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On Chesil Beach Draft 1.fdr

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71.<br />

She scrambles to her knees, snatches a pillow and frenetically,<br />

hysterically, tries to wipe herself with it, letting out cries<br />

of utter disgust.<br />

She is sobbing. And in contrast to this frenzied, uncontrolled<br />

behaviour, there FADES UP the sad beauty of the Rachmaninov<br />

piano duet, the music she heard a long time ago on her father’s<br />

boat. She shouts -<br />

FLORENCE<br />

Don’t look at me! Please don’t look at<br />

me! Stop looking at me!<br />

Her efforts with the pillow are hopeless. With a cry of<br />

frustration she hurls it down.<br />

She leaps from the bed, snatches up her shoes, runs through the<br />

sitting room, past their abandoned meal, and out the door,<br />

slamming it behind her.<br />

80 INT. HOTEL LOUNGE. HALL. DAY.<br />

80<br />

As before, but now there is a soporific after-dinner air.<br />

Whisky, bridge, one or two GUESTS dozing.<br />

FLORENCE runs barefoot past the doorway, unobserved. She passes<br />

WAITERS ONE and TWO as they carry in trays of drinks. They give<br />

her a quizzical look.<br />

81 EXT. HOTEL GARDEN.<br />

81<br />

FLORENCE runs out onto the lawn, stoops to put on her shoes,<br />

runs towards the beach.<br />

82 INT. HOTEL SUITE, BEDROOM. DAY.<br />

82<br />

EDWARD lies on his back on the bed staring numbly at the<br />

ceiling.<br />

83 INT. GEOFFREY’S CAR. DAY<br />

83<br />

May 1962. GEOFFREY at the wheel of his Humber.

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