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101.<br />
119 INT. COTTAGE. DAY<br />
119<br />
An hour later. The place is far less cluttered than before. Not<br />
much modernised. The untidiness is of a man living alone. But<br />
the interior of the cottage is instantly recognizable. The<br />
furniture is unchanged. Along one wall, a large cd collection.<br />
There are some records scattered along a shelf above the hi-fi.<br />
Edward’s cricket shoes are on the floor along with a half<br />
finished cup of tea. He is stretched out on the sofa, snoozing.<br />
A cat is asleep on his stomach.<br />
A newspaper has slid to the floor. We see part of a headline<br />
over an article EDWARD has been reading. ‘Ennismore Quartet<br />
forty fifth anniversary triumph’<br />
120 INT. COTTAGE. KITCHEN. DAY.<br />
120<br />
The following morning. EDWARD kneels to feed the cat, talks to<br />
it. We have the impression this is an important relationship.<br />
121 EXT. COTTAGE GARDEN. DAY.<br />
121<br />
EDWARD cuts some flowers to make a small posey.<br />
122 EXT. PATH THROUGH BEECH WOODS. DAY<br />
122<br />
Carrying the flowers, EDWARD makes his way along a footpath deep<br />
in the woods. He pauses briefly at a fork in the path.<br />
EDWARD walks on.<br />
VOICE OVER<br />
Sometimes, when he thought of her, he<br />
wondered if this was the path she took<br />
when she walked to the cricket ground<br />
all those years ago...<br />
VOICE OVER (CONT’D)<br />
It rather amazed him, that he had let<br />
that girl with her violin go. Finally<br />
he could admit it, he had never met<br />
anyone he loved as much, never found<br />
anyone who matched her seriousness.<br />
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