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Here's - Center for Puppetry Arts

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Szilard, Paul<br />

Bunraku: The<br />

Japanese Puppet<br />

Theatre<br />

PN1978.J3<br />

B82 1966g 1966<br />

dolls <strong>for</strong> which literary<br />

masterpieces have been<br />

especially composed. Its<br />

techniques have been much<br />

improved since its inception in<br />

the sixteenth century, but<br />

unlike similar shows in the<br />

West, it was never, even at the<br />

crudest, considered a theatre<br />

primarily <strong>for</strong> the young and<br />

foolish. Its progress, resulting<br />

from a steadily increased<br />

awareness of dramatic<br />

possibilities, may be measured<br />

in terms of the additional<br />

demand made on its<br />

audiences, as well as by the English Paul Szilard Inc<br />

Taiji Kawajiri<br />

Takaharu<br />

Karaki (?)<br />

Study of the<br />

<strong>Puppetry</strong><br />

Development in<br />

Japan, The<br />

Title is being<br />

translated by Fan<br />

Chen Pen Li 1998<br />

PN1978.J3<br />

K338 1986 1986 Japanese Bansei Shobo<br />

Bunraku, Amateur (as per N.<br />

L. Staub 4/2007) Japanese<br />

Tangerman, E.<br />

J. (Elmer John)<br />

(1907 -<br />

1001 designs <strong>for</strong><br />

whittling and<br />

woodcarving<br />

TT199.7 .T37<br />

1979 1979 English Bonanza Books

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