />
good condition, with restoration work having<br />
occurred in 2007. Many of the windowsills were<br />
replaced. Modern reproduction wood steps<br />
provide access from the entrances to the ground<br />
on both the north <strong>and</strong> south sides. Those below the<br />
north entrance doors are in good condition. The<br />
larger set of wood steps on the south side is set on<br />
a concrete foundation <strong>and</strong> was dedicated in 1989.<br />
There is some ponding of water on these steps.<br />
Wood clapboard siding on the top west end of the<br />
building needs paint.<br />
Other Features<br />
Figure 8-7. Single Brethren’s House, clapboard wall on west end<br />
of lower attic (JMA 2008).<br />
Roofi ng <strong>and</strong> Drainage<br />
The Single Brethren’s House has a mansard roof<br />
clad mostly in wood shingles with copper flashing.<br />
The lower roof of the mansard is steep-pitched with<br />
A bronze memorial plaque on the east wall near<br />
the south corner commemorates the Revolutionary<br />
War soldiers who died while the Single Brethren’s<br />
House was used as a hospital during the winters of<br />
1776-77 <strong>and</strong> 1777-78. This plaque was mounted at<br />
the center of the north façade prior to the building’s<br />
full restoration in 1976. On the north wall, above the<br />
central doors, is a marble tablet in a brick surround,<br />
inscribed with a <strong>Moravian</strong> verse in German. Above<br />
the south doors is a historic stone sundial set in a<br />
brick surround.<br />
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entrance <strong>and</strong> stairwell, <strong>and</strong> created matching<br />
separate entrances at either end of the front, each<br />
with its own new stairwell. Restoration work in the<br />
1960s <strong>and</strong> 1970s reversed this change <strong>and</strong> recreated<br />
the central paired entrances, but remaining work on<br />
the interior consisted largely of modernization. The<br />
east stairwell is still in use, but the west stairwell is<br />
blocked off.<br />
Figure 8-8. Single Brethren’s House, memorial plaque on east<br />
wall <strong>for</strong> Revolutionary War hospital casualties (JMA 2008).<br />
The primary three floors of the interior are oriented<br />
along a central corridor running lengthwise through<br />
each floor <strong>and</strong> opening to offices, classrooms,<br />
seminar rooms, <strong>and</strong> practice rooms. Windows are<br />
deeply recessed in the walls behind interior storm<br />
sash. Modern heating-cooling units are installed in<br />
Figure 8-9. Single Brethren’s House, tablet above north main<br />
entrance (JMA 2008).<br />
Figure 8-11. Single Brethren’s House, first-floor corridor looking<br />
east (JMA 2008).<br />
Figure 8-10. Single Brethren’s House, sundial on south façade<br />
above entrance doors (JMA 2008).<br />
Interior<br />
The interior of the Single Brethren’s House has been<br />
modified repeatedly over time as its use changed.<br />
Investigations made during HABS documentation<br />
illustrate existing conditions as of 1968 as well as<br />
the probable original interior layout. Renovations<br />
made ca. 1814-1815 eliminated the original central<br />
Figure 8-12. Single Brethren’s House, ca. 1814 stairway at east<br />
end of building (JMA 2008).<br />
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Figure 8-13. Single Brethren’s House, interior room conditions<br />
(JMA 2008).<br />
Figure 8-16. Single Brethren’s House, lower attic room looking<br />
Northwest, typical conditions (JMA 2008).<br />
corridor. A ca. 1859 open wooden half-staircase on<br />
the first floor connects the Single Brethren’s House<br />
to the first floor of West Hall. The upper floors are<br />
also connected with end-to-end corridors.<br />
Figure 8-14. Single Brethren’s House, typical soundproof<br />
corridor door (JMA 2008).<br />
Figure 8-15. Single Brethren’s House, timber-framed original<br />
corridor wall, lower attic (JMA 2008).<br />
each room, <strong>and</strong> the finishes are largely modern with<br />
dropped ceilings, resurfaced walls, modern doors<br />
<strong>and</strong> hardware, <strong>and</strong> carpeting. Soundproofing is a<br />
priority, resulting in built-out, carpet-lined double<br />
walls <strong>and</strong> doors between the practice rooms <strong>and</strong> the<br />
The two attic floors are not in active use due to fire<br />
code restrictions, <strong>and</strong> retain much historic fabric.<br />
The lower attic has a central corridor opening to<br />
several large rooms, exposed plank floors, painted<br />
plaster walls <strong>and</strong> many nineteenth-century panel<br />
doors <strong>and</strong> moldings. Paint on the plaster is peeling<br />
off <strong>and</strong> failing throughout, <strong>and</strong> there are areas of<br />
damaged plaster as well. Antique furnishings <strong>and</strong><br />
other items are kept in these rooms.<br />
The upper attic is mostly unfinished <strong>and</strong> has a<br />
central passageway <strong>and</strong> a steep, decaying flight of<br />
steps to the rooftop balcony. Brick chimney stacks<br />
exposed in the attic show evidence of water damage.<br />
Some spaces are crudely partitioned off the main<br />
corridor, <strong>and</strong> one small area is finished with planks<br />
on the walls <strong>and</strong> in the narrow dormers. This finish<br />
is probably original.<br />
The basement level has brick or dirt floors <strong>and</strong><br />
a system of raised plank walkways <strong>for</strong> access<br />
throughout by visitors. It contains a number of<br />
original features, notably two barrel-vaulted<br />
storage cellars in the east half of the basement, <strong>and</strong><br />
chimney stack bases with remains of the original<br />
kitchen ovens.<br />
The pre-1859 exterior wall of the Single Brethren’s<br />
House can be seen from the east end of the attic in<br />
Main Hall. Parged stucco mimicking ashlar stone<br />
blocks surrounded the original windows, which<br />
are now infilled with beadboard. It is critical that<br />
this feature be preserved during future work on the<br />
Single Brethren’s House or West Hall.<br />
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Figure 8-20. West Hall, east wall of attic showing original<br />
window opening <strong>and</strong> pre-1859 parged west wall of the Single<br />
Brethren’s House (JMA 2008).<br />
Current Use<br />
Figure 8-17. Single Brethren’s House, upper attic, original<br />
stairway to roof plat<strong>for</strong>m (JMA 2008).<br />
The Single Brethren’s House is now part of the<br />
<strong>Moravian</strong> <strong>College</strong> Center <strong>for</strong> Art <strong>and</strong> Music, <strong>and</strong><br />
is used <strong>for</strong> music. The interior spaces on its first,<br />
second, <strong>and</strong> third floors are in use as offices, practice<br />
rooms, <strong>and</strong> meeting rooms. The basement <strong>and</strong> the<br />
two attic levels are not in active use <strong>and</strong> are used<br />
primarily <strong>for</strong> storage, although tour groups are<br />
sometimes permitted to visit the basement.<br />
Treatment<br />
Figure 8-18. Single Brethren’s House, upper attic, original<br />
finished room (JMA 2008).<br />
The Single Brethren’s House is the most historically<br />
significant building on the campus, <strong>and</strong> is important<br />
both to the <strong>College</strong> <strong>and</strong> to the City of Bethlehem.<br />
It has already undergone a Restoration treatment<br />
on the exterior, where nineteenth-century changes<br />
were reversed <strong>and</strong> reproduced eighteenth-century<br />
elements were installed, including most of the<br />
windows <strong>and</strong> doors. The interior underwent<br />
renovation <strong>for</strong> current use.<br />
It is recommended that an overall treatment of<br />
Rehabilitation be applied to most of the building as<br />
outlined in The Secretary <strong>for</strong> the Interior’s St<strong>and</strong>ards<br />
<strong>and</strong> the design guidelines of this preservation plan.<br />
This includes the exterior <strong>and</strong> the three active floors<br />
of the interior. Future repairs <strong>and</strong> maintenance<br />
practices should attempt to retain the historic<br />
features <strong>and</strong> fabric to the greatest extent possible.<br />
Figure 8-19. Single Brethren’s House, original storage cellar in<br />
basement (JMA 2008).<br />
Maintenance of the building in general is excellent.<br />
The maintenance issues to be addressed include:<br />
• Exterior surface drainage is causing some<br />
dampness problems along the east side of<br />
the building. Reroute or channel water away<br />
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from the foundation in the alley between<br />
Main Hall <strong>and</strong> the Single Brethren’s House,<br />
where ponding water is causing rot in the<br />
entrance threshold <strong>and</strong> moss growth on<br />
the lower walls.<br />
• An improved drainage system is needed<br />
along the Church Street side of the building<br />
to prevent rising damp. The <strong>College</strong> <strong>and</strong><br />
City should cooperate to resolve this issue,<br />
which also affects Main <strong>and</strong> West Halls.<br />
• The ca. 1850s wood siding on the west end<br />
of the lower attic is deteriorating <strong>and</strong> needs<br />
repainting.<br />
It is recommended that the basement <strong>and</strong> two attic<br />
levels of the Single Brethren’s House be given a<br />
<strong>Preservation</strong> treatment. These are areas where little<br />
renovation has occurred <strong>and</strong> significant amounts<br />
of historic fabric can be found, including some<br />
elements dating back to the 1700s. The lower attic<br />
contains the few remaining open-dormitory spaces<br />
in the building.<br />
The lower attic contains a large amount of stored<br />
antique furnishings <strong>and</strong> other objects, <strong>and</strong> additional<br />
items are in the basement. It is recommended that<br />
these items be inventoried <strong>and</strong> catalogued, <strong>and</strong><br />
conserved if needed.<br />
West Hall – 1859<br />
Historical Development<br />
West Hall was constructed in 1859 to accommodate<br />
the exp<strong>and</strong>ing population of the Bethlehem Female<br />
Seminary. A large house <strong>and</strong> lawn on this site were<br />
destroyed to make way <strong>for</strong> the new building. Along<br />
with dormitory space <strong>and</strong> classrooms, it contained<br />
an infirmary suite <strong>for</strong> ill students. As with Main Hall,<br />
it originally had plumbed bathrooms on each floor,<br />
central heat, <strong>and</strong> gas lighting. The furnace in the<br />
basement supplied heat to multiple buildings. The<br />
basement level originally contained a “swimming<br />
bath.”<br />
By 1947, West Hall had a furnace room, maintenance<br />
shop, a paint room, <strong>and</strong> storage in the basement.<br />
The first floor was used as classrooms. The second<br />
floor had classrooms, an infirmary, <strong>and</strong> a “diet<br />
kitchen” <strong>for</strong> the infirmary patients. The third floor<br />
had classrooms <strong>and</strong> additional infirmary rooms.<br />
The attic was <strong>for</strong> storage of “discarded furniture”<br />
(Hampson 1947:8), but the proliferation of student<br />
signatures on the walls indicates that this space was<br />
accessible to students <strong>and</strong> served as an unofficial<br />
place to commemorate their time at the school.<br />
West Hall became a home <strong>for</strong> the Music Department<br />
after the 1954 merger. The interior was renovated<br />
with soundproofed rooms similar to those in the<br />
Single Brethren’s House. In 1976, the exterior of<br />
West Hall was restored to its current appearance by<br />
Spillman Farmer Architects.<br />
Signifi cance<br />
West Hall is an example of an austere mid-nineteenthcentury<br />
institutional building, with modest Greek<br />
Revival <strong>and</strong> Italianate details <strong>and</strong> relatively little in<br />
the way of ornament.<br />
Integrity<br />
West Hall has a high level of integrity on the<br />
exterior, which closely resembles its appearance<br />
in historic photographs aside from removal of the<br />
paint <strong>and</strong> possible stucco that once covered its<br />
brickwork. Windows <strong>and</strong> wood elements remain<br />
Figure 8-21. West Hall, north façade, looking south (JMA 2008).<br />
Figure 8-22. West Hall, north <strong>and</strong> west façades, looking southeast<br />
(JMA 2008).<br />
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intact. The interior has a lower level of integrity due<br />
to extensive renovations <strong>and</strong> updates, but retains its<br />
distinctive stairwell <strong>and</strong> much of its original floor<br />
plan. The attic level of the building is highly intact<br />
from its early period, with original plasterwork <strong>and</strong><br />
other details. Generations of students wrote their<br />
names <strong>and</strong> other graffiti on the walls. The east end<br />
of the attic is the exposed historic west wall of the<br />
Single Brethren’s House, revealing a finely parged<br />
surface <strong>and</strong> window openings.<br />
Condition<br />
Summary<br />
West Hall is a four-<strong>and</strong>-one-half-story red-brick<br />
building. The front of the building faces north<br />
toward Main Street <strong>and</strong> the Hill-to-Hill Bridge<br />
entrance. West Hall is set on a slope with much of<br />
its basement exposed on the west <strong>and</strong> south sides.<br />
It has a roughly L-shaped footprint with a front<br />
section seven bays wide <strong>and</strong> two bays deep, <strong>and</strong><br />
an offset perpendicular southwest ell, which is four<br />
bays deep <strong>and</strong> three bays wide. The west wall of<br />
the ell projects several feet beyond the west wall<br />
of the main block. The building has a low-pitched<br />
hipped composition roof <strong>and</strong> a deep molded<br />
cornice. The attic level is a half-story in height with<br />
corresponding half-height windows, most of which<br />
are three-over-three double-hung sash. Windows<br />
on the main floors <strong>and</strong> exposed basement are<br />
six-over-six double-hung windows. Fenestration<br />
throughout the building is symmetrical <strong>and</strong> the<br />
bays are aligned vertically.<br />
The north façade has a central entrance on the first<br />
floor, which is accessed via a flight of steps from<br />
Church Street. The concrete steps ascend westward<br />
across the building front to an uncovered entrance<br />
porch. The porch has a wooden floor <strong>and</strong> plain<br />
balustrades on its north <strong>and</strong> west sides, <strong>and</strong> is set on<br />
a brick <strong>and</strong> cast-in-place concrete foundation. The<br />
front entrance features recessed paired doors within<br />
a paneled surround. The doorway is surmounted by<br />
Figure 8-23. West Hall, west façade, looking northeast (JMA<br />
2008).<br />
Figure 8-25. West Hall, north entrance (JMA 2008).<br />
Figure 8-24. West Hall, south façade <strong>and</strong> ell, looking northeast<br />
(JMA 2008).<br />
Figure 8-26. West Hall, north entrance detail, peeling paint <strong>and</strong><br />
deterioration at threshold (JMA 2008).<br />
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a three-light transom, <strong>and</strong> sheltered by an Italianate<br />
flat hood supported by modest scrolled brackets on<br />
each side. The window bay above the door contains<br />
paired windows on each floor, in contrast to the<br />
single windows found elsewhere.<br />
A historic secondary entrance is located in the<br />
basement level on the west side, <strong>and</strong> a bulkhead<br />
entrance is located on the south side of the ell. At<br />
the rear, the building <strong>for</strong>ms a small three-sided<br />
Figure 8-27. West Hall, west entrance (JMA 2008).<br />
courtyard. On the east wall of the ell, an exterior<br />
brick chimney runs from the boiler room to the roof.<br />
The ell also has a bulkhead sub-basement entrance,<br />
<strong>and</strong> there is a modern utility entrance on the south<br />
wall of the main block.<br />
Additions<br />
A square three-story flat-roofed brick <strong>and</strong> frame<br />
addition <strong>for</strong>ms a hyphen between West Hall, the<br />
Single Brethren’s House, <strong>and</strong> Old Chapel/Hearst<br />
Hall. The addition is two bays wide <strong>and</strong> two bays<br />
deep. The basement <strong>and</strong> first floor of this section<br />
are constructed of brick, <strong>and</strong> the second <strong>and</strong> third<br />
floors are frame, sided with vinyl clapboard.<br />
Shadows on the south wall of the main block,<br />
immediately west of the brick/frame addition,<br />
indicate the <strong>for</strong>mer presence of a multi-story porch<br />
covering the basement, first, <strong>and</strong> second floors<br />
<strong>and</strong> connected to the west wall of the addition.<br />
Door entrances to the porch, including one on the<br />
second floor of the main block, have been infilled.<br />
It appears that the porch was an addition; Sanborn<br />
maps indicate that it was not there in 1885, but was<br />
present from at least 1912 onward.<br />
Figure 8-28. West Hall, bulkhead entrance on south of ell (JMA<br />
2008).<br />
Figure 8-30. West Hall, south façade wall, evidence of <strong>for</strong>mer<br />
porch (JMA 2008).<br />
Doors <strong>and</strong> Fenestration<br />
Figure 8-29. West Hall, south basement entrance, showing<br />
deterioration of foundation parging (JMA 2008).<br />
West Hall retains its original six-over-six<br />
double-hung wood sash windows <strong>and</strong> surrounds.<br />
Most windows have projecting sills <strong>and</strong> simple<br />
flat lintels. The windows on the north façade<br />
have gabled pediment hoods, <strong>and</strong> others have<br />
plain lintels. Windowsills have been covered with<br />
modern cladding <strong>and</strong> painted. Paint is failing on<br />
several of these sills, as well as on the wood lintels.<br />
All windows on the attic level are half-height, with<br />
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Roofi ng <strong>and</strong> Drainage<br />
West Hall has a low-pitched nearly flat EPDM roof<br />
sloping toward the south with a slight rise around<br />
the edges on the north, west, <strong>and</strong> south. The roof<br />
drains to a half-round gutter on the south roof edge,<br />
connected to two corrugated-metal downspouts.<br />
One downspout near the southwest corner of the ell<br />
wraps around the base of the boiler room’s exterior<br />
chimney stack <strong>and</strong> drains to the ground. Water from<br />
this spout is released to the edge of a planting bed.<br />
The second downspout, at the southeast corner,<br />
drains to a gutter on the three-story addition, <strong>and</strong><br />
runs from there to underground drains.<br />
Figure 8-31. West Hall, windows, failing paint on clad sills (JMA<br />
2008).<br />
Figure 8-32. West Hall, windows, failing paint on lintels (JMA<br />
2008).<br />
nine lights on those on the north side <strong>and</strong> six lights<br />
in the others.<br />
The front entrance has original paired paneled<br />
doors set into a recessed Italianate surround with a<br />
scrolled-bracket hood <strong>for</strong>ming a small entry porch.<br />
The doorway has a long three-light transom, <strong>and</strong><br />
a five-point star is carved into the hood above the<br />
center. Painting is needed on the doors, surround,<br />
<strong>and</strong> threshold.<br />
Masonry<br />
West Hall is constructed of red brick set on a<br />
fieldstone foundation. The foundation is parged<br />
with stucco. The walls are faced with h<strong>and</strong>-molded<br />
red brick. Much of the brick appears to have been<br />
s<strong>and</strong>blasted, with the exception of the south <strong>and</strong><br />
east sides of the southwest ell. The façade shows<br />
multiple types of brick resulting from later repairs<br />
<strong>and</strong> infills, <strong>and</strong> shows some pockets of deterioration<br />
<strong>and</strong> damage from cleaning. The original mortar<br />
was a pale gray-brown type. Extensive repointing<br />
has occurred. Shadows on the basement, first <strong>and</strong><br />
second floors of the main block’s south façade<br />
indicate the <strong>for</strong>mer presence of a porch, which<br />
existed during the early twentieth century but was<br />
removed during the restoration work. Dampness<br />
<strong>and</strong> ponding is occurring in the inside corner of<br />
the ell due to probable gutter leaks. This is creating<br />
splashback <strong>and</strong> deterioration of the foundation<br />
parging.<br />
The west basement entrance has a replaced<br />
six-panel door set into an original surround with a<br />
three-light transom.<br />
The south wall of the ell has a ground-level<br />
bulkhead entrance into the sub-basement. This has<br />
concrete <strong>and</strong> brick cheek walls <strong>and</strong> wooden doors.<br />
A utility entrance with modern paired metal flush<br />
doors is located on the south wall of the main block.<br />
The door surfaces are beginning to deteriorate <strong>and</strong><br />
need paint.<br />
Figure 8-33. West Hall, repointing showing multiple brick <strong>and</strong><br />
mortar types (JMA 2008).<br />
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The south side of the ell shows deterioration of the<br />
bricks <strong>and</strong> mortar at the second- <strong>and</strong> third-floor<br />
window lintels.<br />
The brickwork of the front step foundation on the<br />
north side, at the northwest corner of the main<br />
block, <strong>and</strong> at the southwest corner of the ell, all<br />
have rising damp. The northwest corner also shows<br />
evidence of damage from cars hitting the building<br />
in the past, including infilled repairs, repointing,<br />
<strong>and</strong> an approximately 15” crack through the brick<br />
units.<br />
Wood<br />
West Hall’s cornice appears to have been painted<br />
recently <strong>and</strong> is in good condition. The railings on<br />
the north front entrance are also in good condition.<br />
The deck of the front entrance has some waterrelated<br />
rot abutting the entrance threshold.<br />
Other Features<br />
There is a modern vent installed on the north wall<br />
of the ell.<br />
Interior<br />
Figure 8-34. West Hall, brick deterioration around lintel area on<br />
ell (JMA 2008).<br />
The interior of West Hall is arranged with a long<br />
corridor connecting to the Single Brethren’s House<br />
on the three main floors. The single stairwell is at<br />
the west end of the building <strong>and</strong> retains its original<br />
staircases <strong>and</strong> balustrades. The spaces on the three<br />
primary floors have been renovated as classrooms,<br />
an open third-floor department office area <strong>and</strong><br />
practice rooms. Most rooms have modern finishes<br />
<strong>and</strong> soundproofed doors as in the Single Brethren’s<br />
Figure 8-35. West Hall, rising damp at front steps (JMA 2008).<br />
Figure 8-36. West Hall, damage to northwest corner (JMA<br />
2008).<br />
Figure 8-37. West Hall, typical conditions, practice room (JMA<br />
2008).<br />
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House. A third-floor organ room in the south ell<br />
is open to the attic level <strong>and</strong> preserves historic<br />
interior rafters <strong>and</strong> other details. The attic is not<br />
in active use due to lack of a second exit. It has a<br />
longitudinal corridor with doors leading into small<br />
plastered rooms on either side.<br />
against it. This too should be a preservation priority.<br />
Documentation of the graffiti <strong>and</strong> the exposed wall<br />
would be a worthwhile addition to the history of<br />
the school buildings.<br />
Current Use<br />
West Hall is now part of the <strong>Moravian</strong> <strong>College</strong><br />
Center <strong>for</strong> Art <strong>and</strong> Music, <strong>and</strong> is used <strong>for</strong> music<br />
education. The first floor contains a lounge, locker<br />
room, <strong>and</strong> several small practice rooms. The second<br />
floor has practice rooms <strong>and</strong> a piano instruction<br />
room. On the third floor are an organ studio, more<br />
practice rooms, <strong>and</strong> an open administrative area<br />
where several original room partitions have been<br />
removed.<br />
Figure 8-39. West Hall, attic corner showing student graffiti on<br />
walls (JMA 2008).<br />
Figure 8-38. West Hall, typical conditions, harpsichord<br />
instruction room (JMA 2008).<br />
Treatment<br />
It is recommended that most of West Hall receive<br />
a Rehabilitation treatment. Remaining historic<br />
fabric, such as the windows, staircase balustrades,<br />
<strong>and</strong> woodwork, should be preserved during future<br />
renovations.<br />
The attic level of West Hall should receive a<br />
<strong>Preservation</strong> treatment. This space retains an<br />
extremely high level of integrity, <strong>and</strong> was also<br />
historically an important space <strong>for</strong> students, who<br />
evidently had a longtime tradition of writing<br />
signatures <strong>and</strong> messages on the attic walls. This<br />
graffiti is still present <strong>and</strong> is a significant historic<br />
feature which should be retained. Another critical<br />
attic element is the exposed west wall of the Single<br />
Brethren’s House, showing the exterior condition<br />
of the building as of 1859 when West Hall was built<br />
Specific maintenance issues noted include:<br />
• Wood elements throughout the exterior,<br />
including windows <strong>and</strong> doors but excepting<br />
the cornice, generally need repainting.<br />
• Many of the historic windows need<br />
reglazing.<br />
• Better protection is needed at the northwest<br />
corner of the building where car strikes<br />
have damaged the wall. A compatible steel<br />
bollard between the corner <strong>and</strong> the street<br />
would add needed protection without<br />
detrimental visual effects. The <strong>College</strong><br />
should work with the City to determine a<br />
good solution <strong>for</strong> this problem.<br />
• An improved drainage system is needed<br />
along the Church Street side of the building<br />
to prevent rising damp. Again, the <strong>College</strong><br />
<strong>and</strong> City should cooperate to resolve<br />
this issue, which also affects the Single<br />
Brethren’s House to a lesser degree.<br />
• Drainage should be addressed in<br />
deteriorating foundation areas around the<br />
ell <strong>and</strong> south side.<br />
• Future brick repairs should be sensitive<br />
to the historic materials, <strong>and</strong> repointing<br />
should be done with mortar <strong>and</strong> jointing<br />
techniques that are compatible with the<br />
historic mortar.<br />
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Hyphen Addition – ca. 1859<br />
Historical Development<br />
This building is a small flat-roofed annex constructed<br />
as a connector between the Single Brethren’s House,<br />
West Hall, <strong>and</strong> Old Chapel/Hearst Hall. It occupies<br />
space that was <strong>for</strong>merly the southwest corner of the<br />
Single Brethren’s House but extends further from<br />
that footprint. It is not technically a building, but<br />
does not clearly belong to one of the other three. It<br />
was probably constructed ca. 1859 in conjunction<br />
with West Hall. It is possible that the brick <strong>and</strong><br />
frame sections were added at different times, <strong>and</strong><br />
the three lower floors may encapsulate original ca.<br />
1848 passageways between the Single Brethren’s<br />
House <strong>and</strong> Old Chapel/Hearst Hall.<br />
Figure 8-40. Hyphen, general view to northeast (JMA 2008).<br />
Signifi cance<br />
The hyphen has little significance other than <strong>for</strong>ming<br />
the physical connection between three buildings.<br />
It is associated with the context of the nineteenthcentury<br />
women’s school <strong>and</strong> the construction<br />
of organic additions, creating interconnected<br />
buildings that were typical at girls’ seminaries <strong>and</strong><br />
women’s colleges.<br />
Integrity<br />
The exterior of the hyphen has moderate integrity<br />
with many original windows intact, but the interior<br />
has been fully renovated.<br />
Figure 8-41. Hyphen, lower two floors, to northeast (JMA 2008).<br />
Condition<br />
Summary<br />
The hyphen is four stories tall with brick<br />
construction on its lower two floors <strong>and</strong> lighter<br />
frame construction on the top two levels. Its floor<br />
levels correspond roughly to the basement <strong>and</strong><br />
three primary floors of West Hall <strong>and</strong> the Single<br />
Brethren’s House, <strong>and</strong> it occupies space that<br />
was <strong>for</strong>merly the southwest corner of the Single<br />
Brethren’s House.<br />
Doors <strong>and</strong> Fenestration<br />
The hyphen has a single entrance on its south side,<br />
which is a mid-twentieth-century panel door with<br />
upper lights. The brickwork around the doorway<br />
indicates that the original door was wider <strong>and</strong> the<br />
newer door is infill.<br />
Figure 8-42. Hyphen, upper two floors, to northeast (JMA<br />
2008).<br />
Windows on the building are all on the south façade.<br />
They have flat plain lintels <strong>and</strong> projecting sills with<br />
metal cladding. The double-hung wood windows<br />
include eight-over-eight sash on the bottom two<br />
floors, <strong>and</strong> six-over-six windows on the top two<br />
floors. The upper windows are original <strong>and</strong> need<br />
painting, sill repairs, <strong>and</strong> some reglazing work.<br />
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Figure 8-43. Hyphen, view of door area on west façade, showing<br />
parging failure (JMA 2008).<br />
Roofi ng <strong>and</strong> Drainage<br />
The low-pitched shed roof is made of composition<br />
<strong>and</strong> drains southward to a half-round gutter shared<br />
with West Hall. The gutter flows to a corrugated<br />
metal downspout which leads to underground<br />
drains.<br />
Masonry<br />
The foundation is parged with concrete, <strong>and</strong> has<br />
cracking <strong>and</strong> damage along the top, with some<br />
chipped off. The first two floors are constructed of<br />
salmon-colored brick. The façade shows evidence<br />
of multiple small repairs <strong>and</strong> repointing.<br />
Wood<br />
Few exposed wood elements are visible, because the<br />
frame section is covered with modern siding <strong>and</strong><br />
the cornice, windowsills <strong>and</strong> window surrounds in<br />
this area are also covered with synthetic cladding.<br />
Exposed wood elements on the windows <strong>and</strong> door<br />
of the brick section need repainting.<br />
Other Features<br />
A modern electric cable runs from a basement<br />
window to the first floor.<br />
Interior<br />
The interior has been renovated with modern<br />
finishes.<br />
Current Use<br />
The first floor appears to be a utility room. The<br />
second floor contains a connecting corridor from<br />
Figure 8-44. Hyphen, 2nd floor interior, view south toward Old<br />
Chapel, practice rooms on right (JMA 2009).<br />
the Single Brethren’s House <strong>and</strong> West Hall to Old<br />
Chapel, with two practice rooms on the west side<br />
of the corridor. The third floor contains a corridor<br />
leading from Hearst Hall to the Single Brethren’s<br />
House/West Hall, <strong>and</strong> a studio room entered<br />
through West Hall. The top floor contains an office<br />
<strong>and</strong> dual restrooms, all with entrances from West<br />
Hall.<br />
Treatment<br />
The hyphen should be given a Rehabilitation<br />
treatment. The historic windows <strong>and</strong> any remaining<br />
interior details should be repaired <strong>and</strong> retained. It<br />
is recommended that any future residing on the top<br />
floors utilize wood clapboard instead of synthetic<br />
materials.<br />
Old Chapel Building/Hearst Hall<br />
– 1848<br />
Historical Development<br />
The Gothic Revival-style Old Chapel was<br />
constructed in 1848 as a three-story wing off the<br />
southwest corner of the Single Brethren’s House. It<br />
was the first of several new buildings that eventually<br />
flanked the Single Brethren’s House <strong>and</strong> extended to<br />
the south. Old Chapel was the first separate chapel<br />
<strong>for</strong> the Bethlehem Female Seminary <strong>and</strong> contained<br />
a chapel on its top floor <strong>and</strong> a refectory downstairs.<br />
West Hall (1859) <strong>and</strong> New Chapel/Peter Hall (1867)<br />
were later built abutting the north <strong>and</strong> south ends<br />
of Old Chapel.<br />
New Chapel/Peter Hall contained a larger <strong>and</strong><br />
more ornate chapel space <strong>and</strong> a new dining room.<br />
The Old Chapel refectory became the kitchen <strong>for</strong><br />
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that Old Chapel had a ground-floor kitchen with a<br />
large commercial gas range, bake oven, dishwasher,<br />
<strong>and</strong> steam tables. The upper floors were used as<br />
classrooms (Hampson 1947:9).<br />
In 1977, the exterior of Old Chapel was restored. The<br />
interior was renovated in 1980, creating Hearst Hall<br />
in the <strong>for</strong>mer chapel space (Schamberger 2008).<br />
Signifi cance<br />
Figure 8-45. Old Chapel/Hearst Hall, view to northwest (JMA<br />
2008).<br />
Old Chapel is significant as the first of several<br />
connecting buildings that eventually <strong>for</strong>med the<br />
Church Street campus with the Single Brethren’s<br />
House as a hub. It was also the first separate<br />
chapel constructed at the Female Seminary, which<br />
previously used space within the Single Brethren’s<br />
House <strong>for</strong> that purpose. Old Chapel is also the only<br />
example of Gothic Revival architecture on the Hurd<br />
Campus.<br />
Integrity<br />
Figure 8-46. Old Chapel/Hearst Hall, view to northeast (JMA<br />
2008).<br />
The exterior of Old Chapel has had its brickwork<br />
restored <strong>and</strong> appears to be very intact, with the<br />
exception of replaced windows on the east side. The<br />
interior has moderate to low integrity. The upper<br />
level space in Old Chapel has been beautifully<br />
adapted into Hearst Hall, a recital hall, but retention<br />
of historic fabric is moderate <strong>and</strong> confined to the<br />
windows, chair rail, <strong>and</strong> cove ceiling. The two<br />
lower levels have been fully renovated with modern<br />
finishes <strong>and</strong> lack integrity.<br />
Condition<br />
Summary<br />
Figure 8-47. Old Chapel/Hearst Hall, first-floor kitchen/servery<br />
ca. 1929 (<strong>Moravian</strong> <strong>College</strong> Viewbook [1929]). This space is now<br />
the servery <strong>for</strong> Clewell Dining Hall.<br />
the new dining room next door. It is still the kitchen<br />
<strong>for</strong> the Clewell Dining Hall in the first floor of New<br />
Chapel/Peter Hall, <strong>and</strong> it appears that this use was<br />
continuous over time. Sanborn maps from the early<br />
twentieth century show Old Chapel labeled as a<br />
dormitory. A 1947 fire insurance survey indicates<br />
Old Chapel is a three-story gabled brick building<br />
situated between New Chapel/Peter Hall <strong>and</strong> the<br />
Single Brethren’s House <strong>and</strong> perpendicular to both.<br />
It connects to New Chapel on its south end. On its<br />
north end, it is connected to the Single Brethren’s<br />
House directly, <strong>and</strong> also connected to West Hall via<br />
a four-story hyphen. Old Chapel has a slate roof<br />
<strong>and</strong> brick façade exposed on its east <strong>and</strong> west sides.<br />
The top floor has double-hung original windows<br />
with Gothic pointed transoms on both sides. The<br />
foundation of the building is covered with parged<br />
cement.<br />
Additions<br />
New Chapel/Peter Hall was constructed abutting<br />
the south wall in 1867, <strong>and</strong> is connected via a<br />
full-height stairwell at the south end of the building.<br />
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A small, square, full-height flat-roofed addition<br />
was later made at the northwest corner of New<br />
Chapel/Peter Hall, abutting the southwest corner of<br />
Old Chapel/Hearst Hall. This appears to have been<br />
used as restrooms at one time, but its current use is<br />
unknown.<br />
Figure 8-48. Old Chapel/Hearst Hall, west façade, north door<br />
<strong>and</strong> deteriorated slab (JMA 2008).<br />
Doors <strong>and</strong> Fenestration<br />
Old Chapel has three exterior entrances. An<br />
entrance on the first floor of the west side has a<br />
five-panel wood door, old screen door, <strong>and</strong> threelight<br />
transom. A deteriorated concrete slab <strong>for</strong>ms the<br />
entrance step. The second entrance is further south<br />
on the west wall <strong>and</strong> has an original six-panel door<br />
<strong>and</strong> six-light transom. The door threshold is rotted<br />
<strong>and</strong> the lower edge of the door needs a Dutchman.<br />
The third door is on the east side of the second floor<br />
adjacent to the Single Brethren’s House, <strong>and</strong> has a<br />
wood exterior stair <strong>and</strong> entrance hood. The hood<br />
has an asphalt shingle roof, <strong>and</strong> its wood surfaces<br />
need painting.<br />
Both sides of the third floor have their original<br />
wood windows <strong>and</strong> transoms. Lower windows<br />
on the building are nine-over-six original double<br />
hung sash on the west side. Windows in restroom<br />
areas have been reglazed with frosted glass. On<br />
Figure 8-49. Old Chapel/Hearst Hall, west façade, detail of south<br />
door with rotting threshold (JMA 2008).<br />
Figure 8-51. Old Chapel/Hearst Hall, original windows on west<br />
façade (JMA 2008).<br />
Figure 8-50. Old Chapel/Hearst Hall, east façade, door <strong>and</strong> stairs<br />
(JMA 2008).<br />
Figure 8-52. Old Chapel/Hearst Hall, west façade, paint<br />
deterioration <strong>and</strong> loss of frame caulking on third floor original<br />
window (JMA 2008).<br />
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the east side, the lower floors have double-hung<br />
metal replacement windows, <strong>and</strong> the first floor<br />
windows are set within infilled brick “basketh<strong>and</strong>le”<br />
archways. The original windows need<br />
paint <strong>and</strong> reglazing. The windowsills throughout<br />
the building have been clad in metal sheeting <strong>and</strong><br />
painted. Historic windows <strong>and</strong> doors remaining on<br />
the building should be preserved.<br />
flush gray mortar. This façade shows infill brick <strong>and</strong><br />
evidence of several repointing campaigns. There<br />
is some bulging of the brick on this side toward<br />
the southwest corner. A slightly projecting brick<br />
chimney stack on the west side originally served<br />
the first-floor kitchen, <strong>and</strong> a shadow of a <strong>for</strong>mer<br />
porch surrounds the northernmost entrance door<br />
on this side.<br />
Figure 8-53. Old Chapel/Hearst Hall, replacement window in<br />
basketh<strong>and</strong>le on east side (JMA 2008).<br />
Roofi ng <strong>and</strong> Drainage<br />
The roof is clad in slate, which is believed to<br />
be original <strong>and</strong> is beginning to fail, resulting in<br />
interior leaks. The slate roof drains to a system of<br />
half-round gutters <strong>and</strong> round downspouts, which<br />
connects with some of the gutters on the adjacent<br />
buildings <strong>and</strong> leads to underground drainpipes.<br />
Figure 8-55. Old Chapel/Hearst Hall, west façade, view of<br />
chimney <strong>and</strong> cleaned/repointed brickwork (JMA 2008).<br />
On the east side, the brick was not cleaned harshly<br />
<strong>and</strong> original pale brown mortar, slightly recessed<br />
from the brickface, is still evident. First-floor<br />
basket-h<strong>and</strong>le arched apertures were later infilled<br />
with brick <strong>and</strong> newer windows.<br />
The foundation is parged with concrete on the west<br />
side, <strong>and</strong> is experiencing failure at grade due to<br />
water runoff along the wall. A large concrete slab<br />
in front of the north door on this side is in poor<br />
condition.<br />
Figure 8-54. Old Chapel/Hearst Hall, view to south of east roof<br />
slope (JMA 2008).<br />
Masonry<br />
Old Chapel is constructed of dark reddish-brown<br />
h<strong>and</strong>-molded brick <strong>and</strong> features a minimal corbelled<br />
cornice on both sides. The brickwork on the west<br />
side was s<strong>and</strong>blasted in the past <strong>and</strong> repointed with<br />
Figure 8-56. Old Chapel/Hearst Hall, west façade, parging<br />
failure at grade (JMA 2008).<br />
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Other Features<br />
A large exterior vent fan projects on the first floor<br />
of the west wall.<br />
Interior<br />
Old Chapel originally contained at least two large<br />
interior spaces: the chapel on the top floor <strong>and</strong><br />
the refectory on the first floor. These spaces are<br />
still intact, though renovated as Hearst Hall <strong>and</strong><br />
the Clewell Dining Hall kitchen, respectively. The<br />
original use of the second floor is not clear. It now<br />
contains a passageway along its east side <strong>and</strong> a row<br />
of small rooms on the west side, including offices<br />
<strong>and</strong> two modern restrooms. Aside from windows,<br />
no historic fabric is visible on the second floor,<br />
which appears to have been renovated in the 1970s<br />
concurrent with the adjoining buildings to the<br />
north. The first-floor kitchen is a fully modernized<br />
space.<br />
Within Hearst Hall, the original windows are<br />
protected with new interior storms, <strong>and</strong> an original<br />
Figure 8-57. Old Chapel/Hearst Hall, Hearst Hall per<strong>for</strong>mance<br />
space, view to southwest (JMA 2008).<br />
chair rail, cove ceiling, <strong>and</strong> antique benches survive.<br />
The staircase at the south end between Hearst <strong>and</strong><br />
Peter Halls has its original railings <strong>and</strong> new carpet.<br />
There is a modern ADA ramp on the south side of<br />
Hearst Hall, modern fire doors at both ends, <strong>and</strong><br />
a lowered ceiling <strong>for</strong> lights, sprinklers, <strong>and</strong> HVAC<br />
elements.<br />
Current Use<br />
Old Chapel is now part of the <strong>Moravian</strong> <strong>College</strong><br />
Center <strong>for</strong> Art <strong>and</strong> Music <strong>and</strong> has been updated<br />
substantially <strong>for</strong> use by the music department. The<br />
original chapel space, now named Hearst Hall, is<br />
a per<strong>for</strong>mance space. The second floor contains a<br />
passageway along its east side <strong>and</strong> a row of small<br />
rooms on the west side, including offices <strong>and</strong> two<br />
modern restrooms. The first floor is the kitchen<br />
connected to Clewell Dining Hall, next door to the<br />
south.<br />
Treatment<br />
Old Chapel has already undergone an exterior<br />
Restoration treatment. The recommended<br />
treatment <strong>for</strong> Old Chapel is Rehabilitation,<br />
allowing <strong>for</strong> appropriate changes to accommodate<br />
the existing uses. Remaining historic features <strong>and</strong><br />
finishes should be retained on both the interior <strong>and</strong><br />
exterior.<br />
Maintenance issues <strong>for</strong> Old Chapel/Hearst Hall<br />
include:<br />
• Roof slate failure. The roof should be<br />
repaired or replaced in kind, using slate of<br />
compatible appearance.<br />
• Wood elements need to be repaired <strong>and</strong><br />
repainted.<br />
• Historic window sash are in need of repairs,<br />
reglazing, <strong>and</strong> paint.<br />
• Drainage problems along the west side are<br />
leading to deterioration of the foundation<br />
coating, door thresholds, <strong>and</strong> doorsteps.<br />
Water should be directed away from the<br />
building <strong>and</strong> these areas repaired.<br />
New Chapel/Peter Hall – 1867<br />
Historical Development<br />
Figure 8-58. Old Chapel/Hearst Hall, second floor corridor along<br />
east side, view to north (JMA 2008).<br />
New Chapel was built in 1867, at roughly the same<br />
time as West Hall, to provide a larger chapel space<br />
<strong>for</strong> the Female Seminary. New Chapel’s third floor<br />
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was used as the school chapel from the time of its<br />
construction onorthwestard. The second floor had<br />
classrooms, <strong>and</strong> the first floor was the main dining<br />
hall <strong>for</strong> the campus. The chapel contains numerous<br />
stained glass windows, all of which were given by<br />
alumnae <strong>and</strong> friends of the Female Seminary. A<br />
full-size Hook & Hastings (Hampson 1947:10) pipe<br />
organ was installed ca. 1916 on the north wall, which<br />
entailed cutting a large arched opening through the<br />
original brick wall <strong>and</strong> building an exterior frame<br />
addition to house the organ infrastructure. The<br />
organ is no longer extant. It appears to have been<br />
present at the time of the HABS documentation in<br />
1968, but was probably removed ca. 1978, at which<br />
time the frame addition was removed <strong>and</strong> the north<br />
wall was restored with brick infill.<br />
By 1947, the building housed the dining hall on the<br />
ground floor, a “gallery” above, <strong>and</strong> the chapel on<br />
the top floor (Hampson 1947:10).<br />
The building’s exterior was restored in 1977 by<br />
Spillman Farmer Architects, <strong>and</strong> the interior was<br />
renovated in 1978. As part of the work in 1978, the<br />
chapel was converted to Peter Hall, a recital hall<br />
named <strong>for</strong> arts patron, Arkansas poet laureate, <strong>and</strong><br />
<strong>Moravian</strong> <strong>College</strong> benefactor Lily Peter (Globe-<br />
Times 1978:13). In 1998, the historic stained glass<br />
windows were restored <strong>and</strong> reinstalled by David<br />
Crane of Plumstead Studios (Schamberger 2008,<br />
pers. comm.).<br />
Figure 8-61. New Chapel/Peter Hall, first-floor dining hall ca.<br />
1920s (<strong>Moravian</strong> <strong>College</strong> Viewbook [1929]). This is now Clewell<br />
Dining Hall.<br />
Figure 8-59. New Chapel/Peter Hall, view to southwest (JMA<br />
2008).<br />
Figure 8-62. New Chapel/Peter Hall, third-floor chapel looking<br />
W with organ on right, ca. 1920s (<strong>Moravian</strong> <strong>College</strong> Viewbook<br />
[1929]).<br />
Figure 8-60. New Chapel/Peter Hall, view to southeast (JMA<br />
2008).<br />
Figure 8-63. New Chapel/Peter Hall, 2008 view of <strong>for</strong>mer chapel<br />
(now Peter Hall), looking west (JMA 2008).<br />
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Signifi cance<br />
New Chapel is significant as the newest <strong>and</strong> most<br />
elaborate of three chapels in the Hurd Campus<br />
complex, with the other two being Hearst Hall<br />
(1848) <strong>and</strong> an unknown space within the Single<br />
Brethren’s House. Magnificent stained-glass<br />
memorial windows are among its most distinctive<br />
features.<br />
Integrity<br />
The overall exterior has a high level of historic<br />
integrity, with the exception of replaced windows<br />
on the lower floors on the east side. The interior of<br />
the building essentially retains its historic uses. It<br />
has low integrity on the first floor, a high level of<br />
integrity on the second floor, <strong>and</strong> a moderate level<br />
on the third floor.<br />
Condition<br />
Summary<br />
New Chapel/Peter Hall is a three-story red brick<br />
building with a double-height third floor level.<br />
It has a side-gabled slate roof <strong>and</strong> deep molded<br />
classical cornice with partial gable returns. It has<br />
symmetrical fenestration, primarily six-over-six<br />
double-hung windows with plain gabled wooden<br />
hoods. The brickwork is relatively plain on the<br />
lower floors but has recesses <strong>and</strong> corbelled arches<br />
<strong>and</strong> hoods on the third floor chapel level.<br />
Additions<br />
South Hall was appended to the south side of<br />
New Chapel/Peter Hall in 1873, connecting on the<br />
second <strong>and</strong> third floors only. New Chapel also had<br />
a ca. 1916 full-height exterior frame addition on the<br />
north side near the west corner, which housed the<br />
third-floor chapel organ <strong>and</strong> pipes. This was later<br />
removed, but its shadow is visible on the exterior.<br />
A shed-roofed square-shaped brick addition<br />
containing bathrooms or closets is located at the<br />
north side of the building where it adjoins Old<br />
Chapel/Hearst Hall. This has its own ground-floor<br />
entrance <strong>and</strong> window, <strong>and</strong> single windows on<br />
each floor on the north side. It is unclear how this<br />
addition was related to the frame organ addition.<br />
Doors, Fenestration <strong>and</strong> Exterior Moldings<br />
The primary exterior entrance to New Chapel is on<br />
the east side. The door is a modern flush metal door,<br />
but is surmounted by a ten-light original transom<br />
<strong>and</strong> sheltered by an elaborate bracketed hood with<br />
a hipped copper roof. A second door, which has a<br />
historic four-panel sash, is set into the north wall<br />
of the addition on the north side of the building. It<br />
is unclear whether this entrance is accessible from<br />
the interior.<br />
New Chapel’s windows have simple metal-clad<br />
gabled hoods <strong>and</strong> projecting metal-clad<br />
windowsills. Windows on the first <strong>and</strong> second<br />
Figure 8-64. New Chapel/Peter Hall, view of north wall looking<br />
S, showing corner addition <strong>and</strong> <strong>for</strong>mer location of organ<br />
structure with top arch (JMA 2008).<br />
Figure 8-65. New Chapel/Peter Hall, east entrance <strong>and</strong> hood<br />
with replaced door <strong>and</strong> windows (JMA 2008).<br />
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floors of the east side are replacement metal sash.<br />
The windows on the north <strong>and</strong> west sides are<br />
original six-over-six wood sash <strong>and</strong> fitted with<br />
exterior storm sash. All windows on the third floor<br />
are historic double-height windows, most with<br />
segmental arch tops. Those on the west, south, <strong>and</strong><br />
north are pictorial stained glass in multiple large<br />
panels, with each portraying a different discipline:<br />
Science, Drama, Literature, Religion (the largest<br />
central west window), Music, <strong>and</strong> Education.<br />
The windows on the east are nine-over-nine clear<br />
glass. The central east window has a round-arched<br />
transom with colored glass. The historic wood<br />
windows are deteriorating <strong>and</strong> those on the east<br />
side of the third floor have failing glazing, paint,<br />
<strong>and</strong> lower rails. Several of the second-floor gable<br />
hoods are showing rot at the ends.<br />
The paired round-arched attic windows in the east<br />
gable were removed <strong>and</strong> infilled with a modern<br />
square attic vent. A corresponding pair, with<br />
two-over-two original sash, remains intact on the<br />
west side.<br />
Figure 8-66. New Chapel/Peter Hall, east windows on top floor<br />
showing deterioration (JMA 2008).<br />
Figure 8-69. New Chapel/Peter Hall, original attic windows on<br />
west side (JMA 2008).<br />
Roofi ng <strong>and</strong> Drainage<br />
Figure 8-67. New Chapel/Peter Hall, east windows on second<br />
floor with deteriorated lintels (JMA 2008).<br />
The building has a side-gabled slate roof, which is<br />
believed to be the original 1860s slate. Due to age,<br />
the roof has internal leaks. The north roof slope<br />
drains to a roof gutter. The south slope drains to<br />
a downspout leading to a concrete pad on the east<br />
side of South Hall, which is creating problems with<br />
erosion <strong>and</strong> rising damp at that location.<br />
Figure 8-68. New Chapel/Peter Hall, infilled attic windows on<br />
east side (JMA 2008).<br />
Figure 8-70. New Chapel/Peter Hall, north roof slope adjoining<br />
Hearst Hall, showing patching with newer slate (JMA 2008).<br />
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Masonry<br />
New Chapel’s foundation, visible only at the<br />
south <strong>and</strong> west facades, is r<strong>and</strong>om-course local<br />
limestone. The remainder of the building is faced<br />
with h<strong>and</strong>-molded red brick. The brick has been<br />
extensively repointed with gray cement mortar,<br />
flush with the surface. This work is not historically<br />
appropriate. Much of the brick appears to have<br />
undergone s<strong>and</strong>blasting <strong>and</strong>/or chemical cleaning,<br />
except on the north wall. Evidence of the chapel’s<br />
<strong>for</strong>mer organ structure can be seen in an arched<br />
infill profile in the brickwork on the third floor.<br />
Rising damp <strong>and</strong> deteriorating brick were noted<br />
along the east side around the doorway due to<br />
ground-level runoff to the wall. Dampness <strong>and</strong><br />
some deterioration around the foundation was<br />
noted at the doorway of the north addition.<br />
Figure 8-71. New Chapel/Peter Hall, west façade, evidence of<br />
s<strong>and</strong>blasting, brick repairs <strong>and</strong> repointing (JMA 2008).<br />
Figure 8-74. New Chapel/Peter Hall, east façade, severe brick<br />
deterioration in pilaster immediately south of door.<br />
Figure 8-72. New Chapel/Peter Hall, east façade, rising damp<br />
along foundation north of door (JMA 2008).<br />
Figure 8-75. New Chapel/Peter Hall, north side, base of corner<br />
addition.<br />
Wood<br />
New Chapel’s molded wood cornice exhibits failing<br />
paint.<br />
Other Features<br />
Figure 8-73. New Chapel/Peter Hall, east façade, rising damp<br />
<strong>and</strong> brick deterioration at door.<br />
Window air conditioners are in place at certain<br />
locations on the east side. Historic star-shaped iron<br />
tie rods are visible.<br />
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Interior<br />
New Chapel’s first floor houses the Clewell Dining<br />
Hall, a modernized space that has little historic<br />
fabric remaining. The second floor contains a lateral<br />
corridor connecting to Old Chapel on the north <strong>and</strong><br />
South Hall on the south. Several rooms on either<br />
side of the corridor are used as offices. This floor<br />
retains a high level of historic fabric, including<br />
2”-3” hardwood flooring, wood wainscoting<br />
<strong>and</strong> moldings, <strong>and</strong> a number of original doors<br />
<strong>and</strong> three-light transoms. Some doors have been<br />
replaced with modern ones. On the third floor,<br />
the <strong>for</strong>mer chapel space was renovated in 1978 as<br />
Peter Hall. The stained glass memorial windows<br />
installed between 1918 <strong>and</strong> 1931 are extant, but the<br />
organ at the northwest corner is no longer extant.<br />
The present hardwood flooring, balustrades, stage,<br />
ramp, <strong>and</strong> raised seating area are modern. The<br />
cove ceiling has been modernized with a grid <strong>for</strong><br />
acoustics <strong>and</strong> lighting, <strong>and</strong> historic wall <strong>and</strong> ceiling<br />
paint treatments are not visible. Antique movable<br />
benches, believed to be original furnishings, are<br />
still in use. Modern fire doors are placed at both the<br />
north <strong>and</strong> south interior entrances.<br />
Peter Hall lacks ADA-compliant restrooms.<br />
Current Use<br />
New Chapel/Peter Hall is now part of the <strong>Moravian</strong><br />
<strong>College</strong> Center <strong>for</strong> Art <strong>and</strong> Music. Its first floor is<br />
the Clewell Dining Hall, the servery <strong>for</strong> the Hurd<br />
Campus, which is a continuation of its original<br />
use. The second floor has offices <strong>for</strong> the art<br />
department. The third floor contains Peter Hall,<br />
the <strong>for</strong>mer chapel, which is now a renovated music<br />
per<strong>for</strong>mance space.<br />
Treatment<br />
It is recommended that New Chapel/Peter Hall<br />
receive a Rehabilitation treatment, preserving<br />
historic fabric as much as possible while allowing <strong>for</strong><br />
needed upgrades <strong>and</strong> changes. It is recommended<br />
that current uses of the spaces in the building<br />
continue, as they are in keeping with their original<br />
purposes.<br />
Maintenance issues noted in New Chapel/Peter<br />
Hall include:<br />
• The roof slate is failing, causing interior<br />
leaks. The roof should be repaired or<br />
replaced in kind, using slates of compatible<br />
appearance.<br />
• Most of the historic windows need<br />
maintenance, including painting, repairs,<br />
<strong>and</strong> reglazing.<br />
• Drainage along the east side should be<br />
remedied to direct water away from the<br />
foundation, <strong>and</strong> damaged brick <strong>and</strong> mortar<br />
joints in this area should be repaired using<br />
appropriate materials <strong>and</strong> techniques.<br />
South Hall – 1873<br />
Historical Development<br />
South Hall was built in 1875 to provide additional<br />
dormitories <strong>for</strong> the Female Seminary. For much<br />
of its history, South Hall also housed the science<br />
laboratories (biology, chemistry, <strong>and</strong> physics) <strong>for</strong><br />
the Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women. In 1947, it<br />
contained a storage area <strong>for</strong> chemistry supplies in<br />
the basement, the chemistry laboratory on the first<br />
floor, classrooms on the second floor, dormitories<br />
on the third <strong>and</strong> fourth floors, <strong>and</strong> a “play room” in<br />
the attic (Hampson 1947:11).<br />
Figure 8-76. New Chapel/Peter Hall, view of second-floor<br />
hallway looking south.<br />
Following the 1954 merger <strong>and</strong> relocation of science<br />
programs to the North Main Street Campus, South<br />
Hall was converted <strong>for</strong> use by the Art Department.<br />
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Signifi cance<br />
South Hall is the southernmost <strong>and</strong> last of the<br />
connected buildings comprising the core of the<br />
Hurd Campus, capping off the frequent additions<br />
of new campus buildings that began in 1848.<br />
Although not particularly distinctive, it has high<br />
integrity on its exterior.<br />
Integrity<br />
Figure 8-77. South Hall, view to southwest (JMA 2008).<br />
South Hall retains a high degree of integrity on<br />
its upper floors <strong>and</strong> on the exterior. Rehabilitation<br />
work was completed on the exterior in 1978, <strong>and</strong><br />
the west-facing windows were restored in 2008. The<br />
first floor of the interior was renovated extensively<br />
as departmental offices, but the upper floors are<br />
very intact with much original detail remaining. It<br />
does not appear that the upper floors were affected<br />
when South Hall’s use changed from a science<br />
building to an art building.<br />
Condition<br />
Summary<br />
Figure 8-78. South Hall, view to northwest (JMA 2008).<br />
South Hall is a four-<strong>and</strong>-one-half-story, front-gabled<br />
brick building. It is four bays long, <strong>and</strong> the window<br />
bays are symmetrical <strong>and</strong> aligned vertically. A<br />
three-story, flat-roofed, one-bay brick north wing<br />
connects it to New Chapel on the north. A gated,<br />
one-story arched tunnel through the first level of<br />
the north wing provides access between Main Street<br />
<strong>and</strong> the interior yard of the primary Hurd Campus<br />
complex. A three-story section of Foy Hall abuts<br />
South Hall on its south wall. On the east side near<br />
the south end is an areaway with stairs leading into<br />
the basement.<br />
South Hall has a moderate-pitched roof with deep<br />
overhangs, partial returns, <strong>and</strong> a heavy, molded<br />
cornice. The attic story has two windows on its<br />
north end <strong>and</strong> a central arched window flanked by<br />
single windows on its south end. Most windows in<br />
the building have flat lintels with modest projecting<br />
Italianate hoods. The hoods are supported by small<br />
scrolled brackets, <strong>and</strong> the hoods on the top three<br />
floors have small triangular fretwork scrolls at the<br />
top center.<br />
Additions<br />
Figure 8-79. South Hall, view to southeast (JMA 2008).<br />
South Hall has no historic additions. It once had<br />
a one-story frame hyphen connecting it to the<br />
Gymnasium (now Payne Gallery), but this was<br />
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Figure 8-80. South Hall, view of tunnel to east (JMA 2008).<br />
removed more recently, probably during restoration<br />
work in the 1970s. Foy Hall was appended to the<br />
southwest corner in 1982, <strong>and</strong> is connected to South<br />
Hall on the first <strong>and</strong> second floors.<br />
Figure 8-81. South Hall, north entrance in tunnel, view to south<br />
(JMA 2008).<br />
Doors <strong>and</strong> Fenestration<br />
South Hall has two historic exterior doors. The<br />
north door is located within the tunnel <strong>and</strong> has<br />
an original four-panel, bolection-molded door<br />
<strong>and</strong> three-light transom. Hardware on the door is<br />
modern. A second door is located on the east side<br />
near the north end of the building, opening into the<br />
yard. This is a one-light, two-panel original wood<br />
door. Its transom has been infilled with a metal<br />
vent. The metal-clad scrolled hood above the door<br />
is dented <strong>and</strong> needs repairs. A third entrance is<br />
within the southeast basement areaway, which has<br />
paired modern metal doors.<br />
Figure 8-82. South Hall, east entrance, view to southwest (JMA<br />
2008).<br />
The west (street) façade of the building has<br />
six-over-six wood windows. Metal flashing covers<br />
most of the sills <strong>and</strong> the lintel hoods. Paint on<br />
these wooden elements is peeling. A few of the<br />
windowsills are missing metal flashing <strong>and</strong> while<br />
their surfaces are in deteriorated condition, they<br />
appear sound.<br />
The east (yard) façade of the building, <strong>and</strong> the lower<br />
floor of the south façade, have modern six-over-six<br />
metal replacement windows.<br />
Figure 8-83. South Hall, east entrance, damage to door hood<br />
(JMA 2008).<br />
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Masonry<br />
The foundation of the building is covered with<br />
modern parged cement. At the southeast corner,<br />
cracking indicates a piece that may delaminate <strong>and</strong><br />
separate from the wall. The sloping tunnel interior<br />
is paved with grooved concrete, <strong>and</strong> the basement<br />
areaway is concrete-lined.<br />
Figure 8-84. South Hall, west façade, paired original windows<br />
with detailed hoods (JMA 2008).<br />
Figure 8-85. South Hall, west façade, peeling paint on window<br />
frame <strong>and</strong> exposed sill (JMA 2008).<br />
Roofi ng <strong>and</strong> Drainage<br />
Above the first floor is a corbelled watercourse. The<br />
three upper floors have shallow, flat brick pilasters,<br />
<strong>and</strong> windows are located in the vertical recesses<br />
between pilasters. The brickwork originally<br />
had pale-brown, slightly recessed mortar joints.<br />
Multiple repointing campaigns are evident. The<br />
h<strong>and</strong>-molded bricks have been s<strong>and</strong>blasted,<br />
leaving their surfaces somewhat abraded. On the<br />
west side, a two-story area of the third bay from the<br />
left appears to be infill brick, <strong>and</strong> mirrors a similar<br />
area of brick infill on the east wall of Payne Gallery,<br />
indicating the outline of the frame passageway that<br />
once connected the two buildings. On the east side,<br />
a number of replacement bricks are used.<br />
Small areas of brickwork flanking the bottom of<br />
each window are blackened <strong>and</strong> may not have been<br />
cleaned due to <strong>for</strong>mer metal flashing or coverings.<br />
South Hall has a slate roof which drains to<br />
half-round gutters on the east <strong>and</strong> west roof<br />
slopes. Downspouts from the gutters, located<br />
at the northeast <strong>and</strong> northwest corners, lead to<br />
underground drains. An oblong drain spans the<br />
east portal of the tunnel.<br />
Some ponding of water was observed near the<br />
east door threshold <strong>and</strong> in the concrete basement<br />
areaway on the east side. This may lead to biogrowth<br />
<strong>and</strong> deterioration of the exterior walls if allowed to<br />
continue.<br />
Figure 8-87. South Hall, east side window, stains above<br />
windowsills (JMA 2008).<br />
Figure 8-86. South Hall, east side areaway with ponding water<br />
(JMA 2008).<br />
Figure 8-88. South Hall, contrast between original brickwork<br />
<strong>and</strong> later repointing (JMA 2008).<br />
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The east side has several window air conditioner<br />
units, as well as two exterior units located outside<br />
the first floor entrance.<br />
Within the tunnel, at the west portal, is a pair of<br />
wrought iron gates dedicated in 1916. A round<br />
metal bollard is at the center of the east portal,<br />
preventing vehicular access through the tunnel.<br />
Interior<br />
Figure 8-89. South Hall, dampness area at threshold of east<br />
entrance (JMA 2008).<br />
Wood<br />
Other than windows <strong>and</strong> doors, the only wood<br />
elements on the building include the wood cornices<br />
<strong>and</strong> partial gable returns. These are generally<br />
in good condition. Small areas of cracking paint<br />
should be monitored <strong>and</strong> repaired.<br />
Other Features<br />
The interior of South Hall has been renovated. The<br />
first floor has been modernized with new carpet,<br />
wallboard, <strong>and</strong> dropped ceilings. On the second<br />
<strong>and</strong> third floors, original painted hardwood strip<br />
flooring, wood beadboard wainscoting, wood door<br />
trim, transoms, some original wood doors <strong>and</strong> their<br />
hardware, ceilings, scored plaster walls, <strong>and</strong> stairs<br />
are extant. Bathrooms have been modernized, <strong>and</strong><br />
some replacement doors have been installed. Walls<br />
<strong>and</strong> floors on these levels are showing some paint<br />
failure, <strong>and</strong> walls <strong>and</strong> ceilings exhibit some plaster<br />
The building has a large historic wall-mounted<br />
lantern light above the north door inside the<br />
tunnel. A pendant lantern hangs at the east portal<br />
of the tunnel. The foundation on the north side has<br />
several Gothic Revival-patterned vent grilles.<br />
Figure 8-92. South Hall, first floor interior, view to north (JMA<br />
2008).<br />
Figure 8-90. South Hall, historic lantern at east portal (JMA<br />
2008).<br />
Figure 8-91. South Hall, foundation grille on west side (JMA<br />
2008).<br />
Figure 8-93. South Hall, back staircase to east entrance door,<br />
view to east (JMA 2008).<br />
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Figure 8-94. South Hall, second floor corridor, typical conditions<br />
of upper floors (JMA 2008).<br />
Figure 8-96. South Hall, main stairwell on third floor (JMA<br />
2008).<br />
Treatment<br />
It is recommended that a Rehabilitation treatment<br />
be applied to South Hall. This has already been<br />
occurring as the building has been renovated <strong>and</strong><br />
upgraded to better serve its evolving academic<br />
program. This treatment is appropriate <strong>and</strong> should<br />
continue. The exterior of South Hall should be<br />
preserved. On the interior, remaining historic<br />
fabric should be preserved in future renovations.<br />
The fourth floor, which is no longer in active use<br />
due to fire code st<strong>and</strong>ards, should be preserved<br />
<strong>and</strong> protected, as it retains a significant amount of<br />
historic fabric.<br />
Figure 8-95. South Hall, second floor corridor, typical conditions<br />
of upper floors (JMA 2008).<br />
failure. The fourth floor, which is not in use due to<br />
lack of a second exit stairway, has a high level of<br />
preserved historic fabric, but some elements are<br />
deteriorated.<br />
Current Use<br />
South Hall is part of the <strong>Moravian</strong> <strong>College</strong> Center<br />
<strong>for</strong> Art <strong>and</strong> Music. It houses offices <strong>and</strong> studios <strong>for</strong><br />
the Art Department on the first, second, <strong>and</strong> third<br />
floors. The fourth floor <strong>and</strong> attic are not in active<br />
use due to lack of a second egress.<br />
Maintenance issues noted include:<br />
• Original windows should be repaired <strong>and</strong><br />
retained, rather than replaced.<br />
• Interior <strong>and</strong> exterior paint failure should<br />
be repaired.<br />
• Masonry cracking should be monitored.<br />
Future brick repairs should use mortar <strong>and</strong><br />
joint techniques are consistent with areas<br />
of original joints. Delaminating parging<br />
should be repaired in kind.<br />
• Better drainage is needed around <strong>and</strong> in<br />
the areaway on the east side.<br />
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Payne Art Gallery – 1890<br />
Historical Development<br />
Payne Art Gallery was constructed in 1890 as the<br />
gymnasium of the <strong>Moravian</strong> Seminary <strong>for</strong> Women.<br />
Athletics <strong>and</strong> organized physical exercise were<br />
becoming more important to academic institutions<br />
nationorthwestide in this period, making exercise<br />
facilities a priority in campus planning. The new<br />
building, known as the Gymnasium throughout<br />
much of the next century, had an open beamed<br />
interior <strong>and</strong> was host to athletics <strong>and</strong> sporting<br />
events <strong>for</strong> the Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women.<br />
A covered passageway connected the Gymnasium<br />
to South Hall, continuing the tradition of attached<br />
buildings at the campus. After the merger of 1954,<br />
better athletic facilities were available at the Main<br />
Street campus, <strong>and</strong> a new use was needed <strong>for</strong> the<br />
Gymnasium. In 1963, the college began using it as an<br />
art classroom <strong>and</strong> studio. As with the neighboring<br />
buildings, its exterior was rehabilitated in 1978.<br />
In 1982, the Gymnasium was renovated <strong>and</strong><br />
converted into the <strong>College</strong>’s art gallery. The<br />
passageway to South Hall was removed <strong>and</strong> Foy<br />
Hall was built as a concert hall <strong>and</strong> connector to<br />
South Hall, retaining the Gymnasium’s physical<br />
connection with the series of buildings nearby.<br />
The renovation was funded by Priscilla Payne<br />
Hurd <strong>and</strong> the Gymnasium was renamed Payne<br />
Gallery in honor of Mrs. Hurd’s parents, Frank E.<br />
<strong>and</strong> Seba B. Payne. Architects <strong>for</strong> the project were<br />
William Watson (exterior work) <strong>and</strong> Spillman<br />
Farmer Shoemaker Pell (interior). The original<br />
front entrance was closed off <strong>and</strong> entrance to Payne<br />
Gallery is now through the lobby of Foy Hall. In<br />
2001, the gallery was renovated to bring its curation<br />
environment up to Smithsonian st<strong>and</strong>ards.<br />
Signifi cance<br />
Payne Gallery is significant as an excellent example<br />
of a Classical Revival gymnasium of the turn of the<br />
century period. This style was nationally popular<br />
<strong>for</strong> gymnasiums of this era. Payne Gallery is also<br />
associated with a nationorthwestide trend toward<br />
physical education <strong>and</strong> organized sports which<br />
took hold in this era.<br />
Integrity<br />
Figure 8-97. Payne Gallery, view to southeast (JMA 2008).<br />
Payne Gallery retains a high degree of integrity on<br />
the exterior, although the disuse of the original main<br />
entrance, thus altering its historic main entry point,<br />
is a notable exception. On the interior, the building<br />
has been modified extensively through installation<br />
of partitions, gallery lighting, <strong>and</strong> reconfiguring of<br />
the original second-floor spectator gallery. Natural<br />
light has been eliminated through covering or<br />
painting over the original windows. Other historic<br />
elements are either missing or no longer visible,<br />
except <strong>for</strong> the wooden ceiling trusswork.<br />
Figure 8-98. Payne Gallery, view to northeast (JMA 2008).<br />
Figure 8-99. Payne Gallery, historic view to east (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
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Condition<br />
Summary<br />
Payne Gallery is a Classical Revival brick<br />
gymnasium building with a front-gabled slate<br />
roof, wood windows <strong>and</strong> wood exterior moldings<br />
<strong>and</strong> details. It sits on a slope with the basement<br />
exposed at the southwest corner, <strong>and</strong> adjoins Foy<br />
Hall on the southeast. The basement is within the<br />
stone foundation. The brick walls of the main level<br />
feature a projecting water table, evenly spaced<br />
flat brick pilasters, <strong>and</strong> brick corner quoins. The<br />
double-hung windows are set within the recesses<br />
between pilasters. All windows <strong>and</strong> doors have flat<br />
lintels with contrasting center s<strong>and</strong>stone keystones.<br />
The building has deep molded cornices featuring<br />
dentil molding <strong>and</strong> gable returns.<br />
main entrance, window openings with three<br />
contrasting dark keystones, <strong>and</strong> a round-arched<br />
front door surround. A terrace at the south end of<br />
the basement has a smaller secondary entrance.<br />
Additions<br />
Payne Gallery has no historic additions. It once had<br />
a gabled one-story frame hyphen connecting it to<br />
South Hall, but this was removed to make way <strong>for</strong><br />
Foy Hall in 1982. A shadow of this hyphen is visible<br />
on the east wall.<br />
The original entrance façade faces north <strong>and</strong> is<br />
more ornate than the other elevations. It features<br />
Classical ornamentation, including a semicircular<br />
pediment <strong>and</strong> carved stone frieze over the original<br />
Figure 8-102. Payne Gallery, east side, shadow of frame hyphen<br />
(JMA 2008).<br />
Doors <strong>and</strong> Fenestration<br />
Figure 8-100. Payne Gallery, 2008 view to east (JMA 2008).<br />
The entrance doors, which are no longer used,<br />
are four-light, three-panel doors <strong>and</strong> are set flush<br />
with the exterior paving. These doors appear to be<br />
modern versions of historic doors. They appear to<br />
not fit correctly, resulting in some gaps. The door<br />
on the south terrace is similar in style to the front<br />
doors.<br />
Figure 8-101. Payne Gallery, north façade, view to south (JMA<br />
2008).<br />
Figure 8-103. Payne Gallery, typical window with peeling paint<br />
<strong>and</strong> interior film (JMA 2008).<br />
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Windows in the building are original wood dividedlight<br />
sash. Most are horizontal eight-light sash, <strong>and</strong><br />
those on the first floor level appear to have side<br />
pivots. The interiors of the windows were covered<br />
with black film, which is peeling off in many places.<br />
Paint on the wood elements is peeling.<br />
Roofi ng <strong>and</strong> Drainage<br />
The historic slate roof drains to half-round gutters<br />
on the east <strong>and</strong> west sides, <strong>and</strong> downspouts at<br />
the southeast <strong>and</strong> southwest corners drain to an<br />
underground system. Some rot is evident in the<br />
southeast <strong>and</strong> southwest cornices adjacent to<br />
the downspouts, indicating possible leaks at the<br />
juncture of the gutters <strong>and</strong> downspouts. Pieces<br />
of slate tile from the roof were observed near the<br />
