On Chesil Beach Draft 1.fdr

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5. 5 INT. HOTEL SUITE. BEDROOM. DAY 5 He has come through the connecting doors into the bedroom. Between him and FLORENCE is a four-poster bed with a starchy white counterpane stretched smooth. They are intensely aware of the bed. EDWARD Quite what? FLORENCE Well, you know, merry... EDWARD Chuck Berry? What else? FLORENCE Well, you know... sort of... bouncy. EDWARD D’you know, I think you must be the squarest person in all of western civilisation. He comes round the bed, takes her hand, draws her close, waiting to kiss her. FLORENCE But you love me. EDWARD Therefore I love you... you know, Florence, it was beautiful. FLORENCE Nothing went wrong! EDWARD Even my mother behaved herself. FLORENCE Do you think she knew what was happening? EDWARD Perhaps she did...
6. FLORENCE Poor Edward... They kiss tenderly. Listen, I’ve decided. If we ever have a girl, she’ll be called Chloe. EDWARD Chloe. Yes, beautiful. They kiss again. EDWARD becomes more pressing, and FLORENCE wants to please him. But there is a knock on the door. EDWARD (CONT’D) Damn. Ignore it. Another knock. She pulls away. FLORENCE You ought to look. 6 INT. HOTEL CORRIDOR. DAY 6 Outside EDWARD and FLORENCE’S room. The two young waiters exchange a meaningful look. They know what such silence means in the honeymoon suite. WAITER ONE is about to knock again when the door is wrenched open. WAITER ONE Evening sir. Dinner what you ordered. EDWARD Not this early... 7 INT. HOTEL SUITE, SITTING ROOM. DAY. 7 Ignoring him, the WAITERS, both nervous despite their satirical air, push the trolley in. Edward makes a helpless gesture in Florence’s direction. WAITER TWO unfolds a tablecloth and flaps it over the dining table. An inshore breeze through the french windows disrupts his efforts. He tries again. And again. Unseen, EDWARD rolls his eyes at FLORENCE.
Page 1 and 2: On Chesil Beach by Ian McEwan 1st d
Page 3 and 4: 2. FLORENCE Hmm. Tricky. EDWARD The
Page 5: 4. EDWARD, a strong, good-looking y
Page 9 and 10: 8. WAITER ONE We do the silver serv
Page 11 and 12: 10. MARJORIE She’ll never come do
Page 13 and 14: 12. EDWARD Oh God. Look, sorry. Am
Page 15 and 16: 14. VIOLET A million Russian troops
Page 17 and 18: 16. FLORENCE I haven’t researched
Page 19 and 20: 18. 15 EXT. GARDEN OF MAYHEWS’ CO
Page 21 and 22: 20. EDWARD I got a first! RUTH Is t
Page 23 and 24: 22. And comes out. CUT TO: And ente
Page 25 and 26: 24. FLORENCE (CONT’D) I thought e
Page 27 and 28: 26. He takes her hand and tows her
Page 29 and 30: 28. FLORENCE Say hello to Elsbeth,
Page 31 and 32: 30. 38 EXT. BOAT ON ENGLISH CHANNEL
Page 33 and 34: 32. EDWARD Oh for God’s sake, Flo
Page 35 and 36: 34. EDWARD Just a club... to hear J
Page 37 and 38: 36. EDWARD Er, no, not yet. HAROLD
Page 39 and 40: 38. EDWARD He avoided me after that
Page 41 and 42: 40. But she’s determined not to l
Page 43 and 44: 42. 49 INT. PONTINGS’ HOUSE, BEDR
Page 45 and 46: 44. 50 INT. VICAR’S SITTING ROOM.
Page 47 and 48: 46. FLORENCE (CONT’D) Oh CHRIST!
Page 49 and 50: 48. The doorbell rings. She jumps u
Page 51 and 52: 50. They speak between kisses. EDWA
Page 53 and 54: 52. GEOFFREY PONTING has entered th
Page 55 and 56: 54. Mmm FLORENCE The moment is prec
Page 57 and 58:
56. EDWARD Now that wouldn’t plea
Page 59 and 60:
58. FLORENCE (CONT'D) We talked abo
Page 61 and 62:
60. FLORENCE is genuinely amazed, t
Page 63 and 64:
62. MARJORIE I do my best. FLORENCE
Page 65 and 66:
64. FLORENCE No... not really... 70
Page 67 and 68:
66. The GIRL plays a simple melody
Page 69 and 70:
68. FLORENCE (CONT’D) Yes! We’l
Page 71 and 72:
70. EDWARD It’s too... FLORENCE .
Page 73 and 74:
72. GEOFFREY You any good, by the w
Page 75 and 76:
74. GEOFFREY (triumphant) Love fift
Page 77 and 78:
76. 86 INT. HOTEL BEDROOM. DAY. 86
Page 79 and 80:
78. Was it? FLORENCE EDWARD In fact
Page 81 and 82:
80. Demands? EDWARD FLORENCE Well,
Page 83 and 84:
82. EDWARD You’re a bitch talking
Page 85 and 86:
84. FLORENCE Very very much. And I
Page 87 and 88:
86. EDWARD You’re telling me I co
Page 89 and 90:
88. EDWARD Yes, it’s a... um a sh
Page 91 and 92:
90. ANN And what about all those pr
Page 93 and 94:
92. With an arm looped around EDWAR
Page 95 and 96:
94. EDWARD (CONT'D) But he doesn’
Page 97 and 98:
96. MUSIC CRITIC The leader comma M
Page 99 and 100:
98. EDWARD So... what can you get h
Page 101 and 102:
100. 116 EXT. CHILTERNS. DAY. 116 H
Page 103 and 104:
102. VOICE OVER (CONT’D) If he’
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On Chesil Beach Draft 1.fdr

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