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57.<br />
EDWARD<br />
What am I to do with you?<br />
Love me.<br />
FLORENCE<br />
EDWARD<br />
Oh, all right. If you insist. This<br />
way. Almost home.<br />
60 EXT. BY COTTAGE. DAY.<br />
60<br />
Minutes later. The COUPLE emerge from a footpath through the<br />
woods onto the green in front of the cottage.<br />
EDWARD<br />
She won’t remember you.<br />
FLORENCE<br />
You say that every time. But she might<br />
one day.<br />
61 INT. COTTAGE. SITTING ROOM. DAY.<br />
61<br />
As EDWARD and FLORENCE enter, MARJORIE rises, confused, alarmed,<br />
amid her habitual disorder and squalor. Her hair is awry,<br />
flecked with gold and green where she has been trying to paint<br />
it. She is naked above the waist.<br />
We catch EDWARD’S pained look.<br />
But FLORENCE, as she goes towards MARJORIE, smoothly picks up<br />
the discarded blouse and slips it over the older woman’s<br />
shoulders. FLORENCE buttons it for her as she speaks.<br />
FLORENCE<br />
Marjorie, hello, it’s Florence. I’ve<br />
come to see you.<br />
MARJORIE<br />
Me? Why me? I’ve done nothing wrong.<br />
FLORENCE<br />
I’ve brought you something<br />
interesting. From the Ashmolean.<br />
(MORE)
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