foundation, indicating deterioration <strong>and</strong> breakage<br />
of some of the tiles.<br />
Figure 8-105. Payne Gallery, south façade, step crack between<br />
upper <strong>and</strong> lower windows (JMA 2008).<br />
Figure 8-106. Payne Gallery, northwest corner, brick deterioration<br />
at base of wall (JMA 2008).<br />
Figure 8-104. Payne Gallery, southeast corner, paint failure <strong>and</strong><br />
rot in cornice (JMA 2008).<br />
Masonry<br />
The foundation of the Payne Gallery is r<strong>and</strong>om<br />
ashlar limestone blocks with two pointing styles<br />
visible: pale brown earlier mortar, <strong>and</strong> a later hard<br />
gray mortar with raised ribbon joints.<br />
The walls are faced with machine-molded brick.<br />
Window surrounds are ornamented with s<strong>and</strong>stone<br />
keystones <strong>and</strong> newer cast-stone sills. A large gabled<br />
area of infill brick is located at the north end of the<br />
east wall, mirroring a similar area on South Hall’s<br />
west wall. This indicates the <strong>for</strong>mer location of a<br />
one-story frame passageway between South Hall<br />
<strong>and</strong> Payne Gallery. The south façade has a few<br />
large cracks above window bays, <strong>and</strong> there is some<br />
mortar loss on the quoin edges. The brickwork has<br />
some hazy areas, <strong>and</strong> there is efflorescence <strong>and</strong><br />
some mortar loss evident at the base of the walls at<br />
the northwest corner.<br />
Figure 8-107. Payne Gallery, north wall, damp areaway with<br />
biogrowth (JMA 2008)<br />
A concrete-lined areaway at the west side of the<br />
north façade is damp <strong>and</strong> has biogrowth due to<br />
poor drainage.<br />
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second-floor gallery/track has been exp<strong>and</strong>ed <strong>and</strong><br />
converted to an upper balcony level. New interior<br />
partitions block out the original outside walls,<br />
provide hanging space <strong>and</strong> allow <strong>for</strong> rooms around<br />
the perimeter below the balcony. The new flooring<br />
<strong>and</strong> wall surfaces obscure any remaining interior<br />
historic fabric.<br />
Figure 8-108. Payne Gallery, south wall, mortar loss in quoins<br />
(JMA 2008).<br />
Wood<br />
Painted wooden elements on the exterior walls,<br />
notably the cornices <strong>and</strong> front pediment, are<br />
peeling <strong>and</strong> biological growth is visible within the<br />
pediment molding. Some rot is occurring in the<br />
southeast <strong>and</strong> southwest cornice corners, adjacent<br />
to the downspouts.<br />
Figure 8-110. Payne Gallery interior, view to southwest, ca. 1913<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Figure 8-109. Payne Gallery, north wall, detail of entrance<br />
pediment with paint deterioration <strong>and</strong> biogrowth (JMA 2008).<br />
Figure 8-111. Payne Gallery interior, view to northwest (JMA<br />
2008).<br />
Other Features<br />
A terrace at the south end of the basement has<br />
windows infilled with modern louvered vents <strong>and</strong><br />
a modern light above the entrance.<br />
Interior<br />
The Payne Gallery’s interior is open to the original<br />
ceiling <strong>and</strong> retains its historic beamed wood truss<br />
system <strong>and</strong> ceiling, but little other historic material<br />
is visible. The windows have been covered over,<br />
<strong>and</strong> new wood flooring is in place. The <strong>for</strong>mer<br />
Figure 8-112. Payne Gallery, original ceiling trusses (JMA 2008).<br />
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Current Use<br />
Payne Gallery is now an art gallery displaying<br />
both permanent collection artworks <strong>and</strong> short-term<br />
exhibits. It is scheduled <strong>for</strong> renovation in 2009, with<br />
plans <strong>for</strong> exterior rehabilitation of the brickwork,<br />
windows, <strong>and</strong> wood details, <strong>and</strong> interior<br />
weatherization of windows <strong>and</strong> upgrades to the<br />
HVAC systems.<br />
Treatment<br />
It is recommended that Payne Gallery receive a<br />
Rehabilitation treatment, which is appropriate<br />
<strong>for</strong> a building that has changed use over time.<br />
The exterior of the building should be preserved,<br />
including historic wood elements <strong>and</strong> windows. The<br />
interior of the building will continue to be modified<br />
in accordance with changing programmatic needs<br />
<strong>and</strong> curation st<strong>and</strong>ards. Remaining historic fabric<br />
of the interior should be preserved where it still<br />
exists. The current use is very compatible with the<br />
building’s historic purpose <strong>and</strong> should continue.<br />
Maintenance issues include:<br />
• Wood exterior elements should be painted<br />
<strong>and</strong> repaired as needed.<br />
• Address leaks <strong>and</strong> rotting at the southeast<br />
<strong>and</strong> southwest corner downspouts.<br />
• Black adhesive film applied to the interiors<br />
of the windows is peeling <strong>and</strong> should<br />
be removed. Protection of the interiors<br />
from UV rays is important <strong>and</strong> should<br />
be provided from the interior side only,<br />
retaining the original exposed windows.<br />
Signifi cance<br />
The Day House has always served as a utilitarian<br />
auxiliary building, supporting the functions of<br />
the main buildings on the Church Street campus.<br />
Architecturally, it is not distinctive <strong>and</strong> lacks<br />
integrity.<br />
Integrity<br />
The Day House has relatively low integrity, due to<br />
significant modifications to the interior, conversion<br />
of the lower level to storage with garage bays, <strong>and</strong><br />
replacement of many elements on the exterior.<br />
Figure 8-113. Day House, front, view to south (JMA 2008).<br />
Day House – 1840<br />
Historical Development<br />
The Day House was constructed in 1840 as the<br />
laundry <strong>for</strong> the Seminary <strong>and</strong> was used as such <strong>for</strong><br />
many years. It had washing facilities on the ground<br />
floor <strong>and</strong> drying facilities on the upper floor. It later<br />
became a place <strong>for</strong> day students to congregate apart<br />
from the boarders, giving it the name Day House. A<br />
1947 fire insurance survey documented this use by<br />
day students <strong>and</strong> noted that it had a two-car garage<br />
<strong>and</strong> furnace on ground floor level, <strong>and</strong> a sitting<br />
room, kitchenette, <strong>and</strong> bathroom on the upper<br />
floor. It was used in the 1970’s as an apartment<br />
(upper floor) <strong>and</strong> storage (ground floor). In 2003,<br />
it was renovated <strong>and</strong> a new classroom on its first<br />
floor was added to the Art Department facilities.<br />
Figure 8-114. Day House, rear, view to east (JMA 2008).<br />
Condition<br />
Summary<br />
The Day House is a one-<strong>and</strong>-one-half-story brick<br />
cottage with a front-gabled roof. It is set into a<br />
slope with its basement exposed on the south<br />
(rear) elevation. The shallow-pitched roof is clad<br />
with original slate <strong>and</strong> has wide eave overhangs.<br />
A square interior chimney projects above the front<br />
roof gable. Most of the windows in the house<br />
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have been replaced with modern vinyl sash, with<br />
the exception of a pair of small four-light original<br />
casement windows in the attic gable. All windows<br />
have flush wood lintels <strong>and</strong> projecting wood sills.<br />
The inset front door is surmounted by a gabled<br />
lintel. At the basement level, the house has two<br />
mid-twentieth-century wood-paneled overhead<br />
garage doors. All wooden trim elements on the<br />
house are peeling <strong>and</strong> in need of paint.<br />
Additions<br />
There are no additions to the Day House.<br />
Doors <strong>and</strong> Fenestration<br />
Few original fenestration <strong>and</strong> door elements remain<br />
on the Day House. Most of the windows in the Day<br />
House have been replaced with modern vinyl sash.<br />
The only original windows are the small gable<br />
casements in the attic, which need paint. The front<br />
door is a one-light three-panel door dating from ca.<br />
early 1900s <strong>and</strong> is shielded by a modern aluminum<br />
storm door, but could use repainting. The garage<br />
doors at the rear are modern paneled wood<br />
overhead doors with steel I-beam lintels. Both doors<br />
are peeling <strong>and</strong> need paint. A single door entrance<br />
on the east wall of the basement has an old panel<br />
door. Peeling paint is in evidence here.<br />
Roofi ng <strong>and</strong> Drainage<br />
The slate roof drains to gutters on both the east<br />
<strong>and</strong> west sides, which connect to downspouts at<br />
ground level. The gutters are bowed outward <strong>and</strong><br />
drip water to the ground, <strong>and</strong> water collects at the<br />
front steps. Splashback, rising damp, <strong>and</strong> mortar<br />
loss are evident on the west side of the building.<br />
Masonry<br />
The house appears to have a fieldstone<br />
retaining-wall foundation on its north (uphill side)<br />
but is otherwise constructed of brick. The brick<br />
walls of the Day House incorporate several different<br />
types of brick <strong>and</strong> reveal multiple repointing<br />
campaigns <strong>and</strong> some infill areas. Along the west<br />
slope of the building, water runoff has splashed<br />
Figure 8-115. Day House, south façade, peeling garage doors<br />
(JMA 2008).<br />
Figure 8-117. Day House, west façade, masonry deterioration<br />
along slope (JMA 2008).<br />
Figure 8-116. Day House, south façade, view of original attic<br />
windows with peeling paint <strong>and</strong> vinyl replaced windows (JMA<br />
2008).<br />
Figure 8-118. Day House, north façade, rising damp <strong>and</strong> brick<br />
deterioration at front steps (JMA 2008).<br />
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back onto the walls, resulting in rising damp <strong>and</strong><br />
mortar loss. Water splashing <strong>and</strong> ponding on the<br />
concrete slab outside the first-floor entrance has<br />
caused rising damp <strong>and</strong> pronounced deterioration<br />
of the brickwork at ground level on either side of<br />
the doorway. Small plants are growing out of the<br />
chimney masonry <strong>and</strong> should be removed.<br />
Figure 8-119. Day House, north façade, rising damp <strong>and</strong> brick<br />
deterioration at front steps (JMA 2008).<br />
Figure 8-120. Day House, chimney showing plant growth (JMA<br />
2008).<br />
Other Features<br />
Day House has exterior lighting elements above<br />
<strong>and</strong> next to the front door.<br />
Interior<br />
The interior was not accessible, but the first floor<br />
reportedly has been renovated.<br />
Current Use<br />
The Day House is now used by <strong>Moravian</strong>’s art<br />
department, with classroom space on the first floor.<br />
This space is designed <strong>for</strong> art education, crafts <strong>and</strong><br />
studio classes. The building also houses an office<br />
<strong>for</strong> Art Education faculty members. The ground<br />
floor with its garage bays is used <strong>for</strong> storage<br />
Treatment<br />
The Day House should receive a Rehabilitation<br />
treatment as outlined in The Secretary <strong>for</strong> the<br />
Interior’s St<strong>and</strong>ards <strong>and</strong> the design guidelines of<br />
this preservation plan. Remaining historic fabric<br />
on both the interior <strong>and</strong> exterior should be retained<br />
<strong>and</strong> repaired.<br />
Maintenance issues at the Day House include:<br />
• Wood elements on the exterior are in<br />
deteriorating condition <strong>and</strong> require repairs<br />
<strong>and</strong> repainting.<br />
• Gutters on the roof should be repaired or<br />
replaced in kind to address leaks.<br />
• Poor drainage around the house, both from<br />
rainfall onto the house <strong>and</strong> runoff from the<br />
hillside, is causing significant masonry<br />
deterioration. Water leaks from the gutters<br />
<strong>and</strong> roof should be eliminated. All water<br />
<strong>and</strong> hillside runoff should be directed away<br />
from the front steps <strong>and</strong> walls of the house,<br />
using the least invasive means available due<br />
to archeological sensitivity in this hillside.<br />
Methods could include regrading around<br />
the foundation to shunt water away, or<br />
installing small swales around the house to<br />
channel water downhill. The large concrete<br />
slab in front of the door should be redone<br />
to slope away from the house.<br />
Main Hall – 1854<br />
Historical Development<br />
Main Hall was constructed in 1854 to accommodate<br />
the exp<strong>and</strong>ing Bethlehem Female Seminary. The<br />
site it st<strong>and</strong>s on contained a residence used by<br />
the headmaster, which was torn down to make<br />
way <strong>for</strong> Main Hall. It was a remarkable building<br />
at the time of its completion, as it was one of the<br />
first in Bethlehem to have gas lighting, central<br />
furnace heating, bathrooms with hot <strong>and</strong> cold<br />
running water on each floor <strong>and</strong> a flat roof. The<br />
building provided new residential quarters <strong>for</strong> the<br />
headmaster, classrooms, <strong>and</strong> dormitory rooms <strong>for</strong><br />
students. Space to receive <strong>and</strong> entertain guests was<br />
an important component of Main Hall from the<br />
beginning. On the first floor, two parlors, known<br />
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were restored, <strong>and</strong> some newer non-historic<br />
windows were removed. The outdoor fire escapes<br />
were removed <strong>and</strong> the multistory wooden back<br />
porches were rehabilitated <strong>and</strong> strengthened <strong>for</strong><br />
continued use (<strong>Moravian</strong> <strong>College</strong> 1958).<br />
Figure 8-121. Main Hall, north façade, view to southwest (JMA<br />
2008).<br />
as the Blue Parlors, were used as reception rooms<br />
throughout the building’s history. The walls of<br />
these rooms were decorated with scenic l<strong>and</strong>scape<br />
paintings by Gustavus Grunewald, a teacher of<br />
fine arts at the school. H<strong>and</strong>painted wallcoverings<br />
adorned the headmaster’s apartment, also on the<br />
first floor (<strong>Moravian</strong> <strong>College</strong> 1958). According to<br />
the sign on the street front, Main Hall was the home<br />
of headmaster Francis Wolle, whose son J.F. Wolle<br />
was born in the family apartment <strong>and</strong> later went on<br />
to found the Bach Choir.<br />
Main Hall remained in use as a dormitory, staff<br />
housing, <strong>and</strong> reception rooms throughout much of<br />
its history. A 1947 fire insurance survey indicated<br />
that the basement contained a home economics<br />
kitchen, private kitchen <strong>and</strong> dining room, <strong>and</strong><br />
classrooms. The first floor contained administrative<br />
offices, a private living room, <strong>and</strong> four bedrooms.<br />
The second floor had classrooms, a library, <strong>and</strong><br />
dormitory rooms. The third <strong>and</strong> fourth floors were<br />
exclusively dormitory rooms (Hampson 1947:5).<br />
By the 1950s, the first floor was used as the school<br />
president’s office. In 1958, following the merger<br />
that produced today’s <strong>Moravian</strong> <strong>College</strong>, Main<br />
Hall was the first of the historic Church Street<br />
buildings to be restored to an earlier period. This<br />
provided the reconfigured school with badly<br />
needed housing space but also satisfied the need to<br />
maintain a historic exterior appearance. Following<br />
investigation of the building’s historic components,<br />
exterior restoration work commenced. Multiple<br />
layers of paint were removed from the exterior<br />
brickwork <strong>and</strong> wood elements. Trim was removed<br />
from the north window lintels, the rear cornice was<br />
corrected, <strong>and</strong> all outside trim was painted white.<br />
Original window spaces which had been infilled<br />
The interior was modernized to create dormitory<br />
space on the upper floors <strong>and</strong> a lounge <strong>and</strong> snack<br />
bar on the basement level. The president’s office was<br />
relocated <strong>and</strong> the Blue Parlors have continued as a<br />
reception site <strong>for</strong> school functions. Restoration work<br />
on the first floor refurbished the walls, ceilings, <strong>and</strong><br />
trim to original appearance. Fireproofing measures<br />
resulted in the installation of six vent chimneys <strong>and</strong><br />
two new fireproof stairwells inside the building,<br />
including one at the rear ell.<br />
A <strong>College</strong> family day program from 1958 described<br />
the rehabilitation <strong>and</strong> restoration work in detail<br />
<strong>and</strong> mentioned that the building still lacked three<br />
original exterior features: a rooftop belvedere with<br />
balustrades, exterior shutters <strong>for</strong> all windows<br />
except the Church Street façade (where original<br />
interior shutters were extant), <strong>and</strong> a “reconstructed<br />
Figure 8-122. Main Hall, south façade <strong>and</strong> ell, view to northeast<br />
(JMA 2008).<br />
Figure 8-123. Main Hall, south façade <strong>and</strong> ell, historic view to<br />
north (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
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main entrance” (<strong>Moravian</strong> <strong>College</strong> 1958). The main<br />
entrance <strong>and</strong> belvedere reconstruction occurred<br />
some years later, but shutters have not been<br />
reinstalled.<br />
Signifi cance<br />
Main Hall is significant <strong>for</strong> its historic function<br />
as the <strong>Moravian</strong> Seminary <strong>for</strong> Women’s reception<br />
rooms <strong>and</strong> dormitory, a function which continues<br />
in the present time. It was one of the first buildings<br />
in Bethlehem to feature a flat-roofed Italianate<br />
style, <strong>and</strong> also among the first to boast modern<br />
technology (central heat, gas lighting <strong>and</strong> interior<br />
plumbing). Main Hall is also significant as the first<br />
of <strong>Moravian</strong>’s Church Street buildings to undergo<br />
exterior restoration <strong>and</strong> was thus an important<br />
component of the beginnings of Historic Bethlehem<br />
<strong>and</strong> historic preservation initiatives in downtown<br />
Bethlehem. The rehabilitation work coincided with<br />
the building’s centennial, <strong>and</strong> it was described as<br />
being “at once a modern fireproof dormitory <strong>and</strong> an<br />
eloquent example of a mature building beginning<br />
its second century of service” (<strong>Moravian</strong> <strong>College</strong><br />
1958).<br />
The historic frame wing <strong>and</strong> back porches at the<br />
west end were removed as part of the restoration<br />
ef<strong>for</strong>t.<br />
The interior of the building retains a good amount<br />
of integrity on the first floor where the parlors are.<br />
Other areas of the building, notably those areas<br />
used as dormitory rooms, have been renovated<br />
with modern finishes, partitions, closets, doors,<br />
carpeting, <strong>and</strong> dropped ceilings. The installation of<br />
the modern fire stairs also altered the floor plan.<br />
Figure 8-125. Main Hall during restoration, ca. 1958 (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
Figure 8-124. Main Hall, ca. 1929 photo of home economics<br />
kitchen (<strong>Moravian</strong> <strong>College</strong> Viewbook [1929]).<br />
Integrity<br />
Main Hall underwent significant exterior restoration<br />
<strong>and</strong> interior renovation work during the late 1950s<br />
to update it as a modernized dormitory. The exterior<br />
retains a great deal of integrity, including original<br />
windows <strong>and</strong> trim, though some elements date<br />
from the 1958 work. As mentioned, some historic<br />
elements such as the exterior shutters are missing<br />
<strong>and</strong> were not recreated during the restoration work.<br />
Figure 8-126. Main Hall, historic hallway, plaster moldings, <strong>and</strong><br />
curved walls on first floor (JMA 2008).<br />
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The main block is seven bays wide <strong>and</strong> three bays<br />
deep. The rear of the main block has a three-story<br />
flat-roofed porch sheltering the basement, first, <strong>and</strong><br />
second floors, <strong>and</strong> a roof balcony off the third floor.<br />
The rebuilt porch is frame with plain wood columns<br />
<strong>and</strong> balustrades, <strong>and</strong> is set on one-story brick piers<br />
at the basement level. The roof balcony has flimsy,<br />
bent iron surrounds <strong>and</strong> does not appear usable.<br />
Figure 8-127. Main Hall, typical renovated hallway (JMA 2008).<br />
The rear ell of the building is five bays long <strong>and</strong><br />
three bays wide. It has a flat-roofed full-height,<br />
square projection on its south end, measuring<br />
one bay by one bay. This contains the modern fire<br />
stairs. Historic Sanborn maps <strong>and</strong> photos indicate<br />
this stairwell section has been present since at least<br />
1885.<br />
Additions<br />
Main Hall was <strong>for</strong>merly connected to the Single<br />
Brethren’s House with a full-height frame hyphen<br />
covering the entire west side. This projected toward<br />
the rear, <strong>and</strong> the back porches extended across the<br />
entire rear of the main block to adjoin the east side<br />
of the hyphen. The hyphen <strong>and</strong> the west end of the<br />
porches were removed in 1958 during Main Hall’s<br />
restoration.<br />
Doors <strong>and</strong> Fenestration<br />
Figure 8-128. Main Hall, typical conditions in dorm rooms (JMA<br />
2008).<br />
Condition<br />
Summary<br />
Main Hall is a four-story red brick building with an<br />
L-shaped footprint <strong>and</strong> a low-pitched, nearly flat,<br />
hipped roof. Four wide brick chimneys rise from<br />
the roof, as well as a small center flat-roofed cupola<br />
with a gabled top vent. The building is set on a<br />
west-facing slope with its basement fully exposed at<br />
the west <strong>and</strong> south. The main block of the building<br />
has a symmetrical seven-bay primary façade on<br />
the north side facing Church Street, exhibiting<br />
Italianate details around the entrance. The central<br />
entrance features a recessed paneled door with a<br />
projecting mock balcony above. The balcony is set<br />
on large scrolled brackets <strong>and</strong> has an ornate cast<br />
iron balustrade <strong>and</strong> paneled corner piers. The inset<br />
door has sidelights <strong>and</strong> a full transom. The restored<br />
front steps are wood <strong>and</strong> set on a brick foundation,<br />
<strong>and</strong> also feature cast iron balustrades.<br />
Main Hall’s primary entrance is its recessed central<br />
north door. The door was originally a double-leaf<br />
door, but the original narrow three-panel doors<br />
were conjoined to <strong>for</strong>m a wide single door, which<br />
now has modern hardware <strong>and</strong> a key card system.<br />
Narrow sidelights <strong>and</strong> a deep transom light the<br />
interior hallway. The surround has been restored.<br />
Marble steps fill the interior of the door recess;<br />
though worn, they are in good condition.<br />
A secondary entrance in the alley on the west side<br />
of the building has a segmental arch profile <strong>and</strong>,<br />
like the front door, consists of historic narrow<br />
double-leaf doors retrofitted as a single wide door.<br />
This entrance has a limestone threshold <strong>and</strong> some<br />
paint is needed. A third entrance on the west side of<br />
the building, located within the porch, has a historic<br />
four-panel door. Near the southwest corner, at the<br />
bottom of the rear stairwell, is a modern glazed<br />
security door with concrete steps.<br />
Most of the windows in the building are single<br />
six-over-six double-hung windows. The windows<br />
immediately above the front entrance <strong>for</strong>m a triple<br />
window, <strong>and</strong> paired windows are located on the<br />
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upper floors. The windows have plain flush wood<br />
lintels <strong>and</strong> metal-clad sills. Historic windows<br />
<strong>and</strong> window frames are present, though many<br />
have restored/reconstructed sash. Some of the old<br />
windows are deteriorating <strong>and</strong> need reglazing.<br />
Several windows at the back of the building have<br />
been replaced with modern metal sash windows.<br />
The paint on many of the window lintels <strong>and</strong><br />
surrounds is failing, particularly on the east side of<br />
the building.<br />
Figure 8-130. Main Hall, example of brick infill work (JMA<br />
2008).<br />
Figure 8-129. Main Hall, east façade, window with paint failure<br />
(JMA 2008).<br />
Roofi ng <strong>and</strong> Drainage<br />
Main Hall has an almost-flat, hipped roof not visible<br />
from the ground. It is surfaced with EPDM. The<br />
main block drains to a box gutter on the south edge<br />
of the roof, with downspouts at the southeast <strong>and</strong><br />
southwest corners both leading to underground<br />
drains. The south porch roof drains to half-round<br />
gutters, <strong>and</strong> two downspouts drain to grade. This<br />
is problematic due to water directly against the<br />
foundation. The rear ell roof drains to a box gutter<br />
on the east roof edge, then to a downspout at the<br />
southeast corner.<br />
Figure 8-131. Main Hall, east areaway. Drainage in this area<br />
should be monitored <strong>and</strong> shunted away from east wall (JMA<br />
2008).<br />
Masonry<br />
Main Hall is constructed of h<strong>and</strong>-molded brick<br />
pointed with white mortar. The north façade<br />
has higher-quality brick <strong>and</strong> elaborate corbelled<br />
molding extending across the entire façade on<br />
the first floor. This consists of horizontal striation,<br />
capped with a deep corbelled water table at the<br />
level of the second floor. A few window spaces on<br />
the sides of the building have been infilled with<br />
brick, <strong>and</strong> there is evidence of other repairs in small<br />
areas. Although there is minor surface damage due<br />
to cleaning <strong>and</strong> the rear ell needs some repointing<br />
work, the brick is in good condition overall.<br />
Figure 8-132. Main Hall, north façade, rising damp near front<br />
steps (JMA 2008).<br />
The foundation is constructed of local limestone.<br />
The north side has window wells <strong>for</strong> the basement<br />
windows. An areaway along the east side is poorly<br />
drained <strong>and</strong> wet. Minor rising damp is occurring<br />
on the north side of the building where water runs<br />
downhill along the façade <strong>and</strong> sits at the juncture<br />
with the front steps.<br />
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Wood<br />
The wood cornice fascia is in need of paint, as are<br />
wooden elements associated with the windows on<br />
the sides <strong>and</strong> back of the building. The porches <strong>and</strong><br />
wood front steps are in good condition.<br />
Other Features<br />
Main Hall has a historic cast-iron pendant lantern<br />
at the north main entrance. A wall-mounted lantern<br />
at the west entrance is in deteriorating condition.<br />
Interior<br />
The first floor of Main Hall retains its <strong>for</strong>mal<br />
reception rooms <strong>and</strong> considerable historic fabric.<br />
The other floors have been renovated, with much<br />
of their current appearance dating from the 1958<br />
renovations. Dropped ceilings, modern closets,<br />
modern doors <strong>and</strong> door surrounds, <strong>and</strong> some<br />
changes to floor plan are evident. Two fireproof<br />
stairwells were installed as part of the renovation,<br />
with one near the center of the main block <strong>and</strong> one<br />
at the south end of the ell.<br />
Current Use<br />
Main Hall’s primary function is as dormitory space<br />
<strong>for</strong> students. It also contains offices <strong>and</strong> reception<br />
rooms.<br />
Treatment<br />
Main Hall underwent Restoration treatment of<br />
the exterior <strong>and</strong> part of the interior first floor.<br />
It is recommended that Main Hall be given a<br />
Rehabilitation treatment, which will protect<br />
the remaining historic fabric while allowing <strong>for</strong><br />
needed updates to keep the building functional as<br />
a residence hall.<br />
Maintenance issues observed at Main Hall include:<br />
• An improved drainage system is needed<br />
along the Church Street side of the building<br />
to prevent rising damp. The <strong>College</strong> <strong>and</strong><br />
City should cooperate to resolve this issue,<br />
which also affects the Single Brethren’s<br />
House <strong>and</strong> West Hall.<br />
• Address drainage on east side of building.<br />
• Repaint windows <strong>and</strong> surrounds on sides<br />
<strong>and</strong> rear of building. Minor painting<br />
needed on door surrounds <strong>and</strong> cornice<br />
fascia boards.<br />
John Frederick Frueauff House<br />
– 1819<br />
Historical Development<br />
The Bethlehem Female Seminary constructed the<br />
Frueauff House in 1819 to as a residence <strong>for</strong> the<br />
Reverend John F. Frueauff, the head of the school<br />
<strong>and</strong> the ninth principal of the Seminary. This was<br />
the first entirely new building constructed on the<br />
campus. Rev. Frueauff continued to live in the house<br />
until his death, <strong>and</strong> the house remained a private<br />
residence <strong>for</strong> his family afterward. By the 1870s-<br />
1880s, it had been exp<strong>and</strong>ed to two <strong>and</strong> one-half<br />
stories in height.<br />
The <strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women<br />
obtained ownership of the house in 1914, <strong>and</strong> it<br />
went by the names of East Hall <strong>and</strong> then Wolle Hall.<br />
In 1947, it was known as Wolle Hall <strong>and</strong> contained<br />
a furnace <strong>and</strong> “play rooms” in the basement, an<br />
office <strong>and</strong> classrooms on the first floor, student<br />
bedrooms on the second floor, <strong>and</strong> an unfinished<br />
attic (Hampson 1947:13). By the 1950s, it housed<br />
the Seminary’s music department. After the merger<br />
that <strong>for</strong>med <strong>Moravian</strong> <strong>College</strong>, the house was used<br />
as a private residence until 1961. At this time, it<br />
was restored to its original height <strong>and</strong> once again<br />
became the college president’s house. Since 2006, it<br />
has been the dean’s residence.<br />
Signifi cance<br />
The Frueauff House is a restored early nineteenth<br />
century building, but due to extensive restoration<br />
work to give it an original appearance, many of<br />
its distinctive exterior elements are reproductions<br />
made in the 1960s. It has a low level of authentic<br />
historic fabric. The house is significant <strong>for</strong> its<br />
Figure 8-133. Frueauff House, ca. 1880 (<strong>Moravian</strong> Church<br />
Archives).<br />
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association with Rev. Frueauff <strong>and</strong> as the first<br />
purpose-built new building on the Seminary<br />
campus along Church Street.<br />
Integrity<br />
Frueauff House has been altered considerably from<br />
its original appearance. During the mid-to-late<br />
nineteenth century (prior to ca. 1870), an additional<br />
gabled story was added, giving it a taller profile<br />
more in line with adjacent buildings. The brick<br />
was painted <strong>and</strong> two-over-two windows were<br />
installed. Italianate details, including a bracketed<br />
door hood, were added as well. In 1971, this work<br />
was reversed, removing the top story additions <strong>and</strong><br />
mid-nineteenth-century changes <strong>and</strong> bringing the<br />
house back to what was thought to be its original<br />
exterior appearance. While this gives a better sense<br />
of its original scale <strong>and</strong> appearance, the restoration<br />
eliminated much historic fabric <strong>and</strong> the appearance<br />
the house had <strong>for</strong> at least 100 years of its existence.<br />
Condition<br />
Summary<br />
Frueauff House is a one-<strong>and</strong>-one-half-story<br />
Federal-style brick dwelling with a side-gabled<br />
wood-shingled roof <strong>and</strong> interior brick end<br />
chimneys. It faces north toward Church Street <strong>and</strong><br />
is located abutting the sidewalk. The house sits on<br />
a slope <strong>and</strong> its basement is exposed on the west<br />
<strong>and</strong> south. The symmetrical, five-bay front façade<br />
of the house features a recessed central front door<br />
set within an arched surround <strong>and</strong> topped by a<br />
rounded fanlight. The doorway is covered by paired<br />
louvered outer doors. Two windows are located<br />
on either side of the entrance, <strong>and</strong> two Palladianstyle<br />
gabled dormers pierce the front roof slope.<br />
The house has double-hung nine-over-six wood<br />
sash windows with operable paneled shutters on<br />
the first floor. The house is three bays deep on the<br />
sides <strong>and</strong> five bays long across the back. Two plain<br />
gabled dormers are situated on the top floor in the<br />
back. A two-story shed-roofed porch extends over<br />
the center door <strong>and</strong> the westernmost two bays of<br />
the basement <strong>and</strong> first floor of the rear façade. The<br />
porch has brick piers on its lower level <strong>and</strong> plain<br />
wood posts with a modern wood balustrade on its<br />
upper level. At the rear of the property is a modern<br />
brick side-gabled garage.<br />
Figure 8-134. Frueauff House, current front view to southwest<br />
(JMA 2008).<br />
Figure 8-136. Frueauff House, rear view to north (JMA 2008).<br />
Additions<br />
Figure 8-135. Frueauff House, front view to southeast (JMA<br />
2008).<br />
The Frueauff House had a mid-nineteenth-century<br />
addition which gave it an additional story in height,<br />
<strong>for</strong> two-<strong>and</strong>-one-half stories total. The façade was<br />
changed to an Italianate appearance. These changes<br />
were removed during restoration work in the early<br />
1960s.<br />
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Doors <strong>and</strong> Fenestration<br />
The front door of the house is a six-panel replacement<br />
door concealed behind a pair of exterior louvered<br />
wooden storm doors. These elements were installed<br />
in the 1961 restoration <strong>and</strong> are in good condition.<br />
A local limestone threshold is preserved below<br />
the door opening. Central doors on the basement<br />
<strong>and</strong> first floor levels in the back of the house are<br />
sheltered by modern wood screen doors.<br />
Frueauff House has replacement wooden<br />
double-hung sash windows <strong>and</strong> modern aluminum<br />
storm windows throughout. These were installed<br />
at the time of restoration in 1961. The first-floor<br />
windows have a nine-over-six configuration, <strong>and</strong><br />
the upstairs windows are six-over-six. The front<br />
dormer windows have arched Palladian tops with<br />
fanlights in the upper sash. The windows <strong>and</strong> their<br />
paint appear to be in good repair.<br />
The upper walls of the house are red brick. The<br />
front façade wall is laid in Flemish bond, <strong>and</strong><br />
the other walls are common bond. Rebuilt brick<br />
is evident above <strong>and</strong> below the front windows<br />
where the Italianate lintels were removed <strong>and</strong> the<br />
windows resized during restoration. Similar work<br />
surrounds the front door opening <strong>and</strong> is evident<br />
on the gable ends where upstairs windows were<br />
moved. The brick surface has been roughened by<br />
earlier cleaning <strong>and</strong> stripping, <strong>and</strong> some paint is<br />
evident in the mortar joints. The house is pointed<br />
with pale brown mortar, <strong>and</strong> there is some evidence<br />
of previous tuck-pointing, possibly with differentcolored<br />
joint lines.<br />
Wood<br />
The Frueauff House has a number of distinctive<br />
carved exterior molding elements on its front facade,<br />
including a dentil-molded cornice, Palladian-style<br />
molding on the dormers, <strong>and</strong> a matchstick-carved<br />
interior on the front doorway recess. The paneled<br />
wood shutters on the first floor appear to be historic.<br />
Other wooden elements include the cornices, front<br />
steps, <strong>and</strong> rear porches. The wood is overall in good<br />
condition. Paint is failing on the front steps, directly<br />
below where the gutter is leaking.<br />
Figure 8-137. Frueauff House, north façade, evidence of door<br />
<strong>and</strong> window configuration (JMA 2008).<br />
Roofi ng <strong>and</strong> Drainage<br />
The wood-shingled roof drains to half-round gutters<br />
below the north <strong>and</strong> south roof slopes. The north<br />
gutter is warped <strong>and</strong> filled with leaf debris, <strong>and</strong> is<br />
overflowing above the front door. The downspout<br />
on the northeast corner does not make provision<br />
<strong>for</strong> directing the water flow away from the house.<br />
Masonry<br />
Frueauff House has a stucco foundation/basement<br />
level, with ashlar parged cement coating on the<br />
north <strong>and</strong> west sides <strong>and</strong> plain stucco elsewhere.<br />
Rising damp <strong>and</strong> parging failure is evident at the<br />
northwest corner near a drain.<br />
Figure 8-138. Frueauff House, peeling paint on front steps (JMA<br />
2008).<br />
Other Features<br />
None noted.<br />
Interior<br />
Frueauff House continues in use as housing <strong>for</strong><br />
<strong>College</strong> administrators, <strong>and</strong> has been updated to<br />
modern st<strong>and</strong>ards. Due to occupancy, the interior<br />
could not be examined.<br />
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Current Use<br />
Frueauff House was used until 2006 as the residence<br />
of <strong>Moravian</strong> <strong>College</strong>’s president. Today, it is the<br />
residence <strong>for</strong> the Dean of the college.<br />
Treatment<br />
Frueauff House has already undergone a<br />
Restoration treatment, when it was returned to<br />
what was believed to be its original appearance in<br />
1961. For the future, its recommended treatment is<br />
Rehabilitation. It is recommended that the house<br />
continue in its historic use as a residence <strong>for</strong> college<br />
presidents or other administrators, <strong>and</strong> that any<br />
remaining historic fabric <strong>and</strong> distinctive features<br />
be retained during future updates.<br />
Maintenance issues noted at Frueauff House<br />
include:<br />
• Clean <strong>and</strong> repair gutter on north side of<br />
house.<br />
• Direct water away from foundation,<br />
particularly at northwest corner, <strong>and</strong> repair<br />
parging at that location.<br />
• The front wooden steps need repainting.<br />
The Widows’ House was soon filled, <strong>and</strong> was<br />
extended 20 feet eastward in 1795, adding two<br />
more residential units to the four suites on each<br />
floor. In 1889, a large rear annex was constructed<br />
in Queen Anne style, <strong>and</strong> connects to the original<br />
house with a hyphen. Funding <strong>for</strong> the annex was<br />
provided by John Jordan, Jr., of Philadelphia, who<br />
set up an endowment <strong>for</strong> the house in 1873 <strong>and</strong><br />
made provisions <strong>for</strong> who would be eligible to live<br />
there (Hamilton 1988:25). Historic photos indicate<br />
that the front entrance porch was changed from a<br />
simple gabled structure to the current flat-roofed<br />
Italianate porch during the late 1800s, possibly in<br />
conjunction with the annex addition.<br />
The house was remodeled inside during the<br />
1980s, <strong>and</strong> now contains 13 apartments <strong>and</strong> seven<br />
guest rooms. The Widows’ House remained in<br />
the possession of the <strong>Moravian</strong> Church until<br />
the mid-1990s, when it was purchased from the<br />
<strong>Moravian</strong> Church Northern Province by <strong>Moravian</strong><br />
<strong>College</strong>. Widows have occupied the house<br />
continuously since its construction <strong>and</strong> continue to<br />
live there today. The building also houses <strong>Moravian</strong><br />
Theological Seminary students.<br />
Widows’ House – 1768<br />
Historical Development<br />
The Widows’ House was constructed by Bethlehem’s<br />
<strong>Moravian</strong> congregation in 1768 to provide a<br />
residence <strong>for</strong> the widows of the community.<br />
Although the choir system was phasing out, a sizable<br />
home <strong>for</strong> widows to live out the remainder of their<br />
lives was urgently needed. Bethlehem’s widows<br />
had been living in Nazareth until this point due to<br />
lack of space <strong>for</strong> them in Bethlehem, <strong>and</strong> planning<br />
<strong>for</strong> the building began in 1760. The new building<br />
site was originally part of the “congregational<br />
garden.” Eleven widows were the first occupants.<br />
The interior had a central stair hall, longitudinal<br />
corridors, <strong>and</strong> four suites (two or three rooms) per<br />
floor with individual fireplaces. The house attracted<br />
the interest of visitors to Bethlehem, <strong>and</strong> was visited<br />
by such prominent guests as Martha Washington<br />
(June 1779), George Washington (July 1782), <strong>and</strong><br />
Alex<strong>and</strong>er Hamilton (May 1791). Beginning in 1784,<br />
the widows helped prepare meals <strong>for</strong> the nearby<br />
girls’ boarding school, which provided them with<br />
needed income (Hamilton 1988:24-25). It is not clear<br />
how long this arrangement lasted.<br />
Figure 8-139. Widows’ House, view to southwest; note east end<br />
addition (JMA 2008).<br />
Signifi cance<br />
The Widows’ House is the second-oldest building<br />
on <strong>Moravian</strong>’s campus <strong>and</strong> is another example of<br />
Germanic stone architecture, although in a simpler<br />
fashion. It was constructed 20 years after the Single<br />
Brethren’s House <strong>and</strong> other early <strong>Moravian</strong> buildings<br />
on Church Street <strong>and</strong> in a time when other choirs<br />
in the community were ab<strong>and</strong>oning the communal<br />
living system. Unlike the other choirs, however, its<br />
demographic has continued to need it since. Its use<br />
as a home <strong>for</strong> widows has been continuous from<br />
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1768 to the present, making highly significant as a<br />
direct connection to Bethlehem’s original status as<br />
an exclusively <strong>Moravian</strong> settlement.<br />
Integrity<br />
Figure 8-140. Widows’ House, view to southeast (JMA 2008).<br />
The exteriors of both the eighteenth-century<br />
section <strong>and</strong> the 1889 annex addition retain a very<br />
high degree of historical integrity, with relatively<br />
little change seen overall since the late nineteenth<br />
century. The appearance of the building is similar<br />
to that in historic photographs.<br />
Figure 8-141. Widows’ House, pre-1889 photo showing old<br />
gabled porch (<strong>Moravian</strong> Church Archives).<br />
Figure 8-144. Photomontage ca. 1900 showing interior<br />
<strong>and</strong> exterior details of Widows’ House (<strong>Moravian</strong> Church<br />
Archives).<br />
Figure 8-142. Widows’ House, post-1889 photo showing current<br />
porch <strong>and</strong> annex (<strong>Moravian</strong> Church Archives).<br />
Figure 8-143. Floor plan of Widows’ House, post-1795 (<strong>Moravian</strong><br />
Church Archives).<br />
Figure 8-145. Photomontage ca. 1900 showing interior details of<br />
Widows’ House (<strong>Moravian</strong> Church Archives).<br />
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The interior of the Widows’ House has reportedly<br />
been changed considerably to accommodate modern<br />
living st<strong>and</strong>ards. Due to continued residential<br />
occupancy, the interior was not examined in this<br />
study.<br />
Condition<br />
Summary<br />
The Widows’ House is a two-<strong>and</strong>-one-half-story<br />
oblong stone building with a side-gabled slate<br />
roof. It faces north toward Church Street <strong>and</strong> its<br />
basement level is exposed at the back. It was built<br />
in three stages, all of which are clearly visible. The<br />
1768 main block is nine bays wide <strong>and</strong> three bays<br />
deep. A second section was added to the east end<br />
of the first in 1795. This has the same side profile,<br />
with less refined stonework, <strong>and</strong> is two bays wide<br />
<strong>and</strong> thee bays deep. The steep-pitched roof over<br />
both sections has slightly flared eaves <strong>and</strong> conceals<br />
a double-level attic with dormers on both floors. At<br />
the rear of the house near the east end is a one-story<br />
gabled addition at ground level, with two doors.<br />
A hyphen <strong>and</strong> rear annex were added on the south<br />
in 1889. Both are two-<strong>and</strong>-one-half-stories tall plus<br />
an exposed basement level. The hyphen is a narrow<br />
southward extension with three-story full-width<br />
porches on both east <strong>and</strong> west. It connects at the<br />
south to the much larger annex. The shared gabled<br />
slate roof runs perpendicular to the main block, <strong>and</strong><br />
the walls are constructed of r<strong>and</strong>om local stone with<br />
red brick detailing. The annex is nine bays long <strong>and</strong><br />
five bays wide, <strong>and</strong> its primary façade faces west.<br />
Queen Anne details include a corbelled red-brick<br />
cornice, an elaborate gabled center dormer with an<br />
arched tripartite window, slate-sided shed dormers<br />
with paired windows, <strong>and</strong> curved brackets on the<br />
porches. The center entrance bay has a split-level<br />
stairwell with the entrance at grade. The south end<br />
of the annex has a full-width three-story porch<br />
identical in style to those on the hyphen.<br />
<strong>and</strong> a projecting two-story water closet addition<br />
as a predecessor of the present hyphen. A historic<br />
photomontage indicates that this was the “entrance<br />
to the old kitchen.”<br />
A stone hyphen <strong>and</strong> large annex were added at the<br />
rear (south) of the main building in 1889. Both the<br />
annex <strong>and</strong> the hyphen are stone with some Queen<br />
Anne detailing.<br />
Figure 8-146. Widows’ House, 1889 annex, view to southeast<br />
(JMA 2008).<br />
Figure 8-147. Widows’ House, 1889 annex, west façade view to<br />
southwest (JMA 2008).<br />
Additions<br />
The main house was extended 20’ eastward in 1795<br />
with a full-height addition. Different stonework<br />
<strong>and</strong> mortar joints, along with a vertical demarcation<br />
line in the front façade, indicate the juncture.<br />
A small gabled addition with two single doors was<br />
added at grade on the south side of the building<br />
in more recent times. The 1885 Sanborn map<br />
shows a one-story addition at this same location,<br />
Figure 8-148. Widows’ House, 1889 annex west-facing hyphen,<br />
view to east (JMA 2008).<br />
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Figure 8-149. Widows’ House, 1889 annex, east façade view to<br />
northeast (JMA 2008).<br />
Figure 8-151. Widows’ House, north façade, main herringbone<br />
door <strong>and</strong> typical windows (JMA 2008).<br />
Figure 8-150. Widows’ House, south façade, gabled “entrance to<br />
old kitchen” (JMA 2008).<br />
Figure 8-152. Widows’ House, west façade, Queen Anne window<br />
(JMA 2008).<br />
Doors <strong>and</strong> Fenestration<br />
A historic wood herringbone door set within an<br />
entry porch <strong>for</strong>ms the primary entrance to the<br />
Widow’s House from Church Street. The double-leaf<br />
door has a six-light transom <strong>and</strong> a wood threshold,<br />
both in good condition.<br />
Windows throughout the main house are mostly<br />
two-over-two double-hung wood windows, which<br />
are old but not original to the building. Two original<br />
six-over-six windows survive at the basement level<br />
near the southeast corner of the house, <strong>and</strong> others<br />
are located in the attic on the gable ends. Gabled<br />
dormers in the lower attic have six-over-six windows,<br />
<strong>and</strong> shed dormers in the upper attic have six-overthree<br />
windows. One turn-of-the-century tripartite<br />
window is on the west side of the first floor near<br />
the front <strong>and</strong> has diamond-paned wood sash. All<br />
of the windows have modern exterior storm sash.<br />
The first floor front windows have historic paneled<br />
shutters with crescent-moon cutouts, <strong>and</strong> windows<br />
on the second floor have louvered shutters. Several<br />
Figure 8-153. Widows’ House, north façade, patched brick<br />
basement window (JMA 2008).<br />
small window openings on the west side, which are<br />
probably not original, have been infilled.<br />
Windows in the hyphen <strong>and</strong> annex are two-over-two<br />
original double-hung windows, except <strong>for</strong> a few<br />
historic casement windows in the basement toward<br />
the rear. The windows in the hyphen have shutters.<br />
Plain four-panel doors provide access to the porches<br />
on each side, on all three floors. The annex has a<br />
modern wood central double-leaf door at grade<br />
with concrete steps.<br />
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Roofi ng <strong>and</strong> Drainage<br />
The Widows’ House has a side-gabled slate roof<br />
with a slight flare at the eaves. Three large brick<br />
double chimneys pierce the top of the roof at<br />
irregular intervals, <strong>and</strong> the double attic features<br />
gabled dormers on its lower level <strong>and</strong> small shed<br />
dormers on its upper level. Metal snow dogs stud<br />
the lower roof edges. Some rough areas of slate are<br />
located near the gable ends.<br />
The main roof drains to half-round gutters on<br />
the north <strong>and</strong> south slopes. A downspout at the<br />
northwest corner conveys water from the north slope<br />
to the sidewalk at grade on the northwest corner.<br />
A downspout at the northeast corner descends to<br />
grade at the southeast corner. The drain area at the<br />
southeast corner is very wet <strong>and</strong> mossy.<br />
The south roof is divided into two areas due to the<br />
intersection with the rear hyphen. The southwest<br />
portion of the main roof drains to a downspout<br />
which connects to the downspouts at the northwest<br />
corner of the hyphen. This juncture appears to<br />
have been disconnected. The southeast portion of<br />
the main roof drains to two separate downspouts,<br />
which connect into a single downspout on the<br />
south façade. The gutter is leaning out <strong>and</strong> some<br />
slates are missing in this area.<br />
The front flat-roofed porch drains to the east, where<br />
a downspout leads to underground drains.<br />
The Widows’ House hyphen has a gabled slate<br />
roof adjoining the main house roof. The annex has<br />
a hipped slate roof with a top gable. The annex<br />
roof drains to box gutters on the east <strong>and</strong> west roof<br />
edges. A downspout at the northeast corner drains<br />
to underground drains. The downspout at the<br />
southeast corner drains to a surface boot which is<br />
broken, leading to overflow of water. Downspouts<br />
at the northwest <strong>and</strong> southwest corners drain to<br />
underground drains. The roof’s west slope has a<br />
gabled central dormer flanked by a shed dormer on<br />
each side, the south slope has one shed dormer, <strong>and</strong><br />
the east slope has three shed dormers. The hyphen<br />
<strong>and</strong> annex have three porches, each of which has<br />
its own gutter/downspout system. An overhanging<br />
deciduous tree above the south porch poses a risk<br />
<strong>for</strong> debris accumulation inside the gutter.<br />
irregular courses. The main block is pointed with<br />
flat, raised ribbon joints <strong>and</strong> light-colored mortar.<br />
Rusty staining on the stone appears to be a natural<br />
reaction between minerals in the stone <strong>and</strong> rainfall<br />
running down it. Segmental arched lintels in the<br />
windows are made of h<strong>and</strong>-molded brick. Those on<br />
the basement windows show evidence of patching.<br />
The west gable end is constructed of brick at its top<br />
level, suggesting that the roofline changed at some<br />
point, possibly from a jerkinhead (hipped) roof to<br />
a gable.<br />
Figure 8-154. Widows’ House, west façade gable, brick area<br />
showing probable change in roofline (JMA 2008).<br />
The east wall of the 1795 extension is coated with<br />
parged white stucco scored to resemble stone blocks.<br />
The stonework in the extension has smaller, less<br />
consistent stone blocks which are slightly darker,<br />
<strong>and</strong> the corner has pronounced large quoins. The<br />
pointing on the east extension is slightly different<br />
from the original section.<br />
The Widows’ House annex is constructed of much<br />
darker limestone <strong>and</strong> has weathered to black <strong>and</strong><br />
rust colors due to the stone reacting to water. Its<br />
mortar joints show two different campaigns: some<br />
is gray mortar with slightly recessed joints, while<br />
other areas have black-tinted mortar with flat<br />
ribbon joints. Horizontal b<strong>and</strong>s of molded red<br />
Masonry<br />
The Widows’ House is constructed of lightcolored<br />
ashlar local limestone blocks, laid in<br />
Figure 8-155. Widows’ House, 1889 annex, west façade, contrast<br />
between mortar joint types (JMA 2008).<br />
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brick divide the stonework across the façade on<br />
each side at the level of the second- <strong>and</strong> third-floor<br />
windowsills, <strong>and</strong> the windows have brick arches.<br />
The brick mortar is tinted pink <strong>and</strong> the brickwork<br />
may have been painted pink or red.<br />
Wood<br />
A flat-roofed porch shelters the front entrance to the<br />
Widows’ House main building. It has a wood deck<br />
<strong>and</strong> ceiling, plain narrow wood piers with simple<br />
Queen Anne brackets at the top, <strong>and</strong> built-in wood<br />
benches on each side. This porch dates from the late<br />
1800s <strong>and</strong> replaced a simpler front-gabled porch; it<br />
was probably added ca. 1889 when the rear annex<br />
was built <strong>and</strong> exhibits details similar to the porches<br />
on the annex.<br />
The Widows’ House annex is connected to the main<br />
house with a hyphen, which features open threestory<br />
frame porches on each side. A third threestory<br />
porch is located across the entire south end of<br />
the building. Each porch has plain square piers with<br />
scroll brackets at the top <strong>and</strong> rebuilt balustrades.<br />
The east hyphen porch has wooden steps from the<br />
first floor to the yard. The bottom three steps exhibit<br />
some rot, <strong>and</strong> the porch overall needs painting. The<br />
west hyphen porch also needs paint.<br />
Other Features<br />
A historic wall-mounted lantern is set above the<br />
main door of the annex.<br />
Interior<br />
Floor plans <strong>and</strong> historic photos indicate a central hall<br />
leading to a staircase near the back. A perpendicular<br />
corridor crosses the central hall <strong>and</strong> extends to each<br />
end of the house. This provides access to suites of<br />
rooms on each side. The original floor plan had four<br />
suites per floor, each with two or three rooms <strong>and</strong> a<br />
fireplace. The 1795 extension added two one-room<br />
units on each floor, again with fireplaces. Access to<br />
the hyphen <strong>and</strong> annex is through a passageway at<br />
the back of the center stair hall. The interior was<br />
not accessible, but reportedly was renovated <strong>and</strong><br />
modernized during the 1980s. Its overall integrity<br />
is not known.<br />
Current Use<br />
The Widows’ House main building <strong>and</strong> annex<br />
collectively house 13 apartments <strong>and</strong> seven guest<br />
rooms. <strong>Moravian</strong> widows <strong>and</strong> <strong>Moravian</strong> Theological<br />
Seminary students reside in these units.<br />
Treatment<br />
The interior of the Widows’ House should receive a<br />
Rehabilitation treatment. Alterations have already<br />
been made. Continued use of the building <strong>for</strong><br />
residential purposes will be dependent on periodic<br />
updates to maintain accessibility, safety, <strong>and</strong> quality<br />
of life <strong>for</strong> the residents. Remaining historic fabric<br />
should be preserved <strong>and</strong> new elements should be<br />
as sympathetic as possible.<br />
Figure 8-156. Widows’ House, 1889 annex east-facing hyphen,<br />
rot occurring in wooden steps (JMA 2008).<br />
The south porch exhibits some cracks in its posts,<br />
which are probably not structural but may warrant<br />
further examination.<br />
The wood elements elsewhere on the building,<br />
including shutters, are generally in good condition.<br />
The cornice needs paint.<br />
Figure 8-157. Widows’ House, west gable, note missing slate<br />
(JMA 2008).<br />
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The Widows’ House has an unusually high degree<br />
of historical integrity on its exterior, which should<br />
receive a <strong>Preservation</strong> treatment.<br />
Maintenance issues at the Widows’ House include<br />
the following:<br />
• The cornices <strong>and</strong> porches of the annex need<br />
paint.<br />
• The slate roof should be repaired in areas<br />
of broken or missing tiles.<br />
• The steps from the east porch are beginning<br />
to rot <strong>and</strong> should be repaired.<br />
• The downspout base at the southeast<br />
corner should be replaced <strong>and</strong> water<br />
should be directed away from the house<br />
<strong>and</strong> areaways.<br />
• The downspouts at the southwest corner of<br />
the main house should be reconnected to<br />
the downspout at the northwest corner of<br />
the annex.<br />
Clewell Hall – 1867<br />
Historical Development<br />
Clewell Hall was constructed in 1867 in the French<br />
Second Empire style. It was a private residence<br />
<strong>for</strong> over 70 years. In 1941, it was purchased by<br />
the <strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women<br />
to house college-level students <strong>and</strong> faculty. It was<br />
named Clewell Hall in honor of the college’s first<br />
president. By 1947, it contained a faculty apartment<br />
on the first floor, plus living rooms <strong>for</strong> the dormitory.<br />
The second <strong>and</strong> third floors were student bedrooms<br />
(Hampson 1947:14).<br />
Since the merger of 1954, Clewell Hall has been used<br />
as a men’s dormitory with the important purpose<br />
of housing male students on a campus that had<br />
been all-female previously. In 1967, the house was<br />
updated substantially on the inside <strong>and</strong> the exterior<br />
was rehabilitated.<br />
Signifi cance<br />
Clewell Hall is a fine example of a French Second<br />
Empire residence, retaining many original<br />
characteristic elements of the style <strong>and</strong> possessing<br />
high exterior integrity. The National Register<br />
of Historic Places nomination <strong>for</strong> the Central<br />
Bethlehem Historic District refers to Clewell Hall<br />
as one of a small number of high-style examples<br />
of Second Empire within the Bethlehem Historic<br />
District.<br />
Integrity<br />
The exterior of Clewell Hall retains a high level of<br />
historic integrity. The interior has some historic<br />
fabric remaining, including an Italianate mantel, but<br />
has largely been modernized <strong>and</strong> institutionalized<br />
<strong>for</strong> use as a dormitory.<br />
Condition<br />
Summary<br />
Clewell Hall is a three-story French Second Empire<br />
house with a slate-clad mansard roof. It is set on<br />
a slope facing north toward Church Street, <strong>and</strong><br />
the basement level is at grade in the back (south).<br />
The house sits abutting the front sidewalk <strong>and</strong> is<br />
slightly raised. It has a complex, roughly L-shaped<br />
footprint with a short, full-height rear ell on the<br />
west end of the south side, <strong>and</strong> a longer secondary<br />
kitchen ell at the south end of the first ell, which<br />
includes just the basement <strong>and</strong> first floor. The main<br />
block of the house has multiple hexagonal bay<br />
Figure 8-158. Clewell Hall, view of north façade from Church<br />
Street (JMA 2008).<br />
Figure 8-159. Clewell Hall, view of rear (south) façade (JMA<br />
2008).<br />
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windows, including a first-floor wood bay window<br />
unit on the first floor front, a turret-like full-height<br />
brick bay window projection at the east end of the<br />
south wall, <strong>and</strong> a wood bay window unit on the<br />
first <strong>and</strong> second floors of the south wall. At the rear<br />
is a three-story porch. The lower two levels of the<br />
porch correspond to the basement <strong>and</strong> first floor,<br />
<strong>and</strong> span the entire south wall of the house <strong>and</strong><br />
east wall of the two ells. The top level of the porch,<br />
corresponding to the second floor, is much shorter,<br />
extending east from the ell to the full-height end<br />
bay window. A flight steps descends through the<br />
porch from the kitchen ell section’s first floor to the<br />
basement level.<br />
Additions<br />
Clewell Hall has no additions.<br />
Doors <strong>and</strong> Fenestration<br />
The main entrance to the house is on the north<br />
(street) side, <strong>and</strong> features slightly recessed original<br />
wood paneled paired doors with elliptical lights<br />
<strong>and</strong> an arched top. A bracketed hood <strong>and</strong> paneled<br />
arched surround shelter the doors, <strong>and</strong> newer brick<br />
steps <strong>and</strong> a modern railing provide access from the<br />
sidewalk. The doors have a s<strong>and</strong>stone threshold.<br />
The wood door surfaces need full refinishing with<br />
the use of polyurethane due to heavy use. The<br />
door hood needs new flashing to avoid rot in the<br />
cornice.<br />
A secondary north entrance has a two-panel<br />
original single door with a segmental-arched<br />
transom, bracketed hood, <strong>and</strong> newer brick steps<br />
<strong>and</strong> railings.<br />
At the rear, entrances are present in several places<br />
<strong>and</strong> provide access into the basement level, or access<br />
from the house to the three-story porch. Each floor<br />
has an entrance, <strong>and</strong> there are two at the basement<br />
level. The doors are simple wood panel doors.<br />
Windows throughout the house are two-over-two<br />
original double-hung wood sash. Those on the attic<br />
level are dormers with segmental-arched tops <strong>and</strong><br />
deep hoods. The windows on the north primary<br />
façade of the house also have ornate projecting<br />
segmental-arched hoods. Minor repainting is<br />
recommended <strong>for</strong> these elements, which are in good<br />
condition. On the first floor front is a projecting<br />
wood bay window, which needs painting.<br />
Roofi ng <strong>and</strong> Drainage<br />
Clewell Hall has a mansard roof clad in original<br />
fishscale-pattern slate. The roof drains to box gutters,<br />
which lead to a downspout on the northeast corner.<br />
The downspout drains to another box gutter on the<br />
second floor porch <strong>and</strong> from there down a spout<br />
to a concrete swale at grade, which is partially<br />
blocked by recycling bins. The porch roofs at the<br />
rear lack gutters <strong>and</strong> water runs off them directly<br />
to the ground. Some ponding of water is occurring<br />
at grade at the front (north) where there is a brick<br />
sidewalk, <strong>and</strong> on the west where there is concrete<br />
paving.<br />
Masonry<br />
Clewell Hall’s exterior walls are h<strong>and</strong>molded brick<br />
with pale brown historic mortar, <strong>and</strong> its foundation<br />
is parged cement. Rising damp is occurring in the<br />
brick in front of the house, particularly around the<br />
front steps where joints are failing.<br />
Figure 8-160. Clewell Hall, northeast corner of roof cornice. Rot<br />
is occurring around downspout (JMA 2008).<br />
Figure 8-161. Clewell Hall, rising damp around front main<br />
entrance (JMA 2008).<br />
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Wood<br />
The house has a considerable amount of original<br />
wood exterior ornament, all of which is painted<br />
in a two-tone color scheme. Most notable is an<br />
elaborate original wooden cornice with sawtooth<br />
carving along the base <strong>and</strong> paired scroll brackets<br />
featuring lacy Eastlake-style incised carving. The<br />
cornice needs paint <strong>and</strong> is in solid condition except<br />
<strong>for</strong> some rotting at the northwest corner <strong>and</strong> at the<br />
northeast corner adjacent to the downspout.<br />
Paneled shutters adorn the windows on the front<br />
of the house. These are in good condition, needing<br />
minor repainting work.<br />
The house has a three-level wooden rear porch,<br />
corresponding with the basement <strong>and</strong> first <strong>and</strong><br />
second floors. The porch is supported by brick<br />
piers at the basement level, <strong>and</strong> retains its historic<br />
columns, ceilings, <strong>and</strong> flooring. The top level<br />
has some rot in the floorboards due to drainage<br />
problems. Repainting is recommended <strong>for</strong> the<br />
wood porch structure <strong>and</strong> interior steps.<br />
Figure 8-163. Clewell Hall, interior front hall (JMA 2008).<br />
Figure 8-162. Clewell Hall, rotting porch floorboards, second<br />
floor (JMA 2008).<br />
Other Features<br />
Clewell Hall has original cast iron vents in its<br />
basement level on the north side. One has split <strong>and</strong><br />
another is loose. Next to the secondary door on<br />
the north side is a wall-mounted cylindrical metal<br />
lantern.<br />
Interior<br />
The interior is institutionalized <strong>for</strong> use as a dormitory<br />
with new carpeting, lighting, radiators, hardware,<br />
dropped ceilings, restrooms, fire-safety features,<br />
<strong>and</strong> exposed sprinkler pipes. Some historic fabric<br />
Figure 8-164. Clewell Hall, surviving fireplace, typical room<br />
finishes (JMA 2008).<br />
remains, notably the original staircases, a parlor<br />
fireplace surround, baseboards <strong>and</strong> window/door<br />
moldings.<br />
Current Use<br />
Clewell Hall remains in use as a men’s dormitory<br />
<strong>for</strong> the Hurd Campus.<br />
Treatment<br />
It is recommended that Clewell Hall receive a<br />
Rehabilitation treatment. What remains of its<br />
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historic interior fabric should be preserved, <strong>and</strong><br />
modifications to the well-preserved exterior should<br />
focus on repair <strong>and</strong> maintenance. The high-style<br />
details <strong>and</strong> high integrity level on the exterior<br />
should be retained to the greatest possible extent.<br />
Maintenance issues at Clewell Hall include:<br />
• Rotting areas of the rear porches <strong>and</strong><br />
cornices should be repaired.<br />
• Drainage at the front sidewalk should be<br />
improved to shunt water away from the<br />
house.<br />
• Gutters <strong>and</strong> downspouts to drain the porch<br />
roof should be installed.<br />
8.2 Steel Field<br />
Gr<strong>and</strong>st<strong>and</strong> – 1916<br />
Historical Development<br />
The Gr<strong>and</strong>st<strong>and</strong> was part of the original sports<br />
field constructed by Bethlehem Steel as a soccer<br />
field <strong>for</strong> employee use. The field was home to the<br />
Bethlehem Steel Soccer Club, an industrial amateur<br />
league <strong>for</strong>med in 1913. A combination gymnasium<br />
<strong>and</strong> gr<strong>and</strong>st<strong>and</strong> was constructed at the field in<br />
1916. After 1930, the club went professional <strong>and</strong><br />
eventually founded the American Soccer League.<br />
Bethlehem Steel eventually sold the field to Lehigh<br />
University. By the 1950s, Lehigh was exp<strong>and</strong>ing its<br />
campus <strong>and</strong> no longer needed Steel Field. Lehigh<br />
sold it to <strong>Moravian</strong> <strong>College</strong> in 1962, although this<br />
move had been anticipated sooner. In 1961, prior<br />
to the final purchase, <strong>Moravian</strong> obtained l<strong>and</strong><br />
immediately to the south of the field, across Laurel<br />
Street. Once the acquisition of Steel Field was<br />
complete, this section of Laurel Street was closed<br />
<strong>and</strong> <strong>Moravian</strong> had 15 acres of level l<strong>and</strong> <strong>for</strong> playing<br />
fields.<br />
Beginning in 1963, Steel Field was used <strong>for</strong> soccer,<br />
baseball, <strong>and</strong> intramural basketball. In the late<br />
1960s, the college improved the site with a new field<br />
house, new outdoor bleachers near the gr<strong>and</strong>st<strong>and</strong>,<br />
a new baseball field, <strong>and</strong> upgrades to the existing<br />
fields. The improved Steel Field was dedicated in<br />
1967. The Hoffman Tennis Courts were constructed<br />
in memory of Howard Hoffman, who promoted<br />
the sport during his time as a professor <strong>and</strong> then<br />
left a sizable estate to the <strong>College</strong>. Funds from the<br />
bequest were used to build the courts, which were<br />
dedicated in 1969. In 2005, the Gr<strong>and</strong>st<strong>and</strong> was<br />
renovated <strong>and</strong> a number of changes were made<br />
to its appearance. These renovations included<br />
the replacement of the structural steel, ceiling<br />
repairs, interior painting, <strong>and</strong> waterproofing<br />
work on the exterior (Schamberger 2008, personal<br />
communication).<br />
Signifi cance<br />
The Gr<strong>and</strong>st<strong>and</strong> is an example of a relatively early<br />
twentieth century event-viewing structure. Solidly<br />
constructed with a steel-truss roof fabricated by its<br />
owner, it had a roof <strong>and</strong> glass side walls to shelter<br />
spectators <strong>and</strong> interior space below the bleacher<br />
seats to accommodate a small gymnasium, locker<br />
rooms, restrooms <strong>and</strong> other amenities. Though<br />
relatively austere in appearance, it was a far<br />
sturdier <strong>and</strong> more permanent gr<strong>and</strong>st<strong>and</strong> than<br />
most of the period, which were typically of frame<br />
construction. It also combined the purpose of an<br />
exterior gr<strong>and</strong>st<strong>and</strong> with an interior gymnasium,<br />
Figure 8-165. Steel Field, view to west from the street (JMA<br />
2009).<br />
Figure 8-166. Steel Field, view to northwest from the field (JMA<br />
2009).<br />
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providing <strong>for</strong> both indoor <strong>and</strong> outdoor athletics.<br />
Its industrial-looking street façade with elegant<br />
cornice ornamentation helped it to blend in with<br />
the neighborhood.<br />
Integrity<br />
The Steel Field Gr<strong>and</strong>st<strong>and</strong> has a moderate to low<br />
level of integrity. Its original brick surface <strong>and</strong><br />
concrete details on the street side are intact, as are an<br />
original door on the east side. Major changes include<br />
the bricking up of all original windows on the field<br />
side under the bleachers, on the street façade, <strong>and</strong> at<br />
the top rear of the viewing section. Also, the original<br />
clear paneled side walls of the viewing section were<br />
removed <strong>and</strong> the sides were rebuilt <strong>and</strong> partially<br />
infilled with brick. More recent changes include the<br />
installation of new caps atop the historic pilasters<br />
on the front wall of the Gr<strong>and</strong>st<strong>and</strong> overlooking<br />
the fields <strong>and</strong> some remodeling of the steps on each<br />
side, the installation of modern cladding around<br />
the front <strong>and</strong> sides of the Gr<strong>and</strong>st<strong>and</strong> roof, <strong>and</strong><br />
replacement of the original structural steelwork<br />
inside the viewing area. The interior could not be<br />
fully examined but appears to retain considerable<br />
historic fabric at the entrance area on the east end.<br />
Figure 8-167. Steel Field, east entrance to the gr<strong>and</strong>st<strong>and</strong> interior<br />
(JMA 2009).<br />
Condition<br />
Summary<br />
Steel Field’s gr<strong>and</strong>st<strong>and</strong> is an approximately threestory<br />
concrete <strong>and</strong> brick structure, which is open<br />
on its south side facing the track <strong>and</strong> playing<br />
fields. It is clad in red brick <strong>and</strong> has gray concrete<br />
accent details. Its low-pitched side-gabled roof is<br />
concealed behind parapets on all four sides. Modern<br />
cladding covers the three sides immediately above<br />
the bleachers. The gr<strong>and</strong>st<strong>and</strong> has a full first floor<br />
under the st<strong>and</strong>s, with entrances from the east <strong>and</strong><br />
south. The open st<strong>and</strong>s face the track <strong>and</strong> field<br />
<strong>and</strong> have steel support columns <strong>and</strong> exposed roof<br />
trusses. Concrete steps lead to the gr<strong>and</strong>st<strong>and</strong> from<br />
street level at both ends, <strong>and</strong> built-in concrete steps<br />
with brick wing walls provide access from the field<br />
level into the st<strong>and</strong>s.<br />
Additions<br />
There are no additions to the gr<strong>and</strong>st<strong>and</strong>.<br />
Doors <strong>and</strong> Fenestration<br />
Several doors provide access to the interior. The<br />
main building entrance <strong>for</strong> spectators is on the east<br />
Figure 8-168. Steel Field, infilled windows on first floor (JMA<br />
2009).<br />
side of the building on the first floor. This has an<br />
original door <strong>and</strong> two-light transom, both in good<br />
condition. The door has four lights, which are<br />
reglazed with security glass, <strong>and</strong> two panels. Its<br />
original hardware is extant.<br />
Another entrance is a single door facing the field on<br />
the south side. This off-center entrance has a metal<br />
replacement door. The entrance was originally<br />
wider, probably with double doors, but is infilled.<br />
The gr<strong>and</strong>st<strong>and</strong> originally had b<strong>and</strong>s of industrial<br />
steel windows at the first, second, <strong>and</strong> third levels<br />
on the north (street) façade, <strong>and</strong> on the first-floor<br />
level facing south. These have all been bricked up,<br />
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<strong>and</strong> some of the infill on the south side contains<br />
modern metal louver vents. Four of the secondlevel<br />
window areas on the north side are fully<br />
infilled with wooden louver vents of uncertain<br />
age. The wood louvers are deteriorated <strong>and</strong> need<br />
repainting.<br />
Roofi ng <strong>and</strong> Drainage<br />
The roof of the gr<strong>and</strong>st<strong>and</strong> is hidden behind<br />
vinyl-capped parapets <strong>and</strong> not visible from the<br />
ground. Aerial views indicate it has a low-pitched<br />
side-gabled profile <strong>and</strong> is covered with built-up<br />
