screenplay here - Raindance Film Festival

OTHO falls back, but BEETLE JUICE / OLD WOMAN remains in a
sitting position on the bed.
OTHO is now sober.
INT: FOYER AND LIVING ROOM -- NIGHT
DELIA is greeting late-arriving guests at the door. She is
wearing the muu-muu she found in her closet, tarted up with
jewelry and belts and other accessories. It is still, however, a
polyester blend muu-muu.
A richly-gowned MATRON is kissing DELIA on either cheek. As
DELIA pulls back, she says:
DELIA
Just put your coat in
the room at the top of
the stairs.
MATRON
I love your house. I
try to tell everybody
that Connecticut is not
the end of the world.
OTHO comes pounding down the stairs.
OTHO
Delia, we have a little
problem.
INT: KITCHEN -- NIGHT
Several GUESTS go out through the back door, past one of DELIA's
fellow artists, an anorexic chain-smoking action painter. She
leans against the stove, nearly crushed by a tweedy-looking
PUBLISHER.
PUBLISHER
I have incredible respect
for the avant garde in
every field.
ARTIST
Ever get planked in a
laundry room?
The PUBLISHER looks around the kitchen.
PUBLISHER
Which door?
The ARTIST points to the laundry room door. As the two of them
sidle inside, CATHY enters the kitchen from the dining room.
CATHY
I was looking for you
guys.
The ARTIST and the PUBLISHER stare at CATHY, as if they'd never
seen her before.
CATHY
Oh, not you.
The ARTIST and the PUBLISHER look around the otherwise empty
kitchen, shrug, and disappear into the laundry room.
CATHY'S POV --
ADAM and BARBARA are perched on the counter.
OBVIOUS SEXUAL GROANS --
BARBARA
Are all these people friends
of your parents?
CATHY
Maybe not friends exactly.
But part of their networks.
come out from behind the laundry room door. CATHY looks
curiously in that direction.
ADAM
Why don't we go up to the