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Here's - Center for Puppetry Arts

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g<br />

exemplary success -- To<br />

Jacques Felix, without whom<br />

nothing could have happened --<br />

On the path of<br />

experimentation -- At the<br />

crossroads: puppetry -- An<br />

enormous encouragement --<br />

Encounters with remarkable<br />

people -- Edward Gordon<br />

Bodson, Lucile<br />

Passeurs et<br />

complices = Passing<br />

it on : Institut<br />

international de la<br />

marionette, E´cole<br />

nationale<br />

supe´rieure des arts<br />

de la marionette PN1978.F8 P+ 2009<br />

Craig -- Tadeusz Kanton --<br />

Peter Schumann -- Jim<br />

Henson -- A pedagogy at work<br />

-- The puppeteer-actor's body -<br />

- I is another -- Working notes -<br />

A journey between perception,<br />

inner feelings and<br />

interpretation -- Top tips <strong>for</strong> French<br />

Charleville-<br />

Me´zie`res : Institut<br />

international de la<br />

marionette<br />

Albert. Puppets and masks 1981 1981 English co.<br />

Bogner-Saban,<br />

Antonija<br />

Hrvatsko lutkarstvo :<br />

Croatian puppetry 1997<br />

gave impetus to the Croatian<br />

UNIMA Centre to compile this<br />

monograph was the important<br />

anniversary which was<br />

celebrated in 1995 by the Split<br />

City Puppet Theatre. Its<br />

founding in 1945 marked a<br />

turning point in the history of<br />

Croatian puppetry as with it<br />

began continued professional<br />

puppet production in Croatia.<br />

In the next fifteen years a<br />

network of professional puppet<br />

theatres was created in<br />

centres such as Zagreb,<br />

Hrvatski centar<br />

UNIMA = Croatian<br />

center of UNIMA :<br />

Medunarodni centar<br />

za usluge u kulturi

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