(EPDM) roofing, showing a number of patches. The<br />
roof drains to internal gutters leading to multiple<br />
galvanized-metal downspouts along the north,<br />
east, <strong>and</strong> west sides of the building. A gutter on the<br />
east side at the northeast corner drains directly to<br />
the sidewalk, where significant water damage to<br />
the foundation parging has occurred. Downspouts<br />
on the north side drain to concrete swales <strong>and</strong> then<br />
to the street. Another downspout descends into a<br />
basement areaway, where it enters an underground<br />
drain. There is evidence of at least one <strong>for</strong>mer<br />
downspout on the north wall that was removed<br />
after causing leak damage to the brick.<br />
Masonry<br />
The gr<strong>and</strong>st<strong>and</strong> is built of concrete block faced<br />
with brick veneer, with concrete caps on the steps<br />
<strong>and</strong> façade ornamentation. The tops of the walls<br />
<strong>for</strong>m flat-topped parapets with vinyl caps around<br />
the entire building. Flat full-height brick pilasters<br />
are located on the north <strong>and</strong> south façades <strong>and</strong> the<br />
north pilasters cover the corners <strong>and</strong> wrap around<br />
one bay to the east <strong>and</strong> west. These are ornamented<br />
with vertical cast concrete details resembling flatted<br />
paired brackets with central chevrons. A concrete<br />
b<strong>and</strong> runs around the cornice of this area, <strong>and</strong> the<br />
cornice itself features several rows of corbelling.<br />
Projecting horizontal b<strong>and</strong>s of vertical stretchers<br />
span the façade between pilasters at the second <strong>and</strong><br />
third floor levels.<br />
The brickwork shows some signs of past damage<br />
<strong>and</strong> repairs of cracks, notably long vertical<br />
repointed areas on the northwest corner pilaster.<br />
Another pilaster on the north side shows vertical<br />
cracking. The repointed areas have whiter mortar<br />
<strong>and</strong> wider joints than the original. Infilled areas<br />
<strong>and</strong> the reconfigured side step walls have differentcolored<br />
brick from the original <strong>and</strong> appear to have<br />
been done in at least two separate campaigns.<br />
Inside the bleachers, on the interior of the north wall<br />
Figure 8-169. Steel Field, downspout <strong>and</strong> swale on north side<br />
(JMA 2009).<br />
Figure 8-170. Steel Field, gutter draining to sidewalk at northeast<br />
corner, causing significant damage (JMA 2009).<br />
Figure 8-171. Steel Field, concrete detailing on northeast corner<br />
(JMA 2009).<br />
above the infilled windows, efflorescence is visible,<br />
indicating past problems with water leaks <strong>and</strong><br />
seepage through the wall. It is unclear whether this<br />
problem has been resolved. Some rising damp was<br />
noted on the east side adjacent to the entrance.<br />
The foundation on the east, north, <strong>and</strong> west sides<br />
is parged with cement. Several areas of the parging<br />
are stained, cracked, <strong>and</strong> failing, with severe<br />
damage <strong>and</strong> delamination near the northeast corner<br />
due to water from the downspout ponding against<br />
the foundation. Past repairs with darker-colored<br />
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Figure 8-174. Steel Field, efflorescence on interior walls near<br />
roof (JMA 2009).<br />
Figure 8-172. Steel Field, infilled <strong>and</strong> reconfigured side wall on<br />
east (JMA 2009).<br />
Figure 8-175. Steel Field, deterioration of parging <strong>and</strong><br />
foundation, east steps (JMA 2009).<br />
materials are evident. Rising damp is evident in<br />
exposed foundation brick on the north side. Much<br />
of this can be attributed to leaks from gutters <strong>and</strong><br />
water ponding at grade. Better drainage at grade is<br />
needed to shunt water away from the foundation.<br />
Water ponding against the wall is also a problem<br />
on the east steps <strong>and</strong> upper sidewalk, where again,<br />
better drainage solutions should be considered.<br />
Steel<br />
The gr<strong>and</strong>st<strong>and</strong> has a steel roof supported by a steel<br />
truss system <strong>and</strong> interior steel columns. These are<br />
relatively new <strong>and</strong> appear to be in good condition.<br />
Other Features<br />
Figure 8-173. Steel Field, repointing on pilaster, northwest<br />
corner (JMA 2009).<br />
The east façade has commemorative plaques<br />
adjacent to the main entrance. One next to the door<br />
commemorates the Bethlehem Steel Football Club<br />
(soccer). A relatively modern plaque inside the<br />
entrance gate is a dedication of the Tim Breidegam<br />
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• Roof <strong>and</strong> gutter leakage should be regularly<br />
examined <strong>and</strong> repaired if needed.<br />
• Wood louvers on north side should be<br />
repainted.<br />
8.3 North Main Street<br />
Campus<br />
Figure 8-176. Steel Field, view of steel infrastructure (JMA<br />
2009).<br />
Track (1984, rededicated 1995) <strong>and</strong> Rocco J. Calvo<br />
Field. The plaques are in good condition.<br />
Interior<br />
The interior contains locker rooms, restrooms, <strong>and</strong><br />
a ticket office. It originally also contained a small<br />
gymnasium, but it is unclear whether this is intact.<br />
It retains some historic fabric within the main<br />
entrance area, notably the ticket window, corridor,<br />
<strong>and</strong> several original paneled doors.<br />
Current Use<br />
Steel Field remains in use <strong>for</strong> college athletic<br />
programs <strong>and</strong> games.<br />
Treatment<br />
The Gr<strong>and</strong>st<strong>and</strong> should receive a Rehabilitation<br />
treatment, as the <strong>College</strong> will need to use <strong>and</strong> adapt<br />
the structure in the future. ADA access to restrooms<br />
should be considered, possibly including permanent<br />
ramps in keeping with the original structure.<br />
Remaining historic fabric should be repaired <strong>and</strong><br />
retained. If increased use of the interior is needed,<br />
the <strong>College</strong> may want to consider reopening the<br />
infilled windows to allow natural light inside.<br />
Maintenance issues noted at the gr<strong>and</strong>st<strong>and</strong><br />
include:<br />
• The drainage on the north side <strong>and</strong> at the<br />
northeast corner of the building should be<br />
reconfigured to direct water away from the<br />
building <strong>and</strong> prevent runoff <strong>and</strong> ponding<br />
along the steps <strong>and</strong> foundation.<br />
• Repair foundation <strong>and</strong> parging once<br />
drainage issues are resolved.<br />
• Future repairs to the brickwork <strong>and</strong><br />
foundation parging should use comparable<br />
materials <strong>and</strong> colors to the original.<br />
The North Main Street Campus of <strong>Moravian</strong><br />
<strong>College</strong> contains a core of academic, athletic, <strong>and</strong><br />
administrative buildings, with student housing<br />
located to the west <strong>and</strong> southwest of the core.<br />
Contributing buildings include:<br />
• Comenius Hall/Borhek Chapel/Harvey<br />
Memorial Library,<br />
• Hamilton Hall,<br />
• Zinzendorf Hall,<br />
• Monocacy Hall,<br />
• Memorial Hall,<br />
• Johnston Hall, <strong>and</strong><br />
• Colonial Hall.<br />
Comenius Hall – 1891<br />
Historical Development<br />
Comenius Hall was one of the first two new<br />
buildings erected at the North Main Street campus<br />
of the <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary,<br />
with the other being the refectory now known<br />
as Zinzendorf Hall. Hamilton Hall, dating from<br />
ca. 1820, stood nearby <strong>and</strong> became the Resident<br />
Professor’s House. Completed in 1891, Comenius<br />
initially housed most of the functions of the newly<br />
relocated <strong>College</strong> <strong>and</strong> Theological Seminary.<br />
Figure 8-177. Comenius Hall, general front view to northwest<br />
(JMA 2009).<br />
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The building contained classrooms, a basement<br />
gymnasium, <strong>and</strong> dormitory rooms on the three<br />
upper floors.<br />
Comenius was designed in an elaborate Romanesque<br />
style by A.W. Leh, a Lehigh Valley architect who<br />
specialized in church <strong>and</strong> academic buildings,<br />
including several buildings at Lehigh University.<br />
Figure 8-178. Comenius Hall, front view to west (JMA 2008).<br />
The rusticated Potsdam s<strong>and</strong>stone façade is adorned<br />
with Wyoming bluestone, Indiana limestone, terra<br />
cotta ornament <strong>and</strong> <strong>Moravian</strong> tiles, <strong>and</strong> its roof is<br />
made of local slate.<br />
Within two years after the completion of the main<br />
building, the Helen Stadiger Borhek Memorial<br />
Chapel was added to the north end of Comenius.<br />
The elegant Gothic Revival chapel was donated<br />
by Mr. <strong>and</strong> Mrs. Ashton C. Borhek in memory of<br />
their daughter. It was dedicated in 1893. An 1896<br />
pipe organ was replaced in 1950 with a new pipe<br />
organ, given by the Burwell Smith family (Weinlick<br />
1977:4,85).<br />
The Harvey Memorial Library, a gift to the school<br />
from John Cennick <strong>and</strong> Charles Edward Harvey<br />
in memory of their parents, was constructed in<br />
1907-1908. Its 1907 cornerstone-laying coincided<br />
with the school’s Centennial celebration. In 1910,<br />
a Students’ Hall was established on the library’s<br />
third floor. The room occupied the entire floor <strong>and</strong><br />
Figure 8-179. Comenius Hall, rear view to northeast (JMA<br />
2008).<br />
Figure 8-181. Comenius Hall, Borhek Memorial Chapel, front<br />
view to northwest (JMA 2008).<br />
Figure 8-180. Comenius Hall, rear view to northeast (JMA<br />
2008).<br />
Figure 8-182. Comenius Hall, Borhek Memorial Chapel, view to<br />
southeast (JMA 2008).<br />
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Figure 8-183. Comenius Hall, Harvey Memorial Library, view to<br />
west (JMA 2008).<br />
Figure 8-184. Comenius Hall, Harvey Memorial Library, view to<br />
northeast (JMA 2008).<br />
was furnished <strong>for</strong> use as a social <strong>and</strong> assembly hall<br />
(Weinlick 1977:4,17-18). The new library balanced<br />
the chapel at the opposite end of Comenius,<br />
completing a symmetrical trio of impressive<br />
campus buildings.<br />
On Halloween 1913, a fire broke out in the freight<br />
elevator shaft of Comenius <strong>and</strong> swiftly gutted the<br />
three upper floors of dormitory rooms. The chapel<br />
<strong>and</strong> library were spared, but the main building<br />
was severely damaged. Within a year, Comenius<br />
was reconstructed with some changes to make it<br />
stronger <strong>and</strong> more fireproof. The original wood<br />
staircase was replaced with a steel version. The<br />
roof was supported by new steel trusses set on<br />
four-story inner brick walls <strong>and</strong> steel columns, <strong>and</strong><br />
the halls were lined with fireproof cement flooring<br />
(Weinlick 1977:23-24).<br />
As time passed, certain functions within Comenius<br />
were moved to newer buildings, <strong>and</strong> space inside it<br />
was repurposed to meet changing needs. The science<br />
facilities were moved to the new Memorial Hall in<br />
1923. With the completion of Colonial Hall in 1930,<br />
the second-floor dormitory rooms in Comenius<br />
were converted to classroom <strong>and</strong> office space. A<br />
round of renovations in the mid-1940s rebuilt this<br />
second-floor space to increase capacity, converted<br />
a first-floor student lounge to a classroom, <strong>and</strong><br />
relocated the lounge to the basement, where a new<br />
cloakroom <strong>and</strong> bookstore were added. Following<br />
the merger with the <strong>Moravian</strong> Seminary <strong>and</strong><br />
<strong>College</strong> <strong>for</strong> Women, the third floor of Comenius<br />
was converted to four large classrooms in 1957. In<br />
the early 1960s, the college administrative offices<br />
in Comenius were moved to Colonial Hall <strong>and</strong> the<br />
vacated office space became classrooms. Meanwhile,<br />
the fourth-floor dormitory rooms were repurposed<br />
as faculty offices, <strong>and</strong> Comenius ceased to function<br />
as student housing. Harvey Library was outgrown<br />
by 1960 <strong>and</strong> part of its collection was moved to a<br />
new Library Annex in the <strong>for</strong>mer gymnasium, now<br />
known as Monocacy Hall (Weinlick 1977:41,71-<br />
72,109.<br />
In the late 1960s, major changes occurred in the<br />
Comenius complex. The Chapel was restored to<br />
its original appearance in 1967. In 1968, the 1914<br />
steel center stairway in Comenius was removed<br />
<strong>and</strong> replaced by fireproof stairwells at either end of<br />
the building. With the removal of the entire library<br />
collection to the new Reeves Library in 1967, the<br />
double-height library space of Harvey Library was<br />
converted to classroom <strong>and</strong> office space. The first<br />
floor held a semicircular lecture hall <strong>and</strong> offices,<br />
<strong>and</strong> a newly built second floor housed additional<br />
offices.<br />
Signifi cance<br />
Comenius Hall is the most prominent building on<br />
<strong>Moravian</strong>’s North Main Street campus. Comenius<br />
Hall <strong>and</strong> its neighbor, Zinzendorf Hall, are the<br />
oldest of the buildings purposely constructed <strong>for</strong><br />
the Main Street campus of <strong>Moravian</strong> <strong>College</strong> <strong>and</strong><br />
Theological Seminary. Early in its history, Borhek<br />
Memorial Chapel was added at the north end <strong>and</strong><br />
Harvey Memorial Library at the south end. The<br />
three connected buildings, now known collectively<br />
as Comenius Hall, <strong>for</strong>m the center focal point of<br />
the historic campus. Its imposing east façade, set<br />
at the top of an expansive lawn, is the predominant<br />
image <strong>for</strong> the Main Street campus. Its architecture<br />
is a unique, distinctive, <strong>and</strong> creative interpretation<br />
of both Romanesque Revival <strong>and</strong> Gothic Revival,<br />
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incorporating <strong>Moravian</strong> terra-cotta tiles <strong>and</strong><br />
a variety of stone into an ornate, polychrome<br />
composition of arches <strong>and</strong> gables. The building<br />
exhibits moderate to high integrity inside <strong>and</strong> out.<br />
With its fine workmanship, evocative presence,<br />
<strong>and</strong> importance in the history of <strong>Moravian</strong> <strong>College</strong>,<br />
Comenius Hall is inarguably the most significant of<br />
the North Main Street campus’ historic buildings.<br />
Integrity<br />
The exterior of Comenius retains a moderate to high<br />
level of integrity. The ornate exterior terra cotta, tile,<br />
<strong>and</strong> stonework are well preserved, but there have<br />
been some window replacements <strong>and</strong> infills, plus<br />
new front steps, side stair towers, <strong>and</strong> rear stairwell<br />
entrances. The interior of the main building has a<br />
moderate level of integrity, <strong>and</strong> retains a significant<br />
amount of historic fabric. The circulation pattern<br />
inside the building was changed considerably<br />
in the late 1960s when the center stairway was<br />
removed <strong>and</strong> new end stairwells were added, but<br />
many historic finishes <strong>and</strong> materials are evident<br />
throughout.<br />
façade incorporating elements of both Romanesque<br />
<strong>and</strong> Gothic Revival architecture, including Romanarched<br />
windows <strong>and</strong> Gothic buttresses, gables,<br />
quatrefoils, <strong>and</strong> finials. The dark stonework is<br />
divided with contrasting horizontal belt courses <strong>and</strong><br />
window sills of light limestone, <strong>and</strong> red <strong>and</strong> buff<br />
terra-cotta tile sp<strong>and</strong>rels <strong>and</strong> greenish brownstone<br />
trim are also used. The building has an elaborate<br />
central front dormer on the fourth floor on both the<br />
front <strong>and</strong> back. The east front has a central main<br />
entrance with a large one-story portico with a stone<br />
balustrade around the top. Modern concrete steps<br />
connect the portico to the front walk.<br />
Comenius Hall is flanked by two later wings. These<br />
additions are connected to the main building by<br />
hyphens <strong>and</strong> include the single story with vaulted<br />
ceiling Borhek Memorial Chapel (1893) on the north<br />
<strong>and</strong> the two-<strong>and</strong>-one-half-story Harvey Memorial<br />
Library (1907) on the south. Borhek Memorial<br />
Chapel is a front-gabled Gothic Revival chapel<br />
with one large stained-glass window assemblage<br />
on each of its three elevations, a north cross-gable,<br />
The interior of Borhek Memorial Chapel is largely<br />
intact, including its original woodwork, furnishings,<br />
<strong>and</strong> stained glass windows, plus the organ system<br />
from 1950. Harvey Library’s interior has been fully<br />
rebuilt <strong>and</strong> exhibits little integrity.<br />
Condition<br />
Summary<br />
Comenius Hall is an oblong, three-<strong>and</strong>-one-halfstory<br />
stone building with a hipped roof <strong>and</strong> two<br />
cross-gables, with one at each end facing both front<br />
<strong>and</strong> back. The building’s primary façade faces east<br />
toward Main Street. This large edifice has an ornate<br />
Figure 8-186. Comenius Hall, Harvey Memorial Library, worn<br />
<strong>and</strong> delaminating stone steps at front entrance (JMA 2009).<br />
Figure 8-185. Comenius Hall, detail of east front gable (JMA<br />
2009).<br />
Figure 8-187. Comenius Hall, front portico, stone delamination<br />
(JMA 2009).<br />
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Figure 8-188. Comenius Hall, east wall, stone delamination<br />
(JMA 2009).<br />
Figure 8-191. Comenius Hall, detail of terra cotta tilework (JMA<br />
2009).<br />
Figure 8-189. Comenius Hall, Borhek Chapel east wall, staining<br />
(JMA 2009).<br />
Figure 8-192. Comenius Hall, replaced stone <strong>and</strong> poor repointing<br />
(JMA 2009).<br />
was added directly onto the south end of Comenius<br />
in 1907. Three-story stair towers were created in the<br />
junctions between these spaces during the 1960s<br />
renovations.<br />
Doors <strong>and</strong> Fenestration<br />
Figure 8-190. Comenius Hall, Borhek Chapel, paint failure on<br />
window (JMA 2009).<br />
<strong>and</strong> Gothic buttresses. The front-gabled Harvey<br />
Memorial Library follows much of the same style<br />
as Comenius, but has a Richardsonian Romanesque<br />
influence with large arched windows on its first floor<br />
<strong>and</strong> a heavy rusticated portico over its entrance.<br />
Additions<br />
Borhek Chapel was appended to the north end<br />
of Comenius in 1893, <strong>and</strong> a connecting one-story<br />
hallway was built between the two. Harvey Library<br />
Comenius Hall has elaborate oak entrance doors<br />
<strong>and</strong> surrounds at the three entrances on the east<br />
side. The center door, set within a large front<br />
portico, has a spectacular round-arched glazed <strong>and</strong><br />
paneled surround with Gothic tracery on the door<br />
lights. The Borhek Chapel entrance has a sweeping<br />
copper hood <strong>and</strong> paired paneled oak doors with<br />
single upper lights. A concrete wheelchair ramp<br />
with modern iron balustrades <strong>and</strong> a modern<br />
concrete doorstep provide access to this entrance.<br />
Harvey Library’s east entrance, set within a stone<br />
portico, is similar to that on the Chapel, but has<br />
brownstone steps.<br />
Entrances at the rear of the building are modern,<br />
consisting of two pairs of blue-painted steel fire<br />
doors installed during the 1960s. These connect to<br />
the hyphens between the original Comenius Hall<br />
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<strong>and</strong> its later wings, <strong>and</strong> correspond to the fireproof<br />
stair towers installed in each of these locations in<br />
1968. A modern bulkhead door to the basement is<br />
located on the west wall near the north end of the<br />
original Comenius Hall.<br />
Figure 8-193. Comenius Hall, main front entrance (JMA 2008).<br />
The overall historic fenestration of the building is<br />
relatively intact. Some windows at the basement<br />
level have been infilled over the years. Comenius<br />
Hall has a system of round-arched windows that<br />
become progressively smaller <strong>and</strong> more tightly<br />
clustered at each level going upward. Most are<br />
one-over-one double-hung wood windows, but<br />
more elaborate types are found on the first floor.<br />
Harvey Library’s fenestration is similar, but<br />
modern casements were installed in the first floor<br />
windows. Borhek Chapel has a single tall stainedglass<br />
window on each side, including rose windows<br />
on the east <strong>and</strong> north sides, <strong>and</strong> a lancet-patterned<br />
windows on the west side. These have some<br />
protective outer glazing, but paint deterioration on<br />
the exterior frames is evident. Severe rot is present<br />
in the lancet window woodwork on the west side.<br />
It is apparent that a phased program <strong>for</strong> replacing<br />
historic windows in Comenius Hall has already<br />
Figure 8-194. Comenius Hall, modern west entrance (JMA<br />
2009).<br />
Figure 8-195. Comenius Hall, bulkhead doors on west side (JMA<br />
2009).<br />
Figure 8-197. Comenius Hall, historic second-floor windows on<br />
east side (JMA 2009).<br />
Figure 8-196. Comenius Hall, Harvey Memorial Library entrance<br />
(JMA 2009).<br />
Figure 8-198. Comenius Hall, replaced second-floor windows<br />
on west side (JMA 2009).<br />
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been initiated. First-floor windows on the east side<br />
of the building, <strong>and</strong> some upper-story windows on<br />
Comenius, have already been replaced. Although<br />
the replacements are not jarring, they are noticeable<br />
<strong>and</strong> detract from the building’s integrity. Be<strong>for</strong>e any<br />
more historic windows in the building are replaced,<br />
the college is strongly encouraged to adopt the<br />
recommendations <strong>and</strong> guidelines summarized in<br />
the Overall Conditions-Key <strong>Preservation</strong> Issues section<br />
of this chapter.<br />
If, during the design phase of the proposed<br />
renovation project or normal course of operations,<br />
it is determined that a historic window or door is no<br />
longer needed as a matter of interior function <strong>and</strong><br />
use, the appearance of the window or door should<br />
Figure 8-199. Comenius Hall, replaced first-floor windows on<br />
east side (JMA 2009).<br />
Figure 8-202. Comenius Hall, Borhek Chapel, rotting <strong>and</strong> wood<br />
damage on exterior of west window (JMA 2009).<br />
Figure 8-200. Comenius Hall, paint failure on historic windows<br />
on west side (JMA 2009).<br />
Figure 8-203. Comenius Hall, typical historic basement window<br />
unit (JMA 2009).<br />
Figure 8-201. Comenius Hall, Borhek Chapel, east rose window<br />
(JMA 2009).<br />
Figure 8-204. Comenius Hall, infilled basement window unit<br />
with vent (JMA 2009).<br />
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be maintained on the exterior. No additional door<br />
or window openings should be infilled.<br />
Roofi ng <strong>and</strong> Drainage<br />
Comenius Hall has a hipped main roof clad in local<br />
slate, with two primary cross-gables in the front <strong>and</strong><br />
back, <strong>and</strong> a large central gabled dormer on all four<br />
elevations. The roof has elaborate trim, flashing,<br />
<strong>and</strong> finials at major points. Pyramidal finials on<br />
square piers flank the cross gables <strong>and</strong> the central<br />
gabled dormers, <strong>and</strong> others are set at the ends of the<br />
main hip of the roof. The roof drains to a system of<br />
historic box gutters <strong>and</strong> newer downspouts, which<br />
then drain to grade.<br />
Borhek Chapel has a front-gabled slate roof with<br />
narrow vertical buttress piers flanking each gable.<br />
Each pier has a pyramidal finial similar to those on<br />
Comenius Hall, <strong>and</strong> ball finials top each gable peak.<br />
A cross-gable projects from the center of the north<br />
roof slope. The roof drains to historic box gutters,<br />
<strong>and</strong> then to modern downspouts on either side of<br />
the north cross-gable.<br />
Harvey Memorial Library also has a front-gabled<br />
slate roof with a side cross-gable facing south. The<br />
front <strong>and</strong> rear gables have side finials. The roof<br />
system drains to historic box gutters <strong>and</strong> then to<br />
downspouts flanking the cross-gable on the south<br />
side. The downspouts lead to lengths of PVC pipe<br />
across planting beds <strong>and</strong> drain to grade.<br />
The roof has been undergoing phased replacement<br />
of its original slate <strong>and</strong> flashing during recent<br />
years. The new slates used appear to be compatible<br />
in color, size <strong>and</strong> appearance to historic precedent.<br />
Some of the flashing that has been recently installed<br />
is oversized with a bright finish. The new flashing<br />
should be coated to either resemble traditional,<br />
patinated metal or in a color that blends with the<br />
adjacent stonework. Also, a caulking color other<br />
than white should have been used preferably a<br />
color that matches historic mortar used in adjacent<br />
masonry joints.<br />
The pilaster <strong>and</strong> roof finials on the building are<br />
significant architectural details. Some appear to<br />
be missing while others appear to have corrosion<br />
problems. It is difficult to ascertain from historic<br />
photos of the building whether these features<br />
were originally white in color. Research should be<br />
conducted on historic colors <strong>and</strong> materials (likely<br />
copper) that may have been used <strong>for</strong> the flashing<br />
<strong>and</strong> finials on the building. Serious consideration<br />
should be given to use the historic colors <strong>and</strong><br />
materials in future roofing projects.<br />
Comenius has roof drainage issues similar to other<br />
historic buildings on campus. The system used<br />
historically may not have been adequate to address<br />
the situation. Most, if not all, historic downspouts<br />
have been replaced with new ones of a different<br />
color, material <strong>and</strong> configuration. Ground drains<br />
are either non-existent or ab<strong>and</strong>oned because of<br />
blockage. Currently, large-diameter PVC piping is<br />
used in some locations to direct water away from<br />
the foundation.<br />
The following guidelines should be used <strong>for</strong> roof<br />
drainage issues: Any existing copper gutters <strong>and</strong><br />
downspouts should be retained as long as they<br />
function effectively even with dents <strong>and</strong> other<br />
minor damage. Existing non-historic gutters <strong>and</strong><br />
downspouts white in color should be replaced<br />
with or painted a color that resembles traditional,<br />
patinated metal such as dark brown or “bronze”.<br />
When replacing non-historic gutters <strong>and</strong><br />
downspouts, serious consideration should be given<br />
to purchasing copper as a replacement material.<br />
Long-term durability should offset the higher price.<br />
The large-diameter PVC drainage pipes should be<br />
viewed as a short-term solution only--a plan must be<br />
developed to comprehensively address <strong>and</strong> resolve<br />
storm water issues on a campus-wide basis.<br />
Masonry<br />
The building’s exterior walls <strong>and</strong> trim are almost<br />
entirely made of stone with the exception of some<br />
b<strong>and</strong>s <strong>and</strong> panels of terra cotta tile trim on the<br />
original portion of the building <strong>and</strong> in the gables<br />
of Borhek Memorial Chapel. Various types of stone<br />
are present, including the primary local stone, <strong>and</strong><br />
contrasting greenish brownstone <strong>and</strong> limestone<br />
Figure 8-205. Comenius Hall, poor repointing on front portico<br />
(JMA 2009).<br />
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trim. The stonework on the Harvey Memorial<br />
Library is darker <strong>and</strong> more regular in shape <strong>and</strong><br />
coursing than on Comenius Hall <strong>and</strong> Borhek<br />
Memorial Chapel. Some of the stone used as trim<br />
on the building, especially the Harvey Library<br />
addition, is starting to deteriorate. Certain types<br />
of sedimentary stone are delaminating, flaking<br />
or entire chunks have fallen out. Some limestone<br />
windowsills <strong>and</strong> masonry units in stringcourses<br />
are cracking <strong>and</strong> have open joints.<br />
Sections of wall on Comenius appear to have<br />
been re-pointed at various times <strong>and</strong> occasions<br />
with an inconsistent work quality <strong>and</strong> likely use<br />
of incompatible mortars. Much of the re-pointing<br />
on the body of the building consists of a raised,<br />
squared mortar joint similar to re-pointing work<br />
observed on other historic buildings on campus.<br />
This needs to be researched to determine if it is<br />
an appropriate mortar joint treatment specific to<br />
the three separate construction events (1891, 1913,<br />
1967) associated with Comenius Hall. Research<br />
should also be conducted on the mortar <strong>for</strong>mula,<br />
color <strong>and</strong> tooling used to set the terra cotta tiles.<br />
Mortar has fallen out of the joints on some sections<br />
of stonework observed under cover of porch roofs.<br />
Some areas of chronic dampness were noted,<br />
including the basement level on the west façade<br />
where biogrowth is occurring around the window<br />
headers. Efflorescence, indicating salts leaching<br />
from mortar exposed to runoff, is present above<br />
the Comenius Hall <strong>and</strong> Harvey Memorial Library<br />
porches.<br />
This building also has more iron leaching from<br />
stonework than most other historic stone buildings<br />
on campus. Significant rusty staining has occurred<br />
in most areas of the façade. Since the problem<br />
may be larger than an issue of aesthetics, further<br />
analysis must be conducted to determine the cause<br />
<strong>and</strong> source. Factors to consider are the natural<br />
iron inclusions in the stone used in the body of the<br />
building, iron structural rein<strong>for</strong>cement that may<br />
have been added to the building during renovations<br />
over the years, <strong>and</strong> even the possibility that iron tie<br />
rods might have been driven into the stonework to<br />
anchor a trellis that may have been used when the<br />
façade of the building was completely covered in<br />
ivy.<br />
include the historic oak doors <strong>and</strong> entranceways,<br />
windows <strong>and</strong> window frames. The oak entrance<br />
areas on the east side are in good condition, but<br />
many historic window frames are deteriorated <strong>and</strong><br />
generally need painting <strong>and</strong> repair.<br />
Other Features<br />
Comenius Hall has some exterior metal features of<br />
note. Original built-in gutters on the building have<br />
projecting painted metal ends with rosettes. A large<br />
lantern is suspended within the main entrance<br />
portico <strong>and</strong> appears to be in good condition. There<br />
is a historic copper-clad hood above the entrance to<br />
Borhek Memorial Chapel.<br />
Interior<br />
The interior of Comenius Hall has been<br />
substantially altered <strong>and</strong> has seen many changes in<br />
use. Destruction of the upper floors of Comenius<br />
during a 1913 fire resulted in major rebuilding of<br />
the interior. Both this renovation <strong>and</strong> a later round<br />
of renovations in the 1960s made the building<br />
more fireproof. The later renovation changed the<br />
historic circulation pattern within the building due<br />
to removing the center stairs <strong>and</strong> installing modern<br />
fireproof stairwells in new towers at each end.<br />
Rooms within the building have been reconfigured<br />
multiple times to accommodate different uses <strong>and</strong><br />
increase capacity. Dropped ceilings, fluorescent<br />
lighting, <strong>and</strong> some wall-to-wall carpeting have<br />
been installed. Still, considerable historic fabric,<br />
including woodwork, flooring, windows <strong>and</strong> doors,<br />
wainscoting, chalkboards, <strong>and</strong> closets, remains<br />
intact.<br />
The interior of Comenius has a central first-floor<br />
entrance hall connecting to a longitudinal corridor,<br />
which leads north to the chapel <strong>and</strong> south to the<br />
Wood<br />
Significant wood architectural details that require<br />
attention <strong>and</strong> a preservation treatment approach<br />
Figure 8-206. Comenius Hall, first floor main hall (JMA 2009).<br />
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<strong>for</strong>mer library. Offices <strong>and</strong> large corner classrooms<br />
occupy this floor. The halls are lined with beadboard<br />
wainscoting, which appears to have been painted<br />
at one time <strong>and</strong> later stripped <strong>and</strong> varnished, <strong>and</strong><br />
brass light fixtures add to the ambiance of the<br />
hall area. The long corridors on the upper floors<br />
are lined with two-tone painted wainscoting <strong>and</strong><br />
feature a number of historic doors <strong>and</strong> doorframes.<br />
Each floor holds a combination of offices <strong>and</strong><br />
classrooms of various size. Some classrooms have<br />
exposed hardwood floors. Lines in the flooring <strong>and</strong><br />
corresponding wall ghosts in some upper-level<br />
classrooms are evidence of their conversion from<br />
a group of small dormitory rooms. Many of the<br />
upstairs rooms are in their original configuration<br />
<strong>and</strong> used as office spaces.<br />
appears to have survived; its interior is otherwise<br />
fully modernized.<br />
Borhek Chapel remains largely intact, including<br />
its original woodwork, pews <strong>and</strong> stained glass<br />
windows. A hyphen with rusticated, white-painted<br />
stone walls connects it to Comenius. The original<br />
chapel organ was replaced in 1950, <strong>and</strong> the new<br />
organ’s infrastructure is housed inside the walls<br />
on either side of the apse, necessitating the infill of<br />
The Harvey Library was fully rebuilt on the inside<br />
at the time of the 1960s renovations when it was<br />
no longer needed as a library. Only its original<br />
oak-framed corridor entrance on the first floor<br />
Figure 8-209. Comenius Hall, third-floor southeast classroom,<br />
created from three original dorm rooms (JMA 2009).<br />
Figure 8-207. Comenius Hall, historic first-floor wainscoting,<br />
paint stripped <strong>and</strong> wood refinished (JMA 2009).<br />
Figure 8-208. Comenius Hall, original first-floor north classroom<br />
showing typical interior conditions (JMA 2009).<br />
Figure 8-210. Comenius Hall, typical doors <strong>and</strong> woodwork<br />
(JMA 2009).<br />
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original tall arched niches <strong>and</strong> the installation of<br />
modern vertical vents. Some cracking <strong>and</strong> water<br />
damage is evident in the ceiling vaults at the<br />
corners of the room <strong>and</strong> in the apse, <strong>and</strong> some paint<br />
failure was observed on the north wall toward the<br />
west end.<br />
Current Use<br />
Comenius Hall is currently used to house classrooms<br />
<strong>and</strong> faculty offices. The Comenius Center, the<br />
graduate <strong>and</strong> continuing studies department of<br />
<strong>Moravian</strong> <strong>College</strong>, is also located in Comenius Hall<br />
within the <strong>for</strong>mer library area.<br />
Treatment<br />
Comenius Hall, including its newer side wings,<br />
is the most significant building at the North<br />
Main Street campus. As such, preservation of its<br />
Figure 8-211. Comenius Hall, second-floor hallway showing<br />
typical conditions on upper floors (JMA 2009).<br />
Figure 8-213. Comenius Hall, Borhek Memorial Chapel interior,<br />
view to west. Note infill of side niches <strong>and</strong> installation of louvers<br />
<strong>for</strong> 1950 organ (JMA 2009).<br />
Figure 8-212. Comenius Hall, Borhek Memorial Chapel<br />
interior, historic view to northwest ca. 1900 (<strong>Moravian</strong> Church<br />
Archives).<br />
Figure 8-214. Comenius Hall, Harvey Memorial Library.<br />
Original oak first-floor entrance doors to library at south end of<br />
Comenius Hall’s main corridor (JMA 2009).<br />
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historic elements is of critical importance. It is<br />
recommended that the interior <strong>and</strong> exterior receive<br />
a Rehabilitation treatment. Much of the extant<br />
historic fabric has survived multiple renovations<br />
<strong>and</strong> reuses. Repair, maintenance, <strong>and</strong> preservation<br />
of this remaining building fabric throughout future<br />
changes should be a priority. The current use of<br />
the building is essentially a continuation of an<br />
original use <strong>for</strong> part of the building (i.e. classrooms<br />
<strong>and</strong> offices), which then spread to upper floors. As<br />
such, this is felt to be a good use of the building<br />
<strong>and</strong> it is recommended that this or similar uses be<br />
employed in the future.<br />
As of early 2009, plans <strong>for</strong> a major renovation of<br />
Comenius Hall are underway. This is an opportunity<br />
to implement the guidelines <strong>and</strong> recommendations<br />
outlined in this preservation plan. Anticipating a<br />
comprehensive design approach to the upcoming<br />
renovations <strong>for</strong> Comenius, an opportunity will be<br />
Figure 8-215. Comenius Hall, large crack in stonework on west<br />
side indicating structural settling (JMA 2009).<br />
created to not only upgrade building systems, but<br />
also to better integrate them into the existing historic<br />
fabric of the building. It is apparent that building<br />
system installations <strong>and</strong> upgrades in Comenius<br />
Hall were often implemented in a piecemeal<br />
fashion over many years with little consideration<br />
of significant architectural features <strong>and</strong> historic<br />
fabric. The systems that will likely require upgrade<br />
<strong>and</strong> a sensitive design approach include electrical,<br />
plumbing, HVAC <strong>and</strong> fire suppression.<br />
Structurally, there appears to be a section on the<br />
northwest corner of the original Comenius Hall<br />
building adjacent to the chapel that has settled<br />
sometime in the past. A sag is evident in the wall,<br />
<strong>and</strong> the resulting cracks between masonry units<br />
have since been re-pointed. No new cracks were<br />
observed. Historic windows <strong>and</strong> their frames in this<br />
area have become distorted <strong>and</strong> even inoperable,<br />
<strong>and</strong> there is clear evidence of past repairs to keep<br />
the window sash functional despite the settling <strong>and</strong><br />
resultant crookedness. The condition may have<br />
stabilized, but the building should be examined<br />
by a structural engineer as part of the upcoming<br />
renovation plan.<br />
Other maintenance issues include:<br />
• Address soft stone flaking <strong>and</strong> spalling<br />
throughout building exterior.<br />
• Investigate gutter <strong>and</strong> downspout<br />
conditions, make needed repairs, <strong>and</strong> seek<br />
ways to provide adequate <strong>and</strong> effective<br />
drainage of runoff.<br />
• Examine <strong>and</strong> repair rotted west chapel<br />
window wood elements.<br />
• Scrape, s<strong>and</strong>, <strong>and</strong> repaint historic windows<br />
<strong>and</strong> wood window frames where paint is<br />
peeling <strong>and</strong> failing.<br />
• Per<strong>for</strong>m selective repointing <strong>and</strong> masonry<br />
repairs using compatible materials <strong>and</strong><br />
methods.<br />
Hamilton Hall – 1820<br />
Historical Development<br />
Figure 8-216. Comenius Hall, original window on west side<br />
showing effects of building settling <strong>and</strong> alterations made to<br />
adjust window frames <strong>and</strong> sash to the slant (JMA 2009).<br />
Hamilton Hall was constructed in 1820 as a<br />
farmhouse, <strong>and</strong> stood in a largely agricultural area<br />
<strong>for</strong> the next 70 years. In 1889, it was purchased by<br />
the <strong>Moravian</strong> Church <strong>and</strong> its lot was combined<br />
with the l<strong>and</strong> designated to become the new home<br />
of <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary.<br />
The old farmhouse was modernized <strong>and</strong> soon<br />
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historical, owing to its age <strong>and</strong> status as the first<br />
building on an otherwise empty tract that became<br />
today’s campus.<br />
Integrity<br />
Figure 8-217. Hamilton Hall, ca. 1900 historic view to southeast<br />
(<strong>Moravian</strong> Church Archives).<br />
The exterior of Hamilton Hall has a moderate<br />
level of integrity. While the brickwork survives,<br />
there are only a few remainders of the original<br />
Greek Revival character of the house, notably the<br />
front door surround with sidelights. The original<br />
entrance was modified with a Colonial Revival<br />
hood, an attic dormer <strong>and</strong> rear addition were<br />
made, <strong>and</strong> the interior was modernized to create a<br />
home <strong>for</strong> the Resident Professor in the early 1890s.<br />
Further interior renovations were made during the<br />
twentieth century. Inside the house, an original<br />
staircase <strong>and</strong> a few other elements survive, but the<br />
overall space is modernized.<br />
Condition<br />
Summary<br />
Figure 8-218. Hamilton Hall, view to southeast (JMA 2008).<br />
housed the Resident Professor of the school. J.<br />
Taylor Hamilton was the first occupant. He became<br />
Resident Professor in 1886, prior to the school’s<br />
move to North Main Street, <strong>and</strong> continued in that<br />
position until 1903. In 1918, he became president of<br />
the school.<br />
In 1943, the house was renamed Hamilton Hall<br />
<strong>and</strong> was used as housing <strong>for</strong> several Theological<br />
Seminary students. In 1954, the first floor was<br />
converted to classrooms. Today, Hamilton Hall is<br />
the home of <strong>Moravian</strong>’s philosophy <strong>and</strong> sociology<br />
departments.<br />
Hamilton Hall is a two-<strong>and</strong>-one-half-story,<br />
side-gabled brick house with a full-height rear<br />
perpendicular ell, <strong>and</strong> a flat-roofed addition at the<br />
back of the ell. Its overall style is a modest vernacular<br />
late Federal-early Greek Revival with 1890s Queen<br />
Anne additions. It has a slate roof <strong>and</strong> internal brick<br />
chimneys on each gable end. Windows on the west<br />
<strong>and</strong> north sides of the building have been replaced<br />
with six-over-six modern vinyl sash, with the<br />
exception of the attic windows. Original windows<br />
<strong>and</strong> doors are extant on the south <strong>and</strong> east sides.<br />
The main block has a side-passage plan with its<br />
main entrance to the south side of the primary west<br />
façade. It has a squarish footprint <strong>and</strong> is three bays<br />
Signifi cance<br />
Hamilton Hall is the oldest building on the North<br />
Main Street Campus, predating the other <strong>College</strong><br />
buildings by 70 years. Though built as a simple<br />
Greek Revival farmhouse, the loss of its rural<br />
setting, the 1890s renovations to make it into a<br />
professor’s home, <strong>and</strong> more recent renovations<br />
during the 20th century, have eliminated much of<br />
its physical integrity. Its significance is primarily<br />
Figure 8-219. Hamilton Hall, view to northeast (JMA 2008).<br />
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around the east corner. There is a hipped slate-clad<br />
pent roof overhang at the second floor level. The<br />
floor of the first-floor porch has been replaced<br />
with a poured concrete deck <strong>and</strong> tubular steel<br />
balustrade. A small secondary brick chimney is at<br />
the northeast corner of the ell, below its main gable<br />
chimney. The small chimney is spalling <strong>and</strong> may<br />
need to be rebuilt.<br />
Figure 8-220. Hamilton Hall, view to north (JMA 2008).<br />
At the rear of the ell is a small 1890s addition,<br />
two bays long <strong>and</strong> one bay wide, which is offset<br />
towards the north <strong>and</strong> similar in footprint to the<br />
ell. This section has a metal fire escape on its south<br />
side, <strong>and</strong> a street-level door on the north side of the<br />
first floor has been infilled with brick.<br />
Additions<br />
Hamilton Hall has a two-story gabled rear ell,<br />
probably original. A shed-roofed two-story brick<br />
addition was appended to the east end of the ell<br />
ca. 1891-1892 when the college acquired the house<br />
<strong>and</strong> renovated it <strong>for</strong> the Resident Professor. Among<br />
other things, this provided a street entrance from<br />
the north.<br />
Doors <strong>and</strong> Fenestration<br />
Figure 8-221. Hamilton Hall, view to west (JMA 2009).<br />
wide in front <strong>and</strong> two bays deep on the sides. The<br />
primary entrance is sheltered by a bracketed frontgabled<br />
hood dating from the 1890s.<br />
The east ell is slightly narrower than the main block<br />
<strong>and</strong> two bays long, with a two-story porch along<br />
its entire south elevation. The porch has a hipped<br />
roof extending from the ell roof <strong>and</strong> wraps slightly<br />
Most of the doors on Hamilton Hall are modern<br />
replacements. One original four-panel door<br />
survives on the upper porch, but the front door is a<br />
modern six-panel door, <strong>and</strong> the first-floor porch is<br />
accessed by steel security doors. The doors are kept<br />
locked with a card reader system.<br />
The windows in the house are primarily six-over-six<br />
double-hung sash, with two-over-two windows<br />
flanking the chimney stack in each attic gable. Aside<br />
Figure 8-222. Hamilton Hall, north end of west roof slope;<br />
cornice needs paint (JMA 2009).<br />
Figure 8-223. Hamilton Hall, main entrance, view to northeast<br />
(JMA 2009).<br />
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Figure 8-224. Hamilton Hall, west dormer; woodwork needs<br />
paint (JMA 2009).<br />
Figure 8-226. Hamilton Hall, detail of paint failure (JMA 2009).<br />
Figure 8-225. Hamilton Hall, replaced west windows, wood<br />
frames need paint (JMA 2009).<br />
from the attic windows, all windows on the north<br />
<strong>and</strong> west sides of the building have been replaced<br />
with unsympathetic vinyl sash. Historic windows<br />
are extant on the south <strong>and</strong> east sides <strong>and</strong> have<br />
modern storm windows. The surviving historic<br />
windows <strong>and</strong> window frames are deteriorating<br />
<strong>and</strong> need repainting <strong>and</strong> some reglazing.<br />
Roofi ng <strong>and</strong> Drainage<br />
The main roof <strong>and</strong> ell roof of the house are both<br />
historic slate with snow guards around the<br />
bottom. Some of the slates have been replaced with<br />
mismatched materials, <strong>and</strong> a few loose shingles<br />
were noted on the north slope, but the roof is<br />
otherwise in good condition. The ell has a slate pent<br />
roof above the first floor, <strong>and</strong> slates in this area are<br />
deteriorating. The shed roof of the rear addition is<br />
nearly flat <strong>and</strong> slopes toward the south; its cladding<br />
<strong>and</strong> condition are not visible from the ground.<br />
Figure 8-227. Hamilton Hall, south porch into ell, showing<br />
unsympathetic modern concrete deck, tubular balustrade, <strong>and</strong><br />
security doors (JMA 2009).<br />
The west side of the main roof drains to a half-round<br />
gutter with a galvanized downspout at the<br />
northwest corner. This drains to grade in a planting<br />
bed on a slight downslope toward the street. The<br />
northeast main roof <strong>and</strong> north ell roof drain to a<br />
half-round metal gutter along the north wall of the<br />
ell, <strong>and</strong> then to a modern downspout at the east<br />
end of the ell. This drains to a rusty galvanized<br />
pipe across the west wall of the addition toward the<br />
street. The southeast main roof <strong>and</strong> south ell roof<br />
drain to a half-round gutter along the south porch<br />
cornice, <strong>and</strong> from there to a downspout at the west<br />
end of the porch. This drains to grade in a mulch<br />
bed near the back steps.<br />
The addition roof drains to a south half-round<br />
gutter with a rusting downspout at the east corner.<br />
The downspout feeds into a pipe running north<br />
across the east wall at grade <strong>and</strong> emptying over a<br />
retaining wall to the street.<br />
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Masonry<br />
The foundation of Hamilton Hall is parged with<br />
cement, which is delaminating in several places<br />
along the south <strong>and</strong> east walls. As with most<br />
brick buildings at <strong>Moravian</strong>, Hamilton Hall has<br />
several small areas of deteriorating brick <strong>and</strong> has<br />
experienced several repointing campaigns. Some<br />
runoff staining is visible on the north chimney <strong>and</strong><br />
walls.<br />
The brickwork on the south side of the ell was<br />
painted dark brown. This paint coating is cracking<br />
<strong>and</strong> flaking off, taking some of the brick surface<br />
with it.<br />
Wood<br />
Hamilton Hall has relatively plain woodwork,<br />
with the exception of its front dormer with mock<br />
half-timbering <strong>and</strong> the bracketed entrance hood.<br />
Paint is cracking <strong>and</strong> failing on most of these<br />
elements. Most of the exterior woodwork needs<br />
scraping <strong>and</strong> painting, including the cornices,<br />
dormer, <strong>and</strong> window frames. The porch on the ell<br />
has plain wood posts which appear intact, but part<br />
of the porch ceiling is rotting.<br />
Other Features<br />
Figure 8-229. Hamilton Hall, original staircase along south wall<br />
(JMA 2009).<br />
There is a non-historic metal fire escape at the<br />
rear of the ell in a secluded location. On the north<br />
foundation are several historic grates, some with<br />
stone wells.<br />
Interior<br />
The interior of Hamilton Hall has been altered to<br />
serve a variety of uses. The building was renovated<br />
<strong>and</strong> a large addition was made ca. 1891-1892 to<br />
convert the house to the first Resident Professor’s<br />
House. The first floor was remodeled to function<br />
as classrooms in 1954. A historic staircase <strong>and</strong> some<br />
Figure 8-228. Hamilton Hall, iron grate <strong>and</strong> stone well (JMA<br />
2009).<br />
Figure 8-230. Hamilton Hall, typical conditions in office area<br />
(JMA 2009).<br />
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other details remain, but the overall interior has<br />
modern finishes.<br />
Current Use<br />
Hamilton Hall currently houses <strong>Moravian</strong>’s<br />
philosophy <strong>and</strong> sociology departments.<br />
Treatment<br />
It is recommended that Hamilton Hall receive a<br />
Rehabilitation treatment. Remaining historic fabric<br />
should be repaired <strong>and</strong> retained during future<br />
renovations. Historic windows <strong>and</strong> the remaining<br />
door should be repaired <strong>and</strong> retained, <strong>and</strong> further<br />
replacement with vinyl elements avoided. The<br />
current use appears to be compatible with the<br />
building’s characteristics, <strong>and</strong> this or a similar use<br />
is recommended <strong>for</strong> the future.<br />
Maintenance issues noted at Hamilton Hall<br />
include:<br />
• Rusting gutters <strong>and</strong> downspouts should<br />
be replaced in-kind or with sympathetic<br />
materials, <strong>and</strong> drainage channeled away<br />
from the foundation.<br />
• Ell pent roof slate should be repaired or<br />
replaced in-kind, as its location poses a<br />
safety hazard if slate falls above the back<br />
entrance.<br />
• Small ell chimney should be examined <strong>and</strong><br />
rebuilt if necessary.<br />
• Brown paint<br />
• Most exterior woodwork needs scraping,<br />
s<strong>and</strong>ing, <strong>and</strong> repainting.<br />
• West window frames need sealing adjacent<br />
to the brickwork.<br />
• Rotting wood on the porch ceiling should<br />
be repaired.<br />
was converted to another dining hall. Following<br />
the merger that <strong>for</strong>med today’s <strong>Moravian</strong> <strong>College</strong>,<br />
the Refectory continued in use as a dining hall on<br />
the basement <strong>and</strong> first floor, but the second floor<br />
was converted to faculty offices <strong>for</strong> the Theological<br />
Seminary <strong>and</strong> the third floor to dormitory rooms.<br />
In 1962, when the Haupert Union Building opened<br />
<strong>and</strong> dining facilities were relocated there, the<br />
Refectory was renamed Seminary Hall <strong>and</strong> became<br />
the primary campus building <strong>for</strong> the Theological<br />
Seminary. The first floor was renovated into<br />
classrooms <strong>and</strong> a bookstore, <strong>and</strong> the basement<br />
was remodeled as a lounge with kitchenette.<br />
This arrangement remained until the Theological<br />
Seminary moved to the new Bahnson Center in<br />
1976. With the relocation of the Seminary, Seminary<br />
Hall’s name was no longer accurate <strong>and</strong> it was<br />
renamed Zinzendorf Hall. In 1977 it became the<br />
home of the English department.<br />
Signifi cance<br />
Zinzendorf is an example of a Dutch Colonial<br />
style campus building, <strong>and</strong> is one of a relative<br />
few American college facilities constructed in this<br />
style during a period when neoclassicism was<br />
prevalent. It incorporates Queen Anne details as<br />
well, giving it a unique amalgam of architectural<br />
details. It is significant as one of the first two new<br />
buildings erected on the new <strong>Moravian</strong> <strong>College</strong><br />
<strong>and</strong> Theological Seminary in the early 1890s, <strong>and</strong><br />
as a central gathering place <strong>for</strong> students <strong>and</strong> faculty<br />
during meals <strong>and</strong> events.<br />
Integrity<br />
Zinzendorf Hall has a high level of integrity both<br />
inside <strong>and</strong> out. The interior retains most of its<br />
Zinzendorf Hall – 1891<br />
Historical Development<br />
Zinzendorf Hall was constructed in 1891, at the<br />
same time as Comenius Hall. Originally known<br />
as the Refectory, the building contained a large<br />
dining hall <strong>and</strong> kitchen on its first floor. The second<br />
floor contained the school infirmary, <strong>and</strong> the third<br />
floor had quarters <strong>for</strong> the janitor <strong>and</strong> servants who<br />
worked at the school. The college laundry occupied<br />
the basement level. In 1943, the basement laundry<br />
Figure 8-231. Zinzendorf Hall, general view to north (JMA<br />
2009).<br />
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Figure 8-232. Zinzendorf Hall, view to northeast (JMA 2009).<br />
Figure 8-234. Zinzendorf Hall, view to east, roof dormers (JMA<br />
2008).<br />
Figure 8-233. Zinzendorf Hall, view to east (JMA 2008).<br />
historic finishes, <strong>and</strong> changes in layout are minor<br />
<strong>and</strong> recognizable. The exterior likewise retains<br />
most of its original fabric, with the exception of the<br />
cladding over the porch on the northeast corner.<br />
Condition<br />
Summary<br />
Zinzendorf Hall is a two-<strong>and</strong>-one-half-story oblong<br />
brick building with an ashlar stone foundation <strong>and</strong><br />
a slate-clad mansard roof. It is three bays wide <strong>and</strong><br />
six bays long, with its main entrances at either end.<br />
The brick is dark red <strong>and</strong> several raised terra-cotta<br />
stringcourses extend across the façades on all four<br />
sides. Several slightly projecting brick chimneys<br />
extend up the east <strong>and</strong> west façades. The steep<br />
lower roof has numerous elaborate shed dormers<br />
with brick fronts, slate sides, <strong>and</strong> scroll brackets<br />
framing multilight double-hung windows. At the<br />
center of each long side is a large hipped dormer.<br />
The eaves on the building <strong>and</strong> most other external<br />
Figure 8-235. Zinzendorf Hall, view to southeast (JMA 2009).<br />
wood elements are covered with aluminum<br />
cladding. The east side of the building has a threestory<br />
metal fire escape.<br />
The south main façade has a gabled one-story<br />
vestibule with a greenstone water-table course, small<br />
side windows, <strong>and</strong> original glazed <strong>and</strong> paneled<br />
double doors. The north end of the building has an<br />
offset single door entrance with a modern door <strong>and</strong><br />
old transom. The symmetrical fenestration includes<br />
windows set in pairs along the sides, <strong>and</strong> single<br />
windows on the ends. All of the windows appear<br />
to be original double-hung wood sash with modern<br />
storm sash, <strong>and</strong> the primary units have a four-over<br />
one configuration.<br />
On the east side of the first floor is a hip-roofed<br />
frame utility wing with an arched inset porch. Both<br />
the wing <strong>and</strong> the porch are clad in modern vinyl<br />
siding, <strong>and</strong> the porch contains a secondary entrance<br />
into the north end of the building. At the south end<br />
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Figure 8-236. Zinzendorf Hall, view to southwest, roof detail<br />
(JMA 2009).<br />
Figure 8-239. Zinzendorf Hall, frame wing, view to northwest<br />
(JMA 2009).<br />
Doors <strong>and</strong> Fenestration<br />
Zinzendorf Hall’s south main entrance retains its<br />
paired original paneled doors with nine small upper<br />
lights <strong>and</strong> brass hardware. The north entrance,<br />
northeast porch entrance, <strong>and</strong> east basement<br />
entrance all have modern doors.<br />
Figure 8-237. Zinzendorf Hall, view to southwest (JMA 2008).<br />
Most of the historic double-hung windows in the<br />
building are extant, <strong>and</strong> vary in configuration, but<br />
typically have multiple lights above a single light.<br />
Most are in need of paint <strong>and</strong> maintenance on the<br />
exterior, despite the presence of storm sash. Some<br />
of the first floor windows need reglazing.<br />
The north window in the third floor of the large<br />
east dormer has been retrofitted as a door to the<br />
fire escape. The arched top of the window space<br />
is preserved as a transom above the modern door.<br />
A few original openings in the building have been<br />
infilled with brick, <strong>and</strong> several basement windows<br />
<strong>and</strong> one first-floor window have been infilled with<br />
aluminum panels.<br />
Figure 8-238. Zinzendorf Hall, view to west (JMA 2009).<br />
of the wing, at grade, is a narrow gabled one-story<br />
entrance to a basement under the wing.<br />
Additions<br />
Zinzendorf Hall does not have any additions. The<br />
frame wing <strong>and</strong> porch are believed to be original.<br />
Figure 8-240. Zinzendorf Hall, detail of south door (JMA 2009).<br />
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Roofi ng <strong>and</strong> Drainage<br />
The main roof <strong>and</strong> dormers of Zinzendorf are clad<br />
in historic slate. A small number of slates on the<br />
east, north, <strong>and</strong> west sides are loose, damaged, or<br />
slipping. The roof ridge trim is rusting in places.<br />
The two large hipped side dormers have front<br />
gutters with downspouts draining to the lower<br />
roof. The rest of the roof area drains to half-round<br />
gutters around its entire perimeter. Most of the<br />
gutters are warped, particularly at the north end<br />
of the building. Downspouts at the northwest,<br />
southwest, <strong>and</strong> southeast corners lead to planting<br />
beds at grade or to PVC pipes extending at grade<br />
toward the lawn. Past damage <strong>and</strong> repointing is<br />
evident in the foundation <strong>and</strong> brickwork at the<br />
southwest corner.<br />
Masonry<br />
Zinzendorf Hall has an ashlar stone foundation of<br />
local stone with narrow, gray recessed mortar joints.<br />
This has been repointed in areas with wider flush<br />
joints <strong>and</strong> whiter mortar, <strong>and</strong> a portion of the west<br />
foundation appears to have been infilled or relaid.<br />
Along the west wall is an unusual r<strong>and</strong>om stone<br />
window well with rough alternating crenellations<br />
along its top <strong>and</strong> a concrete floor below the<br />
basement windows.<br />
The frame wing’s roof drains to perimeter half-round<br />
gutters; the one on the south side was clogged with<br />
tree debris. The south vestibules drains to east <strong>and</strong><br />
west gutters <strong>and</strong> to downspouts at its inner corners<br />
that lead to grade.<br />
Figure 8-241. Zinzendorf Hall, clogged gutter <strong>and</strong> tree debris on<br />
frame ell roof (JMA 2009).<br />
Figure 8-243. Zinzendorf Hall, window well on west (JMA<br />
2009).<br />
Figure 8-242. Zinzendorf Hall, falling slate <strong>and</strong> warped gutter<br />
on southeast dormer (JMA 2009).<br />
Figure 8-244. Zinzendorf Hall, contrast between original <strong>and</strong><br />
repointed mortar joints (JMA 2009).<br />
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The brickwork on the building is dark red with<br />
red-tinted mortar laid in narrow recessed joints.<br />
Horizontal raised b<strong>and</strong>s of narrow, striated terracotta<br />
<strong>for</strong>m stringcourses at various heights on the<br />
walls. The brick on both the walls <strong>and</strong> chimneystacks<br />
has undergone several repointing ef<strong>for</strong>ts, including<br />
some with tinted mortar. One chimney on the west<br />
side appears to have been rebuilt at the top. Small<br />
areas of mortar deterioration are apparent. Paint<br />
<strong>and</strong>/or mortar spatter is visible in several places.<br />
A greenstone water table course runs around<br />
the first floor level of the south vestibule. This is<br />
spalling in several places.<br />
Wood<br />
Most of the original wood elements on the exterior<br />
are covered with aluminum or vinyl cladding,<br />
including windowsills, eaves, <strong>and</strong> the walls of the<br />
east frame wing <strong>and</strong> porch.<br />
Figure 8-246. Zinzendorf Hall, fire escape on east side (JMA<br />
2009).<br />
Figure 8-245. Zinzendorf Hall, window cladding detail (JMA<br />
2009).<br />
Other Features<br />
A historic small lantern fixture is mounted above<br />
the south vestibule doors <strong>and</strong> appears to be in<br />
fair condition, with some deterioration. A newer<br />
lantern in good condition is mounted beside the<br />
north door.<br />
A non-historic metal fire escape spans much of the<br />
east façade, <strong>and</strong> is accessible from a third-floor door<br />
<strong>and</strong> second-floor windows.<br />
Interior<br />
The first floor of Zinzendorf originally held the<br />
college refectory, which appears to have occupied<br />
the southern two-thirds of this level. The ornate<br />
south entrance vestibule, with coffered ceiling,<br />
Figure 8-247. Zinzendorf Hall, north first-floor classroom (JMA<br />
2009).<br />
paired inner <strong>and</strong> outer doors, <strong>and</strong> built-in shelves,<br />
is extant. The refectory room had elaborate<br />
wainscoting, baseboard-level heating register<br />
grilles, <strong>and</strong> bull’s-eye woodwork. This room was<br />
later subdivided to <strong>for</strong>m the current large south<br />
classroom <strong>and</strong> the office pod <strong>and</strong> hallway to the<br />
north. A second classroom at the north end of the<br />
building has plainer wainscoting; possibly this area<br />
was the servery or a secondary dining area. An<br />
original staircase at the north end of the building<br />
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leads to the upper floors. Both the second <strong>and</strong> third<br />
floors have longitudinal central corridors with<br />
numerous small rooms opening from the corridor.<br />
Historic doors <strong>and</strong> millwork are present, <strong>and</strong><br />
modern restrooms are located on the east side of<br />
each floor. Rooms on the third floor have slanted<br />
walls <strong>and</strong> dormer windows.<br />
Wall-to-wall carpeting <strong>and</strong> overhead fluorescent<br />
lighting is installed throughout the building. Old<br />
radiators <strong>and</strong> registers are extant. Woodwork<br />
throughout the building is painted white. In a<br />
number of areas, including hallway windowsills,<br />
paint is cracking <strong>and</strong> failing, revealing a varnished<br />
brown subsurface which may reflect the original<br />
finish.<br />
Figure 8-248. Zinzendorf Hall, south first-floor classroom <strong>and</strong><br />
<strong>for</strong>mer refectory space. Wall with chalkboard is later partition<br />
(JMA 2009).<br />
Figure 8-251. Original staircase looking west from second-floor<br />
l<strong>and</strong>ing (JMA 2008).<br />
Figure 8-252. Windowsill in east hallway on first floor showing<br />
paint failure (JMA 2008).<br />
Figure 8-249. Original wainscoting in south first-floor classroom<br />
<strong>and</strong> <strong>for</strong>mer refectory (JMA 2009).<br />
Figure 8-250. Cast-iron register in south first-floor classroom<br />
(JMA 2008).<br />
Figure 8-253. Windowsill in north hallway on second floor<br />
showing paint failure (JMA 2008).<br />
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Figure 8-254. Coffered ceiling in south entrance vestibule<br />
showing water damage from past leaks (JMA 2008).<br />
Current Use<br />
Zinzendorf houses two large classrooms <strong>and</strong> a pod<br />
of offices on its first floor. The second <strong>and</strong> third floors<br />
are offices belonging to the English department.<br />
Treatment<br />
It is recommended that Zinzendorf Hall receive<br />
a Rehabilitation treatment during future work.<br />
This building retains most of its original details<br />
<strong>and</strong> finishes despite earlier renovations, <strong>and</strong> it is<br />
recommended that these elements be preserved to<br />
the greatest possible extent. The building’s current<br />
use is sympathetic <strong>and</strong> this or similar uses are<br />
recommended <strong>for</strong> the future. Retention of the large<br />
<strong>for</strong>mer dining hall space, now a classroom, should<br />
be considered.<br />
Maintenance issues noted at Zinzendorf Hall<br />
include the following:<br />
• Remove vinyl siding <strong>and</strong> soffits, repair<br />
any damage to woodwork underneath <strong>and</strong><br />
maintain historic woodwork.<br />
• Do not re-point any additional brickwork<br />
with original mortar until a <strong>for</strong>mula specific<br />
to the building is developed. Evaluate areas<br />
with incompatible mortar to determine if<br />
existing mortar should be removed <strong>and</strong><br />
re-pointed.<br />
• Repair <strong>and</strong> maintain slate, <strong>and</strong> replace<br />
damaged or missing slates with compatible<br />
tiles that closely match the original.<br />
• Clean up <strong>and</strong> remove paint slop on roof<br />
slates <strong>and</strong> brickwork.<br />
• Clear <strong>and</strong> repair or replace gutters; per<strong>for</strong>m<br />
regular cleaning <strong>and</strong> maintenance.<br />
• White metal downspouts would be less<br />
obvious if they were painted or coated a<br />
darker color to blend with the exterior.<br />
• If possible, reverse unsympathetic changes<br />
such as aluminum window coverings.<br />
• Interior paint finishes are failing on a<br />
number of painted wood elements, such<br />
as windowsills <strong>and</strong> moldings, which were<br />
probably originally varnished surfaces.<br />
Repair or removal of these paint treatments<br />
is recommended.<br />
Monocacy Hall – 1913<br />
Historical Development<br />
Monocacy Hall was built in 1913 as the first<br />
designated gymnasium at <strong>Moravian</strong> <strong>College</strong> <strong>and</strong><br />
Theological Seminary. Prior to this, the college<br />
gymnasium was a space in the basement of<br />
Comenius Hall. Students of the <strong>College</strong> took the<br />
initiative to raise funds <strong>for</strong> a new gymnasium.<br />
The architect was Miles Andrews of Philadelphia,<br />
<strong>and</strong> the contractor was Forrest F. Speck. The new<br />
building was set on a <strong>for</strong>mer tennis court site <strong>and</strong><br />
was known as the Gymnasium from the time of<br />
its completion. It had basement locker rooms,<br />
recessed radiators in the walls, an upper-level oval<br />
visitor’s gallery/running track <strong>and</strong> beamed wooden<br />
truss ceiling (Weinlick 1977:21-22). It remained<br />
the primary athletic building <strong>for</strong> the college until<br />
Johnston Hall was built in 1952, followed shortly by<br />
the merger that created the coeducational <strong>Moravian</strong><br />
<strong>College</strong>.<br />
Figure 8-255. Monocacy Hall, view to southeast (JMA 2008).<br />
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Beginning in 1953, the Gymnasium was used<br />
<strong>for</strong> a variety of other purposes, which changed<br />
periodically as needs arose. It was used as a<br />
theater from 1953 to 1960. In 1960, it became the<br />
Library Annex, housing overflow materials from<br />
the outgrown Harvey Library. Following the<br />
completion of Reeves Library, the Library Annex<br />
was converted from a library to the Psychology<br />
Department in 1967. At this point it was renamed<br />
Monocacy Hall, in honor of the adjacent Monocacy<br />
Street. Monocacy Hall remained the home of the<br />
Psychology Department until 2004, when it was<br />
renovated once again to house offices <strong>for</strong> the dean,<br />
registrar, <strong>and</strong> multicultural affairs (Schamberger<br />
2008).<br />
Signifi cance<br />
Monocacy Hall is the first purpose-built gymnasium<br />
on the North Main Street campus <strong>and</strong> served as<br />
such <strong>for</strong> 40 years. Architecturally, it is an example<br />
of a Dutch Colonial Revival campus athletic facility<br />
of its era, which is somewhat unusual in a period<br />
where classical/Georgian Colonial Revival was<br />
prevalent <strong>for</strong> such buildings. However, Monocacy<br />
Hall is not overly distinctive, <strong>and</strong> the south atrium<br />
addition <strong>and</strong> unsympathetic alterations to the<br />
windows have resulted in significant loss of exterior<br />
integrity. Renovation of the interior <strong>for</strong> alternate<br />
uses has eliminated the primary large gymnasium<br />
space, <strong>and</strong> little historic fabric remains visible.<br />
Integrity<br />
A considerable amount of the historic architectural<br />
integrity at Monocacy Hall has been compromised<br />
by newer alterations. The building retains moderate<br />
integrity on the exterior, with changes including<br />
replacements <strong>and</strong> alterations of the original<br />
windows <strong>and</strong> the addition of a modern atrium<br />
on its south end. Its interior has been renovated<br />
multiple times <strong>and</strong> a second floor was added in the<br />
original full-height gymnasium space. The original<br />
ceiling, dormers, <strong>and</strong> roof trusses are visible from<br />
the open upper-level office space, but the interior<br />
otherwise lacks historic fabric.<br />
Condition<br />
Summary<br />
Figure 8-256. Monocacy Hall, view to east (JMA 2008).<br />
Monocacy Hall is a two-story oblong red brick<br />
building with a raised basement. It has an asphaltshingled<br />
Dutch Colonial gambrel roof with small<br />
shed dormers, but otherwise features symmetrical<br />
Colonial Revival details. Its north <strong>and</strong> south ends<br />
contain the major entrances <strong>and</strong> are considered<br />
to be the primary façades. Its long sides are five<br />
bays long with double-height, round-arched<br />
Figure 8-257. Monocacy Hall, view to north showing 2004 south<br />
atrium (JMA 2009).<br />
Figure 8-258. Monocacy Hall, view to west-northwest (JMA<br />
2009).<br />
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window bays. These bays have been replaced with<br />
modern casement windows <strong>and</strong> center infill panels<br />
corresponding to a newer second floor inside. The<br />
north end of the building has a one-story portico<br />
with Doric columns sheltering a modernized<br />
entrance. The south end of the building has been<br />
fully covered by a two-story, flat-roofed 2004 atrium<br />
addition, which was designed to be compatible with<br />
the rest of the building <strong>and</strong> has a portico entrance<br />
similar to the one at the north end.<br />
been infilled with colored <strong>and</strong> textured concrete<br />
stucco. The original wood casement windows<br />
are still intact in existing basement window wells<br />
although most wells were filled in <strong>and</strong> the windows<br />
removed. A new entrance was created on the east<br />
elevation by cutting <strong>and</strong> opening with a masonry<br />
saw. An incompatible steel door was installed <strong>and</strong><br />
the brickwork in the door opening remains in an<br />
unfinished condition.<br />
Additions<br />
A large new addition was made in 2004 on the<br />
south end of Monocacy Hall to install an elevator<br />
<strong>and</strong> create an accessible entrance to the building.<br />
This entailed adding a two-story entrance atrium<br />
with a ground-floor lobby that is open to the top.<br />
The small lobby contains an elevator on one side<br />
<strong>and</strong> an open staircase on the other side. The original<br />
south brick wall of the gymnasium is exposed <strong>and</strong><br />
two of its arched window openings now provide<br />
an overlook from the upper stairwell down into the<br />
lobby.<br />
Windows, Doors <strong>and</strong> Fenestration<br />
In the adaptive use conversion completed in 2004,<br />
a second floor was added to the interior of the<br />
building. Although the original window openings<br />
were retained, new casement windows, frames<br />
<strong>and</strong> sills were installed. A panel was added in<br />
the middle of window openings to separate first<br />
floor from second floor windows. Due to the flat<br />
single-pane glazing with simulated muntins, most<br />
of the original depth of reveal on the windows has<br />
been lost. On the north end of the building the<br />
lower half of two original window openings has<br />
Figure 8-260. Monocacy Hall, east side, typical window (JMA<br />
2009).<br />
Figure 8-259. Monocacy Hall atrium entrance, view to northeast<br />
(JMA 2009).<br />
Figure 8-261. Monocacy Hall, east side, typical dormer (JMA<br />
2009).<br />
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Roofi ng <strong>and</strong> Drainage<br />
Monocacy Hall has a gambrel roof that was, until<br />
recently, clad in local slate. Roofing material was<br />
replaced with a composite asphalt shingle during<br />
the 2004 remodeling.<br />
The building has roof drainage issues similar to those<br />
seen on other historic buildings on campus. The<br />
galvanized gutters are substantially deteriorated<br />
<strong>and</strong> should be replaced. Ground drains are either<br />
