Celebrating the Arts - Dwight-Englewood School
Celebrating the Arts - Dwight-Englewood School
Celebrating the Arts - Dwight-Englewood School
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monthly <strong>Dwight</strong> <strong>School</strong> newspaper called<br />
The Penton reported news on <strong>the</strong> school<br />
events. Then in 1958 Calliope was<br />
established, replacing The Penton and<br />
incorporating <strong>the</strong> literary works of <strong>the</strong><br />
student body.<br />
The modern era of Calliope might be<br />
said to have begun in 1973, when<br />
<strong>the</strong> <strong>Dwight</strong> <strong>School</strong> merged with <strong>the</strong><br />
<strong>Englewood</strong> <strong>School</strong> for Boys and a<br />
relatively new faculty member named<br />
Frimi Sagan became <strong>the</strong> advisor.<br />
Sagan’s 15-year tenure would see<br />
Calliope grow in size, scope, and<br />
quality. “When we started, it was a<br />
small pamphlet with only an occasional<br />
sketch,” notes Sagan. “When <strong>the</strong><br />
schools merged, it became ambitious!<br />
We decided to ask students to contribute<br />
artwork. We [also] decided to make it<br />
much more comprehensive.”<br />
More than a<br />
Few Awards<br />
In <strong>the</strong> 1980s, Calliope became a<br />
member of <strong>the</strong> Columbia Scholastic<br />
Press Association (CSPA), an<br />
organization that is affiliated with <strong>the</strong><br />
Columbia University <strong>School</strong> of<br />
Journalism and that promotes quality<br />
in student publications. D-E students<br />
took a big step toward putting toge<strong>the</strong>r<br />
a polished literary magazine, and editors<br />
began to take <strong>the</strong>ir work very seriously.<br />
Notes Sagan, “They had to learn how to<br />
be tactful without destroying ambition<br />
of <strong>the</strong> writers and <strong>the</strong> poets. We all<br />
were crazy about <strong>the</strong> magazine and<br />
utterly committed.”<br />
Student editors began submitting<br />
Calliope to CSPA for both rated critiques<br />
and entry into a separate national<br />
competition. Calliope has done extremely<br />
well in recent decades in <strong>the</strong> critique<br />
category, earning Silver Medalist<br />
certificates from 2000 to 2003 and Gold<br />
Medalist certificates seven years in a<br />
row, from 2004 to 2010. In addition, <strong>the</strong><br />
magazine has earned awards at <strong>the</strong><br />
national level in what <strong>the</strong> CSPA calls <strong>the</strong><br />
"Crown Awards.” Frimi Sagan remembers<br />
what it was like when Calliope received<br />
its very first awards: “We practically<br />
threw ourselves out of <strong>the</strong> window!<br />
What an affirmation of our efforts.”<br />
Many of <strong>the</strong> awards came during <strong>the</strong><br />
tenure of Nancy Melser, who took over in<br />
<strong>the</strong> late 1980s, and more recently with<br />
Debbie Minsky as faculty advisor.<br />
A Profound Impact<br />
Calliope has had a profound impact on<br />
many alumni who have gone on to creative<br />
careers. Diane Barzman Heiman ’76,<br />
author of See What You Can Be: Explore<br />
Careers That Could Be for You! (American<br />
Girl Library), is a former editor of Calliope.<br />
“Mrs. Sagan, through her gentle<br />
enthusiasm, nurturing comments, and<br />
insightful support gave me courage to<br />
submit my poems and essays to Calliope,”<br />
she notes. “To see my own words in print,<br />
when I felt vulnerable, was so affirming.<br />
Calliope started me on my present career.”<br />
Mark Shapiro ’77, an opera, choral, and<br />
orchestral conductor (see Alumni Profile<br />
Frimi Sagan Retiring after 43 Years<br />
Frimi Sagan and students, in a moment<br />
that has been replayed hundreds of<br />
times in <strong>the</strong> English classrooms of<br />
<strong>Dwight</strong>-<strong>Englewood</strong>.<br />
on p. 10), has fond memories of coediting<br />
Calliope, and also contributing.<br />
“Working on <strong>the</strong> magazine helped me<br />
cultivate a sensitivity to language and<br />
poetry that has been useful in my<br />
subsequent work as a conductor of vocal<br />
music,” he says. “The skill set needed to<br />
produce <strong>the</strong> magazine—working with a<br />
team to coordinate a multiplicity of<br />
elements in time to meet a deadline—<br />
has also been invaluable.”<br />
Artist Mat<strong>the</strong>w Weinstein ’82, whose<br />
works can be found in public and private<br />
collections around <strong>the</strong> world, notes,<br />
“I wrote some very, very bad poetry for<br />
Calliope. But I grew up to make some very<br />
good art, and this is where it started.”<br />
Nurturing Calliope to become <strong>the</strong> awardwinning<br />
publication it is today is just<br />
one part of <strong>the</strong> legacy of English<br />
Department faculty member Frimi Sagan, who<br />
will be retiring from <strong>Dwight</strong>-<strong>Englewood</strong> at <strong>the</strong><br />
end of <strong>the</strong> school year, after 43 years of<br />
teaching.<br />
It is no exaggeration to say that she has had<br />
an impact on <strong>the</strong> lives of literally thousands of<br />
D-E alumni, nurturing students’ love for great<br />
literature, streng<strong>the</strong>ning <strong>the</strong>ir ability to read,<br />
think, and write critically, and personally living<br />
our <strong>School</strong> mission by fostering a passion for<br />
life-long learning. She will always be<br />
remembered for her wonderful smile,<br />
encouraging manner and voice, and for her<br />
famous Russian literature course. Soroya Zarghami Gage ’79, a news writer and<br />
producer for NBC Universal News (and a former editor of Calliope) attests that reading<br />
Anna Karenina in that class changed her life. “With <strong>the</strong> modest whisper of a <strong>the</strong>rapist<br />
and <strong>the</strong> neutrality of a ma<strong>the</strong>matician, she guided me through lust, murder, betrayal,<br />
jealousy and revenge,” she says of Sagan. “She suggested that adult life was going to<br />
be very interesting and, thanks to her, it is.”<br />
Claudia Weinstein ’78, a producer and writer for 60 Minutes and member of Calliope,<br />
also remembers Sagan’s influence. She says, “My memories of this class and Mrs.<br />
Sagan aren’t just about being 16 and reading a great book, but also about being<br />
guided by a teacher of such kindness, intellect, grace, and encouragement—a person<br />
who valued our minds, encouraged us to do <strong>the</strong> same, and showed us we had <strong>the</strong><br />
intellectual stamina to stand on our own, voice our opinions, and move forward into<br />
<strong>the</strong> world.”<br />
A special celebration honoring Frimi Sagan’s service to <strong>the</strong> <strong>School</strong> will take place<br />
during <strong>the</strong> 2011 Reunion Weekend. We will ga<strong>the</strong>r at 11:30 a.m. on Saturday, June<br />
4, in Hulst House. The dedication of <strong>the</strong> Frimi Sagan Classroom will follow<br />
immediately <strong>the</strong>reafter in Leggett Hall. We welcome and encourage members of <strong>the</strong><br />
D-E community to share <strong>the</strong>ir memories and tributes about Frimi for <strong>the</strong>se events,<br />
and for future publication. To submit a tribute or for more information about Reunion<br />
Weekend events, please email Alumni Director Maria Sanchez-Gardner ’78 at<br />
sanchm@d-e.org.<br />
Spring 2011<br />
23