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Celebrating the Arts - Dwight-Englewood School

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monthly <strong>Dwight</strong> <strong>School</strong> newspaper called<br />

The Penton reported news on <strong>the</strong> school<br />

events. Then in 1958 Calliope was<br />

established, replacing The Penton and<br />

incorporating <strong>the</strong> literary works of <strong>the</strong><br />

student body.<br />

The modern era of Calliope might be<br />

said to have begun in 1973, when<br />

<strong>the</strong> <strong>Dwight</strong> <strong>School</strong> merged with <strong>the</strong><br />

<strong>Englewood</strong> <strong>School</strong> for Boys and a<br />

relatively new faculty member named<br />

Frimi Sagan became <strong>the</strong> advisor.<br />

Sagan’s 15-year tenure would see<br />

Calliope grow in size, scope, and<br />

quality. “When we started, it was a<br />

small pamphlet with only an occasional<br />

sketch,” notes Sagan. “When <strong>the</strong><br />

schools merged, it became ambitious!<br />

We decided to ask students to contribute<br />

artwork. We [also] decided to make it<br />

much more comprehensive.”<br />

More than a<br />

Few Awards<br />

In <strong>the</strong> 1980s, Calliope became a<br />

member of <strong>the</strong> Columbia Scholastic<br />

Press Association (CSPA), an<br />

organization that is affiliated with <strong>the</strong><br />

Columbia University <strong>School</strong> of<br />

Journalism and that promotes quality<br />

in student publications. D-E students<br />

took a big step toward putting toge<strong>the</strong>r<br />

a polished literary magazine, and editors<br />

began to take <strong>the</strong>ir work very seriously.<br />

Notes Sagan, “They had to learn how to<br />

be tactful without destroying ambition<br />

of <strong>the</strong> writers and <strong>the</strong> poets. We all<br />

were crazy about <strong>the</strong> magazine and<br />

utterly committed.”<br />

Student editors began submitting<br />

Calliope to CSPA for both rated critiques<br />

and entry into a separate national<br />

competition. Calliope has done extremely<br />

well in recent decades in <strong>the</strong> critique<br />

category, earning Silver Medalist<br />

certificates from 2000 to 2003 and Gold<br />

Medalist certificates seven years in a<br />

row, from 2004 to 2010. In addition, <strong>the</strong><br />

magazine has earned awards at <strong>the</strong><br />

national level in what <strong>the</strong> CSPA calls <strong>the</strong><br />

"Crown Awards.” Frimi Sagan remembers<br />

what it was like when Calliope received<br />

its very first awards: “We practically<br />

threw ourselves out of <strong>the</strong> window!<br />

What an affirmation of our efforts.”<br />

Many of <strong>the</strong> awards came during <strong>the</strong><br />

tenure of Nancy Melser, who took over in<br />

<strong>the</strong> late 1980s, and more recently with<br />

Debbie Minsky as faculty advisor.<br />

A Profound Impact<br />

Calliope has had a profound impact on<br />

many alumni who have gone on to creative<br />

careers. Diane Barzman Heiman ’76,<br />

author of See What You Can Be: Explore<br />

Careers That Could Be for You! (American<br />

Girl Library), is a former editor of Calliope.<br />

“Mrs. Sagan, through her gentle<br />

enthusiasm, nurturing comments, and<br />

insightful support gave me courage to<br />

submit my poems and essays to Calliope,”<br />

she notes. “To see my own words in print,<br />

when I felt vulnerable, was so affirming.<br />

Calliope started me on my present career.”<br />

Mark Shapiro ’77, an opera, choral, and<br />

orchestral conductor (see Alumni Profile<br />

Frimi Sagan Retiring after 43 Years<br />

Frimi Sagan and students, in a moment<br />

that has been replayed hundreds of<br />

times in <strong>the</strong> English classrooms of<br />

<strong>Dwight</strong>-<strong>Englewood</strong>.<br />

on p. 10), has fond memories of coediting<br />

Calliope, and also contributing.<br />

“Working on <strong>the</strong> magazine helped me<br />

cultivate a sensitivity to language and<br />

poetry that has been useful in my<br />

subsequent work as a conductor of vocal<br />

music,” he says. “The skill set needed to<br />

produce <strong>the</strong> magazine—working with a<br />

team to coordinate a multiplicity of<br />

elements in time to meet a deadline—<br />

has also been invaluable.”<br />

Artist Mat<strong>the</strong>w Weinstein ’82, whose<br />

works can be found in public and private<br />

collections around <strong>the</strong> world, notes,<br />

“I wrote some very, very bad poetry for<br />

Calliope. But I grew up to make some very<br />

good art, and this is where it started.”<br />

Nurturing Calliope to become <strong>the</strong> awardwinning<br />

publication it is today is just<br />

one part of <strong>the</strong> legacy of English<br />

Department faculty member Frimi Sagan, who<br />

will be retiring from <strong>Dwight</strong>-<strong>Englewood</strong> at <strong>the</strong><br />

end of <strong>the</strong> school year, after 43 years of<br />

teaching.<br />

It is no exaggeration to say that she has had<br />

an impact on <strong>the</strong> lives of literally thousands of<br />

D-E alumni, nurturing students’ love for great<br />

literature, streng<strong>the</strong>ning <strong>the</strong>ir ability to read,<br />

think, and write critically, and personally living<br />

our <strong>School</strong> mission by fostering a passion for<br />

life-long learning. She will always be<br />

remembered for her wonderful smile,<br />

encouraging manner and voice, and for her<br />

famous Russian literature course. Soroya Zarghami Gage ’79, a news writer and<br />

producer for NBC Universal News (and a former editor of Calliope) attests that reading<br />

Anna Karenina in that class changed her life. “With <strong>the</strong> modest whisper of a <strong>the</strong>rapist<br />

and <strong>the</strong> neutrality of a ma<strong>the</strong>matician, she guided me through lust, murder, betrayal,<br />

jealousy and revenge,” she says of Sagan. “She suggested that adult life was going to<br />

be very interesting and, thanks to her, it is.”<br />

Claudia Weinstein ’78, a producer and writer for 60 Minutes and member of Calliope,<br />

also remembers Sagan’s influence. She says, “My memories of this class and Mrs.<br />

Sagan aren’t just about being 16 and reading a great book, but also about being<br />

guided by a teacher of such kindness, intellect, grace, and encouragement—a person<br />

who valued our minds, encouraged us to do <strong>the</strong> same, and showed us we had <strong>the</strong><br />

intellectual stamina to stand on our own, voice our opinions, and move forward into<br />

<strong>the</strong> world.”<br />

A special celebration honoring Frimi Sagan’s service to <strong>the</strong> <strong>School</strong> will take place<br />

during <strong>the</strong> 2011 Reunion Weekend. We will ga<strong>the</strong>r at 11:30 a.m. on Saturday, June<br />

4, in Hulst House. The dedication of <strong>the</strong> Frimi Sagan Classroom will follow<br />

immediately <strong>the</strong>reafter in Leggett Hall. We welcome and encourage members of <strong>the</strong><br />

D-E community to share <strong>the</strong>ir memories and tributes about Frimi for <strong>the</strong>se events,<br />

and for future publication. To submit a tribute or for more information about Reunion<br />

Weekend events, please email Alumni Director Maria Sanchez-Gardner ’78 at<br />

sanchm@d-e.org.<br />

Spring 2011<br />

23

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