non-existent or ab<strong>and</strong>oned because of blockage.<br />
Currently large-diameter PVC is used as drain<br />
pipes to direct water away from the building’s<br />
foundation. The following guidelines should be<br />
used <strong>for</strong> roof drainage issues: Existing galvanized<br />
gutters <strong>and</strong> downspouts should be replaced. The<br />
large-diameter PVC drainage pipes should be<br />
viewed as a short term solution only--a plan must be<br />
developed to comprehensively address <strong>and</strong> resolve<br />
storm water issues on a campus-wide basis.<br />
Masonry<br />
The building’s exterior walls are brick. Unlike<br />
the other historic masonry buildings on campus,<br />
almost no re-pointing work has been completed.<br />
However, lower courses of brickwork have<br />
deteriorating mortar joints <strong>and</strong> need re-pointing.<br />
The composition of the original mortar should be<br />
tested <strong>and</strong> a <strong>for</strong>mula developed <strong>for</strong> a compatible<br />
match. Care should be taken in hiring a qualified<br />
mason to per<strong>for</strong>m the re-pointing work.<br />
Wood<br />
Much of the exterior trim on Monocacy Hall is<br />
wood. There are places on the building’s exterior<br />
woodwork that require some carpentry work,<br />
specifically on the soffits <strong>and</strong> north entrance<br />
portico. Also, the north portico is separating from<br />
the masonry wall <strong>and</strong> the flashing is failing. It<br />
appears that an active bird nest is located where the<br />
gutter penetrates the portico on the wall. As always<br />
required with exposed wood surfaces, periodic<br />
maintenance includes proper removal of loose<br />
paint, sealing, priming <strong>and</strong> painting.<br />
Figure 8-262. Monocacy Hall, downspout <strong>and</strong> PVC pipe at<br />
southwest corner, some damage to masonry (JMA 2009).<br />
Figure 8-264. Monocacy Hall, north entrance portico (JMA<br />
2009).<br />
Other Features<br />
No distinctive additional features were identified.<br />
Interior<br />
Figure 8-263. Monocacy Hall, areaway at northwest showing<br />
PVC drainpipes at rear (JMA 2009).<br />
The interior of Monocacy Hall bears little<br />
resemblance to its original appearance. The original<br />
interior was open to the ceiling with exposed<br />
trusswork, full-height windows, <strong>and</strong> an upperlevel<br />
track/spectator’s gallery around the perimeter.<br />
It was later used as a theater, a library annex, <strong>and</strong><br />
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office space. Conversion of the building <strong>for</strong> newer<br />
uses entailed the construction of a full second floor,<br />
reuse of the basement level, <strong>and</strong> partitioning of the<br />
original space. The interior is now fully renovated<br />
<strong>and</strong> modernized as an office building.<br />
The basement <strong>and</strong> first floor are arranged with<br />
lengthwise corridors opening into various offices.<br />
The loft-like second-floor registrar’s office has a<br />
mostly open layout with low cubicle partitions <strong>and</strong><br />
is open to the original ceiling. The historic ceiling,<br />
dormers, <strong>and</strong> trusses are exposed, along with newer<br />
industrial ducts.<br />
A modern atrium lobby at the south end of the<br />
building was constructed to make Monocacy<br />
Hall fully accessible, <strong>and</strong> includes modern stairs<br />
<strong>and</strong> a new elevator serving the three levels in the<br />
building. The atrium preserves <strong>and</strong> exposes the<br />
original brick south wall of the building, including<br />
original fenestration.<br />
Current Use<br />
Monocacy Hall contains offices <strong>for</strong> <strong>Moravian</strong>’s<br />
dean, registrar, <strong>and</strong> multicultural affairs program.<br />
Treatment<br />
Monocacy Hall has already been adaptively reused<br />
<strong>and</strong> renovated. It is recommended that it receive<br />
Figure 8-265. Monocacy Hall, atrium, showing exposed original<br />
south wall (JMA 2008).<br />
Figure 8-267. Monocacy Hall, second floor open office, exposed<br />
original ceiling <strong>and</strong> trusswork (JMA 2009).<br />
Figure 8-266. Monocacy Hall, second floor open office, view to<br />
west (JMA 2009).<br />
Figure 8-268. Monocacy Hall, first floor, showing typical<br />
renovated conditions (JMA 2009).<br />
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a Rehabilitation treatment when future work is<br />
considered, <strong>and</strong> that preservation of its remaining<br />
historic exterior materials <strong>and</strong> exposed interior<br />
ceiling area be made a priority.<br />
Maintenance issues at Monocacy Hall include:<br />
• Replace rusted out, galvanized half-round<br />
gutters <strong>and</strong> downspouts.<br />
• Re-nail <strong>and</strong> tighten up cornice trim on shed<br />
dormers.<br />
• Seal or reset soffit boards.<br />
• Shore up portico to masonry wall <strong>and</strong><br />
repair flashing.<br />
• Re-point brickwork especially on lower<br />
courses (develop mortar <strong>for</strong>mula specific<br />
to building).<br />
Figure 8-270. Memorial Hall, view to southeast (JMA 2008).<br />
Memorial Hall – 1923<br />
Historical Development<br />
Memorial Science Hall was built in 1923 as the<br />
college’s first dedicated science building, <strong>and</strong> was<br />
named to honor <strong>Moravian</strong>s who served in the<br />
armed <strong>for</strong>ces. It housed modern laboratories <strong>and</strong><br />
classrooms <strong>for</strong> biology, chemistry, <strong>and</strong> physics<br />
classes, <strong>and</strong> continued to be used as the science<br />
building until 1971, when Collier Hall of Science<br />
was built across Locust Street. Today it houses<br />
classrooms, a computer lab, <strong>and</strong> the campus media<br />
center.<br />
Signifi cance<br />
Memorial Hall is an example of an early twentieth<br />
century Georgian Colonial Revival academic<br />
building. It was the first campus building purposely<br />
built <strong>for</strong> a single discipline.<br />
Figure 8-271. Memorial Hall, view to northeast (JMA 2009).<br />
Integrity<br />
The exterior of Memorial Hall is largely intact <strong>and</strong><br />
possesses a high level of integrity. The interior,<br />
which was likely austere to begin with, retains little<br />
historic fabric aside from windows <strong>and</strong> window<br />
molding. Modern renovations have modified the<br />
floor plan <strong>and</strong> finishes of the interior, leaving little<br />
historic integrity.<br />
Condition<br />
Summary<br />
Figure 8-269. Memorial Hall, view to south (JMA 2009).<br />
Memorial Hall is a three-story rectangular-plan<br />
brick building with symmetrical fenestration, a<br />
side-gabled gambrel roof with gabled end parapets<br />
<strong>and</strong> mock double end chimneys, oversized gabled<br />
dormers <strong>and</strong> excellent Georgian Colonial Revival<br />
architectural detail. Its exterior is one of the<br />
least modified <strong>and</strong> better preserved on campus.<br />
Structurally, the building appears sound, with<br />
only a few hairline cracks observed in the brick<br />
masonry.<br />
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course of operations, it is determined that a historic<br />
window or door is no longer needed as a matter<br />
of interior function <strong>and</strong> use, the appearance of<br />
the window or door should be maintained on the<br />
exterior. No additional door or window openings<br />
should be infilled.<br />
It appears that Memorial Hall retains most, if not all,<br />
of its original windows. During inspection several<br />
windows were observed that require reglazing <strong>and</strong><br />
repainting. The college is strongly encouraged to<br />
maintain these historic windows <strong>and</strong> adopt the<br />
recommendations <strong>and</strong> guidelines summarized in<br />
the Key <strong>Preservation</strong> Issues section of this report.<br />
Figure 8-272. Memorial Hall, view to northwest (JMA 2009).<br />
Additions<br />
Memorial Hall does not have any additions.<br />
Windows, Doors <strong>and</strong> Fenestration<br />
The overall historic fenestration of the building<br />
is intact. One window on the west elevation has<br />
been infilled over the years. If, during the normal<br />
One of the important features of the Georgian<br />
Colonial Revival architectural style is a main<br />
entrance door flanked by sidelights <strong>and</strong> topped<br />
by a fanlight window. Un<strong>for</strong>tunately, the original<br />
entrance doors have been replaced with modern,<br />
steel fire doors painted a bright blue. Consideration<br />
should be given <strong>for</strong> the eventual replacement of<br />
these doors with new doors that meet the same<br />
code requirements, but are more decorative in<br />
detail. A solid door with four or six beveled panels<br />
is traditional <strong>for</strong> the Colonial Revival style. Also,<br />
door hardware should be selected that suggests the<br />
appearance of traditional, patinated metals rather<br />
than a bright, anodized finish.<br />
Roofi ng <strong>and</strong> Drainage<br />
Figure 8-273. Memorial Hall, north entrance <strong>and</strong> portico (JMA<br />
2009).<br />
Figure 8-274. Memorial Hall, typical window (JMA 2009).<br />
Memorial Hall has a gambrel roof of which the<br />
upper slopes are at a pitch <strong>and</strong> angle that cannot<br />
be observed from the ground. The lower slopes are<br />
clad in local slate. Some of the slates appear to be<br />
loose or missing on the south elevation. Flashing<br />
is intact <strong>and</strong> appears to be of an appropriate color<br />
<strong>and</strong> material. Any future roof work needed <strong>for</strong><br />
the building should follow the recommendations<br />
<strong>and</strong> guidelines summarized in the Key <strong>Preservation</strong><br />
Issues section of this report.<br />
Memorial Hall has roof drainage issues similar to<br />
other historic buildings on campus. The historic<br />
copper leader heads <strong>and</strong> square downspouts are<br />
still in place on the four corners of the building.<br />
The original gutters integrated into the soffit are<br />
no longer used <strong>and</strong> have been blocked off. External<br />
half-round gutters are now attached to the eaves.<br />
Only one ground drain is used. For the downspout<br />
with a blocked drain a large-diameter PVC pipe<br />
is used to direct water away from the building’s<br />
foundation. The following guidelines should be<br />
used <strong>for</strong> roof drainage issues: A historic roofing<br />
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Figure 8-275. Memorial Hall, original copper downspout at<br />
northeast corner (JMA 2009).<br />
Figure 8-277. Memorial Hall, detail of dormer flashing <strong>and</strong><br />
roofing (JMA 2009).<br />
PVC drainage pipe should be viewed as a short<br />
term solution only--a plan must be developed to<br />
comprehensively address <strong>and</strong> resolve storm water<br />
issues on a campus-wide basis.<br />
Masonry<br />
The building’s exterior walls are brick with some<br />
trim made of cast stone. The re-pointing issue as<br />
outlined in the Key <strong>Preservation</strong> Issues section of this<br />
report is applicable to Memorial. Sections of wall<br />
on the building have been re-pointed on various<br />
occasions with inconsistent work quality <strong>and</strong> use<br />
of incompatible mortars. The mortar originally<br />
used on this building is distinctive in composition,<br />
aggregate, tooling, color <strong>and</strong> appearance.<br />
Un<strong>for</strong>tunately, much of it has been covered up or<br />
destroyed by later re-pointing work. In regards to<br />
masonry damage there are areas near the north<br />
<strong>and</strong> south entrances where the concrete trim on the<br />
water table course is fractured. On the west elevation<br />
Figure 8-276. Memorial Hall, Palladian-style dormers on south<br />
roof slope (JMA 2009).<br />
expert should be consulted to determine if the<br />
original integrated gutters can be reopened without<br />
damage to the roof or building. The existing copper<br />
leader heads <strong>and</strong> downspouts should be retained<br />
as long as they function effectively even with<br />
dents <strong>and</strong> other minor damage. If replacement<br />
is eventually required the new material should<br />
be copper with the same dimension, shape <strong>and</strong><br />
appearance as the original. The large-diameter<br />
Figure 8-278. Memorial Hall, east wall masonry showing cast<br />
concrete sills, concrete foundation, discolored brick along lower<br />
courses (JMA 2009).<br />
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of the building there is some white staining where<br />
something is leaching from the mortar. Although<br />
not a major problem, testing <strong>and</strong> analysis might be<br />
necessary to determine the cause <strong>and</strong> source.<br />
Interior<br />
Memorial Hall’s interior has been almost fully<br />
modernized with an elevator, reconfiguration of<br />
the first-floor plan, <strong>and</strong> updated classrooms <strong>and</strong><br />
hallway spaces. It has a central hall plan with one<br />
or two large classrooms on either side. A computer<br />
lab <strong>and</strong> media center occupy most of the first<br />
floor. A fireproof interior stairwell appears to be<br />
relatively modern, <strong>and</strong> the original stairway is<br />
not extant. A few original doorway openings with<br />
1920s molding are extant in a first-floor hallway,<br />
Figure 8-279. Memorial Hall, east wall, example of repointing<br />
(JMA 2009).<br />
Figure 8-281. Memorial Hall, first floor main center hall, showing<br />
elevator <strong>and</strong> newer jog <strong>for</strong> fireproof stairwell, view to southeast<br />
(JMA 2008).<br />
Figure 8-280. Memorial Hall, east wall, another example of<br />
repointing (JMA 2009).<br />
Wood<br />
Most of the exterior trim on Memorial Hall is wood<br />
<strong>and</strong> includes the frame dormers, dentiled frieze<br />
board <strong>and</strong> cornice, the single story entrance porticos<br />
on the north <strong>and</strong> south facades, <strong>and</strong> windows with<br />
frames. There are places on the building’s exterior<br />
woodwork that require some minor carpentry work,<br />
specifically on some of the frame dormers <strong>and</strong> the<br />
column/pilaster bases on the south entrance portico.<br />
As always required with exposed wood surfaces,<br />
periodic maintenance includes proper removal of<br />
loose paint, sealing, priming <strong>and</strong> painting.<br />
Other Features<br />
Memorial Hall has original copper downspouts<br />
on its four corners. A small metal plaque on the<br />
north façade of the building commemorates its<br />
construction in memory of alumni who served in<br />
the military.<br />
Figure 8-282. Memorial Hall, first floor side hall showing original<br />
doorframes with replaced doors, view to east (JMA 2008).<br />
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<strong>and</strong> original plastered wall surfaces, windows, <strong>and</strong><br />
plain window moldings survive throughout the<br />
building. It appears that the original interior was<br />
relatively utilitarian in character to begin with,<br />
but if Memorial Hall’s interior once possessed any<br />
distinctive elements, none has survived.<br />
Water damage <strong>and</strong> stains from roof leaks were<br />
noted on the slanted wall in the southeast corner<br />
classroom on the third floor. The interior otherwise<br />
appears to be in good condition.<br />
There do not appear to be any major issues or<br />
concerns regarding the installation or upgrade of<br />
building systems in Memorial Hall. When systems<br />
such as electrical, plumbing, HVAC <strong>and</strong> fire<br />
suppression are upgraded in the future, the work<br />
should be conducted in a manner that is compatible<br />
<strong>and</strong> sensitive to the building’s architectural character<br />
<strong>and</strong> historic fabric both inside <strong>and</strong> out.<br />
Figure 8-283. Memorial Hall, large third floor west classroom,<br />
showing typical conditions (JMA 2009).<br />
Current Use<br />
Memorial Hall is currently used as classrooms, a<br />
computer lab, <strong>and</strong> a media center.<br />
Treatment<br />
It is recommended that the interior of Memorial<br />
Hall receive a Rehabilitation treatment, preserving<br />
remaining historic materials while allowing<br />
updates <strong>and</strong> new uses as needed. With one of<br />
the least modified exteriors on a historic building<br />
at <strong>Moravian</strong> <strong>and</strong> a fine example of the Georgian<br />
Colonial Revival architectural style, a <strong>Preservation</strong><br />
treatment is recommended <strong>for</strong> the exterior.<br />
Maintenance issues noted at Memorial Hall<br />
include:<br />
• Grind out <strong>and</strong> re-point joints in areas with<br />
incompatible mortar.<br />
• Repair <strong>and</strong> reset loose roof slates.<br />
• Reglaze <strong>and</strong> repaint window sashes.<br />
• Reopen original gutters <strong>and</strong> reconnect to<br />
existing copper leader heads.<br />
• Conduct minor carpentry repairs.<br />
• Scrape, seal, prime <strong>and</strong> paint areas needing<br />
touch up.<br />
• Water stains in the southeast third-floor<br />
room indicate past or present roof leaks.<br />
The roof should be repaired <strong>and</strong> the interior<br />
plaster <strong>and</strong> paint repaired subsequently.<br />
Figure 8-284. Memorial Hall, small third floor southeast<br />
classroom, showing typical conditions (JMA 2008).<br />
Figure 8-285. Memorial Hall, third floor southeast classroom,<br />
showing water damage on slanted upper wall (JMA 2008).<br />
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Johnston Hall – 1952<br />
Historical Development<br />
Johnston Hall was built in 1952 as a modern<br />
new field house <strong>for</strong> athletics <strong>and</strong> large events. Its<br />
architect was the Trautwein <strong>and</strong> Howard firm of<br />
Philadelphia, which went on to design numerous<br />
additional buildings on campus. Johnston Hall’s<br />
central gymnasium was designed to seat 2,400<br />
people <strong>for</strong> games <strong>and</strong> events, <strong>and</strong> auxiliary rooms<br />
<strong>and</strong> facilities were included around the sides. It<br />
was initially known as <strong>College</strong> Hall, but the name<br />
was changed in 1958 to Archibald Johnston Hall.<br />
This change was in memory of Archibald Johnston,<br />
first mayor of the incorporated City of Bethlehem,<br />
a Bethlehem Steel executive, <strong>and</strong> a longtime trustee<br />
of <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary<br />
(Weinlick 1977:85). The building has a sweeping<br />
modernist horizontal character with its low-pitched<br />
roof, horizontal b<strong>and</strong>s of windows, <strong>and</strong> deep eaves.<br />
However, it also incorporates details reminiscent<br />
of the eighteenth-century <strong>Moravian</strong> buildings<br />
downtown, such as stone veneer exterior walls <strong>and</strong><br />
simulated buttresses.<br />
Over its lifespan, Johnston Hall has hosted countless<br />
athletic competitions <strong>and</strong> serves as the primary<br />
venue <strong>for</strong> <strong>Moravian</strong> <strong>College</strong>’s indoor physical<br />
education programs <strong>and</strong> teams. Large convocations,<br />
banquets, concerts, <strong>and</strong> other <strong>College</strong> events have<br />
utilized the building, <strong>and</strong> various local community<br />
institutions have hosted events <strong>and</strong> recreation<br />
programs there as well (<strong>Moravian</strong> <strong>College</strong> n.d.).<br />
Signifi cance<br />
Johnston Hall is an example of a mid-twentiethcentury<br />
field house. It was the first new athletic<br />
facility constructed on the North Main Street<br />
campus after the Gymnasium was built in 1913. It<br />
is the <strong>College</strong>’s largest interior space <strong>and</strong> provides<br />
a diverse range of amenities, making the building<br />
suitable <strong>for</strong> athletics, educational presentations,<br />
ceremonies, concerts, <strong>and</strong> social events.<br />
Integrity<br />
Johnston Hall is in nearly original condition. Small<br />
changes include newer doors <strong>and</strong> some interior<br />
retrofitting, but otherwise the building has a high<br />
level of integrity.<br />
Figure 8-286. Johnston Hall, west side, view to north (JMA<br />
2009).<br />
Figure 8-288. Johnston Hall, south front, view to northwest<br />
(JMA 2009).<br />
Figure 8-287. Johnston Hall, south front, view to northeast (JMA<br />
2009).<br />
Figure 8-289. Johnston Hall, east side, view to northwest (JMA<br />
2009).<br />
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Figure 8-290. Johnston Hall, north rear, view to southeast (JMA<br />
2009).<br />
Figure 8-291. Johnston Hall, south front entrance (JMA 2009).<br />
Condition<br />
Summary<br />
Johnston Hall is a large one-story concrete-block<br />
building with an interior steel infrastructure <strong>and</strong><br />
trussed roof. It faces south toward the athletic field<br />
<strong>and</strong> Breidegam Field House is appended to its west<br />
side with a one-story hyphen. Johnston Hall has a<br />
sweeping low-pitched metal roof <strong>and</strong> horizontal<br />
massing. The exterior is clad in local stone veneer.<br />
Small stone buttresses are set at regular intervals<br />
along the facades, <strong>and</strong> multiple tunnel-like<br />
entrances are inset into shed-roofed extensions<br />
of the roof flanked by stone sides. Between the<br />
buttresses are horizontal b<strong>and</strong>s of multiple-light<br />
industrial steel windows, divided at intervals by<br />
small brick veneer sections. At the north (rear) side<br />
of the building is a loading dock area. Overall the<br />
building is in excellent condition.<br />
Additions<br />
Breidegam Field House was appended to the west<br />
side of Johnston Hall in 1991.<br />
Doors <strong>and</strong> Fenestration<br />
The main (south) entrance to Johnston Hall consists<br />
of five pairs of security-glazed steel doors, set<br />
within a broad entrance overhang with stone sides.<br />
Two entrances on the east side <strong>and</strong> one on the west<br />
side are similar but have three pairs of doors.<br />
All of the windows are set within horizontal spaces<br />
above the stone sides <strong>and</strong> between buttresses. The<br />
windows are nine-light steel fixed windows with<br />
operable lower panels. Most are arranged in pairs.<br />
Figure 8-292. Johnston Hall, typical window unit, some paint<br />
peeling on cornice (JMA 2009).<br />
Brick veneer areas separate windows <strong>and</strong> window<br />
pairs from one another. The windows appear to be<br />
in good condition. Individual air conditioners have<br />
been installed in the lower panels of several.<br />
Roofi ng <strong>and</strong> Drainage<br />
Johnston Hall has a broad, low-pitched roof<br />
which is gabled at the center <strong>and</strong> hipped around<br />
the perimeter. The roof is clad in modern<br />
st<strong>and</strong>ing-seam metal <strong>and</strong> appears to be new <strong>and</strong><br />
in good condition. The exposed gable ends are<br />
also clad in modern vertical metal cladding. The<br />
roof drains to box gutters around the perimeter.<br />
Numerous downspouts at regular intervals drain to<br />
underground drains. No problems were observed<br />
with the gutters <strong>and</strong> downspouts.<br />
Masonry<br />
The walls <strong>and</strong> entrances of Johnston Hall are clad<br />
with variegated gray <strong>and</strong> brown South Mountain<br />
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stone, with ashlar blocks of varying size laid in<br />
irregular courses <strong>and</strong> pointed with recessed flat<br />
joints <strong>and</strong> gray cement mortar. Mock buttresses are<br />
located flanking each corner <strong>and</strong> at regular intervals<br />
along the walls on each side, <strong>and</strong> entrances are<br />
flanked by stone-faced side walls. As with other<br />
campus buildings, the stone exhibits rusty staining<br />
from the contact between water <strong>and</strong> minerals in the<br />
stone. The mortar joints are in good condition <strong>and</strong><br />
no problems were noted.<br />
are set on the concrete caps of the low wing walls<br />
flanking the entrance doors. The greyhounds have<br />
a minimal amount of rust at their bases, but both<br />
are otherwise in good condition.<br />
Interior<br />
Johnston Hall has a massive central gymnasium,<br />
which is sized <strong>for</strong> three basketball courts, plus<br />
large bleachers that seat 1,800 spectators. The<br />
truss ceiling with fiberglass paneling is visible <strong>and</strong><br />
original bleachers are intact. The primary entrance<br />
at the south end leads to a central lobby, which<br />
provides access to east <strong>and</strong> west hallways. The<br />
lobby has a marble-tiled floor, oak display cases,<br />
<strong>and</strong> a curved back wall. Approximately 23 smaller<br />
rooms are located in the low-roofed, windowed<br />
spaces around the perimeter of the gymnasium.<br />
These include restrooms, offices, locker rooms,<br />
dressing rooms, a h<strong>and</strong>ball court, storage room,<br />
<strong>and</strong> a kitchen (<strong>Moravian</strong> <strong>College</strong> n.d.). The interior<br />
is largely in original condition.<br />
Current Use<br />
Figure 8-293. Johnston Hall, southeast corner, buttresses <strong>and</strong><br />
typical staining (JMA 2009).<br />
Johnston Hall is currently used as an athletic facility<br />
<strong>and</strong> event venue. This use has been continuous<br />
since it opened in 1952.<br />
Wood<br />
Wood elements on the exterior consist mainly of<br />
the roof cornice, which generally needs some paint<br />
touchups. The east cornice has some mildew.<br />
Other Features<br />
The front entrance is flanked by painted cast-iron<br />
greyhound statues, dating from the 1950s when the<br />
college adopted the greyhound as its mascot. These<br />
Figure 8-294. Johnston Hall, south front, greyhound statues<br />
(JMA 2009). Figure 8-295. Unveiling of new greyhound statues (JMA 2009).<br />
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Treatment<br />
It is recommended that Johnston Hall receive a<br />
Rehabilitation treatment. While it is unlikely that<br />
its overall use will change, historic materials on the<br />
exterior should be retained, particularly the original<br />
windows. Historic fabric of the interior, particularly<br />
in prominent areas like the lobby, should also be<br />
retained, but other updates to make the building<br />
more functional <strong>and</strong> com<strong>for</strong>table will likely incur<br />
little effect, given its existing utilitarian character.<br />
Colonial Hall – 1930<br />
Historical Development<br />
Colonial Hall was built in 1930 as a two-part<br />
building complex, consisting of two oblong, nearly<br />
identical buildings set perpendicular to one another<br />
<strong>and</strong> <strong>for</strong>ming two sides of a quadrangle. The east<br />
building, set parallel to Main Street <strong>and</strong> known<br />
as Colonial Hall, was originally a dormitory <strong>for</strong><br />
the college, <strong>and</strong> the perpendicular west building<br />
housed the <strong>Moravian</strong> Church Archives <strong>and</strong> was<br />
known as the Archives Building. Original plans<br />
called <strong>for</strong> a third building on the south, parallel to<br />
the Archives Building, to complete the quadrangle,<br />
but this was never built. A one-story gateway with a<br />
college sign was built between the inner corners of<br />
the two buildings <strong>and</strong> became a common backdrop<br />
<strong>for</strong> photos of the campus.<br />
Over time, use of Colonial Hall shifted until the<br />
entire space was used <strong>for</strong> administrative offices.<br />
A basement room was converted to a classroom<br />
<strong>for</strong> engineering in 1956. The first <strong>and</strong> second<br />
floors became offices in 1960 <strong>and</strong> air conditioning<br />
was installed. The dormitory rooms on the third<br />
floor continued to house female students during<br />
the next three years, but then were converted to<br />
offices (Schamberger 2008, pers. comm.;Weinlick<br />
1977:105,109). The Archives Building was redone as<br />
offices after the <strong>Moravian</strong> Church Archives moved<br />
to its current building nearby in 1977 (Schamberger<br />
2008, pers. comm.). At this point, the two buildings<br />
became collectively known as Colonial Hall.<br />
Figure 8-296. Colonial Hall, general view to northeast (JMA<br />
2008).<br />
Figure 8-298. Colonial Hall, <strong>for</strong>mer Dormitory, front view to east<br />
(JMA 2009).<br />
Figure 8-297. Colonial Hall, <strong>for</strong>mer Archives Building, view to<br />
northeast (JMA 2008).<br />
Figure 8-299. Colonial Hall, <strong>for</strong>mer Dormitory, side view to<br />
north (JMA 2008).<br />
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In 2002, the two buildings were connected with<br />
a two-story corner hyphen addition, which<br />
eliminated the gateway but added an elevator <strong>and</strong><br />
direct connections between the buildings on both<br />
floors. A new ADA-accessible corner entrance <strong>and</strong><br />
round terrace was created as the entrance to the<br />
Admissions Office.<br />
Integrity<br />
The exterior of Colonial Hall is largely intact <strong>and</strong><br />
possesses a high level of integrity. The interior has<br />
been fully renovated <strong>and</strong> exhibits comparatively<br />
little historic fabric, aside from overall layout on<br />
the dormitory floors. The <strong>for</strong>mer archive building’s<br />
original open two-story library space has been<br />
eliminated, <strong>and</strong> its first <strong>and</strong> second floors were<br />
infilled with a layout similar to the dormitory<br />
floors. Both buildings had relatively austere <strong>and</strong><br />
utilitarian original interiors, meaning there are few<br />
distinctive elements to preserve.<br />
The 2002 connecting hyphen is brick <strong>and</strong> <strong>for</strong>ms<br />
a successful compatible addition to the overall<br />
complex. While new, it does not detract from the<br />
historic appearance <strong>and</strong> design of the two wings,<br />
<strong>and</strong> actually complements the original buildings. Its<br />
continuous roofline <strong>and</strong> reuse of the arched gateway<br />
helps it blend into the overall composition.<br />
Figure 8-300. Colonial Hall, <strong>for</strong>mer Dormitory, rear view to<br />
southwest (JMA 2008).<br />
Figure 8-302. The Bell House on Church Street, inspiration <strong>for</strong><br />
Colonial Hall (<strong>Moravian</strong> Church Archives).<br />
Figure 8-301. Colonial Hall, <strong>for</strong>mer Archives Building, side view<br />
to east (JMA 2008).<br />
Signifi cance<br />
Colonial Hall is a 1920s interpretation of the early<br />
Germanic architecture of Bethlehem, combining<br />
up-to-date dormitory <strong>and</strong> archive facilities with<br />
vernacular German architectural details such as<br />
stone walls, arched brick window lintels, pent<br />
roofs, <strong>and</strong> operable wood shutters. Physically, it<br />
provides a simpler counterpart to Comenius Hall<br />
across the street.<br />
Figure 8-303. Colonial Hall, completed Dormitory ca. 1930<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
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slate-clad gambrel roofs, gabled dormers on the<br />
third floor, round windows in the attic gables at the<br />
exposed ends, six-over-six original double-hung<br />
wood windows with shutters, single stone end<br />
nonfunctional chimneys, <strong>and</strong> simple ogee-molded<br />
cornices. Each building’s exposed gable end has a<br />
center third-floor window flanked by fixed round<br />
windows, <strong>and</strong> a semicircular vent in the shallow<br />
attic above.<br />
Figure 8-304. Colonial Hall, postcard image of both buildings ca.<br />
1950 (<strong>Moravian</strong> <strong>College</strong> Archives).<br />
The east wing, <strong>for</strong>merly a dormitory, faces west <strong>and</strong><br />
is seven bays long <strong>and</strong> three bays deep. Its roof has<br />
a large, octagonal belvedere with balustrades <strong>and</strong><br />
a west-facing inset clock, a square, copper-roofed,<br />
windowed cupola, <strong>and</strong> a weathervane. A gabled<br />
entrance porch on the west front has full gable<br />
returns, stone sides, <strong>and</strong> a slate floor.<br />
The west wing faces south <strong>and</strong> is five bays long<br />
<strong>and</strong> three bays deep. Its south (front) courtyard<br />
entrance is sheltered by a short pent roof section at<br />
the center. Another pent roof section is on the north<br />
(rear) façade, where there is a street entrance.<br />
Additions<br />
A connecting section was added in 2002 to unite<br />
the two buildings. The new section shares the same<br />
roof profile <strong>and</strong> overall depth, but is constructed<br />
with brick veneer. It has modern six-over-six fixed<br />
windows. The front of the addition is canted to face<br />
the front courtyard, <strong>and</strong> employs a stone segmental<br />
arch <strong>for</strong>ming a connection between the two original<br />
wings. The addition has exposed cross-gable end<br />
façades on the east <strong>and</strong> north sides, which are<br />
conjectural extensions of the original buildings’<br />
gable ends. The brick ends have gable parapets,<br />
round third floor windows, semicircular attic vents,<br />
Figure 8-305. Colonial Hall, postcard image of gateway ca. 1950<br />
(<strong>Moravian</strong> <strong>College</strong> Archives).<br />
Condition<br />
Summary<br />
Colonial Hall is a three-<strong>and</strong>-one-half-story<br />
building, set on a slope with its basement exposed<br />
at the rear (east side). Originally constructed as two<br />
perpendicular buildings, it has been combined with<br />
an addition into a single one. Both buildings have<br />
Figure 8-306. Colonial Hall, 2002 corner addition, view of <strong>for</strong>mer<br />
gateway to northeast (JMA 2008).<br />
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<strong>and</strong> paired chimneys similar to those on Memorial<br />
Hall. The east gable has a two-story copper-faced<br />
oriel window at the center <strong>and</strong> a basement-level<br />
modern entrance. The addition overall is in good<br />
condition. ADA access is provided from the<br />
courtyard at the front to the first floor, <strong>and</strong> from the<br />
rear of the basement. An elevator in the addition<br />
provides access to all floors.<br />
Figure 8-308. Colonial Hall, east building, west entrance (JMA<br />
2008).<br />
on the east side at the bottom of the north end<br />
stairwell.<br />
Figure 8-307. Colonial Hall, 2002 corner addition, view from<br />
rear to west (JMA 2008).<br />
Doors <strong>and</strong> Fenestration<br />
Colonial Hall retains its original doors <strong>and</strong><br />
windows. Each wing has a central door facing the<br />
courtyard <strong>and</strong> a single door on the far end. The<br />
west wing has a second main entrance facing north<br />
toward Elizabeth St.<br />
The east wing’s main door faces west <strong>and</strong> is set<br />
within a gabled closed entry porch. The door is<br />
raised about six inches from the porch floor <strong>and</strong> has<br />
a gray concrete threshold. The door has nine panels<br />
<strong>and</strong> is set within a Colonial Revival surround with<br />
fluted pilasters <strong>and</strong> a four-light transom. The east<br />
wing’s south end entrance has a recessed glazed<br />
wood door with a multilight transom. A third door<br />
is located in a basement areaway on the east side,<br />
<strong>and</strong> a ca. 2002 basement door is located at grade<br />
The south door of the west wing has a pent roof<br />
overhang with a center gable pediment. The door is<br />
flanked by single windows <strong>and</strong> has a reproduction<br />
herringbone-patterned batten door set between<br />
pilasters. The north door of the west wing is similar;<br />
a stone entrance porch with slate steps <strong>and</strong> deck<br />
<strong>and</strong> wrought-iron balustrade provides access from<br />
the street.<br />
Figure 8-309. Colonial Hall, west building, south entrance (JMA<br />
2009).<br />
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Wood<br />
The wood elements of the building include<br />
ogee-molded cornices, pent roofs on the west wing,<br />
<strong>and</strong> a gabled porch on the east wing. All appear to<br />
be in good condition.<br />
Other Features<br />
The cupola on the east building has a round clock<br />
facing west, <strong>and</strong> is topped with a metal weathervane.<br />
Both appear to be historic.<br />
Interior<br />
Figure 8-310. Colonial Hall, west building, north entrance (JMA<br />
2008).<br />
The six-over-six double-hung windows are in<br />
good condition <strong>and</strong> protected with aluminum<br />
storm sash. All first-floor windows have original<br />
paneled shutters, <strong>and</strong> most second-floor windows<br />
have original louvered shutters. The shutters on the<br />
east building’s south end are paneled on the first<br />
floor <strong>and</strong> replacement vertical batten shutters on<br />
the upper floors. Some warping is evident with the<br />
historic shutters, but they are otherwise in good<br />
condition.<br />
Roofi ng <strong>and</strong> Drainage<br />
The combined buildings have slate-clad gambrel<br />
roofs, with a slight flare at the eaves. The roofs<br />
drain to half-round metal gutters <strong>and</strong> from there to<br />
several downspouts along the facades, which lead<br />
to underground drains. No issues were noted with<br />
the roof, gutters, or downspouts.<br />
Masonry<br />
Colonial Hall’s exterior is mostly South Mountain<br />
Stone in variegated shades of gray <strong>and</strong> rust. The<br />
r<strong>and</strong>om ashlar stones are laid in irregular courses<br />
with pale brown mortar <strong>and</strong> slightly recessed<br />
joints. A projecting stone water course runs around<br />
the foundation at the first floor level. Contrasting<br />
vertical stretcher bricks are set into segmentalarched<br />
lintels above the windows. The stonework<br />
exhibits some natural staining due to chemical<br />
reactions with rainorthwestater. The north side<br />
entrance on the west wing has a stone porch with<br />
a slate deck <strong>and</strong> stairs. The bottom step has some<br />
rising damp <strong>and</strong> mortar failure.<br />
Colonial Hall’s interior contains lengthwise central<br />
corridors on each floor of both buildings, with<br />
original fireproof stairwells at each outer end <strong>and</strong><br />
another at the north end of the east building. The<br />
corridors provide access to a series of small rooms<br />
on each side. Many of the rooms in the <strong>for</strong>mer<br />
dormitory wing retain their original configuration,<br />
but others were combined to create meeting rooms<br />
<strong>and</strong> larger office spaces. The connecting area<br />
between the buildings houses an elevator to provide<br />
access to all floors. The first floor has varnished slate<br />
floors in the hallways <strong>and</strong> a room near the center<br />
with knotty pine paneling, which was possibly a<br />
<strong>for</strong>mer lounge. Some original baseboards <strong>and</strong> door<br />
moldings are present in the hallways.<br />
The west wing is similar in layout <strong>and</strong> appearance<br />
to the east wing, but its finishes are modern. The<br />
third floor was likely used as offices originally<br />
<strong>and</strong> retains more historic fabric than the lower<br />
floors, which were completely rebuilt in the <strong>for</strong>mer<br />
two-story library space during the 1970s.<br />
Current Use<br />
Colonial Hall houses most administrative offices of<br />
the <strong>College</strong>, including admissions, development,<br />
financial aid, public relations, <strong>and</strong> offices <strong>for</strong> the<br />
President of the <strong>College</strong> <strong>and</strong> top administrators.<br />
Treatment<br />
It is recommended that Colonial Hall receive<br />
a Rehabilitation treatment. The building has<br />
already been updated <strong>and</strong> rehabilitated <strong>and</strong> is<br />
fully accessible. Its current use is appropriate <strong>and</strong><br />
its addition <strong>and</strong> alterations have been done in a<br />
sympathetic, complementary manner. The retention<br />
of the historic materials <strong>and</strong> details on its highly<br />
intact exterior should be a priority in any future<br />
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work. The windows <strong>and</strong> doors should be repaired<br />
<strong>and</strong> not replaced.<br />
Other Buildings<br />
The North Main Street Campus has numerous<br />
non-historic (post-1960) buildings, which will not<br />
be addressed in this plan. Non-historic buildings<br />
within the North Main Street Campus include:<br />
• Haupert Union Building (1962),<br />
• Rau Residence Hall (1960),<br />
• Hassler Residence Hall (1960),<br />
• Bernhardt Residence Hall (1964),<br />
• Wilhelm Residence Hall (1965),<br />
• Jo Smith Residence Hall (1972),<br />
• Bahnson Center (1976),<br />
• Beck Hall (1978),<br />
• de Schweinitz Hall (1978),<br />
• Hillside Residences – six buildings (1988),<br />
• Spangenberg (1989),<br />
• Antes (1989),<br />
• Burnside (1989),<br />
• Lenape (1989),<br />
• Nitschmann (1990), <strong>and</strong><br />
• Breidegam Field House (1991).<br />
Some of these buildings, particularly those designed<br />
by the Trautwein firm in the 1960s, have the<br />
potential to be considered historic or significant in<br />
the future. Renovations <strong>and</strong> rehabilitation of these<br />
buildings should consider the potential importance<br />
the buildings may have in future, <strong>and</strong> unnecessary<br />
removal of original windows <strong>and</strong> other materials<br />
should be avoided.<br />
• Single family houses, some of which are<br />
subdivided into multiple apartments,<br />
• Small apartment buildings,<br />
• Religious/institutional, <strong>and</strong><br />
• Commercial.<br />
Figure 8-311. Modest worker row housing (249-263 W.<br />
Greenwich St.) constructed ca. 1910 (JMA 2008).<br />
Figure 8-312. Example of twin houses (225-227 W. Greenwich<br />
St.) constructed ca. 1910 (JMA 2008).<br />
8.4 Campus Ring<br />
The Campus Ring comprises dozens of individual<br />
neighborhood lots on streets surrounding the<br />
North Main Street Campus. Most of these lots<br />
contain housing, nearly all of which is over 50<br />
years old. These buildings are used <strong>for</strong> a variety of<br />
purposes by the <strong>College</strong>. The types of buildings in<br />
the character area include:<br />
• Row houses,<br />
• Twin houses/duplexes,<br />
Figure 8-313. Queen Anne single-family house at 1434 Cortl<strong>and</strong><br />
St., constructed ca. 1910 (JMA 2008).<br />
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working-class row houses to upper-middle-class<br />
freest<strong>and</strong>ing single-family homes, reflecting the<br />
socioeconomic diversity of the neighborhood as it<br />
developed from ca. 1890 onward.<br />
Figure 8-314. Modest vernacular single-family house at 115 W.<br />
Greenwich, constructed ca. 1900 (JMA 2008).<br />
The houses mostly date from ca. 1890-1940 <strong>and</strong><br />
are used <strong>for</strong> a variety of functions. Some, like the<br />
Health Center <strong>and</strong> Campus Security buildings, are<br />
residential buildings converted <strong>for</strong> <strong>College</strong> use. A<br />
h<strong>and</strong>ful of houses are used by Greek organizations<br />
<strong>for</strong> housing <strong>and</strong> social space. The vast majority of<br />
the <strong>College</strong>-owned buildings in the Campus Ring<br />
area are still used as housing <strong>for</strong> tenants, students,<br />
seminarians, faculty <strong>and</strong> staff, <strong>and</strong> administrators<br />
of the <strong>College</strong>. It should be noted that within pairs<br />
or groups of attached houses, the <strong>College</strong> may own<br />
some but not all of the units.<br />
Interspersed among the buildings are a few<br />
vacant lots used as perimeter parking areas <strong>for</strong> the<br />
<strong>College</strong>. One such lot, on Elizabeth Avenue at the<br />
corner of Monocacy Street, was still vacant when<br />
it was obtained by Professor Howard Hoffman.<br />
Hoffman, a tennis enthusiast with independent<br />
financial means, funded <strong>and</strong> constructed a number<br />
of tennis courts around the campus beginning in<br />
1919-1920. Most were obliterated by later buildings.<br />
He purchased the lot at the corner of Monocacy <strong>and</strong><br />
Elizabeth ca. 1930 <strong>and</strong> built four clay tennis courts<br />
soon afterward (Weinlick 1977:38-39). The property<br />
was later converted to a parking area.<br />
Historical Development<br />
The Campus Ring neighborhood was an<br />
agricultural area owned by the <strong>Moravian</strong> Church<br />
from the time of the initial white settlement<br />
through much of the nineteenth century. It<br />
developed concurrently with the new campus<br />
of <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary.<br />
A number of factors influenced this growth,<br />
including the expansion of nearby Bethlehem<br />
Steel <strong>and</strong> the need to house its employees; general<br />
growth in Bethlehem’s industrial sector; paving<br />
of Main Street; inauguration of streetcar service;<br />
construction of the Hill-to-Hill Bridge facilitating<br />
better transportation; <strong>and</strong> outward expansion of<br />
the growing city (Schamberger 2008, pers. comm..).<br />
The neighborhood developed piecemeal to meet<br />
housing needs <strong>for</strong> different sectors of Bethlehem’s<br />
population, <strong>and</strong> l<strong>and</strong> speculators addressed these<br />
Figure 8-315. <strong>Moravian</strong> <strong>College</strong> Health Center, Craftsmanstyle<br />
single-family house at 1302 Monocacy St., constructed ca.<br />
1915-1920 (JMA 2008).<br />
Architectural styles within the Campus Ring reflect<br />
the popularity of revival styles around the turn of<br />
the century. Modest examples of Italianate homes<br />
are intermixed with Queen Anne, Colonial Revival,<br />
Foursquare, <strong>and</strong> Craftsman houses. At least a few<br />
mid-twentieth-century buildings are included.<br />
The scale of the buildings also varies from modest<br />
Figure 8-316. Postwar single-family ranch house at 1457 Iron St.,<br />
constructed ca. 1950 (JMA 2008).<br />
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Signifi cance<br />
The Campus Ring Character Area is an example<br />
of an early unplanned suburb which developed<br />
piecemeal based on the actions of different l<strong>and</strong><br />
owners <strong>and</strong> developers. Overall, the neighborhood<br />
reflects the gamut of housing needs driving<br />
Bethlehem’s development during the 1890-1940<br />
period, <strong>and</strong> how individuals tried to fulfill them.<br />
Though its overall character <strong>and</strong> level of integrity<br />
vary from block to block, the Campus Ring contains<br />
excellent examples of a number of different housing<br />
types <strong>and</strong> residential architectural styles.<br />
Figure 8-317. Craftsman-style apartment house at 1423-1425<br />
Iron St., constructed ca. 1921 (JMA 2008).<br />
differing needs concurrently. Growing numbers of<br />
industrial jobs at Bethlehem Steel <strong>and</strong> other plants<br />
meant that the company <strong>and</strong> speculators built<br />
relatively inexpensive housing <strong>for</strong> the workers.<br />
Increased population, better transportation, <strong>and</strong><br />
the opening of new tracts at the north end of town<br />
resulted in the migration of middle class <strong>and</strong><br />
upper middle class people from the downtown<br />
to speculative subdivisions <strong>and</strong> houses in newly<br />
developing suburbs. Some individuals associated<br />
with <strong>Moravian</strong> <strong>College</strong> <strong>and</strong> Theological Seminary<br />
built or purchased homes on lots adjacent to the<br />
campus. These varying purposes resulted in a<br />
neighborhood exhibiting characteristics of both<br />
suburban <strong>and</strong> urban streetscapes. While some<br />
streets <strong>and</strong> blocks were developed with modest<br />
workers’ housing, others contain middle-class<br />
detached homes, <strong>and</strong> most contain mixtures of the<br />
two.<br />
Integrity<br />
Integrity of buildings in the neighborhood varies,<br />
with variation seen even among just those buildings<br />
owned by <strong>Moravian</strong> <strong>College</strong>. While most are<br />
recognizably of their construction period, some are<br />
well preserved while others have been altered with<br />
new materials, siding, additions, <strong>and</strong> other changes.<br />
Replacement siding, often with brick veneer, is the<br />
most frequently seen alteration. The setting of the<br />
neighborhood remains relatively intact in many<br />
outer areas of the Campus Ring, but buildings<br />
closer to campus have seen some loss of integrity<br />
of setting. L<strong>and</strong> acquisitions <strong>and</strong> construction of<br />
new facilities by the exp<strong>and</strong>ing <strong>College</strong> entailed the<br />
demolition of a number of houses or blocks, such<br />
as those on Otis Place <strong>and</strong> parts of Monocacy <strong>and</strong><br />
Laurel Streets, <strong>and</strong> the closing of parts of several<br />
streets to traffic. Newer buildings on the outer<br />
edges of the campus core, such as the Collier Hall<br />
of Science <strong>and</strong> the Priscilla Payne Hurd Academic<br />
Complex, <strong>for</strong>m modern blockfaces across the street<br />
from older houses in the Campus Ring.<br />
Figure 8-318. Commercial-industrial building at 248 W.<br />
Greenwich St., now Facilities Shop <strong>for</strong> <strong>Moravian</strong> <strong>College</strong>,<br />
constructed ca. 1940 (JMA 2008).<br />
Figure 8-319. Warped gutter <strong>and</strong> failing slate porch roof, 1417<br />
Iron St. (JMA 2008).<br />
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Existing Conditions<br />
The <strong>Moravian</strong> <strong>College</strong>-owned buildings in the<br />
Campus Ring exhibit some variation in physical<br />
condition <strong>and</strong> overall maintenance. Common<br />
problems include:<br />
• Clogged, leaking, or broken gutters <strong>and</strong><br />
downspouts;<br />
• Deterioration of foundation parging;<br />
• Mortar deterioration <strong>and</strong> poor repointing;<br />
• Paint deterioration on wood elements;<br />
• Slate roofing nearing the end of its life<br />
expectancy;<br />
• Cracking <strong>and</strong> crumbling concrete steps,<br />
walks <strong>and</strong> pads.<br />
non-residential purposes, <strong>and</strong> it is anticipated that<br />
others will be converted to different uses in future.<br />
Repair <strong>and</strong> retention of remaining historic fabric<br />
is recommended, <strong>and</strong> failing original materials<br />
should be replaced in kind. Future alterations <strong>and</strong><br />
repairs should be sympathetic to the original style<br />
<strong>and</strong> appearance of the buildings. Full removal of<br />
unsympathetic modern materials, such as vinyl<br />
siding <strong>and</strong> brick veneer, <strong>and</strong> rehabilitation of the<br />
revealed historic exterior is encouraged if the<br />
modern elements are failing <strong>and</strong> such work can be<br />
per<strong>for</strong>med without damaging historic fabric.<br />
Treatment<br />
It is recommended that buildings owned by<br />
<strong>Moravian</strong> <strong>College</strong> within the Campus Ring receive<br />
a Rehabilitation treatment, making them safe <strong>and</strong><br />
functional <strong>for</strong> continued use or adaptive reuse.<br />
Many have already been adaptively reused <strong>for</strong><br />
Figure 8-321. Poor repointing of “butter joints” at 1300 Main St.<br />
Repointing should replicate the original mortar type <strong>and</strong> joint<br />
style (JMA 2008).<br />
Figure 8-320. Modern veneer failure showing original red brick<br />
beneath, 1417 Iron St. Removal of failing modern veneer is<br />
encouraged if this won’t cause damage to the original surface<br />
beneath (JMA 2008).<br />
Figure 8-322. Peeling paint, dripping gutter, <strong>and</strong> biogrowth at<br />
128-130 W. Greenwich St. (JMA 2008).<br />
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1. Repointing of Mortar Joints – Ineffective,<br />
inappropriate <strong>and</strong> sometimes damaging<br />
repointing work was observed on almost every<br />
historic building on campus. Be<strong>for</strong>e the <strong>College</strong><br />
proceeds with any more repointing projects, an<br />
assessment of the mortars used in each historic<br />
masonry building should be conducted by a<br />
conservator or specialist. It is preferable that<br />
this work occur simultaneously with the other<br />
masonry testing <strong>and</strong> analysis outlined in this<br />
section.<br />
Figure 8-323. Foundation parging failure, 1457 Iron St. (JMA<br />
2008).<br />
Figure 8-324. Crumbling concrete steps, 1416-1418 Monocacy St.<br />
(JMA 2008).<br />
8.5 Overall Conditions –<br />
Key <strong>Preservation</strong> Issues<br />
The inventory of buildings at <strong>Moravian</strong> <strong>College</strong><br />
represents one of the most historically significant<br />
small college campuses in the nation. This<br />
impressive architectural legacy is orchestrated<br />
through a masonry building tradition of brick<br />
<strong>and</strong> stone. In conducting the assessment of<br />
existing conditions <strong>for</strong> <strong>Moravian</strong>’s buildings, three<br />
consistent preservation issues were noted. This<br />
section outlines the key historic preservation issues<br />
<strong>for</strong> the <strong>College</strong> to address, <strong>and</strong> recommendations<br />
on how to do so.<br />
<strong>Preservation</strong> Issue #1 – Masonry<br />
It is imperative that the <strong>College</strong> adopt an appropriate<br />
<strong>and</strong> consistent approach <strong>for</strong> maintaining brick <strong>and</strong><br />
stone masonry. The following conditions have been<br />
observed <strong>and</strong> issues identified:<br />
Original <strong>and</strong> early pointing mortars should<br />
be analyzed on each historic building to<br />
determine mortar composition, color, <strong>and</strong> joint<br />
profile (tooling). S<strong>and</strong> was almost always used<br />
as an additive in historic mortars, however,<br />
modern masonry or builder’s s<strong>and</strong> may not be<br />
appropriate in color or grain size. For example,<br />
in Memorial Hall the type of s<strong>and</strong> originally<br />
used in the mortar has a very large grain size,<br />
like tiny pebbles. Every ef<strong>for</strong>t should be made to<br />
match the original mortar as closely as possible.<br />
A repointing mortar that is compatible with the<br />
original mortar will create a better bond <strong>and</strong><br />
weather tight seal without damaging stone or<br />
brick masonry units. A properly repointed<br />
historic masonry building is watertight <strong>and</strong><br />
does not require water-repellent or protective<br />
coatings.<br />
Also, mortars <strong>and</strong> masonry units should<br />
be tested <strong>for</strong> the presence of corrosive salts,<br />
moisture content, vapor permeability, <strong>and</strong><br />
compressive strength. Based on the resulting<br />
analysis, a masonry specialist should develop<br />
a mortar <strong>for</strong>mula <strong>and</strong> method to be used <strong>for</strong><br />
repointing. It is likely that several different<br />
<strong>for</strong>mulas <strong>and</strong> tooling techniques will be<br />
developed <strong>for</strong> the various historic buildings at<br />
<strong>Moravian</strong> <strong>College</strong>.<br />
A basic rule of thumb to follow is that a mortar<br />
should never be harder than the masonry units<br />
it is holding together. Portl<strong>and</strong> cement, a major<br />
ingredient in most commercial mortar mixes, is<br />
a very hard, sticky, fast-drying substance that<br />
generally has greater compressive strength <strong>and</strong><br />
less vapor permeability than most stone <strong>and</strong><br />
brick traditionally used in building construction.<br />
Also, modern masonry cement doesn’t always<br />
contain hydrated lime, the ingredient that<br />
gives historic mortars their permeability <strong>and</strong><br />
elasticity. For these reasons, pre-mixed mortar<br />
cement straight from the bag should never<br />
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be used on historic buildings. It may be<br />
used sparingly as a low percentage additive<br />
to a mortar mix customized specifically <strong>for</strong> a<br />
particular historic building.<br />
For additional in<strong>for</strong>mation on this subject please<br />
consult <strong>Preservation</strong> Brief #2: Repointing Mortar<br />
Joints in Historic Masonry Buildings, prepared<br />
by the National Park Service, Technical<br />
<strong>Preservation</strong> Services (see Appendix B).<br />
2. Stone Deterioration – Certain stone<br />
architectural elements <strong>and</strong> features show<br />
substantial deterioration that may require<br />
stabilization <strong>and</strong> even replacement. The college<br />
should hire a masonry materials specialist to<br />
conduct an assessment of each historic building<br />
on campus. Each type of masonry unit should<br />
be tested <strong>for</strong> condition <strong>and</strong> hardness <strong>and</strong> at<br />
different locations on the building. The results<br />
of the hardness test will assist in the preparation<br />
of the mortar <strong>for</strong>mulas outlined above.<br />
Specific conditions of deterioration observed<br />
during the preparation of this report include:<br />
• The spalling <strong>and</strong> delamination of certain<br />
stone types likely caused by expansion <strong>and</strong><br />
contraction in the seasonal freeze-thaw<br />
cycle.<br />
• Cracking <strong>and</strong> breaking of certain stone<br />
elements located at high stress points likely<br />
caused by gradual settling or construction<br />
activity in the immediate vicinity.<br />
• The failure of occasional, isolated stone<br />
masonry units due to inherent, natural<br />
flaws or inferior quality.<br />
• The long term effect of acidic rainfall <strong>and</strong><br />
smog, which has eroded <strong>and</strong> dulled some<br />
exposed stone surfaces.<br />
• Carbon soot accumulation from Bethlehem’s<br />
industrial era that has permeated <strong>and</strong><br />
discolored some stone surfaces.<br />
Although <strong>Preservation</strong> Brief #42: The<br />
Maintenance, Repair <strong>and</strong> Replacement of Historic<br />
Cast Stone specifically addresses concrete<br />
architectural features simulated to look like<br />
stone, the section titled Methods of Repair<br />
is also generally applicable to the repair of<br />
stone masonry. Prepared by the National Park<br />
Service, Technical <strong>Preservation</strong> Services, the<br />
document is available online or as a hard copy<br />
(see Appendix B).<br />
3. Protective Coatings – Protective coatings are<br />
typically applied to stone <strong>and</strong> brickwork as a<br />
misguided ef<strong>for</strong>t to create a “maintenance-free”<br />
condition, as a perceived need to “seal” a<br />
building from moisture penetration, or as an<br />
attempt to halt advanced stages of masonry<br />
deterioration. Such coatings are typically<br />
cement-based, synthetic polymers, or a<br />
combination of both. Sometimes a membrane,<br />
fabric or mesh is anchored to the masonry wall<br />
<strong>and</strong> becomes embedded in the applied coating.<br />
For historic buildings, the use of non-permeable<br />
protective coatings should always be viewed as<br />
a last resort. If historic masonry buildings are<br />
kept watertight <strong>and</strong> in good repair, protective<br />
coatings should not be necessary.<br />
Protective coatings are usually designed to<br />
bond to the deteriorating masonry surface<br />
with the hope that it will be consolidate the<br />
remaining masonry matrix while sealing out<br />
moisture. However, a mistake that is often<br />
made in the use of these coatings is that the<br />
true nature of the deteriorating condition is<br />
not completely understood. For instance, if the<br />
current moisture content of the masonry <strong>and</strong><br />
the manner in which moisture is intruding<br />
is not known, the coating when applied may<br />
end up sealing in moisture <strong>and</strong> accelerating<br />
damage.<br />
On at least one campus building, Hamilton Hall,<br />
a cement-based coating was applied to a portion<br />
of the exterior wall surface in what appears to be<br />
an attempt to stabilize deteriorating brickwork.<br />
Located on the south wall at the rear of the<br />
building under the two-story porch, the coating<br />
is starting to fail. At spots where the coating is<br />
peeling off, two to three millimeters of the brick<br />
face is going with it. This portion of Hamilton<br />
Hall should be tested by a masonry materials<br />
specialist to determine the cause of coating <strong>and</strong><br />
brick failure along with a recommendation <strong>for</strong><br />
stabilization.<br />
For additional in<strong>for</strong>mation on this subject<br />
please consult <strong>Preservation</strong> Brief #1: Assessing,<br />
Cleaning, <strong>and</strong> Water Repellant Treatments <strong>for</strong><br />
Historic Masonry Buildings <strong>and</strong> <strong>Preservation</strong><br />
Brief #39: Holding the Line-Controlling Unwanted<br />
Moisture in Historic Buildings. Both documents<br />
were prepared by the National Park Service,<br />
Technical <strong>Preservation</strong> Services (see Appendix<br />
B).<br />
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4. Leaching – Iron is leaching from the stonework<br />
on many buildings, causing an unattractive<br />
stained appearance. Further analysis should<br />
be conducted to determine the source. If the<br />
source of the rust stain is iron or steel units<br />
used to rein<strong>for</strong>ce the walls of the building,<br />
such as rebar, then serious structural damage<br />
is inevitable. As iron <strong>and</strong> steel is exposed to<br />
moisture the resulting deterioration (oxidation)<br />
causes expansion. As this expansion continues<br />
the surrounding mortar <strong>and</strong> masonry is <strong>for</strong>ced<br />
outward. The gaps <strong>and</strong> cracks created allow<br />
more moisture to intrude accelerating the<br />
process. If the process continues unabated the<br />
structural integrity of the wall is compromised<br />
<strong>and</strong> repair is costly.<br />
On the other h<strong>and</strong>, if the staining is from<br />
the natural iron content of the stone used in<br />
building construction, it is less detrimental<br />
to the inherent structure <strong>and</strong> integrity of<br />
the building. Although larger iron veins or<br />
inclusions in certain isolated stones may result<br />
in their eventual demise, they can be replaced<br />
as needed without wholesale structural<br />
damage. Also, products are available that may<br />
neutralize oxidation <strong>and</strong> remove the unsightly<br />
appearance.<br />
Another condition observed is that calcite<br />
appears to be leaching from brick mortar joints<br />
on some buildings at isolated locations. This<br />
may be attributed to a bad batch of mortar mix<br />
used in the original pointing or repointing of<br />
the building. Although in the overall scheme of<br />
things it is a minor issue, it is unsightly. Testing<br />
<strong>and</strong> analysis can be conducted to determine the<br />
nature <strong>and</strong> cause of the leaching <strong>and</strong> should<br />
aid in identifying a cleaning product <strong>and</strong>/or<br />
method of repair.<br />
In addition to <strong>Preservation</strong> Brief #1: Assessing,<br />
Cleaning, <strong>and</strong> Water Repellant Treatments<br />
<strong>for</strong> Historic Masonry Buildings mentioned<br />
previously, <strong>Preservation</strong> Brief #6: Dangers of<br />
Abrasive Cleaning to Historic Buildings should<br />
also provide useful in<strong>for</strong>mation on this topic<br />
(see Appendix B).<br />
5. Organic Growth – The growth of fungi, algae,<br />
mold, mosses, <strong>and</strong> lichens can cause eventual<br />
harm <strong>and</strong> damage to masonry surfaces. Such<br />
growth can also be an indicator of larger<br />
moisture problems such as rising damp,<br />
plumbing leaks, mortar joint failure, gutter/<br />
downspout damage, <strong>and</strong> ponding on roofs <strong>and</strong><br />
at foundations.<br />
Although organic growth is not a major<br />
problem <strong>for</strong> the historic buildings at <strong>Moravian</strong><br />
<strong>College</strong>, it was observed at isolated locations.<br />
Each building should be routinely checked<br />
<strong>for</strong> the presence of such growth. When found,<br />
the cause <strong>for</strong> growth should be determined. If<br />
it is a larger maintenance or renovation issue,<br />
when the repair is made it will likely remedy<br />
any future growth. Dying or dead growth<br />
can either be brushed or scrubbed off using<br />
non-abrasive methods. Extra care should be<br />
taken <strong>for</strong> softer, porous stone or brick so as<br />
to avoid damaging or removing the masonry<br />
surface. For corners <strong>and</strong> crannies that are<br />
inherently dark <strong>and</strong> damp by construction<br />
or where a growth takes hold without larger<br />
maintenance issues, these locations should be<br />
treated with an environmentally <strong>and</strong> masonry<br />
friendly cleaner <strong>and</strong> biocide such as D/2<br />
Biological Solution manufactured by Cathedral<br />
Stone® Products, Inc.<br />
The two publications mentioned previously,<br />
<strong>Preservation</strong> Brief #1: Assessing, Cleaning, <strong>and</strong><br />
Water Repellent Treatments <strong>for</strong> Historic Masonry<br />
Buildings <strong>and</strong> <strong>Preservation</strong> Brief #6: Dangers of<br />
Abrasive Cleaning to Historic Buildings, contain<br />
additional in<strong>for</strong>mation relevant <strong>for</strong> this topic<br />
(see Appendix B).<br />
<strong>Preservation</strong> Issue #2 – Windows<br />
One of the primary tenets of historic preservation<br />
is “repair rather than replace.” However, in<br />
recent years with improvement in appearance of<br />
prefabricated window units, implementation of<br />
weatherization programs, <strong>and</strong> changes in regional<br />
building codes, it has become common practice<br />
<strong>for</strong> property owners who are renovating historic<br />
buildings to replace the original windows with<br />
new, prefabricated units. Frequently, the replaced<br />
historic windows are in a repairable condition. The<br />
cost of replacement is high, the benefit slight, <strong>and</strong><br />
the change in appearance can be substantial. Even if<br />
a new window unit is of the same type (e.g. double<br />
hung sash) <strong>and</strong> light configuration (e.g. 6-over-6)<br />
it is not likely to have the same depth of reveal,<br />
casing, sash rail dimension or muntin profile as the<br />
original.<br />
The sympathetic treatment of windows in<br />
historic buildings has become such an important<br />
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preservation issue that the Technical <strong>Preservation</strong><br />
Services section of the National Park Service has<br />
dedicated considerable ef<strong>for</strong>t to address the subject<br />
in their <strong>Preservation</strong> Tech Note series (see Appendix<br />
B). Of the 50 publications in the series, 22 are specific<br />
to windows. The first 17 have been packaged <strong>and</strong><br />
are offered as a set called The Window H<strong>and</strong>book:<br />
Successful Strategies <strong>for</strong> Rehabilitating Windows in<br />
Historic Buildings. Although not offered as one of<br />
the online publications, most of the in<strong>for</strong>mation is<br />
applicable to window issues at <strong>Moravian</strong> <strong>College</strong><br />
<strong>and</strong> can be obtained in hard copy <strong>for</strong>m.<br />
One argument often cited <strong>for</strong> window replacement<br />
is energy efficiency. However, there is a growing<br />
body of evidence, such as home energy audits,<br />
that suggests a traditional wood window, in<br />
good condition, with a properly installed storm<br />
window, is no less energy efficient than most<br />
prefabricated windows currently on the market. As<br />
stated in <strong>Preservation</strong> Brief #9: The Repair of Historic<br />
Wooden Windows (National Park Service, Technical<br />
<strong>Preservation</strong> Services):<br />
Energy conservation is no excuse <strong>for</strong> the<br />
wholesale destruction of historic windows,<br />
which can be made thermally efficient by<br />
historically, <strong>and</strong> aesthetically acceptable means.<br />
In fact, a historic wooden window with a high<br />
quality storm window added should thermally<br />
outper<strong>for</strong>m a new double-glazed metal window<br />
which does not have thermal breaks.<br />
Many of the windows in historic buildings at<br />
<strong>Moravian</strong> <strong>College</strong> have already been replaced with<br />
prefabricated units. It appears windows have been<br />
replaced in certain buildings by entire sections<br />
rather than assessing conditions using a windowby-window<br />
approach. If this is the case, the priority<br />
to date has been a matter of convenience rather than<br />
historic preservation objectives. The remaining<br />
historic wood windows are an important characterdefining<br />
feature in the historically significant<br />
architecture of <strong>Moravian</strong> <strong>College</strong>. Current policy<br />
should be carefully revisited be<strong>for</strong>e proceeding<br />
with the replacement of any more windows in<br />
historic buildings. Both <strong>Preservation</strong> Brief #9 <strong>and</strong><br />
The Window H<strong>and</strong>book, as previously referenced,<br />
provide a framework <strong>for</strong> the physical evaluation<br />
of historic windows. Essentially it is a windowby-window<br />
audit that establishes three classes of<br />
windows organized by condition. Class I windows<br />
are those that need routine maintenance, but are<br />
operationally sound; Class II windows require some<br />
stabilization <strong>and</strong> may be temporarily removed <strong>for</strong><br />
repair; <strong>and</strong> Class III windows have substantially<br />
damaged or missing parts that require partial or<br />
wholesale replacement. These publications also<br />
provide valuable in<strong>for</strong>mation on window repair<br />
techniques, energy conservation measures, <strong>and</strong><br />
compatible alternatives.<br />
<strong>Preservation</strong> Issue #3 – Roofs <strong>and</strong><br />
Roofing<br />
A weather-tight roof is a critical factor in<br />
maintaining the structural integrity <strong>and</strong> energy<br />
efficiency of any building, regardless of historical<br />
importance. A failing roof needs immediate<br />
attention so as to protect other building systems,<br />
which sometimes requires a “quick fix.” It should<br />
also be acknowledged that every roofing system<br />
eventually deteriorates to the point where it<br />
requires substantial repair or replacement.<br />
Taking these realities into consideration, on a<br />
historic building the roof <strong>for</strong>m, materials <strong>and</strong><br />
related roof structures are often very important<br />
character-defining features. Roofs with a steeper<br />
pitch tend to have more visibility <strong>and</strong> there<strong>for</strong>e<br />
contribute substantially to a building’s appearance.<br />
Certain types of roofs even define an architectural<br />
style such as the mansard on a Second Empire<br />
building. The large hipped roof <strong>and</strong> cross gables<br />
on Comenius Hall; the gambrel roof with gabled<br />
dormers on Colonial Hall; <strong>and</strong> the mansard roofs<br />
on the Single Brethren’s House <strong>and</strong> on Clewell<br />
Hall are examples of roofs that define architectural<br />
character at <strong>Moravian</strong>.<br />
The material used is another important feature<br />
of architectural character on sloped roofs at the<br />
college. On the other h<strong>and</strong>, the material used on the<br />
flat roof at West Hall is considerably less significant<br />
since it can only be observed from a bird’s eye<br />
view. The predominant historic roofing material<br />
at <strong>Moravian</strong> is slate. One noteworthy exception<br />
is the wood shake roof on the Single Brethren’s<br />
House. Although the original 18th century roof on<br />
the building in all likelihood was wood shingles<br />
or shakes, historic photos reveal that slates were<br />
installed at a later time. American slate was not<br />
commonly available as a roofing material until the<br />
mid 19th century <strong>and</strong> imported slate was costly.<br />
It appears that the current wood shake roof was<br />
added as part of the building’s restoration in 1976.<br />
Although most of the roofs on significant historic<br />
buildings at <strong>Moravian</strong> retain their characterdefining<br />
features <strong>and</strong> materials, recent renovations<br />
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to Monocacy Hall resulted in the replacement of<br />
slates with asphalt composite shingles. Whatever<br />
the justification, this approach cannot become the<br />
trend or st<strong>and</strong>ard practice <strong>for</strong> building renovations<br />
on campus. If at all possible, when historic roofing<br />
materials including flashing are replaced the new<br />
material should match in composition, color, size,<br />
configuration <strong>and</strong> appearance. Other examples<br />
of inappropriate roofing treatments include the<br />
oversized flashing on Comenius, the painted finials<br />
on Comenius, <strong>and</strong> the vinyl soffits on Zinzendorf.<br />
For additional in<strong>for</strong>mation on general historic<br />
roofing issues please consult <strong>Preservation</strong> Brief<br />
#4: Roofing <strong>for</strong> Historic Buildings, prepared by the<br />
National Park Service, Technical <strong>Preservation</strong><br />
Services. Another <strong>Preservation</strong> Brief has been<br />
prepared specific to issues associated with slate<br />
roofs; <strong>Preservation</strong> Brief #29: The Repair, Replacement<br />
<strong>and</strong> Maintenance of Historic Slate Roofs (see Appendix<br />
B).<br />
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Chapter Nine<br />
Treatment Guidelines <strong>for</strong> Buildings<br />
9.0 Introduction<br />
The Treatment Guidelines <strong>for</strong> Buildings should be<br />
used in conjunction with the existing conditions<br />
analysis <strong>and</strong> treatment recommendations <strong>for</strong><br />
<strong>Moravian</strong> <strong>College</strong>’s historic buildings included in<br />
Chapter 8 of this <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>. While<br />
Chapter 8 identifies the materials, issues, <strong>and</strong><br />
conditions associated with individual buildings at<br />
<strong>Moravian</strong> <strong>College</strong>, this chapter provides specific<br />
guidelines <strong>for</strong> the treatment of the various materials<br />
<strong>and</strong> features common to <strong>Moravian</strong> <strong>College</strong>’s<br />
buildings.<br />
The purpose of this chapter is to provide overarching<br />
preservation guidance <strong>and</strong> best-practice<br />
approaches <strong>for</strong> exterior building envelopes. General<br />
