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68.<br />
FLORENCE (CONT’D)<br />
Yes! We’ll play it beautifully. The<br />
critic from the Times will be there.<br />
We’ll triumph. And it will be yours,<br />
it’ll be specially for you. It’s my<br />
promise.<br />
EDWARD has jumped down into the auditorium and is going along a<br />
row.<br />
EDWARD<br />
And I’ll be here, dead centre, three<br />
rows back, ready to shout at the end -<br />
what is it they shout?<br />
Bravo.<br />
FLORENCE<br />
EDWARD<br />
Bravo! Bravo the Ennismore Quartet!<br />
A CLEANING LADY at the rear of the hall looks up, startled.<br />
EDWARD (CONT’D)<br />
This is where I’ll be, Florence, in<br />
this very seat. Number 9, row C.<br />
That’s my promise!<br />
FLORENCE<br />
Oh God. I love you.<br />
79 INT. HOTEL SUITE, BEDROOM. DAY.<br />
79<br />
EDWARD lying on top of FLORENCE.<br />
But not much is happening. EDWARD jabs and bumps against<br />
FLORENCE, but cannot find a way in.<br />
She tries to lie still, jolted a little this way and that by his<br />
efforts. She is as determined as ever to get through this, to<br />
make it work.<br />
They talk over each other.<br />
EDWARD<br />
It’s all right. It’s all right. I just<br />
can’t quite... lie still... sorry...
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