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60.<br />
FLORENCE is genuinely amazed, touched by the painting. EDWARD is<br />
now behind her.<br />
FLORENCE<br />
It’s beautiful. It really is.<br />
HARRIET<br />
We helped. I did some green.<br />
ANNE<br />
So did I. And brown.<br />
HARRIET<br />
But it was Mum.<br />
ANNE<br />
It was truly Mum.<br />
MARJORIE<br />
In Uccello the horses know everything.<br />
They were wild once, you see, but<br />
they’ve swapped sides. They’re with<br />
the hunters now. They feel guilty. You<br />
see it in their eyes.<br />
<strong>On</strong> LIONEL, taking it in, the sudden cohesion in the household,<br />
the brief reincarnation of the MARJORIE he used to know. His<br />
gaze travels from the painting to FLORENCE. He quietly nods in<br />
acknowledgement.<br />
LIONEL<br />
Beautiful... Thank you.<br />
ANNE<br />
Good old Mum.<br />
HARRIET<br />
We love you.<br />
FLORENCE half smiles, lowers her gaze.<br />
FLORENCE<br />
Come on, Edward. Lots to do.
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