recommendations <strong>for</strong> historic interiors are also<br />
included. The architectural treatment guidelines<br />
contained in this chapter were developed based<br />
upon the issues observed in buildings surveyed <strong>and</strong><br />
JMA’s previous experience working with historic<br />
buildings. The guidelines are a tool that will assist<br />
facility decision-makers in appropriate ways to<br />
manage, maintain, <strong>and</strong> treat historic buildings.<br />
The guidelines are generally organized according<br />
to the broad divisions used by the construction<br />
industry <strong>for</strong> organizing construction specifications.<br />
The broad divisions are broken down by building<br />
element, such as site work, masonry, exterior<br />
woodwork, roofing, windows, <strong>and</strong> doors, etc. Each<br />
section contains a brief description of the material<br />
<strong>and</strong> its use in the buildings on the <strong>Moravian</strong><br />
<strong>College</strong> campus. A summary of typical conditions,<br />
checklist <strong>for</strong> inspections, overview of the causes<br />
of deterioration, <strong>and</strong> guidance <strong>for</strong> repair <strong>and</strong><br />
replacement then follow <strong>for</strong> each building material<br />
or element.<br />
Applying the Secretary of the<br />
Interior’s St<strong>and</strong>ards<br />
The Secretary of the Interior’s St<strong>and</strong>ards <strong>for</strong> the<br />
Treatment of Historic Properties <strong>and</strong> specifically<br />
the St<strong>and</strong>ards <strong>for</strong> Rehabilitation are discussed in<br />
Chapter 4 – Stewardship. The St<strong>and</strong>ards provide a<br />
strong but flexible philosophical foundation with a<br />
set of basic preservation approaches <strong>and</strong> principles<br />
<strong>for</strong> the preservation, rehabilitation, restoration, <strong>and</strong><br />
reconstruction of historic buildings. The St<strong>and</strong>ards<br />
are not rules, nor do they provide universal answers<br />
<strong>for</strong> every situation, since each building presents<br />
unique issues <strong>and</strong> opportunities.<br />
The recommendations in this chapter are based<br />
on the St<strong>and</strong>ards <strong>and</strong> emphasize the following<br />
approaches that should be incorporated into ef<strong>for</strong>ts<br />
associated with historic building stewardship.<br />
• Repair: Conduct regular inspections <strong>and</strong><br />
replace deteriorated sections, features,<br />
<strong>and</strong> materials promptly. Materials <strong>and</strong><br />
workmanship should be executed in-kind,<br />
that is, matching the historic fabric.<br />
• Replacement: If historic features <strong>and</strong><br />
materials are too deteriorated to repair, they<br />
should be replaced in-kind to match the <strong>for</strong>m,<br />
materials, detailing, <strong>and</strong> other physical <strong>and</strong><br />
visual qualities of the historic fabric.<br />
• Reconstruction: Rebuilding missing<br />
features should only be undertaken based<br />
on historic drawings <strong>and</strong>/or photographic<br />
documentation.<br />
• New Construction/Additions: New work<br />
should be similar in size, scale, material,<br />
design, <strong>and</strong> color to the existing historic fabric<br />
<strong>and</strong> should not obscure or damage characterdefining<br />
features. Designs that mimic the<br />
historic appearance or are borrowed from<br />
another building are discouraged because<br />
they confuse the historic record <strong>and</strong> diminish<br />
the integrity of the resource.<br />
All proposals <strong>for</strong> work on historic buildings,<br />
whether they are repair, renovation, restoration, or<br />
new construction, should start with identification<br />
of the important design features <strong>and</strong> materials<br />
that make the building in question significant <strong>and</strong><br />
unique. Chapter 8, Historic Buildings at <strong>Moravian</strong><br />
<strong>College</strong>, is intended as a resource <strong>for</strong> significance<br />
<strong>and</strong> integrity assessments <strong>and</strong> provides baseline<br />
building-by-building in<strong>for</strong>mation <strong>for</strong> this critical,<br />
yet simple, features assessment. The primary<br />
considerations that one should look <strong>for</strong> are building<br />
shape, materials, roof <strong>and</strong> roof features, windows<br />
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<strong>and</strong> fenestration patterns, entries <strong>and</strong> doors,<br />
projections such as bays or porticos, woodwork<br />
<strong>and</strong> trim features, craftsmanship, <strong>and</strong> setting <strong>and</strong><br />
site. Using this approach will result in projects that<br />
accommodate needed change while preserving the<br />
historic fabric <strong>and</strong> significant features of a historic<br />
building.<br />
9.1 Site Drainage<br />
Site drainage consists of drainage boots, channel<br />
drains, splash blocks, <strong>and</strong> underground drains, as<br />
well as l<strong>and</strong>scape elements such as sloped grading,<br />
site drains, catch basins, drainage swales, <strong>and</strong><br />
culverts. Roof drainage <strong>and</strong> site drainage are often<br />
intimately connected <strong>and</strong> should be considered<br />
as part of the same overall drainage system. Site<br />
drainage should be designed to accommodate local<br />
rainfall conditions, as well as the allowable runoff,<br />
which is determined by the applicable building<br />
code. Site drainage is a particular issue with historic<br />
buildings at <strong>Moravian</strong> <strong>College</strong> due to incremental<br />
changes to grades over time that prevent water<br />
from draining away from buildings, causing water<br />
damage to masonry walls. Repaving of roads <strong>and</strong><br />
walkways has created ponding problems in some<br />
places, while poorly located drains (i.e. draining<br />
directly to grade adjacent to a foundation) are<br />
causing deterioration at others.<br />
Typical Site Drainage Conditions<br />
Clogged underground drains lead to overflowing<br />
downspout boots, which causes soil erosion. Tree<br />
roots are notorious <strong>for</strong> growing into <strong>and</strong> clogging<br />
underground drains. Breaks in underground drains<br />
can leak water against building foundations. Terra<br />
cotta pipes of a certain age are almost certain to<br />
have some cracking along the underground drain<br />
line.<br />
Soil erosion <strong>and</strong> soil build-up around foundation<br />
walls <strong>and</strong> downspouts indicate that the adjacent<br />
area is not adequately graded to h<strong>and</strong>le the water<br />
runoff from roofs. Over time, soil erosion <strong>and</strong><br />
build-up can lead to ponding water, where water<br />
sits or creates boggy conditions depending upon<br />
the adjacent soils. These areas often support moss,<br />
ivy, <strong>and</strong> other biological growth that thrives in<br />
these conditions. Adjacent ground or planting<br />
beds that slope towards the building will direct<br />
water runoff directly against building foundations.<br />
Underground springs or high water table levels<br />
will cause chronically wet foundation conditions.<br />
Site Drainage Inspection<br />
Routine inspection is the best method of identifying<br />
potential problems that may lead to deterioration<br />
of building elements. Inspections should be carried<br />
out while it is raining, or immediately following a<br />
rain event. The inspection should concentrate on the<br />
site immediately adjacent to building foundations,<br />
on the interior side of building foundations, <strong>and</strong> on<br />
the areas where drainage is directed. Site drainage<br />
inspections should note the following warning<br />
signs of site drainage problems:<br />
• Known locations of underground springs,<br />
which may require a permanent sump pump<br />
system.<br />
• Overflowing downspout boots.<br />
• Underground drains that leak or do not<br />
properly flow to the stormwater system,<br />
which can be checked by running water<br />
through the drains <strong>and</strong> checking the flow at<br />
the stormwater line outlet.<br />
• Soil erosion around downspout boots, splash<br />
blocks, <strong>and</strong>/or downspout ends.<br />
• Ponding water or immediate site that slopes<br />
toward building foundations.<br />
• Moss, ivy, or other biological growth that<br />
thrives in excessively moist conditions.<br />
• Mulch or planting bed materials heaped<br />
against building foundations.<br />
• Clogged channel or site drains.<br />
• Excessive moisture at building foundations<br />
or basements.<br />
• Efflorescence <strong>and</strong>/or biological growth at<br />
building foundations or basements.<br />
• Foundation settlement.<br />
• Rotting woodwork at or near the foundation.<br />
• Rising damp in brickwork.<br />
If an inspection identifies major deterioration, a<br />
l<strong>and</strong>scape architect <strong>and</strong>/or civil engineer should<br />
conduct an in-depth assessment of topographical,<br />
soil, <strong>and</strong> vegetative conditions.<br />
Causes of Site Drainage Deterioration<br />
Site drainage can deteriorate from poor initial<br />
design; <strong>for</strong> example the design did not adequately<br />
address the entire drainage system from roof to<br />
storm sewer. Too often, downspouts drain to grade<br />
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with no further method of draining away from the<br />
building. Site drainage can also become problematic<br />
through alteration of the original design intent, such<br />
as when increased water runoff is directed to a part<br />
of the system that was not designed to h<strong>and</strong>le the<br />
extra flow or when planting beds are introduced<br />
that build up the soil level <strong>and</strong> change topography.<br />
Lack of maintenance or improper maintenance will<br />
cause site drainage failure. When drains become<br />
clogged, the entire site drainage system can back<br />
up <strong>and</strong> overflow, causing problems at building<br />
foundations. Over time, the mulching of planting<br />
beds can lead to mounded beds that direct water<br />
against the foundation.<br />
Site drainage systems are often subtle features in the<br />
l<strong>and</strong>scape, or even underground. It is easy to <strong>for</strong>get<br />
about them. Often, building owners of historic<br />
buildings do not even know where underground<br />
drain lines are located. Old underground drain lines<br />
can break, become clogged with tree roots, <strong>and</strong> fill<br />
with sediment <strong>and</strong> debris. These unseen problems<br />
may go unnoticed until they create obvious water<br />
problems within buildings.<br />
Site Drainage Improvements<br />
Open site drainage systems, including swales,<br />
surface <strong>and</strong> channel drains, <strong>and</strong> culverts, must<br />
remain properly sloped to effectively drain water<br />
runoff from buildings <strong>and</strong> circulation surfaces.<br />
At downspout ends, where downspouts drain to<br />
grade, try to direct runoff so that it empties at least<br />
four feet away from the building foundation where<br />
it will drain away from the building, using ground<br />
leaders or splash blocks. Keep swales <strong>and</strong> surface<br />
drains free of debris, vegetation, <strong>and</strong> utilities.<br />
Regrade areas where water runoff has eroded the<br />
site drainage system. Excessive soil erosion may<br />
indicate a need to redesign the open drainage<br />
system.<br />
Closed site drainage systems, such as underground<br />
drains <strong>and</strong> catch basins that may lead to a storm<br />
sewer, can be costly to upgrade. Replacement<br />
of underground drainage systems involves soil<br />
disturbance <strong>and</strong> may trigger archeological oversight.<br />
It is important to flush out underground drains<br />
annually. Snaking out drains may remove small<br />
clogs in the system. When underground drainage<br />
systems must be replaced, it is worth replacing the<br />
entire system with high quality materials if possible.<br />
Install cleanouts at downspouts <strong>and</strong> at underground<br />
drains <strong>for</strong> easier maintenance. Replace old terracotta<br />
pipes as part of site drainage improvements.<br />
It is important to keep a record of where all new<br />
underground drains are installed <strong>and</strong> to document<br />
the new system.<br />
A French drain is essentially a pit or trench filled<br />
with gravel that is sloped to direct water to a<br />
well-drained location. The gravel may be wrapped<br />
with a geotextile fabric to keep out silt <strong>and</strong> the<br />
trench may have a pipe at the base. The drain can be<br />
left open or can be covered with topsoil. A French<br />
drain is appropriate in areas with slow moving<br />
water, not in areas with storm runoff. French drains<br />
can be helpful in areas where ponding water,<br />
underground springs, or boggy soil conditions are<br />
noted, near building foundations, <strong>and</strong> adjacent to<br />
roads <strong>and</strong> walkways.<br />
9.2 Concrete<br />
Cast-in-place concrete is a common material used<br />
<strong>for</strong> building foundations, porch flooring, access<br />
ramps, areaway structures, <strong>and</strong> entrance steps.<br />
At <strong>Moravian</strong> <strong>College</strong>, cast-in-place concrete has<br />
been used primarily at later additions <strong>and</strong> changes<br />
around existing historic buildings, such as new<br />
entrance areas. Concrete used in visible locations,<br />
such as entrance porch flooring, is finished with an<br />
exposed aggregate finish. Cast-in-place concrete<br />
is vulnerable to deterioration from site drainage<br />
problems, freeze/thaw cycling, salt damage, <strong>and</strong><br />
structural stresses.<br />
Cast-in-place concrete is a conglomerate material<br />
composed of a cement matrix that has hardened<br />
around an interior matrix of coarse <strong>and</strong> fine<br />
aggregate <strong>and</strong> metal rein<strong>for</strong>cement. In contrast to<br />
pre-cast concrete, it is poured into <strong>for</strong>mwork, cured,<br />
<strong>and</strong> finished on-site. Its compressive strength is<br />
acquired from the hydration of the cement which<br />
<strong>for</strong>ms a binding paste around the aggregates. Metal<br />
rein<strong>for</strong>cement gives concrete tensile strength.<br />
The alkalinity of sound concrete protects the<br />
rein<strong>for</strong>cement from corrosion by stabilizing an<br />
oxide film over the steel. Corrosion will be inhibited<br />
as long as the oxide film over the rein<strong>for</strong>cement is<br />
not impaired.<br />
Typical Concrete Conditions<br />
Concrete work that predates ca. 1950, when<br />
concrete was poorly-understood as a building<br />
material, is prone to failure from design or<br />
installation flaws. Expansion joints were typically<br />
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not properly installed in monolithic cast-in-place<br />
concrete construction, leading to cracking. Metal<br />
rein<strong>for</strong>cement was often installed too close to the<br />
surface, causing rapid rein<strong>for</strong>cement corrosion.<br />
Concrete mixes contained too much or too little<br />
aggregate, producing shrinkage cracks or spalling.<br />
Harmful additives, such as chloride containing<br />
compounds, were added to alter setting times.<br />
Air-entrained concrete evolved in the mid-1930s<br />
<strong>and</strong> significantly improved concrete’s ability to<br />
withst<strong>and</strong> freeze/thaw deterioration. This process<br />
creates air bubbles in the mix, which <strong>for</strong>m a system<br />
of fine, discrete pores that aid in relieving freeze/<br />
thaw stresses. Concrete installed prior to this<br />
invention is there<strong>for</strong>e inherently more vulnerable.<br />
Cracking in concrete can range from overall hairline<br />
cracks to large gaping cracks <strong>and</strong> may be caused by<br />
a combination of deterioration mechanisms. Overall<br />
map cracking, an interlocking system of fine cracks,<br />
is caused by shrinkage of the concrete during<br />
installation or internal stresses, such as occurs<br />
with the alkali-silica reaction of certain aggregates.<br />
Vertical cracks may be caused by natural expansion<br />
<strong>for</strong>ces in the material or by shrinkage during the<br />
original concrete set.<br />
Delamination is the loss of concrete material in thin<br />
sheets. Delamination is caused by inherent flaws in<br />
the original material, such as too much aggregate in<br />
the mix, <strong>and</strong> is exacerbated by freeze/thaw cycling,<br />
salts, <strong>and</strong> structural stresses. Many of <strong>Moravian</strong><br />
<strong>College</strong>’s historic buildings have concrete parging<br />
on the foundations, which is delaminating in places,<br />
often due to water damage.<br />
Concrete Inspection<br />
As with all exterior envelope materials, routine<br />
inspection is the best method of identifying<br />
potential problems in order to avoid any major<br />
failures. A thorough visual inspection should look<br />
<strong>for</strong> the following potential signs of deterioration:<br />
• Discernable crack patterns.<br />
• Rust staining or efflorescence associated with<br />
cracking.<br />
• Delamination of surface material.<br />
• Spalling or loss.<br />
• Rust staining.<br />
• Efflorescence.<br />
• Water leakage, ponding, or areas of poor<br />
drainage.<br />
• Exposed <strong>and</strong>/or corroding rein<strong>for</strong>cement.<br />
• Foundation settlement.<br />
If an inspection identifies major deterioration, a<br />
structural engineer with experience in historical<br />
concrete construction should conduct an in-depth<br />
assessment.<br />
Causes of Concrete Deterioration<br />
Freeze/Thaw<br />
Deterioration from freeze/thaw cycles is dependent<br />
on the permeability <strong>and</strong> porosity of the concrete.<br />
Damage will not occur unless there is a sufficient<br />
amount of water in the capillary pores of the<br />
concrete. The entire volume of the concrete does<br />
not need to be saturated to cause damage as surface<br />
layers can spall <strong>and</strong> delaminate from freezing<br />
pressure. Air-entrained concrete reduces these<br />
pressures by allowing expansion within the small,<br />
discrete voids. The introduction of air-entrained<br />
concrete dates to the mid-1930s, <strong>and</strong> much of the<br />
failure of earlier concrete was caused by freeze/<br />
thaw deterioration.<br />
Salts <strong>and</strong> Effl orescence<br />
Solutions of salts or carbon dioxide percolating<br />
through concrete can cause leaching <strong>and</strong><br />
deterioration of the concrete. The type of<br />
efflorescence depends on the rate of evaporation<br />
of the solution when it reaches the surface of the<br />
concrete. If the evaporation is rapid, salts can<br />
be deposited within the pore system inside the<br />
concrete. The pressures caused by crystallization<br />
<strong>and</strong> hydration of salts in the presence of a saturated<br />
solution can then disrupt the cement paste. Finally,<br />
damage occurs on surfaces where drying takes<br />
place.<br />
If the rate of evaporation is fairly slow, efflorescence<br />
will appear on the surface of the concrete. The<br />
<strong>for</strong>mation of efflorescence requires that water laden<br />
with certain elements move through or flow over<br />
the concrete. These deposits come from elements<br />
that were carried in the water. In particular,<br />
calcium carbonate in the water is problematic.<br />
It <strong>for</strong>ms on the surface of concrete when carbon<br />
dioxide in solution percolates through the concrete,<br />
dissolving the carbonates in the cement paste, <strong>and</strong><br />
then depositing them on the surface. This leads to<br />
unsightly masses on affected surfaces.<br />
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Corrosion of Rein<strong>for</strong>cement<br />
Corrosion of the metal rein<strong>for</strong>cement in concrete is<br />
inhibited by the high alkalinity of the surrounding<br />
cement paste. An oxide film <strong>for</strong>ms over the steel<br />
<strong>and</strong> prevents further attack. Sufficient concrete<br />
covering on the rein<strong>for</strong>cement will further inhibit<br />
corrosion. The protective alkalinity of the concrete<br />
can be disrupted by lowering pH values through<br />
carbonation, cracking, or loss of the surface concrete.<br />
Carbonation is the reaction of carbon dioxide with<br />
the cement paste, which <strong>for</strong>ms calcium carbonate.<br />
This reaction significantly lowers the pH of the<br />
concrete. If the zone of carbonation reaches the<br />
rein<strong>for</strong>cement, it can disrupt the protective oxide<br />
layer <strong>and</strong> induce corrosion. Corrosion can also occur<br />
if other problems, such as cracking, delamination,<br />
or spalling, disrupt the concrete cover <strong>and</strong> allow<br />
water to reach the embedded metal.<br />
Concrete Repair <strong>and</strong> Replacement<br />
Concrete repair work, whether its purpose is to<br />
repair cracks, delamination, or spalling, install<br />
large replacements, or repair rusting rein<strong>for</strong>cement,<br />
usually involves removal of deteriorated material.<br />
Deteriorated concrete must be removed using<br />
methods that do not damage surrounding sound<br />
concrete. Impact methods may cause new cracking<br />
in adjacent sound concrete. Cutting methods or<br />
small, h<strong>and</strong>-held chipping guns are preferred<br />
methods.<br />
The surface of the concrete <strong>and</strong> rein<strong>for</strong>cement to be<br />
repaired must be properly prepared. Inappropriate<br />
preparation of concrete surfaces is the primary<br />
cause of failure <strong>for</strong> concrete repairs. The concrete<br />
surfaces to be repaired must be clean, free of<br />
dust, <strong>and</strong> roughened to promote a mechanical<br />
key with new concrete. Embedded, rusting<br />
rein<strong>for</strong>cement must be exposed to the full extent of<br />
the corrosion. The rusting rein<strong>for</strong>cement must be<br />
cleaned of all corrosion down to clean metal. The<br />
cleaned rein<strong>for</strong>cement should be painted with a<br />
rust-inhibiting coating.<br />
New concrete can be placed using conventional<br />
cast-in-place methods, through shotcrete methods<br />
<strong>for</strong> large areas, or by h<strong>and</strong>-troweling or groutinjection<br />
repairs <strong>for</strong> smaller areas. Repair mixes<br />
must be <strong>for</strong>mulated to match the strength <strong>and</strong><br />
appearance of existing material <strong>and</strong> also have low<br />
shrinkage. In important building elements, such<br />
as entrance porches, the exposed aggregate finish<br />
must be matched. Concrete that does not have an<br />
exposed aggregate finish may be coated with a<br />
silicate mineral paint or other breathable masonry<br />
coating to cover repair work.<br />
9.3 Masonry<br />
The majority of the historic buildings at <strong>Moravian</strong><br />
<strong>College</strong> are constructed with brick or stone<br />
masonry, which helps define the overall Germanic<br />
architectural style of the area. Most of <strong>Moravian</strong><br />
<strong>College</strong>’s historic stone buildings have load-bearing<br />
masonry walls <strong>and</strong> are constructed of regionally<br />
available, rough faced stone. Stone has also been<br />
used as foundations on many brick buildings, or to<br />
emphasize architectural features on facades. Smooth<br />
limestone is used as an accent material <strong>for</strong> door<br />
thresholds, window sills <strong>and</strong> lintels, water tables,<br />
<strong>and</strong> capstones. Bluestone <strong>and</strong> greenish brownstone<br />
are also seen as trim elements on certain buildings.<br />
Brick is perhaps the most common material used <strong>for</strong><br />
historic buildings at <strong>Moravian</strong> <strong>College</strong>, including<br />
most of the Priscilla Payne Hurd Campus <strong>and</strong><br />
Hamilton, Memorial, Monocacy, <strong>and</strong> Zinzendorf<br />
Halls at the North Main Street Campus.<br />
Even though masonry is durable, proper care<br />
should be taken to ensure its long-term survival.<br />
Exterior walls respond to the effects of rain, wind,<br />
sun, <strong>and</strong> temperature <strong>and</strong> their stability underpins<br />
long-term preservation of the building. Masonry<br />
maintenance is not just an aesthetic consideration<br />
but a structural one. As with all historic materials,<br />
frequent evaluation <strong>and</strong> careful maintenance can<br />
solve minor problems be<strong>for</strong>e they become large<br />
<strong>and</strong> expensive repairs. The preservation approach<br />
emphasizes retention <strong>and</strong> repair; any necessary<br />
replacements should be made in-kind, matching<br />
the existing in color, texture, size, <strong>and</strong> other visual<br />
qualities. Each masonry material has its own design<br />
<strong>and</strong> maintenance issues that should be considered.<br />
Stone<br />
Stone was used to construct the oldest <strong>and</strong> most<br />
prominent historic structures at <strong>Moravian</strong> <strong>College</strong>,<br />
including the 18th-century Single Brethren’s<br />
House <strong>and</strong> the Widows’ House, <strong>and</strong> the Comenius<br />
Hall group from 1891-1907. Also, many of the<br />
brick buildings on campus have rough stone<br />
foundations using stone that was quarried locally.<br />
Natural stone has a variety of physical properties,<br />
depending on its type, place of origin, <strong>and</strong> method<br />
of quarrying. Stone is a long-lasting material, but<br />
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still vulnerable to decay. All stone can be damaged<br />
by salts, freeze/thaw cycling, inappropriate or hard<br />
mortars, harsh chemical or abrasive cleaning, <strong>and</strong><br />
improper coatings. The local stone used on many of<br />
<strong>Moravian</strong>’s buildings contains iron ore, resulting in<br />
staining reactions between the stone <strong>and</strong> rainfall.<br />
Limestone is used as trim material <strong>for</strong> window sills<br />
<strong>and</strong> surrounds, water tables, capstones, <strong>and</strong> steps.<br />
Indiana limestone is a buff-colored homogeneous<br />
limestone with few mineral inclusions. It is so<br />
regular in color <strong>and</strong> texture that it can easily be<br />
confused <strong>for</strong> cast stone. The fineness of Indiana<br />
limestone makes it ideal <strong>for</strong> carved sills <strong>and</strong><br />
capstones.<br />
Slate is also sometimes used <strong>for</strong> terraces <strong>and</strong> steps.<br />
Slate is a metamorphosed sedimentary rock that<br />
tends to delaminate along natural bedding planes.<br />
Slate is a durable paving material, but is susceptible<br />
to deterioration from salts.<br />
Brick<br />
Brick construction is used <strong>for</strong> the majority of<br />
historic buildings at <strong>Moravian</strong> <strong>College</strong>, <strong>and</strong> is<br />
used as ornament on some of the stone buildings.<br />
Bricks vary according to their composition <strong>and</strong><br />
manufacturing process. Early brick making<br />
technology produced bricks of varying quality.<br />
The quality of the brick used in historic buildings<br />
varies considerably, depending upon the materials<br />
used, shaping methods, firing quality, <strong>and</strong> other<br />
manufacturing considerations. The better quality<br />
bricks were used <strong>for</strong> exposed, exterior brick. The<br />
softer, salmon-colored bricks were used in the<br />
construction of inner walls or exterior walls that<br />
were meant to be covered with stucco.<br />
Like a loaf of bread, bricks have an outer crust <strong>and</strong><br />
a softer inner material. Without the outer crust, the<br />
inner brick is vulnerable to rapid deterioration.<br />
Removal of the outer crust by harsh abrasive or<br />
chemical cleaning greatly reduces the durability of<br />
the original bricks. Brick functions best when laid<br />
with bricks of a similar type <strong>and</strong> with a mortar mix<br />
that is carefully matched to the brick type.<br />
It is important that brick masonry be protected<br />
from water infiltration through adequate roofing<br />
<strong>and</strong> site drainage. Bricks are porous <strong>and</strong> can absorb<br />
moisture much like a sponge. Water infiltration can<br />
cause freeze/thaw damage to bricks in cold weather.<br />
Water from the ground can carry salts in solution<br />
into the brick masonry, which can cause internal<br />
stresses as the salts <strong>for</strong>m during evaporation.<br />
Waterproofing coatings are not recommended<br />
<strong>for</strong> brick masonry. They are often responsible <strong>for</strong><br />
trapping water within the masonry rather than<br />
keeping it out.<br />
Individual brick units may be damaged by the<br />
corrosion of embedded metal elements <strong>and</strong><br />
structural stresses. Embedded metal materials,<br />
such as structural steel angles, metal anchors, <strong>and</strong><br />
through-wall pipes, will corrode in the presence<br />
of water. The exp<strong>and</strong>ing corrosion products have<br />
enough <strong>for</strong>ce to crack brick units <strong>and</strong> even seriously<br />
disrupt brick masonry. Structural concerns, such as<br />
settlement, may shift an entire wall causing cracking<br />
through brick units <strong>and</strong> joints. Any masonry<br />
disruption creates new avenues <strong>for</strong> water to enter<br />
the building, which leads to further deterioration.<br />
Typical Masonry Conditions<br />
Historic masonry conditions throughout <strong>Moravian</strong><br />
<strong>College</strong>’s campus are good overall with some<br />
serious, ongoing masonry deterioration. Water<br />
infiltration of masonry is widespread throughout<br />
<strong>Moravian</strong> <strong>College</strong>’s historic buildings, caused by<br />
problems with both roof <strong>and</strong> site drainage. Affected<br />
areas show mortar loss, biological growth, <strong>and</strong><br />
rising damp at the base of walls. In combination with<br />
salts <strong>and</strong> freeze/thaw <strong>for</strong>ces, water infiltration has<br />
caused wholesale disintegration of stone <strong>and</strong> brick<br />
units. Masonry is further disrupted by structural<br />
movement, which causes settlement-type cracking<br />
through both joints <strong>and</strong> stone or brick units.<br />
Masonry has also been damaged by HVAC <strong>and</strong><br />
electrical alterations. At some locations, vents<br />
have been cut through the existing masonry walls<br />
during HVAC upgrades. This work has disrupted<br />
the surrounding masonry, which has been<br />
inappropriately repaired in several cases. Electrical<br />
cables have been directed out through holes in<br />
the masonry walls <strong>and</strong> strung along the face of<br />
the buildings. These conditions could be avoided<br />
through more sensitive <strong>and</strong> holistically planned<br />
renovations.<br />
Masonry Inspection<br />
The best course of action to maintain masonry is<br />
cyclical inspection <strong>and</strong> repair. A yearly baseline<br />
inspection should be comprehensive <strong>and</strong> examine<br />
building exteriors <strong>and</strong> interiors, particularly in<br />
attics <strong>and</strong> basements. Water penetration is the major<br />
source of masonry damage. Although masonry is a<br />
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durable material, it is still vulnerable to decay. To<br />
remain in good condition, the masonry wall must<br />
be structurally stable <strong>and</strong> weather tight, while<br />
also allowing enough flexibility to accommodate<br />
seasonal movement <strong>and</strong> remaining breathable.<br />
Inspections should include a comprehensive survey<br />
to identify potential problems. Exterior masonry<br />
inspections should be conducted in t<strong>and</strong>em with<br />
a complete roof drainage system inspection.<br />
Evidence of any of the following should trigger<br />
further investigation or remediation:<br />
• Leaking, broken, or overflowing roofs,<br />
gutters, <strong>and</strong> downspouts.<br />
• Soil erosion, lack of splash blocks, negative<br />
•<br />
drainage.<br />
Ponding <strong>and</strong> underground drainage<br />
problems.<br />
• Rising damp (moisture migrating up<br />
from sub-grade/foundations into masonry<br />
walls causing efflorescence, staining, <strong>and</strong><br />
delamination).<br />
• Biological growth, staining, or efflorescence<br />
on walls.<br />
• Invasive vegetative growth on or near<br />
masonry surfaces.<br />
• Quick-fixes such as caulks <strong>and</strong> sealants.<br />
• Mortar erosion, mortar failure, <strong>and</strong> open<br />
joints.<br />
• Cracked masonry in conjunction with hard<br />
cement-type mortar.<br />
• Uneven weathering.<br />
• Mechanical injury.<br />
• Spalling <strong>and</strong> damage from deicing salts or<br />
other chemicals.<br />
• Spalling or buckling caused by movement.<br />
• Differential building settlement.<br />
• Cracks through masonry joints or masonry<br />
units caused by movement.<br />
Causes of Masonry Deterioration<br />
Water Infi ltration<br />
Water infiltration is the most common causes of<br />
masonry deterioration. Water is the usual culprit; it<br />
erodes joints, carries salt into the masonry, promotes<br />
biological growth, <strong>and</strong> causes freeze/thaw stresses.<br />
Water can penetrate walls from above because of<br />
faulty roof drainage or from below due to rising<br />
damp. Regular inspection of roofing systems <strong>and</strong><br />
site drainage in conjunction with inspection of<br />
masonry walls is the first line of defense.<br />
Efflorescence is a whitish stain on stone or brick<br />
that is the result of crystallized water-soluble<br />
salts. Widespread efflorescence on an historic wall<br />
indicates moisture penetration. Inappropriate<br />
chemical cleaning can lead to efflorescence, as can<br />
chronic moisture from clogged or inadequate roof<br />
<strong>and</strong> site drains. In these situations, diagnosis <strong>and</strong><br />
remediation should be undertaken to resolve the<br />
underlying problem. The most serious efflorescence<br />
problems at <strong>Moravian</strong> <strong>College</strong> can be seen at the<br />
back wall of the Steel Field Gr<strong>and</strong>st<strong>and</strong> bleachers.<br />
A common problem at <strong>Moravian</strong> <strong>College</strong>’s historic<br />
buildings is dampness at building foundations<br />
caused by problematic roof drainage combined<br />
with poor site drainage. This is directly related to<br />
damaged, clogged, or missing gutters, downspouts<br />
<strong>and</strong> underground drains, which result from a<br />
lack of maintenance <strong>for</strong> these drainage systems.<br />
Eroded mortar, efflorescence, biological growth,<br />
<strong>and</strong> rising damp are symptoms of an underlying<br />
moisture problem. Water is absorbed by the wall<br />
<strong>and</strong> drawn upwards through the masonry pores<br />
by capillary action. Water then gravitates to<br />
the masonry surface where evaporation occurs,<br />
resulting in a characteristic tide line of wet masonry<br />
at the base of the wall. Biological growth will <strong>for</strong>m<br />
on the surface of chronically damp masonry. In<br />
addition, water that is drawn from the soil into<br />
the building wall is laden with salts. These salts<br />
evaporate out of the water at the point in the wall<br />
where the rising damp stops. Here, salts will <strong>for</strong>m<br />
just under the masonry surface, damaging the<br />
microstructure of the masonry from within. It is<br />
important to identify the cause of any deterioration<br />
that is found <strong>and</strong> undertake appropriate repairs.<br />
Repairing the masonry alone will not fix the root of<br />
the problem, <strong>and</strong> future masonry deterioration will<br />
be inevitable.<br />
Vegetation<br />
Moss or biological growth on masonry or adjacent<br />
soil surfaces is a sure sign of long-st<strong>and</strong>ing moisture<br />
problems. This is commonly seen in buildings with<br />
poor roof <strong>and</strong> site drainage <strong>and</strong> is seen on many<br />
buildings at <strong>Moravian</strong> <strong>College</strong>, particularly in<br />
shady areas or between closely spaced buildings.<br />
The roots <strong>and</strong> tendrils of moss, lichens, <strong>and</strong> other<br />
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biological growth also trap moisture within the<br />
masonry <strong>and</strong> contribute to deterioration.<br />
Ivy was a historic feature on some of <strong>Moravian</strong><br />
<strong>College</strong>’s buildings <strong>and</strong> has an appealing visual<br />
impression. Over time, however, ivy <strong>and</strong> other<br />
clinging vines growing directly on masonry walls<br />
saturate them with moisture; the tendrils work their<br />
way into cracks <strong>and</strong> mortar joints, which erodes<br />
mortar <strong>and</strong> causes spalling during freeze-thaw<br />
cycles. Attempts to remove established ivy often<br />
results in damaged masonry surfaces <strong>and</strong> pitting.<br />
Ivy, there<strong>for</strong>e, should be cut off at the base, left to<br />
die off completely, <strong>and</strong> then removed gently by<br />
h<strong>and</strong>. Subsequently, it is recommended that ivy not<br />
be allowed to become established again. Vegetation<br />
may be grown up masonry walls through the use of<br />
trellises mounted several inches away from the face<br />
of the wall, the proper selection of non-clinging<br />
vines, <strong>and</strong> careful maintenance to ensure that the<br />
vegetation does not get out of control.<br />
Should ivy be permitted to grow on walls, it should<br />
be periodically removed as noted above to allow<br />
<strong>for</strong> inspection <strong>and</strong> repair of masonry walls. On a<br />
yearly basis, ivy on walls should be trimmed back<br />
from windows, door opening, roof eaves, <strong>and</strong> any<br />
wood features.<br />
Shrubs <strong>and</strong> trees in close proximity to masonry<br />
walls trap moisture <strong>and</strong> prevent walls from drying<br />
out properly. Likewise, tree limbs that extend over<br />
roofs deposit debris that clogs or damages gutters<br />
<strong>and</strong> downspouts.<br />
Structural Stress<br />
Masonry wall cracks are problematic because<br />
they indicate building movement or deterioration<br />
of internal structural members <strong>and</strong> provide<br />
opportunities <strong>for</strong> moisture penetration <strong>and</strong><br />
further deterioration. Cracking may be caused by<br />
settlement, structural failure, freezing moisture<br />
within the wall, or corroded metal rein<strong>for</strong>cements.<br />
Cracking along the mortar joints or through<br />
masonry units is an indication that the masonry is<br />
in motion. Bulging, leaning, or disrupted masonry<br />
units indicate an advanced state of deterioration.<br />
If cracks or disrupted masonry are observed in<br />
a masonry wall, a structural engineer should be<br />
consulted to determine the cause <strong>and</strong> appropriate<br />
remedial treatments. The majority of structural<br />
problems can be prevented through proper<br />
inspection <strong>and</strong> preventative maintenance. It is<br />
important to identify ongoing deterioration, such<br />
as water infiltration <strong>and</strong> poor site drainage, be<strong>for</strong>e<br />
it leads to structural problems.<br />
Improper Maintenance Treatments<br />
Improper maintenance treatments, such as aggressive<br />
cleaning, use of deicing salts, waterproofing<br />
coatings, inappropriate sealant installation,<br />
<strong>and</strong> hard pointing <strong>and</strong> bedding mortars, can<br />
accelerate or directly cause masonry deterioration.<br />
S<strong>and</strong>blasting, harsh chemical cleaning, <strong>and</strong> other<br />
abrasive cleaning methods inevitably damage the<br />
exterior surface of the masonry. This damages the<br />
hard, protective surfaces of brick <strong>and</strong> limestone<br />
masonry. By roughening the surface of all types<br />
of masonry, such cleaning methods increase the<br />
potential <strong>for</strong> reactions with acid rain <strong>and</strong> biological<br />
growth.<br />
Traditional sodium, calcium, <strong>and</strong> magnesium<br />
chloride based deicing salts can damage entryway<br />
<strong>and</strong> foundation masonry, as well as doors <strong>and</strong> door<br />
frames. The salts are then absorbed into the masonry.<br />
As the masonry dries, salts <strong>for</strong>m deep within or on<br />
the surface of the masonry causing internal stresses<br />
<strong>and</strong> damage. Alternative deicing materials have<br />
proven to be effective while reducing their effects<br />
on the environment. Alternative deicing materials<br />
include s<strong>and</strong>, cat litter, or chemical deicers, such as<br />
calcium magnesium acetate.<br />
Waterproofing coatings, synthetic stucco, <strong>and</strong><br />
exterior insulation should not be installed over<br />
historic masonry because they create interior<br />
condensation that damages the wall’s integrity.<br />
Masonry buildings must be allowed to breathe by<br />
allowing water vapor from the building interior to<br />
migrate through the wall <strong>and</strong> evaporate outside.<br />
Masonry walls should only be insulated from<br />
interior surfaces using a proper vapor barrier.<br />
The exterior walls of historic buildings should not<br />
be insulated if it means removal of intact historic<br />
interior finishes. Additionally, such barriers<br />
inevitably fail when applied over historic masonry<br />
<strong>and</strong> allow water into the wall, often trapping it in,<br />
exacerbating all of the problems associated with<br />
water infiltration.<br />
Sealant should only be installed in masonry units<br />
located on wash surfaces, such as coping units,<br />
projecting water table <strong>and</strong> belt courses, <strong>and</strong> steps.<br />
Sealant should never be installed on vertical wall<br />
surfaces. Sealant will trap water within the masonry<br />
wall, <strong>for</strong>cing the water back into the masonry units.<br />
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Any embedded metal anchors located within the<br />
wall will corrode causing stresses.<br />
Historic masonry is often repointed with extremely<br />
hard, dense Portl<strong>and</strong> cement mortars in a mistaken<br />
belief that a stronger mortar makes <strong>for</strong> a more<br />
durable masonry wall. In most cases, the cement<br />
mortars are harder than the masonry, causing<br />
eventual deterioration of the softer, more porous<br />
masonry during freeze/thaw cycles. Masonry<br />
load-bearing walls are also subject to daily <strong>and</strong><br />
seasonal movement from differential thermal<br />
movement. Hard, dense Portl<strong>and</strong> cement mortars<br />
are inflexible <strong>and</strong> do not allow <strong>for</strong> this movement,<br />
leading to cracking of the masonry.<br />
Thermal Movement<br />
Minor masonry de<strong>for</strong>mation <strong>and</strong> some systemic<br />
cracks can be caused by thermal movement.<br />
Masonry walls exp<strong>and</strong> when warm <strong>and</strong> contract<br />
when cool. In historic walls, this movement is<br />
taken up in the soft mortar joints of the masonry.<br />
The most visible <strong>for</strong>m of thermal movement is the<br />
de<strong>for</strong>mation of masonry chimneys over time. Tall<br />
chimneys will slowly twist as each face is warmed<br />
by the sun. Over time, this can lead to wracking<br />
of the chimney, necessitating complete rebuilding.<br />
Existing through-wall cracks in masonry walls<br />
should be monitored to ensure that the masonry<br />
is no longer moving; however, cyclical movement<br />
may be caused by thermal movement. Cracks<br />
in masonry that are stable will open <strong>and</strong> close<br />
through thermal movement, opening in the winter<br />
as the wall contracts <strong>and</strong> closing in the summer as<br />
it exp<strong>and</strong>s.<br />
Masonry Repair<br />
Masonry repair is a complex subject. Repairs to<br />
historic masonry should only be per<strong>for</strong>med by<br />
craftsmen skilled in historic masonry preservation<br />
approaches <strong>and</strong> techniques. The type of masonry,<br />
the type <strong>and</strong> extent of damage, <strong>and</strong> the proposed<br />
methods of repair should be determined<br />
prior to beginning any work. The following<br />
recommendations are intended to be a general<br />
treatment guide; case-by-case solutions can vary<br />
depending upon the specific individual conditions.<br />
It is important to underst<strong>and</strong> that different types<br />
of masonry have different physical properties,<br />
weights <strong>and</strong> densities, <strong>and</strong> weathered surfaces.<br />
Detailed in<strong>for</strong>mation on appropriate treatments <strong>for</strong><br />
historic masonry can also be found in the National<br />
Park Service series of Technical <strong>Preservation</strong><br />
Briefs. It is best to consult a restoration contractor<br />
or preservation professional be<strong>for</strong>e undertaking<br />
repair or repointing because appropriate work is<br />
important, not only <strong>for</strong> aesthetic reasons but also <strong>for</strong><br />
the masonry’s long-term stability <strong>and</strong> durability.<br />
Water Infi ltration Problems<br />
Many deterioration mechanisms in masonry<br />
are related to or exacerbated by moisture <strong>and</strong><br />
water infiltration. Masonry repair often begins<br />
by identifying the source of moisture or water<br />
infiltration <strong>and</strong> rectifying these problems first. As<br />
long as the deterioration is not critical to structural<br />
stability, repairs to masonry units <strong>and</strong> mortar joints<br />
should be postponed until water problems have<br />
been addressed.<br />
Rising damp is the wicking of moisture up into a<br />
masonry wall from the ground. Solutions to rising<br />
damp conditions are complex <strong>and</strong> should be h<strong>and</strong>led<br />
by a contractor or specialist skilled in historic<br />
masonry. Consultation with a l<strong>and</strong>scape architect<br />
is often required <strong>for</strong> site drainage issues. Repair<br />
or replacement of faulty roof drainage systems<br />
saturating the soil adjacent to foundation walls is a<br />
primary cause of rising damp. Remedial measures<br />
can include the installation of underground<br />
drainage, replacement of underground drainage<br />
pipes, <strong>and</strong> regarding to move water away from<br />
the wall. A vapor barrier can be installed along the<br />
base of the wall to prevent moisture from rising<br />
up into the masonry, but this can involve extensive<br />
excavation <strong>and</strong> cost.<br />
Adjacent trees <strong>and</strong> shrubs, as well as vines <strong>and</strong><br />
biological growth growing on the masonry<br />
contribute to moisture problems by preventing<br />
walls from drying out. As with all moisturerelated<br />
problems, careful diagnosis should precede<br />
remedial work. Pruning, selected removal of<br />
foundation plantings <strong>and</strong> gentle h<strong>and</strong> removal<br />
of plants attached to masonry should precede<br />
repair work. Biocide masonry cleaners containing<br />
quaternary ammonium compounds may be<br />
effective in areas of heavy biological growth.<br />
Any cleaning method deemed necessary to remove<br />
biological growth, gypsum crusts, or other soiling<br />
should use the gentlest means possible. The cleaning<br />
method must be tailored to the type of masonry to<br />
be cleaned, the current condition of the masonry,<br />
<strong>and</strong> the nature of the soiling to be removed. Harsh<br />
chemical <strong>and</strong> abrasive cleaning must not be allowed<br />
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because it exacerbates rising damp <strong>and</strong> related<br />
moisture problems. The desire <strong>for</strong> a clean building<br />
must be weighed against the possible risks to the<br />
masonry materials.<br />
Holes, vents, or borings in brick <strong>and</strong> stone masonry<br />
that can admit water should always be limited<br />
in size <strong>and</strong> number. Any opening should be cut<br />
through mortar joints with minimal harm to the<br />
adjacent masonry. Openings with protruding<br />
metal elements, such as pipes or conduit, should<br />
be treated with an appropriate sealant colored to<br />
match the existing material. Openings that have<br />
been ab<strong>and</strong>oned with no protruding elements<br />
should be repaired by completely moving any<br />
embedded metal <strong>and</strong> installing a cementitious<br />
patch that matches the existing masonry surface in<br />
color, strength, texture, <strong>and</strong> finish.<br />
Masonry Crack Repair<br />
All cracks in masonry must first be properly<br />
diagnosed. Cracks caused by structural stresses<br />
must be investigated by a structural engineer who<br />
can recommend remedial repairs. As with moisture<br />
problems, the underlying structural problems must<br />
be addressed be<strong>for</strong>e per<strong>for</strong>ming repairs.<br />
Cracking from a one-time event, such as small-scale<br />
settlement, may require a cementitious mortar or<br />
grout repair. Cracking through masonry joints<br />
should be repaired by repointing the affected joints.<br />
Cracking through masonry units may require the<br />
installation of rein<strong>for</strong>cement <strong>and</strong> a cementitious<br />
patch or grout repair. Long, deep cracks in the<br />
masonry must be patched using a knife-grade<br />
patching compound to prevent further moisture<br />
penetration. The visual impact of such a repair<br />
should be minimized by using a colored mortar<br />
that is similar to the color of the masonry being<br />
patched.<br />
It is important to note that not all cracks in masonry<br />
require repair. Cracks may simply be a part of<br />
the natural weathering process <strong>for</strong> some stone<br />
masonry. Small, hairline cracks on vertical surfaces<br />
of stone masonry should not be repaired unless<br />
they are deep enough to allow water to infiltrate<br />
into the masonry wall. However, such cracking on<br />
horizontal wash surfaces should be patched with a<br />
knife-grade patching compound to prevent water<br />
infiltration.<br />
Corroding Lintel Repair<br />
The repair of corroding lintels is a costly <strong>and</strong><br />
invasive procedure. The steel lintel is a substantial<br />
structural element, which causes major masonry<br />
disruption as the metal corrodes <strong>and</strong> exp<strong>and</strong>s. The<br />
greater the amount of corroding metal in the wall,<br />
the greater the disruption of the masonry units.<br />
The long-term solution to the problem of corroding<br />
lintels is to remove the piece of corroding metal<br />
in its entirety. First the window must be properly<br />
shored, using techniques that have been approved<br />
by a structural engineer. Then the overlying brick<br />
or stone units must be removed, a minimum of four<br />
courses of brick above the window <strong>and</strong> one foot to<br />
either side. The original bricks or stones should be<br />
removed as whole units, cleaned of mortar, <strong>and</strong><br />
salvaged <strong>for</strong> use in the masonry repair.<br />
The corroding lintel can then be removed <strong>and</strong><br />
replaced with a new one. The new lintel must be<br />
properly flashed, with the flashing cut into the<br />
masonry backup at the top, then run vertically<br />
against the masonry backup <strong>for</strong> a minimum of<br />
eight inches, <strong>and</strong> then flashed over the steel angle.<br />
If the flashing cannot be cut into the masonry<br />
backup, it must be attached using a termination<br />
bar <strong>and</strong> high-quality sealant. The salvaged brick or<br />
stone should be used to reconstruct the masonry<br />
facing over the window lintel. It is important that<br />
the masonry repair follow the brick or stone size,<br />
pattern, <strong>and</strong> row height in the surrounding wall.<br />
Replacement mortar must match the original in its<br />
thickness, color, texture, <strong>and</strong> finishing.<br />
Patches <strong>and</strong> Dutchmen<br />
Small pieces of masonry lost through spalling or<br />
delamination can be repaired with a cementitious<br />
patching compound that matches the color <strong>and</strong><br />
hardness of the primary masonry. Proprietary<br />
patching compounds must only be installed by<br />
trained masons. Many manufacturers offer training<br />
courses <strong>and</strong> product certification <strong>for</strong> masons.<br />
Commercially-available patching compounds<br />
can be either Portl<strong>and</strong> cement-based or natural<br />
hydraulic lime-based. It is important to choose a<br />
patching compound that is compatible with the<br />
compressive <strong>and</strong> flexural strengths <strong>and</strong> permeability<br />
characteristics of the masonry to be repaired.<br />
Damaged areas of masonry that are too large to<br />
patch may be repaired by installation of a masonry<br />
dutchman. In this procedure, the deteriorated<br />
portion of the masonry is cut away <strong>and</strong> a new piece<br />
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of masonry (the dutchman) is installed to match<br />
the existing. Dutchman repair is a much more<br />
durable repair than a cementitious patch repair. A<br />
cementitious patch may need to be replaced after<br />
10-15 years, while a properly-installed dutchman<br />
should last as long as the masonry itself. Dutchman<br />
repairs require skill to install correctly <strong>and</strong> should<br />
not be attempted by inexperienced personnel.<br />
Consolidation<br />
Consolidation of masonry should only be considered<br />
in situations where the masonry is friable (prone<br />
to crumbling) <strong>and</strong> exhibits surface disintegration.<br />
Consolidation works on a microscopic level to<br />
strengthen cohesion between grains. Consolidation<br />
is not appropriate <strong>for</strong> delamination, spalling,<br />
or large-scale cracking. Commercially-available<br />
consolidants are not appropriate <strong>for</strong> masonry<br />
containing a calcium carbonate binder, such<br />
as limestone. Consolidants have only proven<br />
effective on silicate-based masonry such as brick or<br />
s<strong>and</strong>stone.<br />
If the masonry type <strong>and</strong> deterioration warrants<br />
consolidation, the first step is to characterize<br />
the masonry through petrographic analysis <strong>and</strong><br />
materials characterization. Testing is per<strong>for</strong>med<br />
in a laboratory to investigate how the consolidant<br />
treatment affects the physical characteristics of<br />
the stone. It is also important to investigate how<br />
effectively the masonry takes up the consolidant<br />
treatment. Consolidants must not be used if the<br />
masonry is adversely affected or if the consolidant<br />
is not properly absorbed. If laboratory testing<br />
determines that the consolidant is well-absorbed<br />
by the masonry <strong>and</strong> does not significantly alter<br />
its physical characteristics, then the consolidant<br />
should be tested in field mockups. Consolidation<br />
is an irreversible treatment <strong>and</strong> should not be<br />
undertaken by unskilled personnel or without<br />
proper laboratory <strong>and</strong> field testing.<br />
Cleaning<br />
Careful project planning is essential when making<br />
decisions about cleaning historic masonry. The<br />
initial assessment should evaluate the historic<br />
material, the type of soiling, the reason <strong>for</strong> cleaning,<br />
<strong>and</strong> the cleaning method. Cleaning should be<br />
undertaken only where dirt or other material<br />
obscures significant architectural features, or is<br />
causing, or has the potential to cause, damage to<br />
masonry. Cleaning methods should be carefully<br />
selected to do the job without harming the historic<br />
material. It is also important to repoint deteriorated<br />
mortar joints prior to cleaning to ensure that water<br />
does not penetrate the wall during cleaning.<br />
Cleaning should never remove the patina that is<br />
evidence of a structure’s history <strong>and</strong> age. It should<br />
never be per<strong>for</strong>med <strong>for</strong> the sole purpose of achieving<br />
a new appearance. Moreover, it is important to<br />
have realistic expectations: historic buildings will<br />
never have the same clean appearance as those that<br />
were recently built. It is better to under-clean than<br />
to over-clean because the latter inevitably causes<br />
damage.<br />
Cleaning treatments fall into three general<br />
categories: water-based, chemical, <strong>and</strong> mechanical<br />
methods. Water-based methods include<br />
pressurized water spray, heated water treatments,<br />
<strong>and</strong> mist-spray. Chemical methods involve the use<br />
of soaps, detergents, acidic <strong>and</strong> basic cleaners, <strong>and</strong><br />
biocidal treatments in a variety of gels, liquids,<br />
pastes, <strong>and</strong> poultices. Mechanical cleaning methods<br />
include the use of tools, such as brushes, scrapers,<br />
<strong>and</strong> specialized rotating <strong>and</strong> laser-based cleaning<br />
equipment. It is possible to combine treatments <strong>for</strong><br />
the best results, such as combining mild mechanical<br />
methods with low-pressurized water spray.<br />
The preservation approach is to always employ the<br />
gentlest cleaning method starting with low-pressure<br />
water <strong>and</strong> natural bristle brushes. Water pressure<br />
should be no stronger than 150-200 pounds per<br />
square inch (psi). High-pressure water spray can<br />
damage masonry surfaces <strong>and</strong> drive moisture into<br />
cracks <strong>and</strong> joints. Several cycles of mist-spray can<br />
be effective in removing some black gypsum crusts<br />
with minimal scrubbing. Any cleaning method<br />
using water should not occur when the temperature<br />
will fall below 50 degrees Fahrenheit <strong>for</strong> three days<br />
(72 hours) after cleaning.<br />
Chemical treatments should be approached with<br />
great caution because they can cause irreversible<br />
damage. They should never be applied by unskilled<br />
personnel. Underst<strong>and</strong>ing the physical properties<br />
of the masonry <strong>and</strong> type of soiling in question is<br />
a vital first step be<strong>for</strong>e proposing or testing any<br />
chemical cleaners. If chemicals must be used, test<br />
panels should be developed <strong>and</strong> carefully evaluated<br />
to avoid over cleaning. Chemical cleaners must<br />
be chosen by a knowledgeable professional who<br />
underst<strong>and</strong>s the type <strong>and</strong> condition of the masonry<br />
material to be cleaned. Only non-acidic neutral<br />
pH detergents should be used in conjunction with<br />
non-metallic brushes or scrapers; metal brushes<br />
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can permanently damage masonry. Acidic cleaners<br />
or highly alkaline cleaners can damage historic<br />
materials <strong>and</strong> should be avoided. Prior to cleaning,<br />
the proposed methods should be tested in an<br />
inconspicuous area to evaluate potential adverse<br />
impacts. Cleaning solutions should start with the<br />
lowest recommended concentration <strong>and</strong> gradually<br />
be increased to find the appropriate level. Although<br />
it is time-consuming, the best way to determine the<br />
long-term effects of a cleaning process is to treat<br />
a small portion of the wall <strong>and</strong> observe it over a<br />
seasonal cycle. Staff <strong>and</strong> contractors applying the<br />
treatment follow the manufacturer’s instructions<br />
exactly. If chemicals are improperly applied, they<br />
can result in permanent damage that far outweighs<br />
any benefit of cleaning.<br />
Abrasive s<strong>and</strong>blasting should never be used on<br />
historic masonry because it is irreversible <strong>and</strong><br />
extremely damaging. S<strong>and</strong>blasting accelerates<br />
deterioration of historic masonry materials <strong>and</strong> has<br />
a profound negative impact on a building’s historic<br />
character. S<strong>and</strong>blasting removes the hard, protective<br />
surface of the masonry, especially brick, <strong>and</strong> breaks<br />
mortar joints, leading to moisture penetration.<br />
If masonry surfaces were painted historically,<br />
they should remain painted. Paint has a specific<br />
protective function <strong>and</strong> often plays a part in the<br />
overall historic design <strong>and</strong> appearance. Paint<br />
clings tenaciously to the tiny pores <strong>and</strong> fissures<br />
of a masonry wall <strong>and</strong> its mortar joints. For this<br />
reason, paint on masonry is difficult to remove <strong>and</strong><br />
should not be attempted only <strong>for</strong> aesthetic reasons.<br />
If conditions warrant paint removal, it should be<br />
approached cautiously using the gentlest means<br />
possible. Test patches in inconspicuous locations<br />
should precede any large-scale or overall cleaning.<br />
Masonry Coatings<br />
Waterproof coatings, paint, or stucco should never<br />
be applied to uncoated masonry buildings to solve<br />
moisture-related problems or as a substitute <strong>for</strong><br />
repointing <strong>and</strong> preventative maintenance. Over<br />
time, these b<strong>and</strong>-aid repairs trap moisture within<br />
the walls <strong>and</strong> cause a host of related problems.<br />
In some cases, a breathable masonry coating may<br />
be desired, to conceal concrete or stucco repairs,<br />
or unsightly staining. It should be understood<br />
that most masonry coatings are difficult, if not<br />
impossible, to remove. Coating masonry must not<br />
be undertaken without considering the long-term<br />
effects. If a masonry coating is required, the<br />
selection of a true breathable coating is critical <strong>for</strong><br />
the long-term per<strong>for</strong>mance of both masonry <strong>and</strong><br />
coating. Opaque, breathable masonry coatings<br />
are currently available as acrylic latex paints<br />
specifically <strong>for</strong>mulated <strong>for</strong> masonry. They reduce<br />
the breathability of the masonry by ten percent. In<br />
theory, it may be possible to remove these coatings<br />
in the future, but this has not yet been tested.<br />
Silicate mineral paints are also available <strong>for</strong> painting<br />
silicate-based masonry, such as brick <strong>and</strong> s<strong>and</strong>stone.<br />
Silicate mineral paints reduce the breathability of<br />
masonry by only three percent. However, a silicate<br />
mineral paint will permanently bind to the silicatebased<br />
masonry substrate if properly prepared <strong>and</strong><br />
should only be used where permanent coatings are<br />
desired. A mockup should be prepared to evaluate<br />
the coating in situ prior to large scale treatment.<br />
Buildings that have been painted may prove to be<br />
a lasting maintenance problem. New coatings must<br />
be compatible with the existing paint to adhere<br />
properly. All loose or deteriorated paint should be<br />
removed <strong>and</strong> a new, breathable masonry coating,<br />
compatible with the existing paint substrate,<br />
should be applied. However, over time, paint will<br />
build up on the surface of the masonry, which may<br />
cause moisture to be trapped in the wall or cause<br />
the paint to fail.<br />
Sealants<br />
Waterproof building sealants should only be applied<br />
to joints in horizontal surfaces at coping units, sills,<br />
steps, <strong>and</strong> at projecting cornice, belt, <strong>and</strong> water<br />
table courses. These joints are particularly prone<br />
to water penetration. Proper sealant installation<br />
involves installation of a foam backer rod with the<br />
correct diameter <strong>for</strong> the size of the joint. Sealant<br />
must be installed against the backer rod, <strong>for</strong>ming<br />
a concave joint between the masonry units. Flush<br />
sealant joints that do not have a concave shape have<br />
been improperly installed. Do not allow sealants to<br />
overlap the outside face of the masonry, as it will<br />
cause the sealants to fail prematurely. Do not use<br />
sealant in joints on vertical wall surfaces because<br />
it will trap moisture within the wall <strong>and</strong> lead to<br />
deterioration.<br />
Masonry Repointing<br />
Repointing is the repair of deteriorated mortar<br />
joints, accomplished by removing <strong>and</strong> replacing<br />
old, deteriorated mortar. Appropriate repointing,<br />
using preservation techniques, is critical to a historic<br />
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masonry building’s physical condition <strong>and</strong> plays a<br />
significant role in integrity <strong>and</strong> appearance. When<br />
mortar joints fail in masonry, they allow water to<br />
flow into the areas around the masonry, creating<br />
a chain of events that can weaken the entire wall.<br />
Repointing techniques <strong>and</strong> mortar mixes will<br />
vary according to the type of masonry. There<strong>for</strong>e,<br />
consultation with preservation contractors <strong>and</strong><br />
professionals is strongly recommended be<strong>for</strong>e<br />
undertaking repointing projects. Masons trained<br />
in new construction usually lack expertise with<br />
historic masonry.<br />
Replication Mortar Mixes<br />
The mortar mix is critical to masonry function<br />
<strong>and</strong> aesthetics <strong>and</strong> will vary according to the type<br />
of masonry. Ideally the composition of the new<br />
mortar would duplicate that of the original mortar<br />
mix. However, it should be noted that even current<br />
mortar analysis techniques cannot accurately<br />
determine the actual original mix; there are far too<br />
many variables. Mortar analysis techniques can<br />
provide subjective data on properties of the mortar<br />
such as probable binder content, hardness, air<br />
content, <strong>and</strong> color. However, no technique available<br />
today can accurately determine the actual original<br />
mix.<br />
An historic mortar analysis can, however, provide<br />
valuable in<strong>for</strong>mation <strong>for</strong> characterizing the<br />
original mortar. This simple acid digestion <strong>and</strong><br />
gravimetric analysis is usually per<strong>for</strong>med by a<br />
building conservator <strong>for</strong> a modest cost. It is highly<br />
recommended as the first step in matching existing<br />
mortars <strong>for</strong> spot repointing. The analysis releases<br />
the original s<strong>and</strong>, allowing analysis of s<strong>and</strong> color,<br />
mineralogical content, <strong>and</strong> grain size; matching<br />
the original s<strong>and</strong> is important to finding a good<br />
replication mix. Iron oxide pigments may be<br />
added to match the color of historically pigmented<br />
mortars. Multiple test panels are usually needed to<br />
achieve the right color <strong>and</strong> texture match.<br />
In addition to mortar analysis, it is critical to<br />
underst<strong>and</strong> the strength <strong>and</strong> permeability of<br />
the existing historic masonry. Knowledge of the<br />
physical properties of the existing masonry will<br />
aid in choosing a mortar mix with compatible<br />
characteristics. The new mortar must be weaker<br />
<strong>and</strong> more permeable than the existing masonry,<br />
while achieving good bond with the masonry<br />
units. It is important to evaluate the per<strong>for</strong>mance<br />
characteristics of the mortar mix as well as its<br />
appearance.<br />
Mortar installed prior to 1920 was typically<br />
composed of lime, which is more flexible <strong>and</strong><br />
permeable than Portl<strong>and</strong> cement-based mortars.<br />
Today’s high-strength, commercially-available<br />
Portl<strong>and</strong> cement mortars are inappropriate <strong>for</strong><br />
historic masonry buildings because they are<br />
hard <strong>and</strong> dense. Modern mortars are designed<br />
to match the characteristics of new, unweathered<br />
stone <strong>and</strong> contemporary hard brick, not historic<br />
masonry. Commercially-available masonry<br />
mortars should also be avoided because they can<br />
contain unnecessary, <strong>and</strong> undisclosed, additives<br />
<strong>and</strong> fillers. In addition to these functional concerns,<br />
modern mortars have a brighter <strong>and</strong> more uni<strong>for</strong>m<br />
appearance than historic mortars.<br />
When hard Portl<strong>and</strong> cement-based mortars are<br />
used <strong>for</strong> pointing historic masonry, the mortar is<br />
often harder than the masonry. Adding mortar that<br />
is too hard or dense to the soft or weathered historic<br />
masonry leads to accelerated masonry deterioration.<br />
The hard mortar traps moisture within the wall,<br />
which then cannot escape through the joints as it<br />
would normally. Instead, the moisture enters the<br />
softer <strong>and</strong> more permeable masonry <strong>and</strong> causes<br />
spalling, cracking, <strong>and</strong> deterioration.<br />
In historic masonry buildings, soft mortar joints are<br />
flexible enough to allow <strong>for</strong> the seasonal expansion<br />
<strong>and</strong> contraction of the wall. Modern buildings<br />
control this movement through expansion joints. If<br />
a historic masonry wall is pointed with a harder,<br />
less-flexible mortar, the masonry becomes the<br />
weakest link. The masonry, not the mortar joints,<br />
will crack, spall, or deteriorate as it absorbs the<br />
stress caused by seasonal changes <strong>and</strong> movement.<br />
If left unchecked, this masonry deterioration can<br />
result in structural failure of the wall.<br />
Non-hydraulic lime is a traditional building material<br />
produced by burning limestone <strong>and</strong> other calcium<br />
carbonate-rich materials, like shells. The resulting<br />
burned material is then slaked, or combined with<br />
water, to create a plastic, highly workable lime<br />
putty. The lime putty is mixed with s<strong>and</strong> to create<br />
the final mortar. Alternatively, dry, unslaked lime<br />
was “hot mixed” with s<strong>and</strong> <strong>and</strong> water to <strong>for</strong>m the<br />
mortar. Non-hydraulic lime putty is commercially<br />
available. However, proper installation <strong>and</strong> curing<br />
is absolutely essential. Non-hydraulic lime mortars<br />
are extremely susceptible to shrinkage <strong>and</strong> failure<br />
from freezing temperatures.<br />
Currently, the majority of masons are com<strong>for</strong>table<br />
with using combined Portl<strong>and</strong> cement <strong>and</strong> hydraulic<br />
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lime-based mortars. These hybrid mortars combine<br />
the quick set <strong>and</strong> strength of Portl<strong>and</strong> cement with<br />
the flexibility <strong>and</strong> greater workability of hydraulic<br />
lime. The great advantage of these hybrid mortars<br />
is that they are mixed <strong>and</strong> cured in a similar<br />
manner to modern Portl<strong>and</strong> cements. Most masons<br />
are familiar with these methods, which greatly<br />
improve the chances of achieving a successful<br />
repointing job.<br />
Natural cements <strong>and</strong> natural hydraulic limes<br />
have become available in the U.S. <strong>and</strong> should be<br />
considered <strong>for</strong> repointing historic masonry. Natural<br />
cements are produced from burning clay-rich<br />
limestone at temperatures that are lower than those<br />
used to make Portl<strong>and</strong> cement. Natural cements<br />
tend to per<strong>for</strong>m in a similar manner as Portl<strong>and</strong><br />
cement <strong>and</strong> hydrated lime mixes. It is imperative<br />
that natural cements be installed by a mason<br />
who is familiar with the product <strong>and</strong> the curing<br />
requirements.<br />
Natural hydraulic limes are also produced from<br />
burning clay-rich limestone at lower temperatures,<br />
but typically have more free lime than natural<br />
cements. Hydraulic lime mortars are more vapor<br />
permeable than cement-lime mortars, which<br />
aids water <strong>and</strong> salt removal within the masonry,<br />
<strong>and</strong> have better elasticity, allowing <strong>for</strong> building<br />
movement without cracking. However, hydraulic<br />
limes do require treatment after placement to ensure<br />
proper curing, which is vital <strong>for</strong> frost resistance.<br />
The choice of a contractor with experience using<br />
natural hydraulic limes is the key to a successful<br />
project.<br />
Good Repointing Practice<br />
Mortar should only be removed when it is<br />
absolutely necessary, such as when the mortar is<br />
unsound, cracked, eroded, or crumbling. Removal<br />
of mortar at all joints in an ef<strong>for</strong>t to achieve a<br />
uni<strong>for</strong>m appearance is rarely necessary. Unsound<br />
mortar should be removed to a depth of 2.5 times<br />
the width of the joint, or to sound mortar, whichever<br />
is greater. Work should be per<strong>for</strong>med using<br />
h<strong>and</strong>-held, non-power tools. Power tools such as<br />
masonry saws can easily damage masonry. In some<br />
circumstances, a thin saw cut may be run down<br />
the center of a horizontal joint with the remainder<br />
removed by h<strong>and</strong>. However, masonry saws should<br />
never be used on vertical joints. This work should<br />
only be attempted by skilled preservation masons.<br />
New work should match historic mortar joints<br />
in color, texture, joint size, profile tooling, <strong>and</strong><br />
any decorative details, such as penciling. Where<br />
necessary, voids in bedding mortar must be packed<br />
with new mortar, <strong>and</strong> then repointed to prevent face<br />
loading of the masonry <strong>and</strong> consequent spalling.<br />
Masons should achieve visual continuity between<br />
surviving historic material <strong>and</strong> new patches. Mask<br />
grouting is essentially a cosmetic fix that applies<br />
a skim topcoat of mortar over existing joints. Not<br />
only does it hide any underlying existing mortar<br />
problems, it changes the appearance of the entire<br />
building. This practice should be avoided.<br />
Masonry Replacement<br />
In areas of extensive deterioration or missing<br />
features, limited replacement of the masonry units<br />
may be appropriate. Replacement should only be<br />
considered if the material is deteriorated-beyondrepair.<br />
Removal or rebuilding of a substantial<br />
portion of exterior masonry walls should only<br />
be undertaken when it is crucial to a building’s<br />
structural integrity. The replacement masonry<br />
should be carefully chosen to match the damaged<br />
masonry in size, color, texture, appearance, <strong>and</strong><br />
physical properties. New work should match<br />
the existing profile, pattern, <strong>and</strong> coursing details<br />
of damaged sections <strong>and</strong> features. Avoiding the<br />
need <strong>for</strong> large masonry replacement is important;<br />
preventative maintenance <strong>and</strong> minimizing openings<br />
<strong>for</strong> equipment installation should prevent the need<br />
<strong>for</strong> later rebuilding.<br />
Replacement brick must be suitable <strong>for</strong> exterior<br />
applications. Brick that is stronger than the original<br />
brick should not be used because of water migration<br />
that results in spalling <strong>and</strong> damage to softer bricks.<br />
New work should match the existing bond (pattern<br />
within a row), course (pattern of rows), color, <strong>and</strong><br />
size of bricks when replacing sections of a wall. Brick<br />
