screenplay here - Raindance Film Festival

ullshit about ghosts! I can't
believe that you two are trying to
undermine my self-esteem in this
way.
She storms out of the room.
CHARLES looks at his two daughters.
He goes out, after DELIA.
CHARLES
Great. Fabulous. It's going to
be a terrific evening. I can tell
already.
CATHY is left alone with LYDIA. LYDIA flings the photographs at
CATHY.
LYDIA storms out.
She's all alone in the office.
LYDIA
You jerk. That would have believed
me if you hadn't thrown in all that
other crap. They'll never listen
to me now.
CATHY
But it's true. They're...
One of the printers sputters to life, and begins to spew out
pages.
CATHY slowly walks out of the room, looking through LYDIA's
photographs.
INT: THE ATTIC -- DAY
ADAM and BARBARA are looking at the photographs.
CATHY leaves.
CATHY
Those are the pictures my
sister took, and even when
she showed them to Mom and
Dad, they didn't believe
you were real. And then I
said I had met you, and they
still didn't believe us.
ADAM
Well, we'll have to try
something else. Maybe if
you came back a little later,
we could work something up.
Sort of try it out on you
first.
CATHY
I don't know if I can come
back tonight. We're having
guests -- Lydia's real mom,
and Otho -- he's the one who's
helping Mom do all the redecoration.
And Mom says I
have to macerate the endive.
BEETLE JUICE (v.o.)
Poor kid.
ADAM and BARBARA look down into the model.
IN THE MODEL --
BEETLE JUICE lies sunning himself in the park. He's wearing the
world's smallest Speedo, and has a sunning reflector around his
neck.
BARBARA
Those sheets didn't work at
all.
BEETLE JUICE
I told you. You have to start
small till you get the hang of
it. Hey', they're giving a