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Here's - Center for Puppetry Arts

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Magon, Jero<br />

Staging the Puppet<br />

Show PN1972 .M27 1976<br />

widen the horizon of the<br />

puppet producer by exploring<br />

a variety of ways of mounting<br />

a show. Emphasis will be<br />

placed on concepts of staging<br />

and production techniques.<br />

The ideas set down here are<br />

the result of <strong>for</strong>ty years'<br />

experience in live and puppet<br />

stagecraft. While great<br />

progress has been made in<br />

the last half-century in<br />

perfecting the mechanical<br />

aspects of puppet-making, few<br />

changes have been made in<br />

concepts of stagecraft. The<br />

pattern <strong>for</strong> marionette<br />

production in this country was<br />

set by the late Tony Sarg in<br />

the 1920's. Sarg was a great<br />

pioneer in the twentieth<br />

century puppet revival, and did<br />

more than anyone wlse ot<br />

popularize marionettes with<br />

the American public. However,<br />

Sarg was primarily a<br />

commercial showman, not an<br />

experimenter. Having devised<br />

a successful <strong>for</strong>mula <strong>for</strong> his English Miami Press

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