should always be toothed-in to historic brickwork.<br />
Locating replacement stone to match the existing<br />
stone used in historic masonry can be problematic.<br />
Many historically used stone types are no longer<br />
quarried <strong>for</strong> building stone, <strong>and</strong> it is difficult to find<br />
sources <strong>for</strong> the dimensional stone used in walls.<br />
Potential sources of stone may include salvaged<br />
stone or replacement with similar, though not<br />
identical, commercially available stone from other<br />
locations.<br />
Indiana limestone <strong>and</strong> slate are still commercially<br />
available. The homogeneity of Indiana limestone<br />
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makes it a reliable replacement material. It is<br />
relatively easy to match the color <strong>and</strong> texture of<br />
historic Indiana limestone. Replacing slate requires<br />
careful matching to available materials, which can<br />
range from mauve to gray to green.<br />
9.4 Metals<br />
Metals are found in various architectural elements,<br />
including h<strong>and</strong>rails, light fixtures, <strong>and</strong> gates. The<br />
metals most frequently used in architecture are<br />
alloys containing lead, tin, zinc, copper, nickel,<br />
aluminum, <strong>and</strong> iron. Iron <strong>and</strong> its alloys, including<br />
steel, are particularly prevalent because of the<br />
moderate production costs brought about by<br />
technological breakthroughs in manufacturing<br />
in the late nineteenth century. Metal elements are<br />
inherently durable if properly maintained. Metals<br />
used in the production of doors, windows, <strong>and</strong> their<br />
associated hardware will be dealt with separately<br />
in the section on doors <strong>and</strong> windows.<br />
Typical Metal Conditions<br />
Architectural metalwork is present in historic<br />
buildings at <strong>Moravian</strong> <strong>College</strong> as entrance h<strong>and</strong>rails<br />
<strong>and</strong> balustrades, lighting fixtures, plaques, gates,<br />
cupolas, finials, <strong>and</strong> fire escapes. The majority of<br />
this exterior metalwork appears to be in relatively<br />
good condition.<br />
Metal Inspection<br />
Architectural metalwork should be included in<br />
regular cyclical maintenance inspections. Metal<br />
h<strong>and</strong>rails <strong>and</strong> gates should be inspected as part of<br />
entrance <strong>and</strong> access safety. Rooftop ornament should<br />
be inspected during roof surveys, particularly to<br />
ensure that they are properly anchored. Inspections<br />
should note any of the following potential signs of<br />
deterioration.<br />
• Loose h<strong>and</strong>rails.<br />
• Loose anchors or attachments.<br />
• Missing rails or decorative elements.<br />
• Rust or rust staining through paint.<br />
• Cracking or other disruption at anchors <strong>and</strong><br />
screws.<br />
• Cracking through soldered joints.<br />
Causes of Metal Deterioration<br />
Corrosion is the major cause of deterioration of<br />
architectural metalwork <strong>and</strong> is exacerbated by the<br />
presence of moisture. Corrosion can be caused by<br />
structural stress, electrochemical reaction with<br />
dissimilar metals, or corrosive environments, such<br />
as salt-laden water. It is accelerated wherever water<br />
collects against metal elements, such as at post<br />
anchor locations in masonry. Metals undergoing<br />
corrosion are slowly reverting to their natural ores,<br />
such as iron oxide. This process involves significant<br />
expansion of the corroding metal, which can cause<br />
extensive masonry cracking.<br />
Architectural metals can also deteriorate from<br />
mechanical failures, such as overloading or fatigue.<br />
For example, excessive use of h<strong>and</strong>rails will slowly<br />
work sections loose from their anchors <strong>and</strong> disrupt<br />
the masonry at the anchor connections. The exposed<br />
nature of metal fire escapes can lead to corrosion<br />
<strong>and</strong> potential life-safety issues. Fire escapes should<br />
be inspected regularly.<br />
Metal Repair<br />
The architectural metalwork at <strong>Moravian</strong> <strong>College</strong>’s<br />
historic buildings can be maintained through<br />
proper surface preparation <strong>and</strong> application of<br />
protective coatings. Deteriorated paint should be<br />
removed using appropriate methods, including<br />
wire-brushing <strong>for</strong> non-decorative elements<br />
exhibiting light rust, or chemical paint removal <strong>for</strong><br />
heavier built-up paint. Severe corrosion may require<br />
that entire sections of metalwork be removed to a<br />
shop <strong>for</strong> repair. The newly-cleaned metal should be<br />
immediately protected with a rust-inhibiting primer.<br />
Alkyl-based enamel paints are recommended <strong>for</strong><br />
finishing iron alloys. Latex <strong>and</strong> other water-based<br />
paints are not recommended.<br />
Metal Replacement<br />
When metalwork components are beyond repair,<br />
replacement of the element with reproduction metal<br />
is a practical solution. Where new or replacement<br />
h<strong>and</strong>rails are required, they should match the<br />
characteristic environment of the character area.<br />
Modern stock h<strong>and</strong>rails are not appropriate <strong>for</strong><br />
most historic buildings, though sympathetic<br />
modern installations can be found. Decorative light<br />
fixtures <strong>and</strong> finials should be reproduced to match<br />
the existing historic elements in size, thickness, <strong>and</strong><br />
details.<br />
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9.5 Exterior <strong>and</strong> Structural<br />
Wood<br />
Historically, wood was used extensively <strong>for</strong> its<br />
structural <strong>and</strong> aesthetic value. In particular, historic<br />
wood cladding <strong>and</strong> wood details are highly-visible<br />
<strong>and</strong> significant features of a building’s exterior.<br />
While there are no historic frame buildings on either<br />
campus, <strong>and</strong> only a relative few among the <strong>College</strong>owned<br />
neighborhood houses, even predominantly<br />
masonry buildings on the campus have some wood<br />
elements or frame additions. Wood windows <strong>and</strong><br />
doors are unique elements <strong>and</strong> will be discussed<br />
separately in this chapter.<br />
Wood elements tend to be relatively limited at<br />
<strong>Moravian</strong> <strong>College</strong>. Roof eaves are protected <strong>and</strong><br />
embellished with wood cornices. Gable end walls<br />
are ornamented with cornice returns, <strong>and</strong> wood<br />
moldings, pediments, <strong>and</strong> hoods are found in<br />
association with entrances. Many of the historic<br />
buildings have open wooden porches. Although<br />
wood details can be challenging to repair once<br />
they are allowed to deteriorate, they are significant<br />
elements of a building’s character <strong>and</strong> appearance,<br />
<strong>and</strong> should be maintained <strong>and</strong> preserved.<br />
The ease, with which wood can be used to <strong>for</strong>m<br />
decorative details, <strong>and</strong> its exposed position on<br />
exterior walls, make it naturally susceptible to<br />
weathering <strong>and</strong> deterioration. The complex design<br />
<strong>and</strong> execution of wood details creates many<br />
opportunities <strong>for</strong> damage from water, air, <strong>and</strong><br />
insects. The condition of wood elements is highly<br />
dependent upon the extent <strong>and</strong> quality of regular<br />
maintenance. Without routine inspection <strong>and</strong><br />
prompt remedial action, wood deterioration will<br />
accelerate rapidly on both the interior <strong>and</strong> exterior.<br />
Early detection <strong>and</strong> repair avoids more extensive<br />
<strong>and</strong> costly repair later. Un<strong>for</strong>tunately, once they<br />
have deteriorated, wood details are often removed<br />
rather than repaired or replaced. Cornices are<br />
among the most vulnerable wood features because<br />
they weather quickly <strong>and</strong> are difficult to access <strong>for</strong><br />
regular maintenance.<br />
Historic craftsmanship was based upon the uses<br />
<strong>and</strong> characteristics of different wood species. In<br />
rehabilitation <strong>and</strong> repair projects, the replacement<br />
wood should match the historic materials.<br />
Availability, cost, <strong>and</strong> quality, however, are also<br />
important considerations in the selection of wood<br />
species. For instance, old-growth white pine was<br />
used extensively <strong>for</strong> structural framing historically<br />
<strong>and</strong> was much denser than the white pine available<br />
today. Cedar, on the other h<strong>and</strong>, was not available<br />
historically, but is now preferable <strong>for</strong> use in wood<br />
detailing that will be exposed to the elements<br />
because of its resistance to weathering.<br />
Typical Wood Conditions<br />
The most prevalent problem affecting exterior<br />
architectural woodwork is water penetration<br />
from poorly-maintained roof, flashing, <strong>and</strong> site<br />
drainage systems. This can be seen at various wood<br />
elements, including cornices, porch columns, <strong>and</strong><br />
wood cladding. Water penetration can lead to<br />
wood rot <strong>and</strong> insect infestation. Buildings are also<br />
vulnerable to infestation with termites. Termite<br />
damage can occur in both wood frame <strong>and</strong> masonry<br />
buildings wherever termites can reach architectural<br />
woodwork. Termites can cause significant damage<br />
to the wood framed <strong>and</strong> detailed buildings be<strong>for</strong>e<br />
the damage becomes readily visible.<br />
Wood Inspection<br />
<strong>Preservation</strong> of historic exterior woodwork <strong>and</strong><br />
cladding is important to the character of historic<br />
buildings. There<strong>for</strong>e, maintenance of exterior<br />
walls <strong>and</strong> features begins with regular periodic<br />
inspections. Be<strong>for</strong>e repair <strong>and</strong> alterations are<br />
made to a historic building with wood features,<br />
the existing wood elements should be carefully<br />
evaluated <strong>and</strong> examined <strong>for</strong> their historical<br />
significance <strong>and</strong> physical condition. Characterdefining<br />
exterior historic building fabric should be<br />
retained <strong>and</strong> repaired whenever possible.<br />
Inspection should include interior <strong>and</strong> exterior<br />
conditions <strong>and</strong> a careful examination of structural<br />
elements associated with the walls, floors <strong>and</strong><br />
roof framing. Wood should be inspected annually,<br />
particularly <strong>for</strong> insect infestation. Regular<br />
inspections are the key to prompt repair that will<br />
arrest deterioration <strong>and</strong> its underlying causes.<br />
Preventative maintenance inspections prevent<br />
widespread damage <strong>and</strong> save money in the long<br />
run. Evidence of any of the following should trigger<br />
in-depth diagnosis <strong>and</strong> remediation.<br />
• Peeling paint <strong>and</strong>/or damaged paint<br />
surfaces.<br />
• Rotted wood that is soft <strong>and</strong> spongy. Dry,<br />
cracked wood does not necessarily indicate<br />
wood failure.<br />
• Cracks or loose joints.<br />
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• Worn <strong>and</strong> damaged clapboards.<br />
• Clogged gutters <strong>and</strong> downspouts.<br />
• Failed flashing.<br />
• Interior ceiling <strong>and</strong> wall damage.<br />
• Water stains.<br />
• Biological growth.<br />
• Buckled, rotting, or damaged porch floors<br />
<strong>and</strong> ceilings.<br />
• Settlement at porches.<br />
• Animal nests <strong>and</strong>/or termite trails.<br />
• Insect infestation.<br />
If insects are suspected, all of the building’s first<br />
floor wood features <strong>and</strong> foundation should be<br />
investigated. The easiest test is to attempt to<br />
penetrate the wood to a depth of up to ¾-inch with<br />
a sharp awl, using only h<strong>and</strong>-pressure. If the awl<br />
enters the wood easily, either insects or rot are<br />
likely present.<br />
Causes of Wood Deterioration<br />
Decay <strong>and</strong> Rot<br />
In nature, decay <strong>and</strong> rot is part of the life cycle of<br />
all living things. In historic architecture, however,<br />
wood decay should be arrested to prolong the life<br />
of the building. Rot is caused by water penetration<br />
that softens <strong>and</strong> breaks down the fibrous structure<br />
of wood, diminishing its capacity to carry loads<br />
or its ability to withst<strong>and</strong> crushing. Without these<br />
structural qualities, a building’s wood frame<br />
becomes fragile <strong>and</strong> unstable.<br />
The growth of fungi is a clear sign that decay is<br />
present. It also indicates water penetration. To<br />
survive in wood, fungi needs a moisture content<br />
of at least twenty percent <strong>and</strong> warm temperatures.<br />
Simply removing fungi <strong>and</strong> repairing the rotted<br />
wood is a superficial approach; the source of the<br />
moisture must be identified <strong>and</strong> eliminated. With a<br />
constant water source, decay will recur <strong>and</strong> spread.<br />
Moisture penetration into wood primarily occurs<br />
<strong>for</strong> one of the following reasons.<br />
• Leaking gutters.<br />
• Peeling paint, cracked siding, missing<br />
shingles.<br />
• Inadequate or deteriorated flashing.<br />
• Unventilated spaces.<br />
• Improper insulation or lack of a vapor<br />
barrier.<br />
• Contact with soil or moist masonry.<br />
• Poor site drainage at the foundation, including<br />
negative drainage toward the building.<br />
• High water table or rising damp.<br />
• Plumbing leaks.<br />
Wood-destroying Insects<br />
Termites, powder post beetles, <strong>and</strong> carpenter ants<br />
are the natural enemies of wood. Even in buildings<br />
primarily constructed of masonry, termites are<br />
attracted by moisture <strong>and</strong> can enter buildings<br />
through basements, crawl spaces, <strong>and</strong> foundation<br />
cracks. Mulch, scrap wood, <strong>and</strong> vegetation<br />
immediately adjacent to a building contribute to<br />
the problem <strong>and</strong> should be removed. Signs of insect<br />
infestation include the following.<br />
• Swarming termites <strong>and</strong> carpenter bees in<br />
warm weather.<br />
• Half-round vertical termite tunnels on<br />
foundation walls, piers, pipes, <strong>and</strong> on other<br />
building <strong>and</strong> crawlspace surfaces near the<br />
ground. These mud tunnels are the most<br />
direct route from the ground to the food<br />
source in exposed moist wood.<br />
• Minute amounts of fresh boredust at<br />
crawlspaces, walls, <strong>and</strong> foundations.<br />
• Evidence of previous termite damage in<br />
wood. Termite-damaged wood is porous <strong>and</strong><br />
shot-through with borings that run with the<br />
grain. It is fragile <strong>and</strong> crumbles easily.<br />
Termites<br />
The greatest danger to buildings that contain wood<br />
comes from termites. There are two types: the generic<br />
termites that swarm in the spring <strong>and</strong> Formosan<br />
termites that cannot be easily detected because they<br />
do not swarm but stay primarily underground.<br />
Both types are attracted by moist wood. They build<br />
colonies <strong>and</strong> burrows underground, much like<br />
ants, <strong>and</strong> eat into wood be<strong>for</strong>e returning to the soil.<br />
Termites are most active in the spring <strong>and</strong> summer<br />
months, although they are present year-round in<br />
mild climates. Formosan termites pose the greatest<br />
threat because they are hard to detect <strong>and</strong> have<br />
migrated from the Deep South into the upper South<br />
<strong>and</strong> beyond.<br />
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Termites typically are found in basements <strong>and</strong> crawl<br />
spaces <strong>and</strong> in situations where wood is in direct<br />
contact with soil or mulch. They have been known<br />
to enter slab-on-grade buildings through tiny<br />
cracks in the slab. Their constant traffic results in<br />
mud tunnels <strong>and</strong> passageways on vertical building<br />
surfaces, usually at-grade or slightly below grade.<br />
Tiny specks or piles of sawdust are also telltale<br />
signs of termite activity.<br />
Carpenter Ants<br />
Like termites, carpenter ants usually attack a<br />
building from a crawl space or basement <strong>and</strong> are<br />
they are attracted to moist wood. Carpenter ants are<br />
a natural resident of our surrounding woodl<strong>and</strong>s<br />
<strong>and</strong> so are frequently present around historic<br />
buildings. Their nests can be extensive <strong>and</strong> cause<br />
serious damage to a structure.<br />
Carpenter Bees<br />
Carpenter bees swarm in the spring <strong>and</strong> bore<br />
holes into vertical wooden elements. These bees<br />
are substantially larger than the honey bee <strong>and</strong><br />
produce sizeable holes up to ½ inch in diameter<br />
in which to lay their eggs. Breaking the cycle is<br />
there<strong>for</strong>e important <strong>and</strong> professional treatment<br />
is recommended. They can be very destructive<br />
<strong>and</strong> are attracted to the type of thick framing<br />
members typically found on log structures. Other<br />
buildings are not immune however: large wooden<br />
architectural features, such as exposed rafter ends,<br />
solid wood columns, <strong>and</strong> half-timbering, can host<br />
carpenter bees.<br />
Beetles<br />
Powder post beetles are attracted to wood that<br />
has already been softened by rot or fungal attack.<br />
Preventing moisture penetration, repairing<br />
deteriorated wood features, <strong>and</strong> fungal removal<br />
are effective preventive maintenance techniques<br />
<strong>for</strong> beetles.<br />
Old house borer beetles in their larvae stage cause<br />
damage to wood, especially in moist wood found in<br />
unventilated attics or in areas of water penetration.<br />
They inhabit timbers that are more than one inch<br />
thick. Old house borer beetles may be introduced<br />
when modern infested wood is installed in existing<br />
buildings. New wood may be infested in the<br />
lumberyard, especially if it has not been kiln-dried.<br />
The best prevention is to always use lumber that<br />
has been kiln dried <strong>and</strong>, possibly, treated with a<br />
borate spray.<br />
Wood Repair<br />
Repair work should be carefully planned to have<br />
the least physical impact on historic wood. Any<br />
cleaning should be undertaken using careful,<br />
non-abrasive techniques. High-pressure blasting<br />
using either water or abrasives is very damaging<br />
<strong>and</strong> should never be used. If the exterior woodwork<br />
requires painting or caulking, this will serve as<br />
its primary protection from weathering. Painted<br />
surfaces should be well-maintained. In general,<br />
use an alkyd primer coat <strong>and</strong> two coats of latex<br />
finish paint on wood surfaces, according to the<br />
manufacturers’ instructions.<br />
As with all historic material, damaged sections<br />
should be replaced in-kind to match the historic<br />
in all visual <strong>and</strong> physical qualities. Rotted wood<br />
should be removed <strong>and</strong> replaced, especially if it<br />
is structural. It is usually not necessary, however,<br />
to remove an entire wood element that has limited<br />
areas of rot. The deteriorated portion of the wood<br />
element can be selectively removed <strong>and</strong> a wood<br />
dutchman installed as a patch in the original<br />
wood feature. For structural elements, a structural<br />
engineer should be consulted to determine the<br />
nature <strong>and</strong> extent of the repair required. In areas<br />
of significant or ornamental wood elements,<br />
commercially available epoxy consolidants can<br />
be used to give strength to the existing wood.<br />
Consolidants can also eliminate the need to remove<br />
original historic wood elements.<br />
Decay <strong>and</strong> Infestation Prevention <strong>and</strong><br />
Remediation<br />
Remove invasive plants on or near wood <strong>and</strong><br />
address fungus or insect infestation problems<br />
promptly. The best prevention of termite infestation<br />
is to avoid direct contact between wood <strong>and</strong> the<br />
ground <strong>and</strong> eliminate building water penetration.<br />
Mulch piled against building foundations attracts<br />
termites <strong>and</strong> should be pulled back from the<br />
walls. Likewise, raised l<strong>and</strong>scape beds that come<br />
in contact with a building are problematic. Beetle<br />
infestations can be prevented by preventing<br />
moisture penetration, repairing deteriorated wood<br />
features, <strong>and</strong> removing fungal growth. Carpenter<br />
ants can be controlled with soil-applied fumigants<br />
applied along the perimeter of the building. In the<br />
case of carpenter bees, professional pest control<br />
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experts should be consulted. To prevent damage<br />
<strong>and</strong>/or help stop infestation, the following measures<br />
are recommended.<br />
• Block open channels, holes, <strong>and</strong> openings<br />
where pipes <strong>and</strong> conduits enter a building or<br />
its foundation wall.<br />
• Remove loose pieces of wood lying on the<br />
ground in proximity to buildings.<br />
• Avoid direct contact between wood <strong>and</strong> the<br />
ground. Porch lattice, wood posts, <strong>and</strong> wood<br />
steps are particularly vulnerable.<br />
• Keep mulch at least 3 feet away from<br />
foundation walls.<br />
• Remove raised planting beds that touch<br />
buildings.<br />
• Examine untreated lumber in fences <strong>and</strong><br />
other structures periodically.<br />
• Retain a professionally qualified firm to<br />
regularly inspect <strong>and</strong> treat infestations.<br />
Once-a-year application of chemical poisons<br />
<strong>and</strong> soil-applied fumigants are not as effective<br />
or as safe as in-ground systems. A warrantee<br />
<strong>and</strong> routine follow-up inspections should be<br />
part of the treatment program.<br />
• If the damage is serious, structural work may<br />
be required. Work may include shoring up<br />
the building, removing damaged wood at<br />
least one foot beyond the infestation, <strong>and</strong><br />
other structural repairs. The same species of<br />
wood should be installed to replace the wood<br />
that has been removed.<br />
Wood Siding<br />
Wood siding is the skin of a building <strong>and</strong> an<br />
important character-defining feature. Its purpose<br />
is to protect a building’s underlying structural<br />
framing <strong>and</strong> interior features from weather. When<br />
wood siding is protected from water, it can last <strong>for</strong><br />
many decades. To function properly, siding must<br />
accomplish two tasks: it must shed water from the<br />
exterior <strong>and</strong> allow water vapor to pass between the<br />
building interior <strong>and</strong> exterior. Any siding material<br />
that fails to allow the passage of water vapor will<br />
promote deterioration within the wall.<br />
Whenever possible, retain original wood siding.<br />
Repair original wood siding by removing<br />
deteriorated pieces <strong>and</strong> replacing them with<br />
new pieces to match. When repairs are required<br />
to the interior of the wall, it may be appropriate<br />
to remove <strong>and</strong> reinstall original exterior wood<br />
siding. By completing the repairs from the outside,<br />
interior historic plaster <strong>and</strong> wood lath is left intact.<br />
Electrical, plumbing, <strong>and</strong> insulation work may also<br />
be undertaken in this manner.<br />
Wood siding should be protected with properly<br />
applied paint. A good paint job should last twelve<br />
to fifteen years. Do not power wash exterior<br />
wood walls. Power washing causes exposed<br />
wood to absorb significant amounts of moisture.<br />
The absorbed moisture will cause paint failure,<br />
especially if it is applied while the wood is still<br />
damp. Power washing raises wood grain <strong>and</strong> drives<br />
water into the building’s frame. The preferred<br />
method of cleaning wood siding is with a neutral<br />
detergent <strong>and</strong> light water wash be<strong>for</strong>e painting.<br />
Apply paint with a brush; do not spray. Brushing<br />
results in a thicker coat with better adhesion than<br />
spraying or rolling.<br />
Wood Replacement<br />
Partial Replacement<br />
When only one part of a wooden feature is<br />
damaged, the entire feature should not be removed.<br />
Instead, the preservation approach is to keep<br />
sound materials <strong>and</strong> repair the damaged sections.<br />
Replace deteriorated parts with in-kind materials.<br />
If substitute materials are used, they should convey<br />
the visual appearance of the original feature,<br />
duplicating size, shape, texture, <strong>and</strong> detail.<br />
Total Replacement<br />
If wooden pediments or cornices are damaged or<br />
lost, replace them promptly. The cornice protects<br />
the rafter ends of the roof structure. If the cornice<br />
deteriorates, deterioration of the roof structure will<br />
soon follow. A missing cornice also contributes to<br />
deterioration of a building’s façade by providing<br />
avenues <strong>for</strong> vertical water penetration. Cornice<br />
loss drastically changes an historic building’s<br />
appearance, especially if it dates to the nineteenth<br />
or early-twentieth century. If a missing cornice<br />
cannot be replaced quickly, an interim solution<br />
should be devised to protect the exposed area.<br />
Retain the removed original damaged features <strong>for</strong><br />
accurate replication.<br />
If existing wood siding cannot be repaired, it is<br />
preferable to replace it in-kind by using wood<br />
siding with the same width, profile, details, <strong>and</strong><br />
appearance as the existing. If limited replacement<br />
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of wood siding is required, the new siding should<br />
match the species of existing wood. This practice<br />
gives the wall a consistent texture <strong>and</strong> appearance<br />
<strong>and</strong> avoids problems with expansion rates, which<br />
vary between wood species.<br />
Reconstruction of a missing wood detail or feature<br />
that does not have a salvaged historic prototype<br />
should be guided by historic, physical, <strong>and</strong> pictorial<br />
evidence <strong>for</strong> accurate restoration. Reconstruction<br />
of missing elements should be based on historical<br />
evidence <strong>and</strong> match the appearance of surviving<br />
features in size, scale, material, <strong>and</strong> color. Do not<br />
replace missing wood features with conjectural<br />
historic reconstructions or contemporary elements<br />
that are incompatible with the building’s style,<br />
character, <strong>and</strong> other historic features.<br />
Synthetic Materials<br />
A number of buildings at <strong>Moravian</strong> <strong>College</strong> have<br />
synthetic cladding applied over wood elements,<br />
including cornices, window frames <strong>and</strong> sills, <strong>and</strong><br />
the few areas of wood siding. The installation of<br />
vinyl or aluminum siding or cladding materials on<br />
historic buildings is not an appropriate preservation<br />
treatment. Synthetic materials seriously alter the<br />
historic appearance <strong>and</strong> character of a building by<br />
removing or covering important details such as<br />
cornices, window <strong>and</strong> door trim, <strong>and</strong> wood siding.<br />
The use of synthetic siding on new construction<br />
within an historic context, such as an addition,<br />
should also be discouraged. It cannot be considered<br />
a compatible treatment.<br />
Synthetic siding materials are not recommended <strong>for</strong><br />
historic wood-clad buildings. They should never<br />
be applied over wood nor should they replace<br />
wood siding. Synthetic siding can cause serious<br />
long-term damage to buildings. Foremost among<br />
these is moisture trapped beneath new siding,<br />
which decreases the efficiency of insulation <strong>and</strong><br />
accelerates deterioration of structural elements.<br />
Condensation behind the siding <strong>and</strong> leaks can cause<br />
serious damage to the underlying wood structure.<br />
Related interior consequences include peeling paint<br />
<strong>and</strong> cracked wall surfaces.<br />
Synthetic siding materials are also problematic<br />
because they are not maintenance-free as frequently<br />
advertised. Colors <strong>and</strong> finishes fade over time,<br />
synthetic materials crack <strong>and</strong> warp, <strong>and</strong> products<br />
are changed or discontinued. The cost of periodic<br />
vinyl or aluminum siding replacement is more<br />
expensive than the cost of maintaining historic<br />
wood.<br />
When properly maintained, historic cladding<br />
materials are durable <strong>and</strong> serviceable. Properlymaintained<br />
<strong>and</strong> painted wood siding is the more<br />
structurally <strong>and</strong> historically sympathetic option.<br />
9.6 Roofs <strong>and</strong> Drainage<br />
Systems<br />
In terms of protection <strong>and</strong> preventative<br />
maintenance, roof systems are among the most<br />
important building elements. The roof, composed<br />
of framing, sheathing, flashing, <strong>and</strong> roofing<br />
materials, <strong>and</strong> the roof drainage elements should<br />
be approached as one system, since failure in<br />
one component can cause extensive damage <strong>and</strong><br />
deterioration elsewhere. Providing a weather-tight<br />
roof <strong>and</strong> properly functioning drainage system is<br />
critical to historic building preservation <strong>and</strong> should<br />
be addressed be<strong>for</strong>e any other concern.<br />
The roof not only keeps water out of a building’s<br />
interior, it also keeps water from penetrating<br />
structural members <strong>and</strong> exterior walls. Although<br />
each roofing material requires its own level of<br />
maintenance <strong>and</strong> repair, the essential function of<br />
any roof is to prevent water infiltration. Roofs are<br />
more, however, than merely the system that protects<br />
the structure <strong>and</strong> interior of a building from the<br />
elements; they are important <strong>and</strong> highly-visible<br />
design features. A roof is characterized by its shape,<br />
height, configuration, materials, <strong>and</strong> decorative<br />
elements, which help define the architectural style<br />
of a building. Since a roof is constantly exposed to<br />
the elements, it will reach a point where partial or<br />
major replacement is necessary. The preservation<br />
approach places emphasis on retention <strong>and</strong><br />
repair with any necessary replacements matching<br />
the existing in color, texture, size, <strong>and</strong> other<br />
visual qualities. All roof components should<br />
receive the same level of preservation; characterdefining<br />
roof elements include roofing materials,<br />
dormers, cupolas, <strong>and</strong> decorative features such as<br />
weathervanes, finials, <strong>and</strong> crests.<br />
Roof drainage systems are an important component<br />
of properly functioning roofs. Roof drainage systems<br />
include gutters, scuppers, downspouts, boots,<br />
<strong>and</strong> underground drains, as well as site drainage<br />
components, such as splash blocks, drainage swales,<br />
French drains, <strong>and</strong> channel drains. Typically, the<br />
roof is sloped to drain water to a perimeter gutter<br />
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system or scupper, which in turn directs water to<br />
an internal or external downspout. The downspout<br />
carries water down to the foundation <strong>and</strong> directs<br />
runoff into an underground drain, French drain,<br />
grade level channel, or splash block in order to<br />
move the water away from the building foundation.<br />
Ideally, the roof <strong>and</strong> roof drainage system, from<br />
rooftop to site or storm sewer, is designed <strong>and</strong><br />
maintained as one system.<br />
Typical Roof <strong>and</strong> Roof Drainage<br />
System Conditions<br />
Roofs throughout the <strong>Moravian</strong> <strong>College</strong> campus<br />
include a variety of materials <strong>and</strong> shapes ranging<br />
from gambrel to gabled to flat. Roofing materials<br />
include traditional slate or wood shingle, as well<br />
as modern asphalt shingle, built-up, <strong>and</strong> EPDM<br />
roofing. Ornamental features, such as dormers,<br />
belvederes, <strong>and</strong> cupolas, add visual interest. Roofs<br />
typically drain to hanging half-round gutters<br />
<strong>and</strong> round downspouts, which drain either to<br />
underground drain lines or to grade. In a few cases,<br />
the roofs drain directly to grade with no provision<br />
<strong>for</strong> roof-edge collection.<br />
Roofing materials are undergoing minor<br />
deterioration, particularly at slate roofs where<br />
slates are loose, broken, or missing. On a few<br />
buildings, gypsum can be seen as a white crust on<br />
slate surfaces, which is an indication of long-term<br />
weathering <strong>and</strong> approaching end-of-life service<br />
<strong>for</strong> the material. Metal flashing is rusting in a few<br />
locations. Roof leaks have led to damage in some<br />
interior spaces <strong>and</strong> deterioration of exterior walls.<br />
The most severe <strong>and</strong> prevalent problems of roofs<br />
at <strong>Moravian</strong> <strong>College</strong> are related to problematic<br />
roof drainage systems. Gutters are bent, clogged,<br />
or inadequately sloped <strong>and</strong> chronically overflow.<br />
In a few places, entire downspouts or bottom<br />
sections of downspouts are missing. Where<br />
they are intact, downspouts fail to direct water<br />
away from the building foundations because of<br />
inadequate or clogged underground drainage,<br />
or because they release water at points that are<br />
close or directly against the building foundation.<br />
Deteriorated masonry, open or eroded masonry<br />
joints, rising damp in masonry walls, salts <strong>for</strong>ming<br />
on masonry surfaces, biological growth, wood rot,<br />
ponding water, <strong>and</strong> soil erosion are indicative of<br />
long-st<strong>and</strong>ing issues <strong>and</strong> a general lack of focused<br />
cyclical maintenance.<br />
In the few locations where the roofs are designed<br />
to drain directly to the ground, site drainage must<br />
often be improved. Underground drain lines are<br />
frequently clogged. Many underground lines are<br />
composed of terra-cotta pipe that becomes broken<br />
or displaced through ground movement <strong>and</strong> root<br />
action.<br />
The relatively simple task of regular inspection is an<br />
urgent priority: the gutters <strong>and</strong> downspouts of all<br />
historic buildings should be inspected <strong>and</strong> cleaned<br />
at least twice yearly. Moisture-related problems<br />
affecting roof systems should be properly diagnosed<br />
<strong>and</strong> corrected at their source. Missing, bent,<br />
sagging, <strong>and</strong> inadequately sloped gutters should<br />
be replaced. Missing downspout components must<br />
be replaced immediately or temporary measures<br />
installed to redirect water drainage. Problems with<br />
site drainage must be holistically investigated <strong>and</strong><br />
properly addressed in order to improve conditions<br />
at building foundations. Roof <strong>and</strong> roof drainage<br />
system work should become a priority <strong>and</strong> should<br />
be accompanied by implementation of cyclical<br />
maintenance <strong>and</strong> monitoring.<br />
Roof <strong>and</strong> Roof Drainage System<br />
Inspection<br />
The best course of action in maintaining a roof<br />
<strong>and</strong> its drainage system is periodic inspection <strong>and</strong><br />
repair. The baseline roof inspection should include<br />
a yearly inspection of the entire roof system <strong>and</strong><br />
twice-yearly removal of debris from gutters <strong>and</strong><br />
downspouts. The yearly evaluation should be<br />
comprehensive <strong>and</strong> examine not only exteriors,<br />
but also the attic, basement, <strong>and</strong> crawl spaces. Roof<br />
components such as flashing, gutters, downspouts,<br />
hatches, <strong>and</strong> mechanical equipment should be part<br />
of this inspection. Inspection should include testing<br />
<strong>and</strong>/or observation during major rain events to<br />
ensure that the roof drainage system successfully<br />
diverts rainwater away from the building.<br />
Underground drains are especially susceptible to<br />
failure, largely because they are difficult to inspect<br />
<strong>and</strong> maintain. Remote inspection techniques are<br />
often required, such as a flexible rod equipped with<br />
a radio transmitter or fiber optic camera. By the time<br />
problematic conditions are detected, substantial <strong>and</strong><br />
expensive damage may have occurred. There<strong>for</strong>e,<br />
the first line of defense is regular roof inspection.<br />
A roof system in good condition should meet all of<br />
the following criteria during inspection.<br />
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• Capacity to shed rainwater during major rain<br />
events without ponding.<br />
• Unobstructed flow of water from the roof to<br />
the ground <strong>and</strong> away from the building.<br />
• Overall watertight roof surfaces.<br />
• Watertight, free-flowing gutters <strong>and</strong> drains.<br />
• Intact flashing around chimneys, parapets,<br />
dormers, skylights, <strong>and</strong> valleys.<br />
• Roof venting to prevent moisture<br />
condensation.<br />
• Drainage system that carries water away<br />
from the foundation.<br />
Inspections should include a comprehensive survey<br />
to identify potential problems. Evidence of any of<br />
the following conditions should trigger an in-depth<br />
diagnosis <strong>and</strong> remediation.<br />
• Ponding water at roofs <strong>and</strong> gutters.<br />
• Excessive water runoff or overflowing<br />
gutters.<br />
• Water escaping between the seams of<br />
downspouts.<br />
• Rotted wood <strong>and</strong> peeling paint, especially at<br />
wood cornices.<br />
• Movement or cracking in masonry walls <strong>and</strong><br />
surfaces.<br />
• Efflorescence on masonry surfaces.<br />
• Missing or deteriorated mortar joints.<br />
• Interior water penetration such as<br />
cracking, plaster failure, powdery residue,<br />
efflorescence, <strong>and</strong> dampness.<br />
• Wood-destroying insects.<br />
• Biological growth at foundation walls or at<br />
adjacent surfaces.<br />
• Soil erosion at the foundation <strong>and</strong> around<br />
downspouts <strong>and</strong> boots.<br />
Chimneys are subject to the same <strong>for</strong>ces of decay<br />
that affect other masonry features, <strong>and</strong> should be<br />
inspected on an annual basis <strong>for</strong> leaning or cracking,<br />
deteriorated brick or masonry, failed pointing <strong>and</strong><br />
flashing, faulty flue liners, <strong>and</strong> bird nests <strong>and</strong> other<br />
intrusions. If in active use, interior soot <strong>and</strong> residue<br />
should be cleaned annually.<br />
Roof <strong>and</strong> Roof Drainage System<br />
Repair<br />
The baseline preservation approach is to repair<br />
deteriorated roof components, features, <strong>and</strong><br />
materials promptly. Repair of deteriorated sections<br />
of historic roofing material should be considered<br />
be<strong>for</strong>e complete replacement. Leaky roofs can be<br />
temporarily covered with plastic tarpaulin or roll<br />
roofing nailed in place. Plastic drainage pipes can<br />
be used to temporarily redirect water drainage<br />
<strong>and</strong> several buildings at <strong>Moravian</strong>’s North Main<br />
Street campus have their downspouts connected<br />
to PVC pipe lengths. However, these are not a<br />
permanently acceptable solution. Without this<br />
type of intervention, the deterioration of surviving<br />
building materials will be accelerated. However,<br />
implementation of appropriate repairs should<br />
be the highest priority whenever roof <strong>and</strong> roof<br />
drainage systems are discovered.<br />
Repair, including materials <strong>and</strong> workmanship,<br />
should be executed in-kind to match historic<br />
conditions. For example, copper gutters should<br />
be replaced with copper, <strong>and</strong> galvanized with<br />
galvanized. Significant materials should be<br />
replaced to match the historic, especially on visible<br />
roof surfaces. The gutter profiles <strong>and</strong> mounting<br />
system should be consistent with the historic<br />
versions. When in-kind replacement is not feasible,<br />
replacement materials should match the visual <strong>and</strong><br />
physical characteristics of the historic roof system.<br />
Repairs should be made using building-appropriate<br />
materials <strong>and</strong> techniques that are meant to last <strong>for</strong><br />
the long-term <strong>and</strong> are not simply a short-term fix.<br />
For example, patches <strong>and</strong> roofing compounds do<br />
not solve the real problem; they are subject to early<br />
failure <strong>and</strong> are often unsightly. Likewise, the use<br />
of inappropriate contemporary materials should<br />
be avoided in the repair of historic roofs. This is<br />
particularly unadvisable when the replacement<br />
material has a much shorter service life than the<br />
historic material, i.e. using asphalt shingle to<br />
replace historic slate roofing.<br />
Slate Roofi ng<br />
Slate is a common material <strong>for</strong> historic building<br />
roofs at <strong>Moravian</strong> <strong>College</strong>, <strong>and</strong> some of the<br />
buildings on campus still retain their original<br />
historic slate. Improvements in transportation led<br />
to an expansion of the slate industry, which peaked<br />
around 1890-1914; however, slate has always been<br />
a popular durable roofing material <strong>for</strong> institutional<br />
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<strong>and</strong> quality buildings. Well-maintained slate<br />
roofing has a service life of 60 to 150 years.<br />
Regular roof inspections from the ground or a<br />
high lift should note cracked, broken, misaligned,<br />
or missing slates, especially at the roof edge, hips,<br />
<strong>and</strong> valleys. Slate roofing should not be walked on<br />
during regular maintenance <strong>and</strong> inspection work.<br />
Slates may have begun to delaminate <strong>and</strong> hold water<br />
through weathering <strong>and</strong> age, particularly on low<br />
slope roofs or at roof edges. As the slate weathers,<br />
it becomes more porous. Mineral impurities within<br />
the slate then begin to react with the atmosphere<br />
to <strong>for</strong>m gypsum, which will lead to expansion of<br />
the slate along bedding planes <strong>and</strong>, eventually,<br />
delamination. Weathered slates can be sounded to<br />
test their condition. Inspections should also occur<br />
in the attic in order to identify any water staining<br />
or wood rot.<br />
Deteriorated or missing slates should be repaired<br />
promptly. The detailing, patterns, <strong>and</strong> installation<br />
techniques are all important to the overall<br />
appearance of slate roofing <strong>and</strong> should guide all<br />
repair or replacement work. It is important to match<br />
the size, color, thickness, texture, exposure, <strong>and</strong><br />
coursing of the original slate. Single deteriorated<br />
slates can be removed <strong>and</strong> replaced with new slate<br />
to match the existing; the attachment location of<br />
replacement slates should be protected with copper<br />
flashing. Slate roof replacement should only be<br />
considered when over twenty percent of the slates<br />
are deteriorated. When repairing large sections or<br />
replacing a slate roof, traditional details should be<br />
recreated at valleys, hips, <strong>and</strong> ridges.<br />
Wood Shingle Roofi ng<br />
Wood shingle or shake roofs are common on historic<br />
residential buildings <strong>and</strong> can last from fifteen to<br />
thirty years if properly installed <strong>and</strong> maintained.<br />
The service life of a wood shingle roof depends<br />
upon the wood type <strong>and</strong> thickness of the shingle,<br />
UV exposure, slope, presence of biological growth,<br />
<strong>and</strong> ventilation. A wood shingle roof will last longer<br />
if kept dry, well-ventilated, <strong>and</strong> free of debris <strong>and</strong><br />
biological growth. The repair of wood shingle<br />
roofs requires that the replacement shingles be the<br />
appropriate size, shape, wood type, <strong>and</strong> surface<br />
texture. Single wood shingles can be replaced <strong>and</strong><br />
held in place with a metal anchor. Strips of metal<br />
flashing can be installed to temporarily stop leaks<br />
through deteriorated shingles.<br />
Large scale wood shingle repairs or partial roof<br />
replacement must follow the original detailing <strong>and</strong><br />
pattern of shingle installation, including shingle<br />
exposure length <strong>and</strong> nailing, type of roof substrate,<br />
<strong>and</strong> details at the roof eaves, ridges, <strong>and</strong> valleys.<br />
If over twenty percent of the wood shingles are<br />
deteriorated, the entire roof should be replaced.<br />
Care should be taken to retain sound original roof<br />
lath <strong>and</strong> sheathing. Nail holes in the original roof<br />
substrate can provide in<strong>for</strong>mation on the size <strong>and</strong><br />
pattern of the historic wood shingle roof. All work<br />
done should be completed by a contractor who is<br />
familiar with historic wood shingle roofs.<br />
Flashing<br />
Flashing is a continuous metal barrier that<br />
effectively seals vulnerable roof joints. It bridges<br />
gaps between dissimilar materials, especially<br />
those with different rates of expansion, <strong>and</strong>/or<br />
incompatible profiles. Flashing prevents water<br />
from infiltrating the building at corners, ridges,<br />
valleys, or other changes in plane that are prone to<br />
separation, such as the joint between an addition<br />
<strong>and</strong> the original structure.<br />
Flashing should be inspected at least once a year.<br />
In addition to looking <strong>for</strong> obvious flaws such as<br />
cracks or corrosion, small holes or pinholes are a<br />
sign of trouble. If the flashing is not in a prominent<br />
location, limited <strong>and</strong> small temporary patches can<br />
be made with roofing cement. Roofing cement,<br />
however, should never be considered a permanent<br />
repair.<br />
Repair or replacement of deteriorated flashing<br />
should be part of routine preventative maintenance.<br />
Corroded flashing should be replaced promptly.<br />
The type <strong>and</strong> gauge of flashing should be selected<br />
based on compatibility with the historic roof.<br />
Flashing should be secured with nails of the same<br />
material because dissimilar metals in continuous<br />
contact can corrode <strong>and</strong> stain adjacent surfaces.<br />
New or replacement metal flashing should not be<br />
placed in contact with any metal with which it has<br />
the potential <strong>for</strong> an electrochemical reaction that<br />
causes corrosion. Flashing should not be applied<br />
over clapboards or any other siding material.<br />
Gutters, Downspouts, <strong>and</strong> Site Drainage<br />
Lack of maintenance of the roof drainage systems<br />
is the most serious <strong>and</strong> widespread problem <strong>for</strong><br />
historic buildings at <strong>Moravian</strong> <strong>College</strong>. Failure to<br />
effectively control <strong>and</strong> direct water runoff from<br />
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the roofs <strong>and</strong> away from buildings causes multiple<br />
<strong>and</strong> expensive deterioration problems in wood <strong>and</strong><br />
masonry walls. Roof drainage systems should be<br />
holistically evaluated as an architectural, l<strong>and</strong>scape,<br />
<strong>and</strong> civil engineering issue. This evaluation should<br />
investigate how water drains from the roofs, where<br />
the water runoff falls to the ground, <strong>and</strong> how the<br />
water is carried away from the building.<br />
Historic gutters <strong>and</strong> downspouts should be replaced<br />
in-kind to match all visual qualities including<br />
materials, profiles, <strong>and</strong> details. Replacement<br />
gutters should not alter the character of the<br />
building’s architectural trim. Type-K (moldingshaped)<br />
corrugated gutters <strong>and</strong> downspouts are<br />
not appropriate on historic buildings. The use of<br />
synthetic materials such as PVC <strong>and</strong> vinyl is not<br />
recommended; they are incompatible with the<br />
historic context of historic buildings at <strong>Moravian</strong><br />
<strong>College</strong> <strong>and</strong> have a short life-cycle. Galvanized<br />
steel gutters <strong>and</strong> downspouts should only be used<br />
to replace steel. Gutter guards should be considered<br />
to reduce the collection of leaves <strong>and</strong> other material.<br />
Because of the winter climate in Bethlehem, all<br />
sloping roofs should have snow guards above<br />
the eaves <strong>and</strong> up the lower portion of the roof to<br />
prevent snow <strong>and</strong> ice from falling on pedestrians.<br />
The placement <strong>and</strong> quantity of downspouts on<br />
historic buildings should be carefully planned.<br />
They should be securely attached to the wall<br />
with a sufficient number of anchors. Splash<br />
blocks or downspout extenders should be placed<br />
beneath downspouts to carry water away from<br />
the foundation <strong>and</strong> to limit soil erosion <strong>and</strong><br />
subsidence. Downspouts should not interrupt<br />
or cross significant features such as cornices,<br />
pilasters, or trim. All historic buildings should<br />
have downspouts adequate to shed water from the<br />
entire roof. They should also be put in unobtrusive<br />
locations to the greatest extent possible. Modern<br />
downspout extensions should be unobtrusive to<br />
avoid visual impacts on the historic building <strong>and</strong><br />
its immediate setting.<br />
Existing connections to underground drainage<br />
pipe systems should also be tested; the clay tile<br />
pipes typically used in the early- to mid-twentieth<br />
century grow brittle with age <strong>and</strong> are prone to<br />
cracking <strong>and</strong> breaking. Soil erosion at boots is<br />
usually a sign of clogged or broken underground<br />
connections. Below-grade pipe replacement with<br />
modern PVC pipe is appropriate. When replacing<br />
underground drain systems involving excavation<br />
in historic areas, particularly at the Priscilla Payne<br />
Hurd campus, consultation with archeologists<br />
should take place be<strong>for</strong>e <strong>and</strong> during work.<br />
Rooftop Additions <strong>and</strong> Attachments<br />
New rooftop construction is a sensitive issue<br />
in any historic building project. Large-scale<br />
rooftop additions or equipment installations are<br />
inappropriate on most historic buildings. Even<br />
small rooftop additions alter the height, profile,<br />
<strong>and</strong> overall exterior character of a building <strong>and</strong><br />
are not recommended. Only small, low-profile<br />
mechanical equipment should be considered <strong>for</strong><br />
rooftop mounting on historic buildings, <strong>and</strong> then<br />
only in a secondary location. Visibility is a key<br />
issue; sight lines from nearby buildings, streets, <strong>and</strong><br />
other vantage points should always be evaluated.<br />
In general, elevator overruns <strong>and</strong> areas of fire<br />
refuge on historic buildings usually involve minor<br />
changes. Nonetheless, they should be studied<br />
<strong>for</strong> the overall visibility from all viewpoints <strong>and</strong><br />
compatibility with the building’s historic materials<br />
<strong>and</strong> visual qualities.<br />
Roof Replacement or Alteration<br />
All historic roofs eventually need major or total<br />
replacement. Skilled maintenance staff or roofing<br />
contractors should carefully examine gutters,<br />
leaders, valleys, <strong>and</strong> flashing be<strong>for</strong>e determining<br />
that wholesale roof replacement is necessary. If<br />
replacement is required, the historic materials<br />
should be replaced in-kind, matching the existing<br />
in color, texture, size, profile, seaming, patterning,<br />
proportion, <strong>and</strong> other visual qualities. Slate <strong>and</strong><br />
tile roofs are durable <strong>and</strong> can last <strong>for</strong> many years<br />
if well maintained. Traditional roofing materials<br />
are expensive, but a life-cycle cost analysis<br />
demonstrates that their use is actually very<br />
cost-effective; <strong>for</strong> example, slate typically lasts <strong>for</strong><br />
a hundred years, while the average asphalt shingle<br />
lasts about twenty years.<br />
Slate roofs were installed on historic buildings<br />
<strong>for</strong> both their visual appeal <strong>and</strong> longevity. Slates<br />
vary in color, shape, pattern, <strong>and</strong> detailing, <strong>and</strong><br />
should always be replaced in-kind. Compatible<br />
contemporary roofing systems, such as synthetic<br />
slate, are readily available, but their cost is<br />
comparable to the traditional material. Variation<br />
from the existing slate type in making roof repairs<br />
can be deleterious to the existing roof structure<br />
<strong>and</strong> detract from the integrity <strong>and</strong> aesthetics of<br />
the historic building. Generally, replacement of<br />
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individual slates should always be undertaken<br />
be<strong>for</strong>e replacement of the entire roof. Proper<br />
installation <strong>and</strong> maintenance of slate roofs can<br />
result in a life span of a century or more.<br />
Roof replacement <strong>and</strong> major repair projects<br />
should preserve <strong>and</strong>/or replace all characteristic<br />
decorative roofing details in-kind. These may<br />
include specialized roof shapes, dormers, skylights,<br />
finials, crests, gutters, <strong>and</strong> cornices. The details<br />
<strong>and</strong> materials of any replacements should match<br />
the existing. Hidden construction materials <strong>and</strong><br />
details such as decking, fasteners, <strong>and</strong> flashing<br />
should be selected <strong>for</strong> durability <strong>and</strong> compatibility,<br />
while highly-visible elements such as ornamental<br />
scuppers <strong>and</strong> copper guttering should be replaced<br />
in-kind. If design features such as the dormers,<br />
cupolas, or trim features are too deteriorated to<br />
repair, new replacement features should be based<br />
on the <strong>for</strong>m, materials, detailing, <strong>and</strong> other visual<br />
qualities of the historic features.<br />
Adjacent buildings, architectural features, <strong>and</strong><br />
l<strong>and</strong>scape elements should be protected from<br />
damage during roofing projects. When replacing<br />
a roof, remove existing roofing material be<strong>for</strong>e<br />
adding new material. Removing old layers will<br />
prolong the life of the roof <strong>and</strong> restore the original<br />
profile of the roof edge. Asphalt shingles should<br />
not be applied over wood shingles, because the<br />
asphalt will trap moisture <strong>and</strong> cause deterioration<br />
of the roof structure.<br />
Although roofing material is an important aspect<br />
of a building’s design, if the roof has a flat gently<br />
sloping profile, which cannot be easily seen, it is<br />
acceptable to use a contemporary roofing system<br />
that meets functional needs. Visibility is a key issue;<br />
sight lines from nearby buildings, streets, <strong>and</strong> other<br />
vantage points should always be evaluated. The<br />
chosen material must provide adequate anchorage<br />
against wind <strong>and</strong> precipitation. Roofs should never<br />
actually be flat but should always slope positively<br />
to gutters <strong>and</strong> roof drains. Water ponding on a roof<br />
surface should never be permitted.<br />
Roof Insulation<br />
Energy efficiency is a central consideration in roof<br />
replacement projects. Roof insulation should occur<br />
only in well-ventilated spaces. Insulating poorly<br />
ventilated spaces will lead to moisture condensation<br />
on roofing <strong>and</strong> insulation materials. To avoid<br />
moisture damage <strong>and</strong> maximize thermal efficiency,<br />
a proper vapor barrier must be provided on the<br />
warm side of all insulation materials, especially in<br />
attics <strong>and</strong> crawl spaces. The st<strong>and</strong>ard preservation<br />
recommendation is to install batt-type insulation;<br />
blown-in insulation is only recommended <strong>for</strong> attics<br />
<strong>and</strong> crawl spaces where vapor barriers have been<br />
installed beneath. The vapor barrier prevents the<br />
passage of moisture <strong>and</strong> its accumulation in the<br />
insulation; damp or wet insulation is virtually<br />
useless. There are several ways to achieve an attic<br />
vapor barrier: a foil-facing material on fiberglass<br />
insulation; a Kraft paper-facing if it is backed with<br />
a bituminous or tar-like coating (Kraft paper alone<br />
is not a vapor barrier); or polyethylene sheeting<br />
placed between the insulation <strong>and</strong> inside surfaces.<br />
In an unheated attic space, the insulation may be<br />
installed over the flooring with the vapor barrier<br />
facing down. If the attic space is heated, the<br />
insulation is place between the roof rafters with the<br />
vapor barrier facing in.<br />
9.7 Doors<br />
Doors are more than functional entryways; they<br />
are important architectural elements <strong>and</strong> special<br />
care should be taken to preserve their integrity.<br />
Although the surface of the doors may show some<br />
wear, the door itself is usually structurally sound<br />
<strong>for</strong> decades. Historic wood doors are typically built<br />
of harder <strong>and</strong> heavier wood than commonly in use<br />
today <strong>and</strong> are thicker <strong>and</strong> more substantial overall.<br />
The environmental effects of constant use <strong>and</strong><br />
exposure, however, can lead to rapid deterioration;<br />
there<strong>for</strong>e, regular inspections <strong>and</strong> maintenance are<br />
critical. Repair of an existing historic door is more<br />
cost-effective than replacing it with a new one.<br />
Typical Door Conditions<br />
<strong>Moravian</strong> <strong>College</strong>’s historic buildings have a<br />
well-preserved collection of original wood doors,<br />
though some have been replaced when buildings<br />
have been renovated. The historic doors are<br />
generally in good condition, although there are<br />
some failed <strong>and</strong> worn finishes, <strong>and</strong> general deferred<br />
maintenance. Weathered surfaces, worn finishes,<br />
minor cracks, <strong>and</strong> damaged hardware should be<br />
repaired. The original doors <strong>and</strong> door hardware<br />
should be maintained. Weather-stripping should<br />
be replaced in order to improve thermal efficiency.<br />
Door Inspection <strong>and</strong> Maintenance<br />
Regular inspection <strong>and</strong> routine maintenance<br />
should identify small problems be<strong>for</strong>e they become<br />
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major issues. Doors at historic academic buildings<br />
receive heavy use <strong>and</strong> require frequent inspection.<br />
Door inspections should note any of the following<br />
conditions:<br />
• Sticking or gapping doors<br />
• Damaged hardware<br />
• Missing screws or anchors<br />
• Worn finishes <strong>and</strong> exposed wood <strong>and</strong> steel<br />
substrates<br />
• Cracked or rotted wood<br />
• Broken glazing, including transoms <strong>and</strong><br />
sidelights.<br />
The best practice approach retains <strong>and</strong> repairs<br />
as much historic fabric as possible. Regular<br />
maintenance <strong>for</strong> historic doors should include:<br />
• Gentle cleaning of door <strong>and</strong> hardware<br />
surfaces<br />
• Cleaning <strong>and</strong> lubrication of hinges <strong>and</strong><br />
closers<br />
• Rust removal at hardware <strong>and</strong> the application<br />
of appropriate protective coatings<br />
• Replacement of missing screws or anchors<br />
• Refinishing or repainting<br />
• Replacement of cracked or broken glazing.<br />
Causes of Door Deterioration<br />
Doors are most commonly damaged from constant<br />
use. Inspections are important to ensure that doors<br />
are operating properly <strong>and</strong> hung correctly to avoid<br />
failure at hinges or other hardware. Push plates <strong>and</strong><br />
kick plates protect the finishes in these vulnerable<br />
areas. Wood <strong>and</strong> metal doors are also damaged by<br />
moisture which causes wood rot <strong>and</strong> corrosion.<br />
Deicing salts can cause damage to wood finishes<br />
<strong>and</strong> dramatically accelerate the rate of corrosion.<br />
Exposure to the elements will cause degradation of<br />
the underlying wood.<br />
Door Repair<br />
Doorway features contribute to the building’s<br />
architectural character <strong>and</strong> should be retained.<br />
Historic doors often feature door hardware,<br />
transoms (operable or fixed sash over doors),<br />
sidelights (vertical or fixed ribbon windows<br />
flanking a door), pilasters, entablatures, columns,<br />
thresholds, <strong>and</strong> steps. Wood doors can be refinished<br />
to repair scratches or worn areas. Typically, wood<br />
doors would be finished with an oil varnish, though<br />
modern polyurethane based varnishes are more<br />
common today. It is important to match the original<br />
finish of the wood doors in both color <strong>and</strong> gloss<br />
level. Historically, doors were often more colorful<br />
or sometimes darker than the modern palette. It is<br />
important to retain the original design intent. High<br />
gloss levels are inappropriate <strong>for</strong> new finishes.<br />
Missing elements should be replaced in-kind, <strong>and</strong><br />
the door’s original size, profile, <strong>and</strong> configuration<br />
should be preserved. Glazed entry features such<br />
as transoms, sidelights, <strong>and</strong> partially glazed doors<br />
should also be retained, repaired, or replacedin-kind.<br />
In some situations, improved weatherstripping<br />
around door frames can increase energy<br />
efficiency <strong>and</strong> help protect a door’s historic features.<br />
Deteriorated doors that are beyond repair should be<br />
replaced in-kind, to match the original in materials,<br />
design, visual qualities, <strong>and</strong> size.<br />
Retrofitting <strong>for</strong> fire-safety should be done in a<br />
manner that preserves the door’s historic features.<br />
Many state building codes have special provisions<br />
<strong>for</strong> historic buildings; these should be fully explored<br />
be<strong>for</strong>e alterations occur. Fire-retardant coatings,<br />
other means of egress, areas of refuge, rated<br />
partitions, <strong>and</strong> other measures allowable under<br />
life safety codes can avoid removal of a significant<br />
historic door.<br />
Door Replacement or Reconstruction<br />
During the nineteenth <strong>and</strong> early-twentieth<br />
centuries, the main building entrance often<br />
featured substantial, if not monumental, doors<br />
with elaborate moldings <strong>and</strong> features. If an existing<br />
historic door is deteriorated beyond repair, it should<br />
be replaced with a new door that is appropriate<br />
to the period <strong>and</strong> style of the building. Historic<br />
double-leaf doors should not be replaced with a<br />
single-leaf door. Exterior historic doors that are<br />
non-functional should be left in place <strong>and</strong> sealed,<br />
not removed. Doors on primary elevations should<br />
match the original in materials, design, size, <strong>and</strong> all<br />
visual qualities.<br />
Historic door openings should not be filled with<br />
modern doors. New st<strong>and</strong>ard-size doors do not<br />
readily fit into an old door opening <strong>and</strong> would have<br />
a profoundly negative impact on the building’s<br />
integrity. When historic door replacement is<br />
necessary, the new door should be custom-made<br />
to fit the historic opening. Modern flush design<br />
doors are inappropriate <strong>for</strong> historic buildings. Door<br />
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hardware should be reused wherever possible.<br />
New door openings should be avoided on a historic<br />
building façade; if needed, they should be located<br />
on secondary elevations to limit negative physical<br />
<strong>and</strong> visual impacts.<br />
Reconstruction of altered or missing historic<br />
entranceways must be based on historical, pictorial,<br />
<strong>and</strong> physical documentation. Historic building<br />
designers used door detailing <strong>and</strong> frame articulation<br />
to develop a hierarchy <strong>and</strong> thus differentiate<br />
between primary <strong>and</strong> secondary entrances. If<br />
there is not sufficient in<strong>for</strong>mation to determine<br />
the original feature, a compatible new design<br />
should blend with the architectural character of the<br />
building <strong>and</strong> its surroundings. Conjectural designs<br />
without historic precedent are not appropriate.<br />
9.8 Windows<br />
Historic windows are one of the most important<br />
features of a building <strong>and</strong> proper treatment is<br />
extremely important. Both fenestration patterns<br />
<strong>and</strong> the configuration of individual windows<br />
are character-defining features that contribute<br />
to a building’s design, proportion, <strong>and</strong> rhythm.<br />
Historically, light <strong>and</strong> ventilation were very<br />
important commodities in buildings be<strong>for</strong>e<br />
electric service <strong>and</strong> artificial air conditioning<br />
became commonplace. Windows were designed to<br />
maximize interior natural light. They also provided<br />
a critical ventilation function <strong>and</strong> their placement<br />
was carefully designed. Windows placed on<br />
opposite sides of a room allow cross-breezes to<br />
circulate fresh air to inside spaces.<br />
Typical Window Conditions<br />
Historical window sash are still extant in many<br />
of the historic buildings at <strong>Moravian</strong> <strong>College</strong><br />
<strong>and</strong> are generally in good condition. Windows in<br />
some renovated buildings, such as Day House <strong>and</strong><br />
Hamilton Hall, have been replaced. In some cases,<br />
replacements were made only on certain parts<br />
of the building. Windows in <strong>Moravian</strong> <strong>College</strong>’s<br />
historic academic buildings tend to be double-hung<br />
wood sash. Wood windows in high-use areas often<br />
have exterior paint failure <strong>and</strong> show heavy wear,<br />
though most are still operable. Wood windows in<br />
areas of water problems, particularly at basement<br />
windows, exhibit rot at vulnerable elements.<br />
Future ef<strong>for</strong>ts should be directed towards<br />
preservation <strong>and</strong> repair of remaining historic<br />
windows whenever possible. Even when the new<br />
windows are appropriately designed, fill the existing<br />
openings, <strong>and</strong> maintain the building’s overall<br />
fenestration pattern, some materials, configurations,<br />
profiles, <strong>and</strong> colors are inappropriate preservation<br />
treatments.<br />
Window Inspection <strong>and</strong> Maintenance<br />
As with other historic features, regular inspection<br />
<strong>and</strong> maintenance are the first line of defense <strong>for</strong><br />
windows. Inspection should look <strong>for</strong> the following<br />
problems:<br />
• Open joints.<br />
• Areas <strong>for</strong> moisture penetration.<br />
• Failed glazing putty.<br />
• Broken glass.<br />
• Failed finishes on exterior window surfaces.<br />
• Failed finishes on interior surfaces around<br />
windows.<br />
• Failed or missing hardware, including<br />
screws, bolts <strong>and</strong> hinges.<br />
• Wood rot, particularly at bottom rails.<br />
• Corrosion, particularly at anchors, screws,<br />
<strong>and</strong> movable parts.<br />
• Bowing, warping, misalignment of sash.<br />
• Condensation on interior window surfaces.<br />
• Faulty window operation.<br />
• Deteriorated or missing perimeter sealant.<br />
Frequent maintenance now prevents expensive<br />
headaches later. For instance, windows rely on<br />
paint <strong>for</strong> weather protection. Without paint, the<br />
extremes of heat, cold, sunlight <strong>and</strong> moisture<br />
can quickly act on the exterior frame <strong>and</strong> sash.<br />
The maintenance of perimeter window sealant<br />
may also protect embedded steel lintels <strong>and</strong><br />
reduce corrosion; though no amount of sealant<br />
will permanently correct a faulty design. Regular<br />
window inspections, combined with appropriate<br />
scraping, priming, painting, <strong>and</strong> sealant repair has<br />
a critical place in <strong>Moravian</strong> <strong>College</strong>’s maintenance<br />
<strong>and</strong> preservation planning.<br />
Causes of Window Deterioration<br />
Water penetration is the primary cause of window<br />
deterioration. The chronic presence of water<br />
at windows leads to failure of finishes, metal<br />
corrosion, <strong>and</strong> wood rot. Moisture <strong>and</strong> water<br />
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typically infiltrate windows at the perimeter of the<br />
window sash <strong>and</strong> at lower window rails. Water<br />
problems are exacerbated in areas which do not<br />
shed water, such as improperly sloped window<br />
sills, at rough surfaces, or in pockets created by<br />
missing glazing putty. Window sills are often the<br />
first elements to exhibit deterioration. Condensation<br />
that <strong>for</strong>ms on interior window surfaces can also<br />
cause deterioration. It is important to distinguish<br />
moisture penetration caused by condensation from<br />
that caused by water infiltration. Each requires<br />
different remediation techniques.<br />
Windows that have been protected from the<br />
elements by exterior storm sash are not immune<br />
from moisture-related problems. Poorly ventilated<br />
storm windows can actually accelerate damage to<br />
wood <strong>and</strong> metal windows. Condensation <strong>for</strong>ms as<br />
the warm interior air meets the cool exterior storm<br />
window. If there is no ventilation, condensation is<br />
trapped against the sash, causing failure of finishes<br />
<strong>and</strong>, ultimately, wood rot or corrosion.<br />
Window operation is impaired by loose joints <strong>and</strong><br />
misaligned sash. Maintenance level painting often<br />
covers hinges <strong>and</strong> other moving parts, eventually<br />
causing excessive paint build-up. This can lead to<br />
sticking or inoperable sash.<br />
Window Repair<br />
Historic windows should never be replaced unless<br />
they are missing or beyond repair. Contrary to<br />
popular belief, repaired historic windows will<br />
last far longer than most modern replacement<br />
windows because they are made with superior<br />
quality materials <strong>and</strong> craftsmanship, especially<br />
wood windows. Epoxy consolidants may be used<br />
to strengthen <strong>and</strong> save deteriorated wood elements,<br />
especially at sills. Special patching compounds<br />
may be used to repair steel window parts. Warped<br />
wood sash <strong>and</strong> bowed or bent steel sash can often<br />
be repaired by skilled craftsmen.<br />
Replacing deteriorated parts, not the entire window,<br />
is the preferred solution, using elements that are<br />
visually <strong>and</strong> physically compatible with original.<br />
Historic windows are easily disassembled <strong>for</strong><br />
cleaning <strong>and</strong> repair. Unlike modern replacement<br />
windows, historic window units were constructed<br />
so that damaged portions could be repaired or<br />
replaced one part at a time. Individual window<br />
elements that should be retained include frames,<br />
sash, muntins, glazing, sills, lintels, hardware,<br />
heads, hoods, paneled or decorative jambs <strong>and</strong><br />
moldings, interior <strong>and</strong> exterior shutters, <strong>and</strong> blinds.<br />
The damaged portion of a window component<br />
should be replaced with material matching the<br />
original material <strong>and</strong> fabrication techniques.<br />
Any repair should match historic window sash,<br />
muntin configuration, reveal depths, glass-toframe<br />
ratios, glazing patterns, frame dimensions,<br />
trim profiles, <strong>and</strong> decorative features. Replacement<br />
glazing should match the qualities of the historic;<br />
low-E <strong>and</strong> reflective glazing are not appropriate in<br />
historic contexts. New window elements should<br />
be based on surviving prototypes including hood<br />
molds, sash, sills <strong>and</strong> interior or exterior shutters.<br />
Windows should also operate smoothly. Window<br />
mechanisms such as sash locks, cords, <strong>and</strong> weights<br />
should be maintained, repaired <strong>and</strong>, if necessary,<br />
replaced. This approach results in cost savings,<br />
because when properly maintained, historic<br />
windows can last <strong>for</strong> decades.<br />
Removal of prominent window features should<br />
be avoided because it damages a building’s<br />
architectural integrity. Important features include<br />
frames, sash, muntins, glazing <strong>and</strong> glazing patterns,<br />
sills, hardware, heads, hoods, paneled or decorative<br />
jambs <strong>and</strong> moldings, interior <strong>and</strong> exterior shutters,<br />
<strong>and</strong> blinds. They should not be blocked, infilled, or<br />
obscured.<br />
Window Weatherization<br />
Historic repairable windows should never be<br />
replaced with new units simply as a weatherization<br />
measure. Most loss of thermal efficiency at a<br />
window occurs around a leaky frame rather than<br />
through the sash itself. This can be addressed<br />
through simple weatherization techniques such<br />
as installing weather-stripping or storm windows.<br />
Weatherization techniques can greatly increase<br />
the energy efficiency of the overall building<br />
envelope <strong>and</strong> are always less costly than wholesale<br />
replacement of an entire window unit.<br />
Weatherization<br />
Historic windows can be made as energy efficient as<br />
new windows through the installation of weatherstripping.<br />
Weatherstripping methods include<br />
installation of compressed metal or spring clips<br />
or compressed foam tape. Weather-stripping is<br />
installed between the window frame <strong>and</strong> operable<br />
sash <strong>and</strong> along the meeting rails of the sash. Do<br />
not apply reflective or insulating film to window<br />
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glass. Blinds or insulating curtains may be added<br />
to the interior <strong>for</strong> privacy <strong>and</strong> increased thermal<br />
per<strong>for</strong>mance. In addition to weather-stripping,<br />
