screenplay here - Raindance Film Festival

As from a great distance she hears ADAM's voice.
ADAM
Barbara!
She turns slowly in the dense sand that covers the surface of
this distant moon.
BARBARA'S POV --
ADAM is struggling towards her. Behind him, hovering isolated in
the air, is the kitchen door.
BACK TO SCENE --
ADAM at last catches up to her.
Behind them, something is burrowing rapidly towards them through
the sand. The Something looks as if it might be right out of
DUNE.
BARBARA and ADAM watch for a moment, and then realize that it
just might be a very fine idea if they got the hell out of there.
They turn and run towards the kitchen door.
The kitchen door has moved, but they veer in the new direction.
The Something gets right up to them and rises out of the sand.
Whatever it is is very big, very nasty, and very hungry.
ADAM and BARBARA slip and sink in the sand as they are pursued by
THE BEAST. They make it through the door just in time, swing it
open and hurl themselves through.
The door shuts with a bang.
The BEAST roars and roars in frustration, howling to the ringed
planet.
INT: THE KITCHEN -- DAY
The kitchen is very much as it was when ADAM and BARBARA were
alive, and boy it sure feels good after a stint on Titan.
BARBARA, weeping, throws herself in ADAM's arms.
ADAM
It's okay, kiddo. This house
may not be heaven for us any
more, but at least it isn't
hell.
As if demolishing ADAM's assurances, a 2500-pound, gleaming, sixburner,
double-oven Vulcan stove crashes through the breakfast
nook windows, and drops into place.
Outside can be seen the truck and crane which delivered this
monstrous piece of culinary extravagance.
BARBARA and ADAM duck out of its path, stumbling into the dining
room.
INT: DINING ROOM -- DAY
Where they are greeted with hot blasts of noisy steam from the
guns of the WALLAPAPER REMOVERS, dressed in satanic red
jumpsuits, wearing Walkmans that resemble horns.
BARBARA and ADAM stumble through to the living room, where --
INT: LIVING ROOM -- DAY
-- they are bombarded with plaster splinters and dust, and the
ear-shattering noise of drills, hammers, and electric saws,
carving up the ceiling to make room for DELIA's water clock
(which we'll see later).
Aghast, BARBARA and ADAM flee up the stairs to the second floor.
AT THE TOP OF THE STAIRS --
A six-foot diameter spool of cable comes barrelling down towards
them, in a parody of RAIDERS OF THE LOST ARK. They rush back
down the stairs, and then, without knowing how they accomplish
it, ADAM and BARBARA make a deft and ghostly hurdle over it to
the second floor landing.