there are a variety of retrofit techniques that can<br />
provide thermal efficiency. These methods are less<br />
expensive than wholesale replacement <strong>and</strong> insure<br />
that the greatest amount of historic material is<br />
retained.<br />
Storm Windows<br />
Storm windows help achieve increased thermal<br />
efficiency without removing historic materials<br />
<strong>and</strong> features. Storm windows are appropriate as<br />
long as they fill the window opening completely,<br />
without the use of spacers or filler panels. Wood<br />
storms with removable storm sashes <strong>and</strong> screens<br />
are available commercially <strong>and</strong> are particularly<br />
appropriate <strong>for</strong> use on historic buildings. Stiles <strong>and</strong><br />
meeting rails should align with those of the prime<br />
sash. Do not install exterior storm windows in a<br />
manner that damages historic windows frames.<br />
Exterior storms should either be painted or acquire<br />
a factory-applied finish matching that of the prime<br />
sash. Bronzed <strong>and</strong> silver mill-finish treatments are<br />
not appropriate. Low-E <strong>and</strong> reflective glazing are<br />
also not appropriate in historic contexts.<br />
Interior storm windows are also available <strong>and</strong><br />
are already being used in a number of <strong>Moravian</strong><br />
<strong>College</strong> buildings, particularly on the Priscilla<br />
Payne Hurd campus within the Central Bethlehem<br />
Historic District. Because interior storm windows<br />
maintain the appearance of the exterior facade,<br />
they are preferable, <strong>and</strong> often less expensive,<br />
in cases where the windows are non-operable.<br />
Inexpensive <strong>and</strong> reversible magnetic storms can<br />
be removed in warm weather so that windows<br />
can open. Permanent interior storms are more<br />
appropriate <strong>for</strong> institutional buildings. Install<br />
interior storm windows with air-tight gaskets,<br />
ventilating holes, <strong>and</strong>/or removable clips to avoid<br />
condensation damage to wood or steel sash. Where<br />
interior storms are used, sufficient ventilation<br />
must be provided at the historic prime sash to<br />
avoid moisture condensation that will damage the<br />
historic unit.<br />
Window Replacement <strong>and</strong> Alteration<br />
Total replacement of all windows on an historic<br />
building is not a preservation treatment. Peeling<br />
paint, broken glass, stuck sash, <strong>and</strong> air infiltration<br />
are problems that can be remedied; they are not<br />
valid reasons <strong>for</strong> replacement. Windows should<br />
only be replaced when they have reached the end<br />
of their service life <strong>and</strong> the majority of the window<br />
components have deteriorated beyond repair. New<br />
windows should match the originals in material,<br />
finish, configuration, setback, profiles, <strong>and</strong> all other<br />
visual <strong>and</strong> reflective qualities. Details such as sash,<br />
muntin configuration, reveal depths, glass-toframe<br />
ratios, glazing patterns, frame dimensions,<br />
trim profiles, <strong>and</strong> decorative features should be<br />
faithfully replicated.<br />
A number of window manufacturers make<br />
customized replicas of historic sash <strong>and</strong> frames.<br />
They also offer more generic reproduction historic<br />
window lines. Both are much more costly than<br />
proper maintenance <strong>and</strong> repair of existing historic<br />
windows over their life-cycle. Replacement<br />
windows should always be based on the original<br />
in all respects; installation of a generic historic<br />
window is not appropriate.<br />
Steel Windows<br />
The replacement of steel windows can be more costly<br />
than repair work. Even large scale replacement<br />
of custom parts can be more cost effective. When<br />
planning <strong>for</strong> steel window replacement, it is<br />
important to underst<strong>and</strong> that many steel windows<br />
are often anchored into the surrounding masonry.<br />
Steel frames were typically built into the masonry<br />
structure during the original construction.<br />
Replacing steel frames may involve costly masonry<br />
disruption around the window opening.<br />
Removing steel frames by cutting off the anchors<br />
<strong>and</strong> leaving the anchors embedded in the masonry<br />
is not acceptable. This will leave embedded steel<br />
anchors in the surrounding window masonry,<br />
which can lead to major masonry disruption<br />
when these anchors corrode <strong>and</strong> exp<strong>and</strong>. The<br />
cost of dismantling, rebuilding, <strong>and</strong> repairing the<br />
surrounding masonry should be factored into any<br />
cost analysis of steel window replacement.<br />
Modern steel windows are made of a mix of rolled<br />
<strong>and</strong> pressed steel, bronze <strong>and</strong> brass sections, <strong>and</strong><br />
aluminum glazing beads, while the originals were<br />
manufactured with rolled steel sections. New<br />
steel windows rely heavily on weatherstripping to<br />
prevent water infiltration. Aluminum replacement<br />
windows are not acceptable alternates <strong>for</strong> historic<br />
steel windows. Steel windows are characterized by<br />
thin section details, a testament to the strength of<br />
steel. Aluminum is not strong enough to recreate<br />
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these thin section details <strong>and</strong> requires wider <strong>and</strong><br />
thicker shaped components. Also, the thermal<br />
per<strong>for</strong>mance of steel windows exceeds that of<br />
aluminum windows.<br />
If replacement windows are installed in a historic<br />
building, match the existing shapes, widths,<br />
thicknesses, <strong>and</strong> configurations of the stiles, rails,<br />
<strong>and</strong> muntins of the historic windows. Window<br />
operation such as casement <strong>and</strong> awning sash<br />
should be the same as the historic window. Use of<br />
insulated glass is acceptable, but the use of applied<br />
muntins, <strong>and</strong> especially use of embedded muntins<br />
between insulated glass panes, is not appropriate.<br />
Wood Windows<br />
Historic wood windows that cannot be repaired<br />
should be replaced with new wood windows.<br />
Vinyl <strong>and</strong> aluminum replacement windows are not<br />
appropriate. Likewise, windows clad in a synthetic<br />
material should not be considered. These modern<br />
windows are of inferior quality with shorter<br />
life spans than traditional wood. Replacement<br />
windows should have the same operating system<br />
(i.e., double-hung sash, casement, pivot, fixed)<br />
<strong>and</strong> configuration as the original windows.<br />
Replacement multi-pane windows with true<br />
divided lights should be used; snap-in <strong>and</strong> applied<br />
muntins are not appropriate because they do not<br />
match the historic muntin profiles. Using modern<br />
muntins alters the historic reveals <strong>and</strong> proportions<br />
characteristic of historic sash. Contemporary sheetglass<br />
windows <strong>and</strong> tinted, low-E, or reflective glass<br />
should also be avoided.<br />
Fenestration Patterns<br />
The spacing, location, size, placement, <strong>and</strong> rhythm<br />
of historic windows are a signature feature of<br />
historic buildings. Original fenestration patterns<br />
should be retained <strong>and</strong> maintained. New windows<br />
or altered openings are not appropriate in historic<br />
contexts, particularly on the main façade <strong>and</strong> other<br />
visible elevations. Do not alter the number, size,<br />
location, or shape of original windows. Replacement<br />
windows should match the full size of the historic<br />
window opening. Large window openings should<br />
not be filled with a number of smaller windows.<br />
If new windows must be added to a windowless<br />
secondary elevation, the work should minimize the<br />
number of new openings <strong>and</strong> be compatible with<br />
the scale, location, <strong>and</strong> size of historic window<br />
frames elsewhere on the building.<br />
Air Conditioners <strong>and</strong> Vents<br />
Wherever possible, window air conditioners<br />
should only be installed on a building’s secondary<br />
elevations. If the window is removed to install an<br />
air conditioner, the window opening should be<br />
maintained <strong>and</strong> preserved. Protect <strong>and</strong> preserve<br />
historic window sash <strong>and</strong> frames if the installation<br />
of heating/air conditioning units requires their<br />
temporary removal. Protect surfaces below the<br />
window from moisture damage from condensation<br />
from window unit air conditioners. Unit drains<br />
should direct water away from sills <strong>and</strong> walls.<br />
Although windows should generally not be used<br />
as vents <strong>for</strong> air-conditioning systems <strong>and</strong> exhaust<br />
fans, this solution is sometime the least intrusive<br />
option <strong>for</strong> a historic building. If this option is<br />
chosen, the vent or fan should be installed in a<br />
window on a secondary elevation. The removed<br />
sash or window should be stored in the building<br />
<strong>for</strong> future reinstallation.<br />
Through-the-wall vents, condensate drain lines,<br />
<strong>and</strong> cooling units are never appropriate on historic<br />
buildings. They destroy historic fabric <strong>and</strong> impact<br />
building integrity. These penetrations impact the<br />
overall symmetrical pattern of masonry <strong>and</strong> glazed<br />
surfaces. They also disrupt the masonry walls <strong>and</strong><br />
introduce new locations <strong>for</strong> water problems on the<br />
façade.<br />
Interior Alterations That Impact Windows<br />
Interior alterations such as lowered ceilings, new<br />
floors, or mezzanines should not impact either<br />
historic windows or the building’s exterior spatial<br />
<strong>and</strong> visual experience. Lower ceilings are often used<br />
in renovation projects to accommodate mechanical<br />
equipment. Their extent <strong>and</strong> drop should be<br />
minimized because the alteration can affect the<br />
appearance of windows <strong>and</strong> have a negative visual<br />
impact on the building’s exterior. Dropped ceilings<br />
that block or cover window frames <strong>and</strong> glazing<br />
are inappropriate in historic contexts. Chases <strong>for</strong><br />
ductwork within the room are a better solution. If<br />
a drop must be accommodated, the design should<br />
incorporate generous setbacks that allow the full<br />
height of the window to remain unobstructed. Other<br />
alterations that may block or cover windows, such<br />
as new floors, loft spaces, <strong>and</strong> staircases, should be<br />
avoided as well.<br />
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9.9 Stucco<br />
Stucco is a <strong>for</strong>m of mortar used to give walls a<br />
smooth, finished appearance <strong>and</strong> protects them<br />
from deterioration caused by exposure. Stucco was<br />
traditionally applied in two or three coats directly<br />
to the underlying substrate. Buildings that have<br />
historically been covered with stucco should remain<br />
so. The underlying masonry may have been of<br />
inferior quality <strong>and</strong> was never meant to be exposed<br />
to the elements. Stucco should not be installed on<br />
buildings that were never historically stuccoed or<br />
as a substitute <strong>for</strong> maintenance. Masking problems<br />
with a surface coating solves nothing. Stucco is<br />
meant to be a sacrificial protective coating <strong>and</strong>,<br />
there<strong>for</strong>e, requires cyclical maintenance <strong>and</strong><br />
reapplication.<br />
Typical Stucco Conditions<br />
Stucco has been used only in limited areas at<br />
<strong>Moravian</strong>, such as the east side of the Widows’<br />
House.<br />
Stucco Inspection<br />
Stucco is a material that requires routine repair <strong>and</strong><br />
replacement. Regular inspection of stucco finishes<br />
will extend its lifespan. Inspection of stucco finishes<br />
should note the following signs of problems.<br />
• Cracks<br />
• Rust staining<br />
• Openings at building penetrations<br />
• Leaking gutters <strong>and</strong> downspouts<br />
• Intrusive vegetation or biological growth<br />
• Failed paint<br />
• Staining or rising damp<br />
• Efflorescence or whitish staining<br />
• Poor site drainage<br />
• Hollow sounding areas when tapped with a<br />
hammer<br />
• Delamination Loss<br />
Causes of Stucco Deterioration<br />
Moisture <strong>and</strong> water infiltration is the main cause of<br />
stucco deterioration <strong>and</strong> failure. Problems with the<br />
roof drainage system accelerate stucco deterioration.<br />
Excessive water runoff over the stucco surface will<br />
lead to disintegration of the stucco. Water splashing<br />
up from the foundation, or moisture penetration<br />
through rising damp, can cause the stucco to lose<br />
its bond to the substrate. Wet stucco is vulnerable<br />
to freeze/thaw deterioration in cold weather. Water<br />
moving through the stucco leaches out carbonate<br />
material, which builds up in areas where the water<br />
evaporates on the surface. Salts from the ground<br />
may accelerate stucco deterioration through salt<br />
crystallization.<br />
Cracking in the stucco can be caused by several<br />
mechanisms. Shrinkage cracks can <strong>for</strong>m if the stucco<br />
has dried too quickly during installation. Building<br />
settlement can cause cracking in the stucco finish.<br />
Metal elements, such as metal lath or metal corner<br />
beads, exp<strong>and</strong> at different rates than the stucco,<br />
causing cracking.<br />
Stucco that has been applied over metal lath is<br />
particularly vulnerable. Often, the metal lath or<br />
lath nails have been inadequately-sized <strong>and</strong> are<br />
not strong enough to hold the applied stucco. The<br />
stucco on metal lath may have no expansion joints,<br />
which are required to absorb the movement of the<br />
lath during thermal expansion. Water infiltration<br />
into the stucco <strong>and</strong> metal lath system will cause the<br />
lath to corrode <strong>and</strong> fail.<br />
Stucco Repair <strong>and</strong> Replacement<br />
Stucco is composed of a binder of s<strong>and</strong> <strong>and</strong> often a<br />
rein<strong>for</strong>cing fiber. It is applied in two to three coats.<br />
The first coat is called the brown coat. The second is<br />
the scratch coat <strong>and</strong> the final coat is the finish coat.<br />
Stucco was traditionally composed of lime-based<br />
binder materials; modern stuccoes are usually<br />
composed of Portl<strong>and</strong>-cement <strong>and</strong> hydrated lime.<br />
It is important to repair existing stucco with similar<br />
materials. Dissimilar materials will have problems<br />
bonding to the existing material. Portl<strong>and</strong> cementbased<br />
stucco mixes are too hard <strong>and</strong> dense <strong>for</strong> soft,<br />
permeable historical masonry. Natural hydraulic<br />
lime-based stucco mixes will require more care<br />
during installation, but provide a flexible breathable<br />
coating that is compatible with historical masonry.<br />
Successful patch mixes can be tinted to match the<br />
weathered appearance of the existing material.<br />
Be<strong>for</strong>e applying the replacement material to a large<br />
wall area, use a test panel to determine if the color<br />
<strong>and</strong> finish are appropriate. Once a proper blend<br />
has been determined, it should be recorded <strong>for</strong> any<br />
future repairs to the building.<br />
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Cracks in stucco should be repaired with<br />
cementitious materials similar to those found in<br />
the original mix. Sealant should never be used to<br />
repair cracks in stucco. Hairline cracks can be filled<br />
with a slurry made of the finish coat mix. Larger<br />
cracks must first be cut to provide a groove or<br />
“key” <strong>for</strong> receiving the new work. A groove can be<br />
cut by using a knife to open up an existing crack.<br />
The edges should then be undercut with a hammer<br />
<strong>and</strong> chisel. After applying stucco, it should be kept<br />
moist <strong>for</strong> three to four days to allow curing.<br />
Where existing stucco is deteriorated, only the<br />
deteriorated area should be removed <strong>and</strong> repaired<br />
to match adjacent surfaces. To repair stucco, all<br />
of the loose or severely cracked stucco should be<br />
removed to the masonry substrate. The area to be<br />
patched should be cleaned of all debris. Masonry<br />
joints may need to be raked out ⅝-1 inch to<br />
ensure good bond between the substrate <strong>and</strong> the<br />
new stucco. Stucco should be applied directly to<br />
masonry whenever possible. It is best to avoid the<br />
use of chemical bonding agents because a good<br />
mechanical key will provide the best support <strong>for</strong><br />
stucco repairs. Where it is not possible to apply<br />
stucco directly to the masonry, stucco may be<br />
applied over metal lath, but the stucco on metal<br />
lath must have appropriate expansion joints <strong>and</strong> be<br />
protected from water. Otherwise, stucco on metal<br />
lath will fail rapidly.<br />
Stucco repairs should be undertaken only when<br />
temperatures are above 50º Fahrenheit. In applying<br />
stucco, begin from the top of the wall with a smooth<br />
application. The dimension between the surface<br />
of old <strong>and</strong> new stucco should remain unchanged.<br />
Surplus stucco should be washed off with a light<br />
stream of water. Allow the stucco to set <strong>for</strong> 30 to<br />
60 minutes be<strong>for</strong>e using a fine spray of water to<br />
etch the surface to match the texture of the historic<br />
existing stucco. Stucco repairs must be properly<br />
protected <strong>and</strong> cured to prevent shrinkage cracks<br />
<strong>and</strong> premature failure. All stucco repairs must be<br />
installed by a skilled plasterer.<br />
9.10 Paint<br />
Paint is the final layer of finish on many historic<br />
exterior building elements, including woodwork,<br />
metals, windows, doors, stucco, <strong>and</strong> masonry. Paint<br />
protects exterior features from the elements <strong>and</strong><br />
adds color <strong>and</strong> character to the building envelope.<br />
A good coat of paint, well-bonded to its surface, is<br />
an excellent means of preservation. Keeping wood<br />
surfaces painted has been a serious maintenance<br />
issue at <strong>Moravian</strong> <strong>College</strong>.<br />
Paint Inspection <strong>and</strong> Maintenance<br />
To prevent the deterioration of painted surfaces,<br />
regularly check surface conditions. Paint will fail<br />
when the bond to the underlying substrate fails.<br />
Inspection of painted surfaces should identify the<br />
following signs of deterioration:<br />
• Exposed substrates,<br />
• Chipping, or flaking,<br />
• Bubbling or blistering,<br />
• Alligator cracking,<br />
• Abrasion,<br />
• Rust staining, <strong>and</strong><br />
• Biological growth.<br />
Painted Masonry<br />
At <strong>Moravian</strong> <strong>College</strong>, the historic masonry buildings<br />
surveyed have not been painted except <strong>for</strong> part of<br />
Hamilton Hall, <strong>and</strong> historic paint was removed<br />
from several buildings during restoration work.<br />
Masonry buildings that have not been previously<br />
painted should not be painted in the future. The<br />
most appropriate treatment <strong>for</strong> painted masonry,<br />
however, is to keep it coated. Stripping paint layers<br />
will cause irreversible damage to the underlying<br />
masonry. For painted masonry buildings with<br />
areas of peeling paint, remove only damaged paint<br />
to the next sound layer be<strong>for</strong>e applying a new<br />
compatible paint coating. Paint that remains firmly<br />
adhered to the masonry should be left in place. Use<br />
a breathable masonry paint that allows moisture<br />
to pass through the walls. Do not coat masonry<br />
with any material that <strong>for</strong>ms a moisture barrier;<br />
this barrier traps water <strong>and</strong> moisture within the<br />
masonry, causing spalling <strong>and</strong> cracking during<br />
freeze-thaw cycles <strong>and</strong> salt crystallization. Quality<br />
masonry paints should be used to avoid chalking<br />
of paint.<br />
Painted Metals<br />
Certain metals are painted <strong>for</strong> protection while<br />
others should be left unpainted. Cast iron <strong>and</strong><br />
steel should be painted to protect them from<br />
corrosion. As with all paint work, the metal surface<br />
to be painted must be properly prepared. Rust,<br />
oil, grease, <strong>and</strong> loose paint must be completely<br />
removed. Modern alkyd paints are suitable <strong>for</strong><br />
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painting these metals. However, alkyd-based rust<br />
inhibitive primers should be used to protect the<br />
substrate since modern alkyd paints tend to go on<br />
thinner than traditional coatings. Zinc-rich primers<br />
will provide a more durable finish, but they can only<br />
be applied over clean metal; they are only suitable<br />
<strong>for</strong> shop-prepared metalwork. Copper, bronze, <strong>and</strong><br />
stainless steel should be left exposed.<br />
Painted <strong>and</strong> Varnished Woodwork<br />
Retain <strong>and</strong> renew paint coatings on wood features<br />
that have been painted in the past; paint helps to<br />
protect the surface from moisture <strong>and</strong> light damage.<br />
Paint that is firmly adhered should be left in place<br />
<strong>and</strong> not removed unless it is failing. If all paint is<br />
planned <strong>for</strong> removal during a rehabilitation project,<br />
samples of the existing layers of color should be<br />
taken prior to complete removal. This is used to<br />
per<strong>for</strong>m a paint analysis that records the historic<br />
sequence of colors.<br />
Many of the main entrance doors have been finished<br />
with a colored varnish or with a stain <strong>and</strong> clear<br />
varnish coating. Shellac or oil-based varnishes were<br />
traditionally used to protect woodwork up through<br />
the post-World War II era. Many of these exterior<br />
doors may have been refinished with modern<br />
polyurethane varnishes. It is important to identify<br />
the existing varnish coating prior to refinishing.<br />
Shellac varnishes can often be refreshed using<br />
mineral spirits <strong>and</strong> new shellac. Oil-based varnishes<br />
can be removed with solvents <strong>and</strong> renewed.<br />
However, polyurethane coatings require complete<br />
removal down to bare wood. The wood will need to<br />
be re-stained <strong>and</strong> varnished. Polyurethane coatings<br />
should be applied by a skilled contractor to avoid<br />
lap marks, bubbling, <strong>and</strong> super high gloss finishes.<br />
Painted Stucco<br />
Traditionally, stucco was integrally colored through<br />
the use of colored aggregate <strong>and</strong> the addition of<br />
lime-stable pigments in the finish coat mix. In<br />
the nineteenth century, stucco was also routinely<br />
whitewashed. These early coatings were later<br />
replaced by modern paints as the commercial<br />
paint industry exp<strong>and</strong>ed circa 1875. Stucco that<br />
has been painted should continue to be coated.<br />
Appropriate coatings include lime <strong>and</strong> cement<br />
paints, latex paints, <strong>and</strong> alkyd paints. Paint type<br />
will be determined by the previous coatings; new<br />
paint must be compatible with existing coatings.<br />
Unpainted Surfaces<br />
Do not paint masonry or stucco that has never been<br />
painted. Painting undamaged masonry surfaces is<br />
not a preservation treatment. This is unnecessary<br />
unless the surface is much deteriorated from extreme<br />
weathering, water penetration, or s<strong>and</strong>blasting <strong>and</strong><br />
other abrasive treatments. Do not paint windows<br />
shut or coat the window glass.<br />
Repair <strong>and</strong> Repainting<br />
Be<strong>for</strong>e removing, h<strong>and</strong>ling, or disposing of paint,<br />
it is critical to determine if it is lead-based. Most<br />
paints installed prior to 1978 can be assumed<br />
to contain lead. If properly encapsulated with<br />
modern, non-lead containing paints, the earlier<br />
lead paint layers are not typically considered a<br />
hazard. A higher level of scrutiny is required in<br />
areas where children are present, on friction <strong>and</strong><br />
impact surfaces, <strong>and</strong> where the paint is severely<br />
deteriorated. It is critical to follow best protection<br />
practices when scraping or s<strong>and</strong>ing surfaces that<br />
have been painted with lead-based paints. Ensure<br />
that the removal process complies with local, state,<br />
<strong>and</strong> federal laws <strong>and</strong> avoid breathing or ingesting<br />
the dust of lead-based paint.<br />
Use the gentlest means possible to remove paint <strong>and</strong><br />
only remove deteriorated paint layers. For buildings<br />
with extensively deteriorated paint, remove all<br />
unstable coatings to bare substrate after sampling<br />
<strong>and</strong> recording the historic paint color sequence.<br />
Architectural features should not be stripped <strong>and</strong><br />
left bare. The unprotected substrate will quickly<br />
discolor <strong>and</strong> deteriorate; metal substrates will<br />
quickly corrode.<br />
H<strong>and</strong>-scraping <strong>and</strong> h<strong>and</strong>-s<strong>and</strong>ing is the best<br />
technique <strong>for</strong> removing paint on some historical<br />
materials. Limited <strong>and</strong> judicious use of chemical<br />
strippers can be considered, provided test patches<br />
are evaluated prior to large-scale stripping. Care<br />
should be taken that chemical strippers do not<br />
damage adjacent building or l<strong>and</strong>scape materials.<br />
Alkaline chemicals should be approached with<br />
caution when removing paint from wood substrates;<br />
they raise the grain <strong>and</strong> can easily damage wood.<br />
In contrast, alkaline paint strippers have proven<br />
to be the most effective type of stripper <strong>for</strong> use on<br />
iron-containing metals. On masonry, mild chemical<br />
strippers may be appropriate but only under skilled<br />
supervision with prior test patches. It is important<br />
to ensure that chemicals are thoroughly rinsed<br />
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off after treatment. Failure to do so will cause<br />
premature paint failure of the new coating.<br />
S<strong>and</strong>blasting is extremely harmful to historic<br />
material surfaces <strong>and</strong> should never be used. It<br />
leads to water penetration <strong>and</strong> deterioration.<br />
Water-blasting is only appropriate <strong>for</strong> loose paint<br />
on masonry surfaces if used at low pressure<br />
(150-200 psi maximum). Pressure-washing wood is<br />
detrimental as it raises the grain <strong>and</strong> <strong>for</strong>ces moisture<br />
into the walls. It leads to paint failure, wood decay,<br />
<strong>and</strong> structural problems.<br />
Propane or butane torches, electric hot-air guns,<br />
<strong>and</strong> electric heat plates are never recommended <strong>for</strong><br />
paint removal because they can scorch the surface<br />
of the wood <strong>and</strong> ignite debris behind clapboards.<br />
Likewise, electric s<strong>and</strong>ers can cause irreversible<br />
damage by removing the wood surface in addition<br />
to paint.<br />
Substrates to be painted must be properly prepared<br />
<strong>and</strong> primed. Manufacturer recommendations<br />
must be followed <strong>for</strong> each type of substrate to be<br />
painted. Primer helps the finish coats bond to the<br />
new <strong>and</strong> previously-painted surfaces <strong>and</strong> combats<br />
deterioration caused by moisture absorption.<br />
When choosing a paint system, pick one that is<br />
appropriate to the existing coating, the surface to be<br />
painted, <strong>and</strong> the site’s environmental microclimate.<br />
The extra cost of high-quality paint is a good<br />
investment because it maintains a better surface<br />
<strong>for</strong> a longer period. New paint must be compatible<br />
with the old paint. Surfaces previously painted<br />
with oil-based paint should only be repainted<br />
with oil paint. Alkyd <strong>and</strong> oil paint should not be<br />
combined in multiple layers. Apply paint with a<br />
brush, because spray-on paint has poor adherence,<br />
a thinner coat, <strong>and</strong> greater failure rate.<br />
Historic Paint Colors<br />
While paint offers an important protective coating<br />
<strong>for</strong> architectural materials, it also provides valuable<br />
in<strong>for</strong>mation on the aesthetic intent <strong>and</strong> changing<br />
tastes over time. Often when a historic building is<br />
restored or renovated, there is a desire to repaint<br />
using original or historically appropriate colors.<br />
When a historically accurate restoration is needed,<br />
a materials conservation professional should be<br />
engaged to do a paint analysis or seriation study.<br />
This study analyzes a paint sample in cross-section<br />
using a microscope under special lighting conditions<br />
to study the colors <strong>and</strong> sequences of all the coating<br />
layers (seriation) on the surfaces of architecturally<br />
significant elements <strong>and</strong> building surfaces. Historic<br />
paint analysis can aid in the investigation of the<br />
history <strong>and</strong> development of a building, as well as<br />
provide in<strong>for</strong>mation on coatings applied over time.<br />
It is valuable in determining appropriate colors <strong>for</strong><br />
repainting.<br />
Alternatively, <strong>for</strong> less sensitive spaces or simpler<br />
finishes, it may be appropriate to choose from a<br />
palette of period colors <strong>for</strong> repainting. Prior to the<br />
nineteenth century, the color palette was typically<br />
confined to natural colors, such as grays, buffs,<br />
tans, ochre yellows <strong>and</strong> iron oxide reds. Bright<br />
colors were restricted to greens <strong>and</strong> Prussian blue.<br />
Care was taken to produce high gloss finishes,<br />
particularly on woodwork. In the early nineteenth<br />
century, new colors became available, including<br />
chrome green <strong>and</strong> yellow <strong>and</strong> reds. The color<br />
palette was slightly brighter <strong>and</strong> less gray. New<br />
paint <strong>for</strong>mulations brought about a fashion <strong>for</strong><br />
low-gloss finishes circa 1830. Factory-made paints<br />
became widely available circa 1875 during a time of<br />
exuberant color choices in the Victorian era. Tertiary<br />
colors, a mix of secondary colors, such as olives<br />
<strong>and</strong> red-browns, were popular. High gloss finishes<br />
were used on woodwork; low-gloss paints were<br />
used on wall surfaces. The turn of the century saw<br />
a pendulum swing back to subdued colors with the<br />
growing popularity of the Classical Revival styles.<br />
In addition to color, other factors affect the<br />
appearance of historic paints <strong>and</strong> must be<br />
considered when applying new paint. Prior to<br />
the widespread commercialization of paints circa<br />
1875, paints tended to have coarser pigment grains<br />
causing an unevenness of color. Unless the paint<br />
layers were later rubbed smooth, brush marks<br />
were often visible; the type of brush used left<br />
distinctive lap <strong>and</strong> brush marks. The content <strong>and</strong><br />
thickness of the binder affected the final gloss level.<br />
It is important to underst<strong>and</strong> that gloss level <strong>and</strong><br />
application methods, as well as color, affect the<br />
final appearance of paint.<br />
9.11 Interiors<br />
Much of the activity surrounding architecture takes<br />
place on the interior. Interiors offer rich histories<br />
about the use of the building over time. Pristine,<br />
unaltered interiors may reveal a specific aesthetic<br />
of a certain era, use, or owner. Interiors that have<br />
been altered by each succeeding generation present<br />
tales of change <strong>and</strong> technological improvements.<br />
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Un<strong>for</strong>tunately, interiors that have been heavily<br />
renovated are often stripped of their rich histories.<br />
Typical Conditions<br />
Significant interior spaces have been retained in<br />
many of <strong>Moravian</strong> <strong>College</strong>’s historic buildings.<br />
The majority of these historical interior spaces are<br />
in good condition. However, some of <strong>Moravian</strong><br />
<strong>College</strong>’s historic academic buildings that have<br />
been renovated <strong>for</strong> new uses <strong>and</strong> original interiors<br />
have been significantly modified. Most of <strong>Moravian</strong><br />
<strong>College</strong>’s renovated historic buildings, however,<br />
retain much of their original floor plans, room<br />
configurations, staircases, <strong>and</strong> some finishes <strong>and</strong><br />
details.<br />
Inspection<br />
Historic interiors can be inspected on several levels.<br />
Architectural inspection focuses on the overall<br />
features, materials, finishes, <strong>for</strong>m, <strong>and</strong> circulation.<br />
Structural inspections review loads <strong>and</strong> settlement<br />
issues, focusing on foundations, structural<br />
members, <strong>and</strong> attic spaces. Systems <strong>and</strong> fixtures<br />
inspections involve review of the existing electrical,<br />
mechanical, <strong>and</strong> plumbing systems <strong>for</strong> adequacy,<br />
efficiency, <strong>and</strong> code requirements. Additionally, the<br />
interiors can be inspected with a focus on life safety,<br />
fire protection, <strong>and</strong> building code review. Often, a<br />
thorough historic interior assessment will require<br />
that all of these issues are addressed.<br />
For the purposes of these guidelines, the focus is on<br />
the architectural assessment of historic interiors. It is<br />
important to methodically inspect <strong>and</strong> document an<br />
historic interior, noting the following conditions:<br />
Flooring<br />
• Wood: loose boards, buckling, water damage,<br />
wear, scrapes, cracking <strong>and</strong> splitting, stains,<br />
failed finishes<br />
• Tile: loose tiles, cracks, chips, loss of glaze,<br />
loss or failure of grouting<br />
• Terrazzo: Cracks, loose areas, loss,<br />
disaggregation, failure of finishes<br />
Walls <strong>and</strong> ceilings<br />
• Plaster: cracks, failure of finish, delamination,<br />
hollow or bulging plaster that is loose from<br />
lath, water damage, efflorescence, loss, mold<br />
• Wood paneling: loose panels, cracks, split<br />
panels, wear, water damage, insect infestation,<br />
failure of finish<br />
Stairs<br />
• Sagging or loose stair members, including<br />
stairs, newel posts, <strong>and</strong> h<strong>and</strong>rails.<br />
• Insect infestation<br />
• Missing parts<br />
• Failure of finishes<br />
• Excessive wear<br />
Doors <strong>and</strong> doorways<br />
• Water damage<br />
• Excessive wear at doors, door trim, <strong>and</strong><br />
threshold<br />
• Broken glazing<br />
• Failed finishes<br />
• Poor operation of hardware<br />
• Sagging or loose doors that do not close<br />
Windows<br />
• Broken interior screens <strong>and</strong> shutters<br />
• Failed finishes<br />
• Water stains<br />
Wood trim<br />
• Water damage<br />
• Excessive wear<br />
• Scrapes <strong>and</strong> gouges<br />
• Failed finishes<br />
• Loss<br />
• Wood trim that is clearly not original<br />
Fireplaces<br />
• Failure of finish, loss, or damage at fireplace<br />
surround.<br />
• Loose, broken, or lost hearth materials.<br />
• Failed structural support <strong>for</strong> hearth<br />
• Failed firebox lining <strong>and</strong>/or water staining<br />
Causes of Deterioration<br />
The majority of the deterioration to historic interiors<br />
is caused by damage to the exterior envelope of the<br />
building. Water infiltration is one of the greatest<br />
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causes of problems on building interiors. Water<br />
may be entering the building at points above gradelevel,<br />
including the roof, walls, wall penetrations,<br />
<strong>and</strong> door <strong>and</strong> window openings. Water may also<br />
enter the building from below-grade through rising<br />
damp at foundations. This can be exacerbated by<br />
poor site drainage. Interior systems may also be the<br />
cause of water infiltration. Leaking plumbing pipes<br />
<strong>and</strong> mechanical equipment can cause localized<br />
damage. Climate control systems may also cause<br />
condensation, which can occur on surfaces where<br />
warm humid air mixes with cooler surfaces.<br />
Movement <strong>and</strong> settlement throughout the building<br />
can alter interior finishes. Plaster can crack <strong>and</strong><br />
detach from the backup lath. Door <strong>and</strong> window<br />
openings may shift, blocking the operation of doors<br />
<strong>and</strong> sash. Floors may sag or buckle. It is important<br />
to determine if significant movement is stable or<br />
ongoing by consulting a structural engineer.<br />
Inappropriate maintenance <strong>and</strong> heavy wear may<br />
cause extensive deterioration of historic interiors.<br />
Updating interior finishes <strong>and</strong> systems is required<br />
<strong>for</strong> the continued use of many historic interiors.<br />
However, improper treatments, insensitive<br />
upgrades, <strong>and</strong> heavy h<strong>and</strong>ed alterations cause<br />
irreversible damage. Upgrades <strong>for</strong> small scale<br />
utilities, such as phone <strong>and</strong> cable lines, can cause<br />
multiple, small penetrations in exterior walls. Over<br />
time, these can lead to more serious damage. The<br />
construction of new bookshelves or cabinets can<br />
cause permanent damage to walls, wood trim, <strong>and</strong><br />
floors.<br />
character-defining features are identified, all future<br />
repairs <strong>and</strong> alterations can be assessed <strong>for</strong> their<br />
impact on these features.<br />
Interior repairs <strong>and</strong> renovations should proceed<br />
along these general guidelines:<br />
• Retain character defining floor plan elements,<br />
such as stair configurations.<br />
• Avoid partitioning or opening up characterdefining<br />
spaces.<br />
• Avoid the use of drop ceilings in spaces<br />
defined by high ceilings.<br />
• Retain historic finishes <strong>and</strong> decorative<br />
features <strong>and</strong> materials. Repair features to<br />
the greatest extent possible. Replace historic<br />
features with matching materials wherever<br />
possible.<br />
• Retain <strong>and</strong> preserve visible features of<br />
character-defining mechanical, electrical, <strong>and</strong><br />
plumbing systems.<br />
• Do not recreate interior conditions that did<br />
not exist historically.<br />
Repair <strong>and</strong> Renovation<br />
When considering repairs or alterations within<br />
an historic interior, it is important to identify the<br />
character-defining features that create a unique<br />
interior space. The overall <strong>for</strong>m of the interior<br />
is often significant, including the floor plan, the<br />
volume of spaces, <strong>and</strong> the relationship of rooms.<br />
Many buildings will have primary public spaces<br />
with finer finishes <strong>and</strong> secondary utilitarian spaces.<br />
Certain key interior features may be of particular<br />
importance, such as a main stair case, ornamental<br />
woodwork, <strong>and</strong> fireplace surrounds. Other features<br />
may be less prominent but, taken collectively, define<br />
the style <strong>and</strong> feel of the interior. These include the<br />
floor <strong>and</strong> wall finishes <strong>and</strong> detailing, wood trim,<br />
doorway openings, doors, window treatments,<br />
<strong>and</strong> hardware. The natural <strong>and</strong> artificial lighting<br />
of the interior is important <strong>and</strong> is closely linked to<br />
the treatment of windows on the exterior. Once the<br />
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Chapter Ten<br />
Guidelines <strong>for</strong> New Construction <strong>and</strong><br />
Alterations<br />
10.0 Introduction<br />
One of the primary purposes of the Getty Foundation<br />
Campus Heritage Grant Program is to ensure that<br />
historic preservation <strong>and</strong> stewardship are integrated<br />
into long-range planning ef<strong>for</strong>ts <strong>and</strong> day-to-day<br />
decision making at <strong>Moravian</strong> <strong>College</strong>. The desire<br />
of this institution to do so is readily apparent in its<br />
vision to create “a community of wise stewards,<br />
who care <strong>for</strong> <strong>and</strong> enhance [the college’s] treasures of<br />
heritage, people <strong>and</strong> place <strong>for</strong> generations to come.”<br />
The strategic plan dictating growth <strong>and</strong> policy <strong>for</strong><br />
the college through 2015 further elaborates on this<br />
vision:<br />
“<strong>Moravian</strong> proudly maintains <strong>and</strong> uses<br />
colonial-era buildings as part of its beautiful,<br />
historic campus. In order to ensure that these<br />
highly valued facilities are properly maintained,<br />
we will devote significant resources to the<br />
restoration <strong>and</strong> upkeep of our older facilities. In<br />
addition, we will add exciting new spaces…”<br />
This <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> is an important step<br />
towards implementation. It is recommended that<br />
this plan be <strong>for</strong>mally adopted by <strong>Moravian</strong> <strong>College</strong><br />
<strong>and</strong> integrated into the institution’s maintenance,<br />
planning, design <strong>and</strong> budgeting processes.<br />
Adoption of the plan will further establish an<br />
institutional historic preservation ethic <strong>and</strong> assist<br />
in the stewardship of nationally significant historic<br />
resources by developing awareness of best practice<br />
techniques <strong>for</strong> facility managers <strong>and</strong> maintenance<br />
staff; communicating st<strong>and</strong>ards <strong>and</strong> guidelines<br />
to consultants <strong>and</strong> contractors; <strong>and</strong> fostering an<br />
underst<strong>and</strong>ing <strong>and</strong> appreciation among faculty,<br />
staff <strong>and</strong> student body. With the pending completion<br />
of a college-wide master development plan this<br />
preservation plan will also provide an important<br />
framework <strong>for</strong> considering historic preservation<br />
issues in the design <strong>and</strong> planning <strong>for</strong> the expansion<br />
of the two campuses at <strong>Moravian</strong> <strong>College</strong>.<br />
Existing Administrative Procedures<br />
The current administrative <strong>and</strong> review procedures<br />
followed at <strong>Moravian</strong> <strong>College</strong> are in<strong>for</strong>mal. There<br />
is no st<strong>and</strong>ardized process <strong>for</strong> decision-making<br />
related to either new construction or maintenancelevel<br />
work. The decision making process on new<br />
construction is also centralized, involving only a<br />
few key administrators, staff, <strong>and</strong> members of the<br />
Board of Trustees. It typically does not involve<br />
college personnel, consultants, or contractors<br />
that represent historic preservation interests <strong>and</strong><br />
perspectives. When donors contribute to capital<br />
projects, their interests also weigh heavily into the<br />
decision-making process. These interests may not<br />
always support historic preservation objectives.<br />
Consideration regarding impacts to historic<br />
resources should always occur at the earliest stages<br />
of project planning. When historic resources are<br />
considered late in the design or in the permitting<br />
phase of a project it is more difficult, from a<br />
practical, economic <strong>and</strong> scheduling perspective,<br />
to integrate historic preservation measures <strong>and</strong><br />
mitigation. Also since the City of Bethlehem<br />
includes historic resources in the municipal review<br />
of proposed development projects <strong>and</strong> the Priscilla<br />
Payne Hurd Campus is in a local historic district, it<br />
is good project management practice to anticipate<br />
<strong>and</strong> address any concerns <strong>and</strong> issues the city may<br />
bring <strong>for</strong>ward in a development proposal.<br />
A case in point occurred during the preparation<br />
of this study. In 2008, during the construction of<br />
the new residence hall at the Hurd Campus, two<br />
nineteenth century root cellars were encountered<br />
during excavation <strong>for</strong> the foundation of the new<br />
building. Project work was halted to allow <strong>for</strong><br />
historical research <strong>and</strong> salvage archeology. A third<br />
cellar was also discovered, <strong>and</strong> although the three<br />
were documented, all were ultimately destroyed<br />
because they were located within the new building’s<br />
construction footprint. The three root cellars were<br />
directly associated with the centuries-long history<br />
of development <strong>and</strong> use of the l<strong>and</strong> by members of<br />
the <strong>Moravian</strong> Church. There were no alternatives<br />
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available <strong>for</strong> mitigation other than to quickly<br />
document the resource prior to its demolition.<br />
If, during the design phase of the project, regard<br />
was given to the possibility of archeological<br />
resources existing on campus, a survey would have<br />
been conducted without duress <strong>and</strong> mitigation<br />
alternatives explored. Instead, the result was<br />
additional un<strong>for</strong>eseen project costs <strong>for</strong> the college,<br />
time delays <strong>for</strong> the contractor, <strong>and</strong> inevitable<br />
destruction of a significant historic resource.<br />
Another important step to take in the<br />
implementation of this <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong> is<br />
to introduce <strong>and</strong> integrate comprehensive historic<br />
preservation st<strong>and</strong>ards <strong>and</strong> guidelines along with<br />
best management practices into the college’s existing<br />
maintenance program. With the <strong>for</strong>mal commitment<br />
expressed to devote significant resources towards<br />
the proper maintenance <strong>and</strong> upkeep of these highly<br />
valued facilities attention should now be given to<br />
identifying <strong>and</strong> prioritizing projects within the<br />
annual maintenance budget. It is not uncommon<br />
<strong>for</strong> maintenance programs <strong>and</strong> personnel at<br />
institutions to follow a reactive, rather than guide a<br />
proactive, approach. Maintenance work orders are<br />
typically complaint driven <strong>and</strong> quantity with cost<br />
suppression trumps quality. It just so happens that<br />
when decisions are made <strong>and</strong> work is per<strong>for</strong>med<br />
using this model that costs are often higher over<br />
the long-term because lower quality, lack of<br />
craftsmanship, <strong>and</strong> use of inappropriate materials<br />
results in the eventual un-doing of inappropriately<br />
per<strong>for</strong>med work <strong>and</strong> increased frequency of<br />
replacement. This begins with the recognition that<br />
when it comes to the maintenance <strong>and</strong> upkeep of<br />
historic buildings, “low bid” means trouble, “the<br />
way we’ve always done it” is not always the best<br />
way, <strong>and</strong> “maintenance-free” is a mere marketing<br />
ploy.<br />
10.1 Administrative<br />
<strong>and</strong> Management<br />
Recommendations<br />
The following sections focus on identifying<br />
recommendations <strong>and</strong> guidelines <strong>for</strong> administrative,<br />
management, <strong>and</strong> review procedures at <strong>Moravian</strong><br />
<strong>College</strong>. The recommendations are compiled under<br />
six headings:<br />
1) General Recommendations,<br />
2) Guidelines <strong>for</strong> Rehabilitation <strong>and</strong> Adaptive Use<br />
Projects,<br />
3) Guidelines <strong>for</strong> New Construction Projects,<br />
4) Recommendations <strong>for</strong> Energy Conservation &<br />
New Building Systems,<br />
5) Recommendations <strong>for</strong> Sustainable Design, <strong>and</strong><br />
6) Recommendations <strong>for</strong> Barrier-free Access.<br />
The General Recommendations section focuses on<br />
broad administrative <strong>and</strong> staffing guidelines to<br />
help ensure that <strong>Moravian</strong> <strong>College</strong> considers its<br />
historic resources in all stages of the decisionmaking<br />
process <strong>for</strong> projects which have the<br />
potential to impact the built environment of both<br />
campuses. These recommendations should be<br />
incorporated when undertaking any maintenance<br />
or new construction project.<br />
There are several key administrative <strong>and</strong><br />
management needs that are critical to <strong>Moravian</strong><br />
<strong>College</strong>’s success in fulfilling its stewardship<br />
responsibilities. The following recommendations<br />
focus on how to incorporate historic preservation<br />
sensitivity into the decision-making process <strong>and</strong><br />
steps to st<strong>and</strong>ardize <strong>and</strong> improve existing review<br />
policies <strong>and</strong> procedures.<br />
General Recommendations<br />
1. Hire a Historic <strong>Preservation</strong> Specialist<br />
<strong>Moravian</strong> <strong>College</strong> should retain the services<br />
of a historic preservation specialist to assist<br />
in making sensitive decisions about the<br />
stewardship of historic resources on campus.<br />
The historic preservation specialist may be<br />
a full or part-time employee, an individual<br />
consultant on retainer, or a full-service company<br />
providing a wide range of expertise under<br />
contract. The historic preservation specialist<br />
would work closely with maintenance staff<br />
<strong>and</strong> project managers to ensure that adequate<br />
consideration is given to projects that have<br />
the potential to impact historic resources.<br />
Such a specialist, if an individual, should<br />
have an educational background in historic<br />
preservation <strong>and</strong> practical experience in<br />
dealing with preservation issues. Augmenting<br />
the expertise of existing staff, this person<br />
should possess knowledge of historic materials<br />
conservation; the appropriate treatment of<br />
significant architectural features; <strong>and</strong> should<br />
be well acquainted with the Secretary of the<br />
Interior’s St<strong>and</strong>ards <strong>for</strong> the Treatment of Historic<br />
Properties—the nationally recognized <strong>and</strong><br />
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accepted best practice methods <strong>and</strong> procedures<br />
<strong>for</strong> historic preservation. Also, a familiarity<br />
with archeological resources <strong>and</strong> cultural<br />
l<strong>and</strong>scapes is highly desired. It is recommended<br />
that the historic preservation specialist be given<br />
the authority to oversee maintenance work<br />
<strong>and</strong> special projects associated with historic<br />
buildings, structures, <strong>and</strong> certain l<strong>and</strong>scape<br />
features. This individual should also be directly<br />
involved in the planning process <strong>for</strong> new<br />
construction projects to ensure preservation<br />
issues are appropriately <strong>and</strong> adequately<br />
addressed.<br />
2. Develop Criteria <strong>for</strong> Design Consultant<br />
Selection<br />
When choosing architectural, engineering,<br />
planning, or l<strong>and</strong>scape consultants, <strong>Moravian</strong><br />
<strong>College</strong> should ensure that select members of<br />
the design team have experience in historic<br />
preservation <strong>and</strong> working within a historical<br />
context. Developing design solutions that<br />
are sensitive to the historic character <strong>and</strong><br />
setting of both campuses is critical to future<br />
development. Since both campuses are also<br />
within a larger historical framework associated<br />
with the City of Bethlehem, all projects have<br />
the potential <strong>for</strong> historic preservation issues<br />
<strong>and</strong> concerns. Not only should the historic<br />
character <strong>and</strong> integrity of on-campus buildings<br />
<strong>and</strong> resources be considered, but the impact<br />
on adjacent neighborhoods <strong>and</strong> districts as<br />
well. An in-house review process is outlined in<br />
recommendation #4 below. Without experience<br />
in working in a historic setting, the project<br />
design team may inadvertently disregard<br />
important aspects of the project <strong>and</strong> its impacts<br />
on surrounding historic resources. The selection<br />
of experienced consultants, in conjunction with<br />
a defined review process spearheaded by the<br />
historic preservation specialist, will ensure<br />
that <strong>Moravian</strong> <strong>College</strong> continues to meet its<br />
stewardship goals.<br />
3. St<strong>and</strong>ardize Review Criteria<br />
A st<strong>and</strong>ardized set of specific historic<br />
preservation guidelines should be prepared to<br />
be used during the review process <strong>for</strong> major<br />
projects. The guidelines should be shared<br />
with all design professionals, contractors<br />
<strong>and</strong> construction managers responsible <strong>for</strong><br />
oversight <strong>and</strong> approval of work on campus.<br />
Criteria should address compatibility of the<br />
proposed project with surrounding buildings<br />
<strong>and</strong> uses <strong>and</strong> impacts on historic character <strong>and</strong><br />
significant architectural features. In addition,<br />
detailed design considerations are outlined<br />
in the treatment guidelines <strong>for</strong> architecture<br />
<strong>and</strong> l<strong>and</strong>scapes within this <strong>Preservation</strong> <strong>Master</strong><br />
<strong>Plan</strong>.<br />
New construction projects should be evaluated<br />
<strong>and</strong> considered against both the specific<br />
historic preservation guidelines <strong>and</strong> a series<br />
of st<strong>and</strong>ard questions related to project<br />
impacts. Ideally, projects that fail to meet an<br />
established resource preservation/sensitive<br />
treatment baseline would return to the<br />
drawing board until modifications are made<br />
<strong>and</strong> the baseline is reached. A baseline could<br />
be as simple as adopting the U.S. Secretary<br />
of the Interior’s St<strong>and</strong>ards <strong>for</strong> the Treatment<br />
of Historic Properties <strong>and</strong>/or any historic<br />
preservation design guidelines adopted by the<br />
City of Bethlehem used <strong>for</strong> review of proposed<br />
development projects.<br />
For all proposed construction projects on<br />
campus, the following issues <strong>and</strong> related<br />
questions should be addressed:<br />
A. Assess how the project will directly impact<br />
significant historic resources on campus.<br />
• Is a significant historic building the<br />
subject of the proposed project? If so,<br />
what significant architectural features<br />
are affected?<br />
• Are there significant l<strong>and</strong>scape<br />
features <strong>and</strong>/or archeological deposits<br />
identified in the immediate vicinity of<br />
the proposed project? If so, what are<br />
the features/deposits <strong>and</strong> how are they<br />
to be affected?<br />
• If no known archeological deposits are<br />
in the vicinity, what is the likelihood<br />
they might exist? If the likelihood is<br />
“high” an archeological assessment<br />
survey should be completed early on<br />
in project planning.<br />
B. Assess how the project will indirectly impact<br />
significant historic resources on campus.<br />
• Are there significant historic buildings<br />
adjacent to the proposed project? If so,<br />
how will the proposed project affect<br />
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use, access, traffic (pedestrian <strong>and</strong><br />
vehicular), <strong>and</strong> views of the significant<br />
historic buildings?<br />
• Are there significant l<strong>and</strong>scape features<br />
<strong>and</strong>/or archeological deposits within<br />
+/- 200 feet of the proposed project? If<br />
so, will any construction work related<br />
to the proposed project have an impact<br />
on these features/deposits? Take into<br />
consideration such things as utility<br />
lines, service equipment, temporary<br />
traffic detours, <strong>and</strong> construction<br />
staging areas.<br />
C. Ensure that damage or loss of historic resources<br />
is minimized.<br />
• For proposed projects where an impact<br />
on significant historic resources has<br />
been identified, what procedures,<br />
ef<strong>for</strong>ts <strong>and</strong>/or design alternatives could<br />
be considered to minimize the loss?<br />
New projects should be re-designed<br />
if they will substantially damage<br />
or destroy an irreplaceable historic<br />
resource.<br />
D. Evaluate the finished product.<br />
• Once construction is complete, new<br />
projects should be assessed to identify<br />
any areas where improvements could<br />
be made when considering future<br />
projects.<br />
4. Formalize Internal Review Procedures<br />
Internal review procedures at <strong>Moravian</strong> <strong>College</strong><br />
need to be <strong>for</strong>malized to ensure consistency from<br />
project-to-project. A designated committee,<br />
including the historic preservation specialist<br />
<strong>and</strong> representatives from the maintenance<br />
<strong>and</strong> facilities staff, should be <strong>for</strong>med. The<br />
committee should meet on a regular basis<br />
to review proposed, active <strong>and</strong> recently<br />
completed projects. The following procedures<br />
are offered as a way to facilitate <strong>and</strong> implement<br />
this review process. Additional staff <strong>and</strong> design<br />
consultants may attend on an as-needed basis<br />
in association with larger projects, <strong>and</strong> safety<br />
or technical issues that should be coordinated<br />
with historic preservation goals <strong>and</strong> objectives.<br />
(Specific review procedures <strong>for</strong> maintenance<br />
projects are identified under the Guidelines <strong>for</strong><br />
Maintenance Projects section in this chapter.)<br />
Preferably be<strong>for</strong>e a design consultant team<br />
is hired, the review committee would be<br />
notified of an issue, need or idea that directly<br />
or indirectly involves a significant historic<br />
resource. The in<strong>for</strong>mation should be presented<br />
to the committee by the respective dean,<br />
department head or manager. A SWOT analysis<br />
(strengths, weaknesses, opportunities, threats)<br />
is completed <strong>for</strong> the proposed project <strong>and</strong><br />
affected resources. If possible, alternatives are<br />
considered with project goals <strong>and</strong> preservation<br />
guidelines discussed in a team setting. When<br />
a preferred alternative or solution is reached,<br />
a written summary outlining conceptual<br />
in<strong>for</strong>mation about the project <strong>and</strong> possible<br />
impact on resources should be compiled. This<br />
in<strong>for</strong>mation would then be provided to the<br />
prospective design consultant team under<br />
contract or as part of the Request <strong>for</strong> Proposals<br />
(RFP) process. If the direct <strong>and</strong> indirect impacts<br />
of the project on significant historic resources are<br />
minor or non-existent than no Determination<br />
of Need document would be produced.<br />
5. Develop a Work Schedule <strong>and</strong><br />
Detailed Condition Assessments<br />
Building on the Existing Conditions<br />
assessments in Chapter 8 developed as part of<br />
the <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>, <strong>Moravian</strong> <strong>College</strong><br />
should continue to maintain records <strong>for</strong> each<br />
building on campus regarding conditions,<br />
potential problems, short-term <strong>and</strong> long-term<br />
maintenance needs. The detailed conditions<br />
assessment should be updated each time work<br />
is completed on a historic building or l<strong>and</strong>scape<br />
resource.<br />
The detailed conditions assessment will<br />
provide a framework <strong>for</strong> the college in the<br />
development of a prioritized work schedule<br />
<strong>and</strong> budget <strong>for</strong> all historic buildings <strong>and</strong><br />
l<strong>and</strong>scape resources. The prioritized work<br />
schedule <strong>and</strong> budget <strong>for</strong> short <strong>and</strong> long-term<br />
projects should be developed as quickly as<br />
possible, as routine maintenance projects are<br />
one of the most significant problems plaguing<br />
historic buildings on campus. The prioritized<br />
work schedule <strong>and</strong> budget is necessary to<br />
ensure that issues are not deferred until they<br />
become major structural problems.<br />
Funding needed <strong>for</strong> the maintenance of historic<br />
buildings <strong>and</strong> l<strong>and</strong>scapes should be identified<br />
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annually <strong>and</strong> incorporated into relevant<br />
budgets. Maintenance needs should not be put<br />
on hold in lieu of new construction projects.<br />
A prioritized work program <strong>and</strong> associated<br />
budget will ensure that necessary maintenance<br />
projects, both short- <strong>and</strong> long-term, are<br />
incorporated into the capital improvements<br />
program.<br />
6. Maintain a <strong>Preservation</strong> Technical<br />
Library<br />
A library of literature relevant to preservation<br />
treatments <strong>and</strong> techniques should be created<br />
that is accessible to maintenance <strong>and</strong> operations<br />
staff.<br />
7. Train Maintenance Personnel<br />
All staff at <strong>Moravian</strong> <strong>College</strong> who are<br />
responsible <strong>for</strong> the maintenance of historic<br />
academic <strong>and</strong> residential buildings should be<br />
trained to identify maintenance problems <strong>and</strong><br />
treatments that are specific to historic resources.<br />
Grounds staff should be familiar with the<br />
unique l<strong>and</strong>scape needs of each character<br />
area <strong>and</strong> be encouraged to develop areas of<br />
expertise. All maintenance staff should be<br />
familiar with the preservation guidelines <strong>and</strong><br />
recommendations <strong>for</strong> buildings, l<strong>and</strong>scapes,<br />
<strong>and</strong> new construction as defined in this<br />
<strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong>. The plan should be<br />
distributed to all maintenance personnel so they<br />
can become familiar with the purpose, existing<br />
conditions, issues, <strong>and</strong> recommendations <strong>for</strong><br />
the campus’s historic resources. Also, a set<br />
of the National Park Service’s <strong>Preservation</strong><br />
Briefs series should be acquired <strong>and</strong> used. A<br />
training program should be developed to assist<br />
facilities staff in identifying potential problems<br />
<strong>and</strong> appropriate treatments. Training should<br />
be held on a regular basis to ensure that staff<br />
is up-to-date on procedures <strong>and</strong> maintenancerelated<br />
issues.<br />
8. Defi ne Maintenance Protocols <strong>for</strong><br />
Building Tenants<br />
<strong>Preservation</strong> protocols should be established<br />
<strong>for</strong> tenants of historic buildings to ensure that<br />
individual users do not make modifications to<br />
buildings that would adversely impact their<br />
historic integrity. Parameters <strong>for</strong> allowable<br />
alterations, best maintenance practices, <strong>and</strong><br />
practices to avoid should be clearly identified<br />
<strong>and</strong> distributed to all maintenance staff <strong>and</strong><br />
building tenants. This is particularly important<br />
<strong>for</strong> preserving remaining historic interiors, as<br />
interior modifications are more likely to be<br />
conducted by individual building tenants.<br />
Guidelines <strong>for</strong> New Construction<br />
It is understood that <strong>Moravian</strong> <strong>College</strong> will continue<br />
to construct new buildings on its campuses to<br />
accommodate future growth <strong>and</strong> change. The<br />
pending campus master plan will identify possible<br />
locations <strong>for</strong> new construction <strong>and</strong> will be the<br />
guiding document <strong>for</strong> growth. This preservation<br />
plan is intended to be complementary to the<br />
proposed master plan.<br />
The character of institutional l<strong>and</strong>scapes relies<br />
heavily on the visual continuity established by the<br />
repetition of similarly-designed façades. Exterior<br />
additions to existing buildings <strong>and</strong> new construction<br />
can both play important roles in contributing to<br />
that rhythm. The key is to position <strong>and</strong> design<br />
new construction so that it enhances rather than<br />
detracts from a campus’ historic buildings. Newly<br />
constructed buildings should be designed to reflect<br />
the height, scale, massing, setbacks, <strong>and</strong> directional<br />
emphasis established by surrounding structures. It<br />
is also important <strong>for</strong> new buildings to contribute to<br />
the pedestrian-oriented character of the campus.<br />
Contemporary Design – New buildings <strong>and</strong><br />
additions that are constructed in a historic context<br />
should have a contemporary design that is respectful<br />
of surrounding historic buildings. Historic<br />
elements <strong>and</strong> imagery should be avoided in new<br />
construction because false historicism diminishes<br />
the historic integrity of the campus <strong>and</strong> confuses<br />
the underst<strong>and</strong>ing of what is old <strong>and</strong> what is new.<br />
Each building should speak of its own time.<br />
Design <strong>for</strong> Compatibility – New construction<br />
should be visually sympathetic to the character<br />
of surrounding buildings <strong>and</strong> should preserve<br />
important views <strong>and</strong> vistas. Materials, massing, <strong>and</strong><br />
<strong>for</strong>m are the most critical elements to respond to<br />
in the creation of good design. In order to increase<br />
the potential <strong>for</strong> good design, an architectural<br />
firm noteworthy <strong>for</strong> its design <strong>and</strong> demonstrated<br />
experience working with historic buildings should<br />
be selected. Flexibility is required to achieve good<br />
design in a historic context. Careful thought,<br />
sensibility, <strong>and</strong> quality are the most vital skills with<br />
which to work when designing <strong>for</strong> compatibility.<br />
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Materials – In planning <strong>for</strong> new construction,<br />
materials should be selected that are sympathetic to<br />
surrounding historic building fabrics. Using similar<br />
materials in complementary colors, sizes, textures,<br />
scales, <strong>and</strong> craftsmanship is the easiest way to create<br />
new designs that are visually compatible with the<br />
existing historic context.<br />
Mass – New buildings should be designed to<br />
complement the apparent mass (bulk; lightness<br />
or heaviness) of surrounding historic buildings.<br />
A building’s sense of massing is influenced by the<br />
materials used in the façade <strong>and</strong> by the proportion<br />
of solid surfaces (walls) to voids (window <strong>and</strong> door<br />
openings). Having a proper sense of massing is<br />
particularly important in new construction because<br />
many contemporary materials make it easy to<br />
create a weightless appearance that lacks historical<br />
precedent.<br />
Form – New buildings should have similar <strong>for</strong>m<br />
or shape as those of existing adjacent buildings.<br />
Consider the number of stories, the roof profile, <strong>and</strong><br />
the building footprint in comparison to its historic<br />
surroundings. Imposing, towering buildings or<br />
very low, irregular <strong>for</strong>ms with flat roofs may be<br />
inappropriate.<br />
Size, Rhythm, <strong>and</strong> Proportions – Design of new<br />
construction should be compatible with the average<br />
height <strong>and</strong> width of surrounding buildings. The<br />
rhythm of the façade should reflect the visual<br />
rhythm of existing buildings on the campus. Any<br />
large new buildings should be designed in visually<br />
distinct sections or bays that approximate the<br />
average width of <strong>Moravian</strong>’s historic buildings.<br />
These sections can be defined using vertical<br />
elements such as piers, slight setbacks, doors,<br />
windows, <strong>and</strong> pilasters. Window <strong>and</strong> door<br />
openings should generally be similar in size <strong>and</strong><br />
proportion to their historic counterparts, as should<br />
the proportion of window to wall space. Important<br />
character-defining façade elements include cornice<br />
lines, pilasters, <strong>and</strong> porches. Any new secondary<br />
structures should be designed to complement the<br />
scale, roof <strong>for</strong>m, setback, <strong>and</strong> materials of nearby<br />
secondary structures.<br />
Additions to Existing Buildings<br />
As needs change, some buildings must be adapted<br />
to accommodate new uses. Few buildings escape<br />
some degree of alteration over time. Additions to<br />
existing historic buildings can have a strong effect<br />
on the character of the buildings they serve as well<br />
as on the character of the historic l<strong>and</strong>scape in which<br />
they are located. When constructing additions,<br />
the design characteristics of the existing building<br />
should be taken into account, but not copied.<br />
Additions should be compatible, but should clearly<br />
read as additions.<br />
Follow the guidelines <strong>for</strong> new construction<br />
outlined above <strong>and</strong> keep in mind the following<br />
considerations:<br />
Demolition <strong>and</strong> Removals – Demolition <strong>and</strong><br />
removals should be kept to a minimum in a<br />
project involving historic buildings. Removals<br />
should be limited to secondary areas <strong>and</strong><br />
elements where the removals cannot be avoided.<br />
Any required demolition necessary <strong>for</strong> a project<br />
should be carefully planned to minimize impacts<br />
on historic features, materials, floor plans, <strong>and</strong><br />
spatial characteristics. Historic features, elements,<br />
materials, <strong>and</strong> designs that will be impacted by a<br />
project should be thoroughly documented with<br />
photographs <strong>and</strong> measured drawings prior to their<br />
removal.<br />
Alignment <strong>and</strong> Orientation – When constructing<br />
an addition, respect the orientation of the existing<br />
building’s primary façade. In general, it is preferable<br />
not to use an addition to turn a secondary façade<br />
into a primary one. However, if a new primary<br />
entrance is designed into an addition, the original<br />
historic entrance should be retained <strong>and</strong> preserved.<br />
Align the key elements of new additions with their<br />
counterparts on the main building, such as the plane<br />
of the front façade, roofline, cornice height, pattern<br />
of masonry courses, or the width of existing wood<br />
siding. The floor heights of an addition should<br />
not exceed the floor heights of the main building,<br />
<strong>and</strong> the difference between new <strong>and</strong> existing floor<br />
heights should not vary by more than ten percent.<br />
Placement – In general, new additions should<br />
attach to secondary façades <strong>and</strong> be placed to the<br />
side or rear of the historic building. A clear change<br />
should occur at the point of attachment, preferably<br />
a change in setback, differentiating the addition<br />
<strong>and</strong> preserving the <strong>for</strong>m of the original building.<br />
Do not simply continue the plane of an historic<br />
façade. Attach new additions to the main building<br />
in a way that protects the building’s characterdefining<br />
features. The placement of an addition<br />
should not obscure or destroy the existing building<br />
<strong>for</strong>m, principal entrance, or any other key feature,<br />
especially of the primary façade.<br />
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Guidelines <strong>for</strong> Rehabilitation <strong>and</strong><br />
Adaptive Use<br />
The Secretary of the Interior’s St<strong>and</strong>ards <strong>for</strong><br />
Rehabilitation, upon which the recommendations<br />
within this preservation plan are based, were<br />
created specifically to assist in the rehabilitation<br />
<strong>and</strong> adaptive use of historic buildings. These<br />
St<strong>and</strong>ards are an important guide in good decisionmaking<br />
regarding rehabilitation <strong>and</strong> adaptive use.<br />
The St<strong>and</strong>ards encourage the study of a historic<br />
building to determine the following:<br />
Historical Development – The building should<br />
be examined to determine how it has changed<br />
over time <strong>and</strong> which components, additions,<br />
architectural features <strong>and</strong> materials are significant<br />
<strong>and</strong> associated with periods of change.<br />
Period of Significance – Based upon the building’s<br />
historical development, a period of historical<br />
significance can be established. This range of years<br />
should include substantial building additions<br />
<strong>and</strong> modifications. As a general rule, changes<br />
to a building within the past fifty years are not<br />
considered historically significant.<br />
Significant Features – Specific character-defining<br />
features, configurations, <strong>and</strong> materials that relate<br />
to the building’s period of significance should be<br />
inventoried. In general, entrances, public spaces,<br />
<strong>and</strong> circulation spaces should receive the highest<br />
level of preservation treatment.<br />
Appropriate Use – The proposed new use <strong>for</strong> an<br />
historic building should be appropriate to the<br />
character of the building as it relates to the retention<br />
of character-defining features. Inappropriate uses<br />
that require the reconfiguration, disfigurement,<br />
removal, or destruction of character-defining<br />
features should be discouraged. For significant<br />
features, the program, design, <strong>and</strong> layout <strong>for</strong> a<br />
permitted use should adapt to the preservation<br />
requirements of the building, not vice versa.<br />
Appropriate uses <strong>and</strong> levels of change may be<br />
identified <strong>for</strong> each treatment level identified in a<br />
building.<br />
Retain Historic Building Fabric – Retain existing<br />
historic building fabric <strong>and</strong> architectural details<br />
whenever possible. The removal or alteration<br />
of historic building fabric <strong>and</strong> architectural<br />
detailsseverely diminishes the integrity <strong>and</strong><br />
aesthetics of historic façades <strong>and</strong> interiors, especially<br />
those that date from the nineteenth or eighteenth<br />
century.<br />
Replacement In Kind – When deteriorated historic<br />
building fabric cannot be retained, the deteriorated<br />
materials should be replaced in kind. Historic<br />
materials are generally preferred over contemporary<br />
synthetic ones because they reflect authenticity<br />
from the past <strong>and</strong> their long-term per<strong>for</strong>mance is<br />
fully understood.<br />
Damaged or Missing Features – If adequate<br />
physical <strong>and</strong> documentary evidence is available,<br />
highly deteriorated or missing historic architectural<br />
details may be reproduced. If adequate evidence is<br />
unavailable, missing features should be replaced<br />
with contemporary elements that are physically<br />
<strong>and</strong> visually compatible with the building <strong>and</strong> the<br />
l<strong>and</strong>scape. It is especially important to underst<strong>and</strong><br />
the physical properties of the materials that are being<br />
used. For example, some metals corrode when they<br />
are placed in contact with one another. Size, scale,<br />
material, <strong>and</strong> color should also be considered.<br />
Synthetic Materials – When natural, historic<br />
materials are unavailable or prohibitively expensive,<br />
the use of synthetic materials may be appropriate.<br />
Today, many synthetic materials are designed to<br />
closely match the appearance <strong>and</strong> characteristics<br />
of natural materials. These materials should be<br />
researched extensively <strong>and</strong> chosen carefully,<br />
however, because their weathering characteristics<br />
<strong>and</strong> longevity may not be known.<br />
False Historicism – Do not construct new features<br />
that attempt to appear historic but are not based<br />
upon actual documentation because it confuses<br />
the underst<strong>and</strong>ing of authentic historic buildings<br />
<strong>and</strong> diminishes the actual legacy of the past. For<br />
example, it is inappropriate to copy the features<br />
of another existing historic building <strong>for</strong> use in<br />
the rehabilitation of a building that lacks such<br />
features even if it is thought that the building<br />
might have had something similar at some time.<br />
Avoid speculation <strong>and</strong> conjecture as to what a<br />
building or feature might have looked like. It is<br />
especially inappropriate to create a feature that<br />
appears to predate the actual date of construction<br />
of a building, such as introducing a Federal-style<br />
detail on a Victorian-era building. Authenticity <strong>and</strong><br />
the preservation of real historic fabric are primary<br />
goals in the rehabilitation of historic buildings.<br />
Doorways <strong>and</strong> Entrances – Preserve the existing<br />
doorways <strong>and</strong> entrances to a building undergoing<br />
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rehabilitation or adaptive use. Preserve <strong>and</strong><br />
retain existing historic materials <strong>and</strong> hardware.<br />
The primary entrance to the building should be<br />
maintained other historic entrances <strong>and</strong> door<br />
openings should not be removed or infilled.<br />
Windows – Retain <strong>and</strong> repair existing historic<br />
windows <strong>and</strong> window detailing. Where windows<br />
are deteriorated beyond the ability to reasonably<br />
repair them, replace the windows in-kind using<br />
matching materials, configurations, <strong>and</strong> detailing.<br />
Weatherstripping <strong>and</strong> storm windows should<br />
be added to existing windows when compatibly<br />
designed <strong>and</strong> installed. Insulated glass may be<br />
used in replacement windows. Do not remove or<br />
infill historic window openings from the exterior.<br />
Historic Interiors<br />
Most of the historic buildings at <strong>Moravian</strong> have<br />
had substantial interior changes over the years.<br />
The extent of these interior changes range from<br />
complete renovation <strong>and</strong> adaptive use where<br />
entire interiors are lost (such as at Monocacy Hall),<br />
to careful rehabilitation projects where historic<br />
fabric is preserved while needed interior changes<br />
are implemented (such as at the Single Brethren’s<br />
House). Changes such as these may be considered<br />
historically significant as part of the evolution of<br />
the buildings <strong>and</strong> should be treated with care.<br />
Additional changes in these buildings have occurred<br />
as well, <strong>and</strong> future changes are anticipated, such<br />
as the installation of new mechanical systems <strong>and</strong><br />
universal access features. These future changes<br />
should be implemented in accordance with the<br />
recommendations <strong>and</strong> processes outlined in this<br />
preservation plan.<br />
Assessing a Potential New Use – Adaptive reuse<br />
projects usually require some degree of new<br />
interior construction. In considering a potential<br />
new use <strong>for</strong> a building, careful planning <strong>and</strong><br />
evaluation should first determine if the proposed<br />
use is appropriate to the building <strong>and</strong> whether the<br />
degree of change necessary to accommodate the<br />
use can be accomplished without significant impact<br />
to the building’s historic character <strong>and</strong> significance.<br />
Some historic buildings cannot accept dramatically<br />
different new uses.<br />
<strong>Plan</strong>ning <strong>and</strong> Design – Proposed interior<br />
construction work should con<strong>for</strong>m to the same<br />
principles <strong>and</strong> processes as that <strong>for</strong> exterior work<br />
on historic buildings. It is recommended that a<br />
historic preservation professional be included in<br />
projects involving the college’s historic buildings.<br />
In planning <strong>for</strong> interior work it is usually helpful<br />
to divide the historic interior into a hierarchy<br />
of zones of sensitivity. Principal spaces, such as<br />
entrance halls <strong>and</strong> parlors in a residence, might be<br />
considered zones of high sensitivity where little or<br />
no change should occur. Secondary spaces, such<br />
as work areas, dressing rooms, closets, basements,<br />
<strong>and</strong> attics in a residence might be more appropriate<br />
<strong>for</strong> change. New work should generally be confined<br />
to secondary or non-significant spaces <strong>and</strong> areas to<br />
minimize its impact on the historic building.<br />
The historically significant elements of each interior<br />
space should be identified. Historically significant<br />
elements include large-scale elements such as<br />
the overall spatial flow, room plans <strong>and</strong> layouts,<br />
circulation patterns <strong>and</strong> interior volumes. They also<br />
include the more obvious elements such as building<br />
features (windows, doors, stairways, fireplaces,<br />
trims, etc.) <strong>and</strong> materials (plaster, wood, tile, etc.).<br />
Each historic space <strong>and</strong> element should be assessed<br />
<strong>for</strong> the degree of change it can sustain with the goal<br />
of preserving as much historic character <strong>and</strong> fabric<br />
as possible.<br />
New Interior Construction – New interior<br />
construction work should be compatible with<br />
the existing historic character, but should be<br />
distinguishable from it. As discussed above under<br />
new construction <strong>and</strong> additions to historic buildings,<br />
exact duplication of historic materials <strong>and</strong> elements<br />
should be discouraged to avoid confusion between<br />
what is authentically historic <strong>and</strong> what is new.<br />
Where new walls or other partitions are planned,<br />
<strong>for</strong> example, an appropriate approach might be to<br />
use new trim <strong>and</strong> woodwork similar to the historic<br />
woodwork in scale, material, <strong>and</strong> general character,<br />
but different in profile <strong>and</strong> detail. The challenge is<br />
ensuring that the new interior construction work<br />
is compatible without being a copy of the historic<br />
building. While it should be clear to the casual<br />
observer that the work is new <strong>and</strong> not historic, the<br />
design <strong>and</strong> materials should respect <strong>and</strong> reflect the<br />
original building.<br />
Recommendations <strong>for</strong> Energy<br />
Conservation <strong>and</strong> New Building<br />
Systems<br />
Among the most difficult design challenges<br />
relative to historic buildings is the accommodation<br />
of new mechanical <strong>and</strong> electrical systems. This is<br />
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particularly true of <strong>Moravian</strong> <strong>College</strong>, where a<br />
number of principal historic buildings, are in need of<br />
new or upgraded systems. In general, new systems<br />
can take up a large amount of space <strong>and</strong> can cause<br />
substantial destruction when they are installed.<br />
Sometimes, the most appropriate approach is to<br />
simply <strong>and</strong> discreetly allow the system to be seen,<br />
with the least possible amount of damage to historic<br />
materials <strong>and</strong> penetration of historic fabric.<br />
Heating, Ventilation <strong>and</strong> Air Conditioning<br />
Systems<br />
The introduction of new heating, ventilation <strong>and</strong><br />
air conditioning systems into historic buildings<br />
should be h<strong>and</strong>led carefully so that it has the least<br />
possible impact on historic character <strong>and</strong> building<br />
fabric. In significant historic spaces, systems should<br />
be concealed if at all possible. This concealment can<br />
sometimes be accomplished by locating equipment<br />
<strong>and</strong> ductwork in basements or attics <strong>and</strong> feeding<br />
the rooms from below or above. Another acceptable<br />
approach is to locate ductwork in soffits running<br />
along the walls <strong>and</strong> ceilings of secondary spaces<br />
<strong>and</strong> feeding into primary spaces. The least desirable<br />
solution is the installation of new suspended<br />
ceilings. A mechanical engineer with experience<br />
<strong>and</strong> sensitivity in installing HVAC systems in<br />
historic buildings is a worthwhile investment.<br />
If separate from heating, air conditioning systems<br />
can be building-wide systems or individual room<br />
systems. In a building-wide system, a single<br />
condenser provides coolant to several zoned air<br />
h<strong>and</strong>lers. Cool air is then distributed through<br />
ductwork. How the ductwork is run <strong>and</strong> concealed<br />
will be different building-by-building. In an<br />
individual room approach, residential type cooling<br />
units are exposed <strong>and</strong> wall- or ceiling-mounted in<br />
each room, with individual controls <strong>and</strong> individual<br />
coolant lines to ganged condensing units.<br />
Through-wall HVAC units are not appropriate<br />
<strong>for</strong> use on historic buildings because they require<br />
the removal of historic fabric <strong>and</strong> because they<br />
are highly visible on the exterior. Considerable<br />
care should be taken in locating equipment <strong>and</strong><br />
lines when installing systems with a centralized<br />
chiller serving a large building or more than one<br />
building.<br />
Electrical <strong>and</strong> Plumbing Systems<br />
Any new necessary electrical or plumbing work<br />
should also be planned to have the least possible<br />
impact. Existing chases, channels, <strong>and</strong> closets can<br />
sometimes provide opportunities to conceal new<br />
work. New systems should be consolidated if<br />
possible, keeping the impact localized <strong>and</strong> minimal.<br />
It is sometimes most appropriate to incorporate new<br />
electrical, telephone, <strong>and</strong> computer distribution<br />
lines into a common metal raceway exposed<br />
<strong>and</strong> surface mounted low on the wall above the<br />
baseboards. While visible, such an approach allows<br />
<strong>for</strong> easy access <strong>and</strong> change, <strong>and</strong> is fully reversible.<br />
New soffits <strong>for</strong> the distribution of electrical <strong>and</strong><br />
plumbing systems are most appropriate when<br />
located in secondary areas with little impact on<br />
significant material <strong>and</strong> spaces.<br />
Weatherization<br />
Most historic renovation projects include some <strong>for</strong>ms<br />
of weatherization to make buildings weathertight<br />
<strong>and</strong> to help conserve energy. The goal of appropriate<br />
weatherization measures is to increase the thermal<br />
efficiency of the overall building envelope with<br />
minimal impact on historic fabric. Weatherization<br />
treatments have the potential to obscure, alter or<br />
destroy historic features, but careful planning can<br />
mean retention of character-defining features <strong>and</strong><br />
added savings. The wholesale removal of historic<br />
windows in a building as a weatherization measure<br />
should be avoided<br />
Energy Conservation<br />
Good design is directly related to energy<br />
conservation. Sustainable or Green Building Design<br />
as a <strong>for</strong>mal programmatic initiative is discussed<br />
in the next section of this chapter. The buildings<br />
at <strong>Moravian</strong> were constructed with solid, durable<br />
materials that have withstood the test of time. A<br />
building’s systems <strong>and</strong> infrastructure, however, do<br />
not always meet current goals <strong>for</strong> energy efficiency.<br />
Future renovations offer opportunities <strong>for</strong><br />
improving energy efficiency <strong>and</strong> com<strong>for</strong>t as well as<br />
<strong>for</strong> sustainable design. Other general design issues<br />
related to any college buildings include:<br />
• Use natural systems to support design<br />
solutions <strong>and</strong> develop solutions that<br />
engender environmental stewardship,<br />
social responsibility, <strong>and</strong> economic<br />
viability.<br />
• Use plant materials, trees <strong>and</strong> l<strong>and</strong>scape<br />
features that per<strong>for</strong>m a passive solarenergy<br />
function such as sun-shading <strong>and</strong><br />
wind breaks.<br />
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• Evaluate af<strong>for</strong>dable solutions to address<br />
thermal loss around leaky window frames<br />
such as caulking, weatherstripping, <strong>and</strong><br />
storm windows be<strong>for</strong>e undertaking<br />
expensive window replacement, which<br />
is usually unnecessary <strong>and</strong> should be<br />
avoided.<br />
• Improve the energy efficiency of existing<br />
historic features through non-destructive<br />
means such as high-quality weatherstripping,<br />
caulking, double glazing, storm<br />
windows, <strong>and</strong> insulation of ductwork <strong>and</strong><br />
pipes to minimize heat loss.<br />
• Utilize the inherent energy-conserving<br />
features of windows <strong>and</strong> blinds, double<br />
vestibule entrances, <strong>and</strong> other techniques.<br />
• Consider <strong>and</strong> evaluate improvements <strong>and</strong><br />
upgrades in natural <strong>and</strong> artificial lighting,<br />
insulation, <strong>and</strong> building systems including<br />
energy-efficient lighting sources <strong>and</strong> light<br />
shelves, clerestories, <strong>and</strong> energy-efficient<br />
skylight elements that will maximize<br />
daylight.<br />
• Energy-efficient HVAC systems such as<br />
geothermal <strong>and</strong> ice storage should be<br />
evaluated.<br />
Building Insulation<br />
If insulation of wall surfaces is necessary, materials<br />
that provide the greatest R-value with the least<br />
impact should be used. In projects where plaster<br />
or sheetrock must be removed, it is possible to<br />
install rolled insulation. Where insulation must be<br />
installed, it is critical that the relationship between<br />
wall surfaces <strong>and</strong> historic wood work not be<br />
altered.<br />
The introduction of blown-in insulation into the<br />
wall cavities of historic frame buildings has the<br />
potential to cause short- <strong>and</strong> long-term damage<br />
to historic fabric. Heated air inside a building<br />
supports more moisture than cold, outside winter<br />
air. This warm air passes through un-insulated wall<br />
cavities <strong>and</strong> the moisture vapor then reaches dew<br />
point on the back side of exterior sheathing. Air<br />
movement within an un-insulated cavity causes<br />
this condensation to evaporate <strong>and</strong> helps prevent<br />
the rotting of wood.<br />
When wall cavities are insulated, moisture can<br />
become trapped within the insulation as it travels<br />
from interior to exterior. A vapor barrier on<br />
the inside warm side of the wall is necessary to<br />
prevent such moisture from getting into the wall.<br />
Without a vapor barrier or air movement within<br />
the wall cavity, moisture within the wall can cause<br />
insulation to become wet, which yields no insulation<br />
value <strong>and</strong> begins to rot framing members. Such<br />
long-term damage is unseen until it causes serious<br />
deterioration. For this reason, blown in insulation<br />
is never recommended <strong>for</strong> walls because of the lack<br />
of a vapor barrier. In buildings where aluminum<br />
or vinyl siding has been added the problem is<br />
exacerbated because the symptoms are hidden.<br />
To avoid moisture damage <strong>and</strong> insure maximum<br />
thermal efficiency, a proper vapor barrier must<br />
be provided on the warm side of all insulation<br />
materials, whether it is applied under flooring, in<br />
the attic or in the walls. The barrier prevents the<br />
passage of moisture through a wall <strong>and</strong> prevents<br />
its accumulation in the insulation. There are<br />
several ways to achieve a vapor barrier: foil facing<br />
material on fiberglass insulation; Kraft paper facing<br />
when it is backed with a bituminous or tar-like<br />
coating (the paper alone does not work as a vapor<br />
barrier); polyethylene sheeting placed between the<br />
insulation <strong>and</strong> new plaster or sheetrock; or “vapor<br />
barrier” paints or primers which provide a perm<br />
rating of 1.0 or less, applied to plaster or sheetrock<br />
surfaces.<br />
Recommendations <strong>for</strong> Sustainable<br />
Design<br />
Adaptive Use vs. Demolition<br />
All too often buildings are viewed as disposable<br />
or obsolete rather than a renewable resource.<br />
The National Trust <strong>for</strong> Historic <strong>Preservation</strong> has<br />
taken the position that “the greenest building is the<br />
one already built.” The organization supports this<br />
position with some eye-opening statistics:<br />
• It takes about 65 years <strong>for</strong> an energy efficient<br />
new building to equal the amount of energy lost<br />
in demolishing an existing building of the same<br />
size.<br />
• Building a 50,000 square foot commercial<br />
building requires the same amount of energy<br />
needed to drive a car 20,000 miles a year <strong>for</strong><br />
730 years.<br />
• By 2030 it is estimated that 82 billion square<br />
feet of current building stock in the United<br />
States will be demolished <strong>and</strong> replaced, 27% of<br />
total available indoor space in the nation.<br />
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• The energy needed to demolish <strong>and</strong> reconstruct<br />
82 billion square feet of building space would<br />
power the entire state of Cali<strong>for</strong>nia (36.5<br />
million people <strong>and</strong> the 10th largest economy<br />
in the world) <strong>for</strong> 10 years (National Trust <strong>for</strong><br />
Historic <strong>Preservation</strong> 2009).<br />
The long-term preservation of historic buildings<br />
is often dependent upon whether the buildings<br />
continue to have a vital, active role in campus life.<br />
As uses <strong>and</strong> the physical requirements needed<br />
to support uses change, buildings are in danger<br />
of becoming obsolete unless new uses can be<br />
found. The development of a new use <strong>for</strong> an<br />
existing building originally designed <strong>for</strong> a specific<br />
purpose is called adaptive use. Adaptive use is a<br />
fundamental strategy in preserving buildings in an<br />
historic community.<br />
Creative solutions <strong>and</strong> alternatives <strong>for</strong> adaptive use<br />
should be considered in the retrofit of any building<br />
on campus that can no longer serve its current use.<br />
Demolition of an existing campus building should<br />
be considered only as a last resort solution. The<br />
purchase of buildings adjacent to campus with the<br />
intent of demolition should also be minimized. Such<br />
activity also weakens bordering neighborhoods<br />
when the college should be looking to strengthen<br />
these transitional districts<br />
Green Building Design<br />
The United States Green Building Council (USGBC)<br />
defines Green Building Design as “design <strong>and</strong><br />
construction practices that significantly reduce or<br />
eliminate the negative impact of buildings on the<br />
environment <strong>and</strong> occupants [through] sustainable<br />
site planning, safeguarding water <strong>and</strong> water<br />
efficiency, energy efficiency <strong>and</strong> renewable energy,<br />
conservation of materials <strong>and</strong> resources [<strong>and</strong>]<br />
indoor environmental quality.” The USGBC has<br />
developed specific st<strong>and</strong>ards <strong>for</strong> new construction<br />
projects <strong>and</strong> major renovations of existing buildings<br />
along with general st<strong>and</strong>ards <strong>for</strong> neighborhoods.<br />
The mission of the USGBC is to trans<strong>for</strong>m the way<br />
buildings <strong>and</strong> communities are designed enabling<br />
social <strong>and</strong> environmental responsibility <strong>and</strong><br />
improving the quality of life. Construction projects<br />
that incorporate the principles of Green Building<br />
Design are anticipated to maintain value <strong>and</strong> meet<br />
environmental, health <strong>and</strong> safety measures over<br />
the long term. Green Building Design should be<br />
considered in new construction <strong>and</strong> the adaptive<br />
use of existing buildings. policy at the University<br />
might include a discussion of sustainable design<br />
practices <strong>and</strong> examine existing buildings as possible<br />
case studies.<br />
LEED – Leadership in Energy <strong>and</strong><br />
Environmental Design<br />
Aware of the growing need <strong>for</strong> national design <strong>and</strong><br />
construction guidelines, the USGBC developed<br />
LEED, the Leadership in Energy & Environmental<br />
Design rating system. The program’s purpose is<br />
to establish a common st<strong>and</strong>ard of measurement;<br />
promote comprehensive, integrated building design<br />
practices; recognize environmental leadership<br />
within the building industry; stimulate competition<br />
with sustainable construction; <strong>and</strong> raise consumer<br />
awareness as to the benefits of green buildings <strong>and</strong><br />
construction.<br />
LEED provides owners <strong>and</strong> designers with a<br />
point-based system <strong>for</strong> evaluating potential project<br />
per<strong>for</strong>mance <strong>and</strong> sustainability. Criteria address<br />
site development <strong>and</strong> transportation provisions;<br />
water efficiency in the building <strong>and</strong> l<strong>and</strong>scape;<br />
renewable energy use <strong>and</strong> ozone protection; waste<br />
management <strong>and</strong> materials selection; air quality,<br />
day lighting, <strong>and</strong> views; <strong>and</strong> systems maintenance.<br />
Successfully completed projects may be registered<br />
with USGBC <strong>and</strong> nominated <strong>for</strong> one of four levels<br />
of LEED Certification, which nationally recognizes<br />
exemplary projects.<br />
Since its inception, LEED st<strong>and</strong>ards have been<br />
customized <strong>and</strong> developed <strong>for</strong> special application<br />
to a number of different project types, including<br />
new construction (NC) <strong>and</strong> existing buildings (EB).<br />
LEED-NC guidelines apply to new construction<br />
<strong>and</strong> major renovations to existing buildings,<br />
covering all aspects of design implementation <strong>and</strong><br />
the construction process. The LEED-EB guidelines<br />
apply to buildings of two years’ age or more <strong>and</strong><br />
focus primarily on post-construction building<br />
system per<strong>for</strong>mance, upgrades, <strong>and</strong> maintenance,<br />
in addition to ecological site planning <strong>and</strong> general<br />
materials selection.<br />
LEED in Rehabilitating Historic Buildings<br />
Historic buildings are by their very nature<br />
excellent c<strong>and</strong>idates <strong>for</strong> Green Building Design<br />
projects when work is undertaken in accordance<br />
with The Secretary <strong>for</strong> the Interior’s St<strong>and</strong>ards.<br />
The preservation of existing historic fabric <strong>and</strong><br />
l<strong>and</strong>scapes; reuse of structural elements, building<br />
materials, <strong>and</strong> building envelopes; <strong>and</strong> adaptation<br />
of historic buildings to new uses are not only<br />
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key components of historic preservation but also<br />
characteristic of sustainable design.<br />
Building owners may go a step further by examining<br />
those portions of the building which are not vitally<br />
historic <strong>and</strong> may be upgraded to increase the<br />
long-term sustainability of the project. Specific<br />
project considerations recommended <strong>for</strong> existing<br />
buildings by the USGBC include the following:<br />
Sustainable Sites – Projects involving historic<br />
buildings are typically associated with a specific,<br />
permanent site which may or may not allow <strong>for</strong><br />
reasonably sustainable site design. However,<br />
exterior building cleaning, site maintenance, pest<br />
management, fertilizer application, <strong>and</strong> power<br />
equipment use can all be adapted to con<strong>for</strong>m to<br />
more environmentally-safe procedures. Installing<br />
appropriate plantings, managing stormwater,<br />
minimizing impervious surfaces, controlling<br />
development density, providing alternative<br />
methods of transportation, reducing heat isl<strong>and</strong>s<br />
<strong>and</strong> light pollution, <strong>and</strong> protecting natural<br />
habitats can also reduce detrimental effects to the<br />
surrounding environment <strong>and</strong> increase the “green<br />
value” of the project.<br />
Water Efficiency – Although increasing water<br />
efficiency may imply the removal of potentially<br />
historic fixtures <strong>and</strong> plumbing systems, appropriate<br />
installation of ultra high efficiency or dry fixtures<br />
<strong>and</strong> water flow controls are integral to creating a<br />
sustainable building. Adaptive use projects that call<br />
<strong>for</strong> the replacement of non-historic fixtures open<br />
the door to a potential sustainable design approach<br />
in the selection of new, more efficient fixtures.<br />
Furthermore, minimizing site irrigation <strong>and</strong><br />
implementing innovative, ecological wastewater<br />
treatment technologies can also increase a project’s<br />
water efficiency.<br />
Energy & Atmosphere – Energy modeling can<br />
prove to be an invaluable tool <strong>for</strong> ensuring that an<br />
existing building’s systems are running efficiently<br />
in accordance with energy code m<strong>and</strong>ates. A study<br />
of this type provides an early indication of what<br />
system components should be upgraded <strong>and</strong> to<br />
what extent, as well as aid in long-term monitoring<br />
of the system’s operation. Installation of energysaving<br />
retrofits <strong>and</strong> elements such as insulation,<br />
weather-stripping, <strong>and</strong> storm windows may<br />
improve the efficiency of an existing building over<br />
the long term. Special consideration should be given<br />
to the potential <strong>for</strong> implementation of renewable<br />
energy systems, such as solar or wind power.<br />
Maintenance staff should be thoroughly trained in<br />
the appropriate operation, monitoring, <strong>and</strong> repair<br />
of building systems to ensure better efficiency over<br />
the life of the building. Inappropriate retrofits <strong>and</strong><br />
complex new mechanical systems should not be<br />
installed at the risk of destroying or diminishing<br />
the historic character of the building. Any proposed<br />
additions or renovations to a historic building<br />
should con<strong>for</strong>m to the guidelines set <strong>for</strong>th in The<br />
Secretary <strong>for</strong> the Interior’s St<strong>and</strong>ards.<br />
Materials & Resources – The least invasive method<br />
<strong>for</strong> controlling materials waste is simply en<strong>for</strong>cing<br />
a waste reduction strategy <strong>for</strong> the building during<br />
<strong>and</strong> after construction, which should include<br />
guidelines <strong>for</strong> reducing, salvaging, recycling, or<br />
composting refuse <strong>and</strong> organic matter, to divert<br />
material from l<strong>and</strong>fills. When building materials<br />
must be replaced, require new materials meet any<br />
of the USGBC’s sustainability criteria, including the<br />
use of certified wood, products made of recycled<br />
content or rapidly renewable materials, or locally<br />
grown or manufactured products. Use only those<br />
cleaning products that con<strong>for</strong>m to the appropriate<br />
specified sustainability criteria.<br />
Indoor Environmental Quality – Adequately<br />
maintain outside air dampers <strong>and</strong> louvers <strong>and</strong><br />
monitor air flow regularly. Provide effective airflow<br />
paths <strong>and</strong> natural ventilation. Install CO2 monitors<br />
<strong>and</strong> increase the controllability of heating, cooling,<br />
<strong>and</strong> lighting systems. Prohibit smoking <strong>and</strong> use<br />
of materials or finishes that create a high level of<br />
off-gassing within the building or near building<br />
openings. Implement PCB <strong>and</strong> asbestos testing<br />
<strong>and</strong> management programs <strong>and</strong> maintain accurate,<br />
up-to-date records of remediation ef<strong>for</strong>ts. Utilize<br />
natural daylight <strong>and</strong> views to retain a visual<br />
connection between interior <strong>and</strong> exterior spaces.<br />
Few historic buildings allow <strong>for</strong> the total<br />
implementation of every sustainable design<br />
recommendation outlined above. Formal LEED<br />
Certification requires a minimum of these st<strong>and</strong>ards.<br />
However, all designers <strong>and</strong> building owners can<br />
choose to be good stewards of the environment<br />
<strong>and</strong> achieve sustainable design practices without<br />
pursuing <strong>for</strong>mal certification. The goal of the Green<br />
Building movement is to support a more holistic<br />
approach to building design <strong>and</strong> renovation, wherein<br />
long-term uses, environmental <strong>and</strong> community<br />
impacts, existing building systems, <strong>and</strong> potential<br />
increases in building efficiency are thoroughly<br />
analyzed prior to commencement of the work. Each<br />
project will have its own specific characteristics<br />
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that allow <strong>for</strong> more or less sustainable design to be<br />
implemented according to its historic significance,<br />
existing conditions, <strong>and</strong> historic integrity. All<br />
new work should be compatible with the existing<br />
historic conditions <strong>and</strong> guidelines outlined by The<br />
Secretary of the Interior’s St<strong>and</strong>ards.<br />
Additional in<strong>for</strong>mation about the USGBC <strong>and</strong><br />
LEED is available on their website at www.usgbc.<br />
org.<br />
Recommendations <strong>for</strong> Barrier-Free<br />
Access<br />
With the passage of the Americans with Disabilities<br />
Act of 1990 (ADA), basic levels of accessibility<br />
became a responsibility <strong>and</strong> obligation <strong>for</strong> all<br />
owners of properties open to <strong>and</strong> used by the public.<br />
ADA is a comprehensive civil rights legislation<br />
that applies to employment, telecommunication,<br />
public transportation, government, <strong>and</strong> privatecommercial<br />
property owners.<br />
Buildings existing prior to the passage of the Act are<br />
required to comply depending on their use. Existing<br />
buildings that provide public accommodations,<br />
such as lodging, food service, or public gathering<br />
spaces, are required to comply when it is “readily<br />
achievable” to do so. New construction <strong>and</strong><br />
alterations to existing buildings are required to<br />
comply at the time of construction work. St<strong>and</strong>ards<br />
<strong>for</strong> the design of accessible facilities are defined in<br />
the Americans with Disabilities Act Accessibility<br />
Guidelines (ADAAG), as well as in the American<br />
National St<strong>and</strong>ards Institute (ANSI) <strong>and</strong> the<br />
International Building Code (IBC).<br />
Section 4.1.7 of the ADAAG states that “qualified<br />
historic buildings” are allowed certain exemptions<br />
from the design st<strong>and</strong>ards relative to the<br />
protection of existing historic fabric. This section<br />
prevents undesirable modifications to historic<br />
building elements judged to have historical or<br />
architectural significance. Flexibility with respect<br />
to the preservation of historic building features<br />
has been integrated into recent building codes <strong>and</strong><br />
ADA st<strong>and</strong>ards. In cases where accessibility is not<br />
possible without degrading the historic character<br />
of a building, alternative solutions are considered<br />
acceptable <strong>and</strong> should be developed.<br />
destroying the historic character <strong>and</strong> significance of<br />
the structure. The historic character of the building<br />
must be considered <strong>and</strong> should not be sacrificed. In<br />
such cases, alternative accommodations, applying<br />
the principal of “equivalent facilitation”, should be<br />
implemented. The final treatment chosen <strong>for</strong> any<br />
specific building feature or space must be based on<br />
a number of factors including integrity, significance,<br />
physical condition, proposed use, m<strong>and</strong>ated code<br />
<strong>and</strong> accessibility requirements, management<br />
objectives, <strong>and</strong> operational issues. Designs should<br />
provide barrier-free access, promote independence<br />
<strong>for</strong> the disabled to the highest degree practicable,<br />
<strong>and</strong> preserve significant features, materials, <strong>and</strong><br />
finishes. ADA-related work should be consistent<br />
with The Secretary of the Interior’s St<strong>and</strong>ards.<br />
General design guidelines to follow include:<br />
• New construction should provide<br />
barrier-free access under the provisions of<br />
the American Disability Act (ADA).<br />
• When undertaking work required by<br />
life safety or accessibility codes, features<br />
should be designed to be functional, but as<br />
unobtrusive as possible.<br />
• Ramps should be located on secondary<br />
elevations whenever possible. The diagonal<br />
slope of the ramp should not interfere with<br />
the existing horizontal/vertical rhythm <strong>and</strong><br />
design of the façade or any elevation of the<br />
building.<br />
• When new stair towers or elevators are<br />
required to be installed on a historic<br />
building outside of the existing building<br />
footprint, the additions should comply<br />
with the guidelines outlined in this chapter<br />
<strong>for</strong> new construction projects.<br />
• Accessibility improvements should not<br />
be highly-visible design statements that<br />
overwhelm or detract from the existing<br />
building.<br />
• The best designs will provide barrier-free<br />
access that promotes independence <strong>for</strong><br />
disabled persons while also preserving<br />
significant features, materials, <strong>and</strong><br />
finishes.<br />
Acceptable ways of accommodating barrier-free<br />
access can almost always be found. However, full<br />
accessibility is sometimes not possible in a historic<br />
building or part of a building without potentially<br />
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<strong>College</strong> by John Milner Associates, Inc., West Chester, PA.<br />
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<strong>Moravian</strong> <strong>College</strong> (<strong>Moravian</strong> <strong>College</strong> RFP)<br />
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Myers, Richmond E.<br />
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National Heritage Corporation<br />
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Roberts, Daniel G., <strong>and</strong> Betty J. Cosans<br />
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Appendix A<br />
1968 HABS Documentation of the Single<br />
Brethren’s House<br />
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Appendix B<br />
National Park Service Technical Publications<br />
As part of its mission, the National Park Service (NPS) has prepared a series of technical publications<br />
on broad issues important <strong>for</strong> the preservation of historic buildings in the United States. It is strongly<br />
encouraged that maintenance staff, project managers, design consultants, contractors <strong>and</strong> vendors in any<br />
way affiliated with projects involving historic buildings at <strong>Moravian</strong> <strong>College</strong> familiarize themselves with<br />
<strong>and</strong> abide by the guidelines, procedures <strong>and</strong> practices outlined in these publications. The <strong>Preservation</strong> Briefs<br />
series covers a broad range of topics <strong>and</strong> is written <strong>for</strong> a general audience. The <strong>Preservation</strong> Tech Notes series<br />
is intended <strong>for</strong> design <strong>and</strong> conservation professionals <strong>and</strong> maintenance specialists, providing detailed<br />
technical in<strong>for</strong>mation on specific historic preservation issues <strong>and</strong> challenges. Much of this great wealth<br />
of knowledge is available <strong>for</strong> free, <strong>and</strong> can be found online through the Technical <strong>Preservation</strong> Services<br />
portion of the NPS website. These <strong>and</strong> other relevant hardcopy publications are also available <strong>for</strong> purchase<br />
through the Government Printing Office.<br />
<strong>Preservation</strong> Briefs<br />
The <strong>Preservation</strong> Briefs series currently totals 47 publications. Written by national experts <strong>and</strong> staff of the<br />
Technical <strong>Preservation</strong> Services section of NPS, the <strong>Preservation</strong> Briefs serve as an excellent resource <strong>for</strong><br />
historic building owners <strong>and</strong> developers. The body of work represents an introduction to a “best practices”<br />
approach <strong>for</strong> preservation treatments. Titles accompanied by descriptions <strong>for</strong> all issues published to date<br />
are provided below. More than half are topics relevant to the maintenance <strong>and</strong> preservation of historic<br />
buildings owned by <strong>Moravian</strong> <strong>College</strong>. The entire <strong>Preservation</strong> Briefs series is available <strong>for</strong> free online at<br />
. Hardcopy versions are available <strong>for</strong> a cost through<br />
the Government Printing Office. Printed editions may not be as up to date as the web-based versions, <strong>and</strong><br />
have black <strong>and</strong> white illustrations that may differ from online editions.<br />
<strong>Preservation</strong> Briefs #1-14 are sold only as a set, but are individually available <strong>for</strong> free online at the NPS<br />
website. The last hardcopy edition was printed in 1998. GPO stock number: 024-005-01026-2 ($18.00 per<br />
set).<br />
<strong>Preservation</strong> Brief 1<br />
Assessing Cleaning <strong>and</strong> Water-Repellent Treatments <strong>for</strong> Historic Masonry Buildings<br />
Robert C. Mack, FAIA, <strong>and</strong> Anne E. Grimmer. Surveys a variety of cleaning methods <strong>and</strong> materials <strong>and</strong><br />
provides guidance on selecting the most appropriate method <strong>and</strong> the gentlest means possible. Discusses<br />
water-repellent coatings <strong>and</strong> waterproof coatings together with the purpose of each, the suitability of their<br />
application to historic masonry buildings, <strong>and</strong> possible consequences of their inappropriate use. 16 pages.<br />
27 illustrations. 2000.<br />
<strong>Preservation</strong> Brief 2<br />
Repointing Mortar Joints in Historic Masonry Buildings<br />
Robert C. Mack, FAIA, <strong>and</strong> John P. Speweik. Provides general guidance on appropriate materials <strong>and</strong><br />
methods <strong>for</strong> repointing historic masonry buildings. This publication revises the 1980 edition of <strong>Preservation</strong><br />
Briefs 2: Repointing Mortar Joints in Historic Brick Buildings, <strong>and</strong> includes guidance <strong>for</strong> all types of historic<br />
masonry. 16 pages. 36 illustrations. 1998.<br />
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<strong>Preservation</strong> Brief 3<br />
Conserving Energy in Historic Buildings<br />
Baird M. Smith, AIA. Provides in<strong>for</strong>mation on materials <strong>and</strong> techniques to consider or avoid when<br />
undertaking weatherization <strong>and</strong> energy conservation measures in historic buildings. 8 pages. 8 illustrations.<br />
1978.<br />
<strong>Preservation</strong> Brief 4<br />
Roofing <strong>for</strong> Historic Buildings<br />
Sara M. Sweetser. Provides a brief historic overview of the most commonly used roofing materials in<br />
America. Presents a sound preservation approach to roof repair, roof replacement, <strong>and</strong> the use of alternative<br />
roofing materials. 8 pages. 1978.<br />
<strong>Preservation</strong> Brief 5<br />
The <strong>Preservation</strong> of Historic Adobe Buildings<br />
Provides in<strong>for</strong>mation on the traditional materials <strong>and</strong> construction of adobe buildings, <strong>and</strong> the causes<br />
of adobe deterioration. Makes recommendations <strong>for</strong> preserving historic adobe buildings. 8 pages. 15<br />
illustrations. 1978.<br />
<strong>Preservation</strong> Brief 6<br />
Dangers of Abrasive Cleaning to Historic Buildings<br />
Anne E. Grimmer. Cautions against the use of s<strong>and</strong>blasting to clean various buildings <strong>and</strong> suggests<br />
measures to mitigate the effects of improper cleaning. Explains the limited circumstances under which<br />
abrasive cleaning may be appropriate. 8 pages. 10 illustrations. 1979.<br />
<strong>Preservation</strong> Brief 7<br />
The <strong>Preservation</strong> of Historic Glazed Architectural Terra-Cotta<br />
de Teel Patterson Tiller. Discusses deterioration problems that commonly occur with terra-cotta <strong>and</strong> provides<br />
methods <strong>for</strong> determining the extent of such deterioration. Makes recommendations <strong>for</strong> maintenance <strong>and</strong><br />
repair, <strong>and</strong> suggests appropriate replacement materials. 8 pages. 11 illustrations. 1979.<br />
<strong>Preservation</strong> Brief 8<br />
Aluminum <strong>and</strong> Vinyl Siding on Historic Buildings: The Appropriateness of Substitute Materials <strong>for</strong> Resurfacing<br />
Historic Wood Frame Buildings<br />
John H. Myers, revised by Gary L. Hume. Discusses the appearance of various types of historic wood<br />
siding <strong>and</strong> makes recommendations <strong>for</strong> repair <strong>and</strong> replacement. Outlines the very limited instances under<br />
which substitute siding may be an acceptable alternative. 7 pages. 5 illustrations. Revised 1984.<br />
<strong>Preservation</strong> Brief 9<br />
The Repair of Historic Wooden Windows<br />
John H. Myers. Provides useful in<strong>for</strong>mation on evaluating <strong>and</strong> repairing historic wooden windows found<br />
in typical rehabilitation projects. Emphasizes practical methods <strong>for</strong> homeowners or developers. 8 pages. 10<br />
illustrations. 1981.<br />
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<strong>Preservation</strong> Brief 10<br />
Exterior Paint Problems on Historic Woodwork<br />
Kay D. Weeks <strong>and</strong> David W. Look, AIA. Identifies <strong>and</strong> describes common types of paint surface conditions<br />
<strong>and</strong> failures. Provides guidance on preparing historic woodwork <strong>for</strong> repainting, including limited <strong>and</strong> total<br />
paint removal. 12 pages. 14 illustrations. 1982.<br />
<strong>Preservation</strong> Brief 11<br />
Rehabilitating Historic Storefronts<br />
H. Ward J<strong>and</strong>l. Explores the role of the storefront in historic buildings <strong>and</strong> provides guidance on rehabilitation<br />
techniques <strong>for</strong> historic storefronts as well as compatible storefront designs. 12 pages. 12 illustrations. 1982.<br />
<strong>Preservation</strong> Brief 12<br />
The <strong>Preservation</strong> of Historic Pigmented Structural Glass (Vitrolite <strong>and</strong> Carrara Glass)<br />
Provides in<strong>for</strong>mation on the early manufacture, installation, <strong>and</strong> use of this decorative building product<br />
commonly found in twentieth century buildings; reasons <strong>for</strong> its damage; <strong>and</strong> a general approach <strong>for</strong> its<br />
maintenance, repair, <strong>and</strong> replacement. 8 pages. 16 illustrations. 1984.<br />
<strong>Preservation</strong> Brief 13<br />
The Repair <strong>and</strong> Thermal Upgrading of Historic Steel Windows<br />
Sharon C. Park, AIA. Presents brief historical background on the development, use, <strong>and</strong> styles of rolled<br />
steel windows popular in the first half of the twentieth century. Explains steps <strong>for</strong> cleaning <strong>and</strong> repairing<br />
damaged steel windows; also provides in<strong>for</strong>mation on appropriate methods of weatherstripping <strong>and</strong><br />
options <strong>for</strong> storm panels or the installation of thermal glass. 12 pages. 10 illustrations. 1984.<br />
<strong>Preservation</strong> Brief 14<br />
Exterior Additions to Historic Buildings: <strong>Preservation</strong> Concerns<br />
Kay D. Weeks. Uses a series of examples to suggest ways that attached additions can successfully serve<br />
contemporary uses as part of a rehabilitation project while preserving significant historic materials <strong>and</strong><br />
features <strong>and</strong> the building’s historic character. 12 pages. 30 illustrations. 1986.<br />
<strong>Preservation</strong> Briefs #15-23 are sold only as a set, but are individually available <strong>for</strong> free online at the NPS<br />
website. The last hardcopy edition was printed in 2007. GPO stock number: 024-005-01256-7 ($17.00 per<br />
set).<br />
<strong>Preservation</strong> Brief 15<br />
<strong>Preservation</strong> of Historic Concrete<br />
Paul Gaudette <strong>and</strong> Deborah Slaton. Discusses the characteristics of concrete <strong>and</strong> causes of deterioration.<br />
Includes in<strong>for</strong>mation on cleaning, maintenance, <strong>and</strong> repair, <strong>and</strong> on protective systems. 16 pages. 37<br />
illustrations. 2007.<br />
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<strong>Preservation</strong> Brief 16<br />
The Use of Substitute Materials on Historic Building Exteriors<br />
Sharon C. Park, AIA. Includes a discussion of when to use substitute materials, cautions regarding their<br />
expected per<strong>for</strong>mance, <strong>and</strong> descriptions of several substitute materials together with advantages <strong>and</strong><br />
disadvantages. Summary charts included. 16 pages. 34 illustrations. 1988.<br />
<strong>Preservation</strong> Brief 17<br />
Architectural Character - Identifying the Visual Aspects of Historic Buildings as an Aid to Preserving Their<br />
Character<br />
Lee H. Nelson, FAIA. Essential guidance to help property owners <strong>and</strong> architects identify those features of<br />
historic buildings that give the building its visual character so that their preservation can be maximized in<br />
rehabilitation. 12 pages. 27 illustrations. 1988.<br />
<strong>Preservation</strong> Brief 18<br />
Rehabilitating Interiors in Historic Buildings - Identifying Character-Defining Elements<br />
H. Ward J<strong>and</strong>l. Assists building owners in identifying significant interior spaces, features, <strong>and</strong> finishes so<br />
they may be preserved in rehabilitation work. The guidance applies to all building types <strong>and</strong> styles, from<br />
eighteenth century churches to twentieth century office buildings. 8 pages. 11 illustrations. 1988.<br />
<strong>Preservation</strong> Brief 19<br />
The Repair <strong>and</strong> Replacement of Historic Wooden Shingle Roofs<br />
Sharon C. Park, AIA. Discusses historic wooden roofing, expectations <strong>for</strong> longevity, <strong>and</strong> repair <strong>and</strong><br />
replacement options. Identifies roofing material that duplicates the appearance of a historic roof, offers<br />
guidance on proper installation, <strong>and</strong> provides in<strong>for</strong>mation on coatings <strong>and</strong> maintenance procedures to<br />
help preserve the roof. 12 pages. 16 illustrations. 1989.<br />
<strong>Preservation</strong> Brief 20<br />
The <strong>Preservation</strong> of Historic Barns<br />
Michael J. Auer. Identifies historic barn types, helps owners underst<strong>and</strong> the historic character of their barns,<br />
<strong>and</strong> offers advice on the maintenance, repair, <strong>and</strong> rehabilitation of old <strong>and</strong> historic barns. 12 pages. 30<br />
illustrations. 1989.<br />
<strong>Preservation</strong> Brief 21<br />
Repairing Historic Flat Plaster--Walls <strong>and</strong> Ceilings<br />
Marylee MacDonald. Guides building owners on repairing historic plaster using traditional materials (wet<br />
plaster) <strong>and</strong> techniques. Suggests replacement options if the historic plaster is severely deteriorated. Useful<br />
chart on various plaster bases <strong>and</strong> compatible basecoats <strong>and</strong> finish coats. 14 pages. 17 illustrations. 1989.<br />
<strong>Preservation</strong> Brief 22<br />
The <strong>Preservation</strong> <strong>and</strong> Repair of Historic Stucco<br />
Anne E. Grimmer. Describes the evolution of stucco as a popular building material, beginning with a brief<br />
history of how stucco is applied, <strong>and</strong> how its composition, texture, <strong>and</strong> surface patterns have changed.<br />
Includes guidelines <strong>for</strong> the historic property owner or manager on how to plan <strong>for</strong> <strong>and</strong> carry out repair of<br />
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historic stucco, with sample mixes <strong>for</strong> eighteenth, nineteenth, <strong>and</strong> twentieth century stucco types. 12 pages.<br />
33 illustrations. 1990.<br />
<strong>Preservation</strong> Brief 23<br />
Preserving Historic Ornamental Plaster<br />
David Flaharty. Discusses ornamental plaster production, explaining the processes of run-in-place <strong>and</strong><br />
cast ornamentation using three common decorative <strong>for</strong>ms as examples: the cornice, ceiling medallion, <strong>and</strong><br />
coffered ceiling. Guidance will help an owner identify deterioration causes <strong>and</strong> better underst<strong>and</strong> complex<br />
restoration techniques. Useful advice on selecting <strong>and</strong> evaluating a restoration contractor is included. 12<br />
pages. 34 illustrations. 1990.<br />
<strong>Preservation</strong> Briefs #24-34 are sold only as a set, but are individually available <strong>for</strong> free online at the NPS<br />
website. The last hardcopy edition was printed in 1994. GPO stock number: 024-005-01147-1 ($15.00 per<br />
set).<br />
<strong>Preservation</strong> Brief 24<br />
Heating, Ventilating, <strong>and</strong> Cooling Historic Buildings: Problems <strong>and</strong> Recommended Approaches<br />
Sharon C. Park, AIA. Underscores the importance of careful planning in order to balance preservation<br />
objectives with the interior climate needs of the building. Useful charts included. 14 pages. 28 illustrations.<br />
1991.<br />
<strong>Preservation</strong> Brief 25<br />
The <strong>Preservation</strong> of Historic Signs<br />
Michael J. Auer. Discusses the history of sign types pre-1800 to the twentieth century, including symbol signs,<br />
flat signs, fascia signs, hanging signs, goldleaf signs, rooftop signs, <strong>and</strong> neon signs. Makes recommendations<br />
<strong>for</strong> their repair <strong>and</strong> reuse. 12 pages. 29 illustrations. 1991.<br />
<strong>Preservation</strong> Brief 26<br />
The <strong>Preservation</strong> <strong>and</strong> Repair of Historic Log Buildings<br />
Bruce. L. Bomberger. Focuses on horizontally laid or vertically positioned logs, but the preservation <strong>and</strong><br />
repair treatments are essentially the same <strong>for</strong> all log structures. Discusses traditional splicing-in techniques,<br />
the use of epoxies, <strong>and</strong> replacement, as well as guidance on the repair <strong>and</strong> replacement of chinking <strong>and</strong><br />
daubing. 14 pages. 32 illustrations. 1991.<br />
<strong>Preservation</strong> Brief 27<br />
The Maintenance <strong>and</strong> Repair of Architectural Cast Iron<br />
John G. Waite; historical overview by Margot Gayle. Discusses the role of cast iron in the industrial<br />
development of our country during the nineteenth century <strong>and</strong> the resulting advances in building design<br />
<strong>and</strong> technology <strong>and</strong> ornamental detailing. Provides essential guidance on maintaining <strong>and</strong> repairing<br />
architectural cast iron within rehabilitation projects. 12 pages. 30 illustrations. 1991.<br />
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<strong>Preservation</strong> Brief 28<br />
Painting Historic Interiors<br />
Sara B. Chase. Discusses wall paint <strong>and</strong> decorative surface treatments from the late 17th century to the<br />
1950s. Describes the usefulness of a complete paint investigation <strong>for</strong> preservation <strong>and</strong> restoration projects.<br />
Provides guidance on the common causes of interior paint failure <strong>and</strong> preparing surfaces <strong>for</strong> repainting.<br />
Makes recommendations about paint with health <strong>and</strong> safety factors in mind. 16 pages. 22 illustrations.<br />
1992.<br />
<strong>Preservation</strong> Brief 29<br />
The Repair, Replacement, <strong>and</strong> Maintenance of Slate Roofs<br />
Jeffrey S. Levine. Describes the causes of slate roof failures <strong>and</strong> provides comprehensive guidance on<br />
their sensitive repair <strong>and</strong>, when necessary, their appropriate replacement. A useful Repair/Replacement<br />
Guideline is included to assist property owners prior to work. 16 pages. 42 illustrations. 1992.<br />
<strong>Preservation</strong> Brief 30<br />
The <strong>Preservation</strong> <strong>and</strong> Repair of Historic Clay Tile Roofs<br />
Anne E. Grimmer <strong>and</strong> Paul K. Williams. Reviews the history of clay roofing tiles <strong>and</strong> describes many types<br />
<strong>and</strong> shapes of historic tiles, as well as their method of attachment. Provides general guidance <strong>for</strong> historic<br />
property owners on how to plan <strong>and</strong> carry out a project involving the repair <strong>and</strong> selected replacement of<br />
historic clay roofing tiles. 16 pages. 33 illustrations. 1992.<br />
<strong>Preservation</strong> Brief 31<br />
Mothballing Historic Buildings<br />
Sharon C. Park, AIA. Describes process of protecting a deteriorating historic building from weather as well<br />
as v<strong>and</strong>alism when funds are not currently available to begin a preservation, rehabilitation, or restoration<br />
project. 14 pages. 27 illustrations. 1993.<br />
<strong>Preservation</strong> Brief 32<br />
Making Historic Properties Accessible<br />
Thomas C. Jester <strong>and</strong> Sharon C. Park, AIA. Introduces the complex issue of providing accessibility at historic<br />
properties, <strong>and</strong> underscores the need to balance accessibility <strong>and</strong> historic preservation. Provides guidance<br />
<strong>and</strong> many examples of successful projects. 14 pages. 43 illustrations. 1993.<br />
<strong>Preservation</strong> Brief 33<br />
The <strong>Preservation</strong> <strong>and</strong> Repair of Stained <strong>and</strong> Leaded Glass<br />
Neal A. Vogel <strong>and</strong> Rolf Achilles. Gives a short history of stained <strong>and</strong> leaded glass in America. Surveys<br />
basic preservation <strong>and</strong> documentation issues <strong>and</strong> addresses common causes of deterioration <strong>and</strong> presents<br />
protection, repair, <strong>and</strong> restoration options. 16 pages. 25 illustrations. 1993, updated 2007.<br />
<strong>Preservation</strong> Brief 34<br />
Applied Decoration <strong>for</strong> Historic Interiors: Preserving Historic Composition Ornament<br />
Jonathan Thornton <strong>and</strong> William Adair, FAAR. Describes the history, appearance, <strong>and</strong> characteristics of this<br />
uniquely pliable material. Provides guidance on identifying compo <strong>and</strong> suggests appropriate treatments,<br />
depending upon whether the project goal is preservation or restoration. 16 pages. 52 illustrations. 1994.<br />
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<strong>Preservation</strong> Briefs #35-42 are sold only as a set, but are individually available <strong>for</strong> free online at the NPS<br />
website. The last hardcopy edition was printed in 2004. GPO stock number: 024-005-01219-2 ($19.00 per<br />
set).<br />
<strong>Preservation</strong> Brief 35<br />
Underst<strong>and</strong>ing Old Buildings: The Process of Architectural Investigation<br />
Travis C. McDonald, Jr. Explains architectural investigation as the critical first step in planning an appropriate<br />
treatment--underst<strong>and</strong>ing how a building has changed over time <strong>and</strong> assessing levels of deterioration.<br />
Addresses the often-complex investigative process in broad, easy-to-underst<strong>and</strong> terminology. 12 pages. 23<br />
illustrations. 1994.<br />
<strong>Preservation</strong> Brief 36<br />
Protecting Cultural L<strong>and</strong>scapes: <strong>Plan</strong>ning, Treatment, <strong>and</strong> Management of Historic L<strong>and</strong>scapes<br />
Charles A. Birnbaum, ASLA. Describes cultural l<strong>and</strong>scapes as special places that reveal aspects of our<br />
country’s origins <strong>and</strong> development through their <strong>for</strong>m <strong>and</strong> features <strong>and</strong> the ways they were used. Provides<br />
a step-by-step process <strong>for</strong> preserving historic designed <strong>and</strong> vernacular l<strong>and</strong>scapes to ensure a successful<br />
balance between historic preservation <strong>and</strong> change. 20 pages. 50 illustrations. 1994.<br />
<strong>Preservation</strong> Brief 37<br />
Appropriate Methods of Reducing Lead-Paint Hazards in Historic Housing<br />
Sharon C. Park, AIA, <strong>and</strong> Douglas C. Hicks. Updated with current st<strong>and</strong>ards, provides a methodology<br />
<strong>for</strong> planning <strong>and</strong> implementing measures to reduce lead-paint hazards. Explains how to strike a balance<br />
between preserving significant materials <strong>and</strong> features <strong>and</strong> protecting human health, safety, <strong>and</strong> the<br />
environment. 16 pages. 35 illustrations. 1995, updated 2006.<br />
<strong>Preservation</strong> Brief 38<br />
Removing Graffiti from Historic Masonry<br />
Martin E. Weaver. Focuses on cleaning methods that can be used to remove surface-applied graffiti without<br />
damaging historic masonry. Emphasizes prompt removal as the key to preventing recurrence of graffiti,<br />
as well as the importance of developing a maintenance program in advance to be prepared when graffiti<br />
occurs. Includes “tips” <strong>for</strong> successful graffiti removal, a discussion of barrier coatings, <strong>and</strong> useful charts<br />
designed to guide the graffiti-removal process. 15 pages. 23 illustrations. 1995.<br />
<strong>Preservation</strong> Brief 39<br />
Holding the Line: Controlling Unwanted Moisture in Historic Buildings<br />
Sharon C. Park, AIA. Outlines a way to diagnose moisture problems <strong>and</strong> choose remedial treatments within<br />
a historic preservation context. Considers the five major sources of moisture, including the exterior building<br />
envelope, ground moisture infiltration, interior condensation, leaking pipes, <strong>and</strong> moisture from cleaning or<br />
construction. Provides guidance on managing moisture deterioration, repairing <strong>and</strong> maintaining historic<br />
building materials, <strong>and</strong> correcting common problem areas. Includes charts on types of diagnostic tools,<br />
recommended treatments <strong>and</strong> treatments that should always be avoided. 16 pages. 30 illustrations. 1996.<br />
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<strong>Preservation</strong> Brief 40<br />
Preserving Historic Ceramic Tile Floors<br />
Anne E. Grimmer <strong>and</strong> Kimberly A. Konrad. Summarizes the historical use of glazed <strong>and</strong> unglazed ceramic<br />
tiles as a traditional flooring material, <strong>and</strong> describes different types of tiles, including quarry tiles, encaustic<br />
tiles, geometric tiles, <strong>and</strong> mosaic tiles. Provides useful guidance <strong>for</strong> maintaining <strong>and</strong> preserving historic<br />
ceramic tile flooring, on cleaning treatments, <strong>and</strong> on protective <strong>and</strong> code-required slip-resistant coatings.<br />
Also contains in<strong>for</strong>mation on various repair options, as well as the selective replacement of damaged tiles<br />
<strong>and</strong> useful sources <strong>for</strong> replacement tiles. 16 pages. 25 illustrations. 1996.<br />
<strong>Preservation</strong> Brief 41<br />
The Seismic Retrofit of Historic Buildings: Keeping <strong>Preservation</strong> in the Forefront<br />
David Look, AIA, Terry Wong, <strong>and</strong> Sylvia Rose Augustus. Discusses the issues of protecting historic<br />
buildings in seismic areas from earthquake damage. Stresses the importance of working with a team of<br />
specialists familiar with historic building construction <strong>and</strong> the alternative approaches to seismic retrofit<br />
that make a building safe without destroying significant historic materials. Provides essential guidance on<br />
evaluating historic buildings, the extent of strengthening to consider, design approaches, <strong>and</strong> the visual<br />
impact of these changes. 16 pages. 37 illustrations. 1997.<br />
<strong>Preservation</strong> Brief 42<br />
The Maintenance, Repair, <strong>and</strong> Replacement of Historic Cast Stone<br />
Richard Pieper. Defines cast stone as a building material <strong>and</strong> provides a brief history of its manufacture <strong>and</strong><br />
use. Discusses the causes of its deterioration, repairable conditions, <strong>and</strong> methods of repair. Also addresses<br />
the replication <strong>and</strong> replacement of historic cast stone installations, <strong>and</strong> the use of cast stone as a substitute<br />
replacement material <strong>for</strong> natural stone. 16 pages. 26 illustrations. 2001.<br />
The following <strong>Preservation</strong> Briefs are available in hardcopy <strong>for</strong>m <strong>for</strong> individual purchase at the price<br />
indicated. They are also available <strong>for</strong> free online at the NPS website.<br />
<strong>Preservation</strong> Brief 43<br />
The Preparation <strong>and</strong> Use of Historic Structure Reports<br />
Deborah Slaton. Defines the historic structure report <strong>and</strong> provides a historical overview of its use. Outlines<br />
an entire procedure <strong>for</strong> preparing it taking a team approach. Topics in the Brief include historical/archival<br />
research, site inspection, evaluation, <strong>and</strong> treatment recommendations, the organization <strong>and</strong> contents of the<br />
report itself, <strong>and</strong> how the report is applied to the development of design <strong>and</strong> construction documents <strong>and</strong><br />
implementation of work. 16 pages. 25 illustrations. 2004. GPO stock number: 024-005-01191-9 ($2.50 per<br />
copy).<br />
<strong>Preservation</strong> Brief 44<br />
The Use of Awnings on Historic Buildings: Repair, Replacement <strong>and</strong> New Design<br />
Chad R<strong>and</strong>l. Provides a comprehensive overview of the practical <strong>and</strong> aesthetic use of various types of<br />
awnings over time. Presents guidance <strong>for</strong> their maintenance, preservation <strong>and</strong> repair. Discusses the<br />
circumstances under which awning replacement is appropriate, as well as how to achieve a compatible<br />
design <strong>for</strong> new awnings on historic buildings. 16 pages. 25 illustrations. 2004. GPO stock number: 024-005-<br />
01222-2 ($2.75 per copy).<br />
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<strong>Preservation</strong> Brief 45<br />
Preserving Historic Wooden Porches<br />
Aleca Sullivan <strong>and</strong> John Leeke. Explains how to assess the condition of historic porches; provides detailed<br />
procedures <strong>for</strong> proper maintenance <strong>and</strong> repair, <strong>and</strong> includes measures to address code issues. Provides a<br />
range of in<strong>for</strong>mation from the selection of materials to guidance on contemporary alterations. 20 pages. 30<br />
illustrations. 2006. GPO stock number: 024-005-01240-1 ($3.00 per copy).<br />
<strong>Preservation</strong> Brief 46<br />
The <strong>Preservation</strong> <strong>and</strong> Reuse of Historic Gas Stations<br />
Chad R<strong>and</strong>l. Provides guidance on assessing the significance of historic gas stations <strong>and</strong> encourages their<br />
preservation by providing in<strong>for</strong>mation on the maintenance <strong>and</strong> repair of existing structures. Describes<br />
appropriate Rehabilitation treatments, including conversions <strong>for</strong> new functions when the historic use is no<br />
longer feasible. 16 pages. 27 illustrations. 2008. GPO stock number: 024-005-01264-8 ($4.50 per copy).<br />
<strong>Preservation</strong> Brief 47<br />
Maintaining the Exterior of Small <strong>and</strong> Medium Size Historic Buildings<br />
Sharon Park, FAIA. Discusses the benefits of regular inspection, monitoring, <strong>and</strong> seasonal maintenance<br />
work <strong>for</strong> historic buildings. Provides guidance on maintenance treatments <strong>for</strong> historic building exteriors.<br />
16 pages. 18 illustrations. 2006. GPO stock number: 024-005-01252-4 ($3.25 per copy).<br />
<strong>Preservation</strong> Tech Notes<br />
Intended <strong>for</strong> practitioners in the preservation field such as architects, contractors, <strong>and</strong> maintenance<br />
personnel, the <strong>Preservation</strong> Tech Notes series provides practical in<strong>for</strong>mation on traditional practices <strong>and</strong><br />
innovative techniques <strong>for</strong> successfully maintaining, restoring <strong>and</strong> preserving historic buildings. The<br />
reports are categorized by significant architectural features or preservation issues. Each report identifies a<br />
specific preservation problem, recommends innovative solutions <strong>and</strong> includes one or more relevant case<br />
studies. Some of the <strong>Preservation</strong> Tech Notes titles are available <strong>for</strong> free online at <strong>and</strong> are indicated by underline in the list below. The online versions differ<br />
somewhat from the printed editions. Illustrations are in color, captions are simplified, <strong>and</strong> some complex<br />
charts have been omitted.<br />
Doors<br />
No. 1: Historic Garage <strong>and</strong> Carriage Doors: Rehabilitation Solutions. Bonnie Halda, AIA (1989).<br />
Exterior Woodwork<br />
No. 1: Proper Painting <strong>and</strong> Surface Preparation. Sharon Park, AIA. (1986).<br />
No. 2: Paint Removal from Wood Siding. Alan O’Bright (1986).<br />
No. 3: Log Crown Repair <strong>and</strong> Selective Replacement Using Epoxy <strong>and</strong> Fiberglass Rein<strong>for</strong>cing Bars.<br />
Harrison Goodall (1989).<br />
No. 4: Protecting Woodwork Against Decay Using Borate Preservatives. Ron Sheetz <strong>and</strong> Charles Fisher<br />
(1993).<br />
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Finishes<br />
No. 1: Process-Painting Decals as a Substitute <strong>for</strong> H<strong>and</strong>-Stenciled Ceiling Medallions. Sharon Park,<br />
FAIA (1990).<br />
Historic Glass<br />
No. 1: Repair <strong>and</strong> Reproduction of Prismatic Glass Transoms. Chad R<strong>and</strong>l (2002).<br />
No. 2: Repair <strong>and</strong> Rehabilitation of Historic Sidewalk Vault Lights. Cas Stachelberg <strong>and</strong> Chad R<strong>and</strong>l<br />
(2003).<br />
Historic Interior Spaces<br />
No. 1: Preserving Historic Corridors in Open Office <strong>Plan</strong>s. Christina Henry (1985).<br />
No. 2: Preserving Historic Office Building Corridors. Thomas Keohan (1989).<br />
No. 3: Preserving Historic Corridor Doors <strong>and</strong> Glazing in High-Rise Buildings. Chad R<strong>and</strong>l (2001).<br />
Masonry<br />
No. 1: Substitute Materials: Replacing Deteriorated Serpentine Stone with Pre-Cast Concrete. Robert M.<br />
Powers (1988).<br />
No. 2: Stabilization <strong>and</strong> Repair of a Historic Terra Cotta Cornice. Jeffrey Levine <strong>and</strong> Donna Harris<br />
(1991).<br />
No. 3: Water Soak Cleaning of Limestone. Robert M. Powers (1992).<br />
No. 4: Non-destructive Evaluation Techniques <strong>for</strong> Masonry Construction. Marilyn E. Kaplan, Marie Ennis<br />
<strong>and</strong> Edmund P. Meade (1997).<br />
Mechanical Systems<br />
No. 1: Replicating Historic Elevator Enclosures. Marilyn Kaplan, AIA (1989).<br />
Metals<br />
No. 1: Conserving Outdoor Bronze Sculpture. Dennis Montagna (1989).<br />
No. 2: Restoring Metal Roof Cornices. Richard Pieper (1990).<br />
No. 3: In-kind Replacement of Historic Stamped-Metal Exterior Siding. Rebecca A. Shiffer (1991).<br />
No. 4: Rehabilitating a Historic Iron Bridge. Joseph P. Saldibar, III (1997).<br />
No. 5: Rehabilitating a Historic Truss Bridge Using a Fiber-Rein<strong>for</strong>ced Plastic Deck. Chad R<strong>and</strong>l (2003).<br />
No. 6: Repair <strong>and</strong> Reproduction of Metal Canopies <strong>and</strong> Marquees with Glass Pendants. Lauren Van<br />
Damme <strong>and</strong> Charles E. Fisher (2006).<br />
Museum Collections<br />
No. 1: Museum Collection Storage in a Historic Building Using a Prefabricated Structure. Don<br />
Cumberl<strong>and</strong>, Jr. (1985).<br />
No. 2: Reducing Visible <strong>and</strong> Ultraviolet Light Damage to Interior Wood Finishes. Ron Sheetz <strong>and</strong> Charles<br />
Fisher (1990).<br />
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Site<br />
No. 1: Restoring Vine Coverage to Historic Buildings. Karen Day (1991).<br />
Temporary Protection<br />
No. 1: Temporary Protection of Historic Stairways During Rehabilitation Work. Charles Fisher (1985).<br />
No. 2: Specifying Temporary Protection of Historic Interiors During Construction <strong>and</strong> Repair. Dale H.<br />
Frens (1993).<br />
No. 3: Protecting a Historic Structure during Adjacent Construction. Chad R<strong>and</strong>l (2001).<br />
Windows<br />
The first seventeen publications of the Tech Notes series <strong>for</strong> windows are available as a set entitled The<br />
Window H<strong>and</strong>book: Successful Strategies <strong>for</strong> Rehabilitating Windows in Historic Buildings, Charles Fisher, Editor.<br />
Note that Window Tech Notes Nos. 1-9 are only available <strong>for</strong> purchase in The Window H<strong>and</strong>book.<br />
Prepared in partnership with the Georgia Institute of Technology, <strong>and</strong> the Historic <strong>Preservation</strong> Education<br />
Foundation, the set is compiled in a sturdy loose-leaf notebook <strong>and</strong> can be purchased <strong>for</strong> $32.00 per copy,<br />
including postage <strong>and</strong> h<strong>and</strong>ling. Orders <strong>and</strong> payment should be sent to: Historic <strong>Preservation</strong> Education<br />
Foundation, P.O. Box 77160, Washington, DC, 20013-7160.<br />
Tech Notes in The Window H<strong>and</strong>book include:<br />
No. 1: <strong>Plan</strong>ning Approaches to Window <strong>Preservation</strong>. Charles Fisher (1984).<br />
No. 2: Installing Insulating Glass in Existing Steel Windows. Charles Fisher (1984).<br />
No. 3: Exterior Storm Windows: Casement Design Wooden Storm Sash. Wayne Trissler <strong>and</strong> Charles<br />
Fisher (1984).<br />
No. 4: Replacement Wooden Frames <strong>and</strong> Sash. William Feist (1984).<br />
No. 5: Interior Metal Storm Windows. Laura Muckenfuss <strong>and</strong> Charles Fisher (1984).<br />
No. 6: Replacement Wooden Sash <strong>and</strong> Frames with Insulating Glass <strong>and</strong> Integral Muntins. Charles<br />
Parrott (1984).<br />
No. 7: Window Awnings. Laura Muckenfuss <strong>and</strong> Charles Fisher (1984).<br />
No. 8: Thermal Retrofit of Historic Wooden Sash Using Interior Piggyback Storm Panels. Sharon Park,<br />
AIA (1984).<br />
No. 9: Interior Storm Windows: Magnetic Seal. Charles Fisher (1984).<br />
No. 10: Temporary Window Vents in Unoccupied Historic Buildings. Charles Fisher <strong>and</strong> Thomas Vitanza<br />
(1985).<br />
No. 11: Installing Insulating Glass in Existing Wooden Sash Incorporating the Historic Glass. Charles<br />
Fisher (1985).<br />
No. 12: Aluminum Replacements <strong>for</strong> Steel Industrial Sash. Charles Fisher (1986).<br />
No. 13: Aluminum Replacement Windows with Sealed Insulating Glass <strong>and</strong> Trapezoidal Muntin Grids.<br />
Charles Parrott (1985).<br />
No. 14: Rein<strong>for</strong>cing Deteriorated Wooden Windows. Paul Stumes, P. Eng. (1986).<br />
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No. 15: Interior Storms <strong>for</strong> Steel Casement Windows. Charles Fisher <strong>and</strong> Christina Henry (1986).<br />
No. 16: Repairing <strong>and</strong> Upgrading Multi-Light Wooden Mill Windows. Christopher Closs (1986).<br />
No. 17: Repair <strong>and</strong> Retrofitting Industrial Steel Windows. Robert Powers (1989).<br />
Other Tech Notes in the Windows series include:<br />
No. 18: Aluminum Replacement Windows with True Divided-Lights, Interior Piggyback Storm Panels,<br />
<strong>and</strong> Exposed Historic Wooden Frames. Charles Parrott (1991).<br />
No. 19: Repairing Steel Casement Windows. Chad R<strong>and</strong>l (2002).<br />
No. 20: Aluminum Replacement Windows <strong>for</strong> Steel Projecting Units with True Divided Lights <strong>and</strong><br />
Matching Profiles. Chad R<strong>and</strong>l (2003).<br />
No. 21: Replacement Wood Sash Utilizing True Divided Lights <strong>and</strong> an Interior Piggyback Energy Panel.<br />
Charles E. Fisher (2008).<br />
No. 22: Maintenance <strong>and</strong> Repair of Historic Aluminum Windows. Kaaren R. Staveteig (2008).<br />
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