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CARMINA BURANA - The Chicago Bar Association

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CBA SYMPHONY & CHORUS OFFICIAL PROGRAM<br />

ian mcEuen,<br />

Tenor<br />

I a n M c E u e n<br />

m ost rece ntly<br />

appeared as the<br />

Marquis in Corigliano’s<br />

Ghosts<br />

of Versailles with<br />

the Aspen Opera<br />

<strong>The</strong>atre Center.<br />

Last summer, he<br />

graduated with<br />

honors from Carnegie Mellon University, where he<br />

performed the roles of Nanki-Poo in the Mikado,<br />

the Chevalier de la Force in Dialogues of the Carmelites,<br />

Sam Kaplan in Street Scene, and Amore in<br />

L’incoronazione di Poppea. His previous oratorio<br />

experience includes Uriel in Haydn’s Creation and<br />

the Tenor Soloist in Handel’s Messiah, both with<br />

the Carnegie Mellon choirs.<br />

An avid recitalist and proponent of 20th and 21st<br />

century music, Ian recently performed Britten’s<br />

Seven Sonnets of Michelangelo and the world<br />

premiere of Kate Pukinskis’s A Game of Glass. He<br />

has also performed multiple times in Pittsburgh<br />

Opera’s Brown Bag Concert Series with pianist<br />

James Lesniak.<br />

Ian is the recipient of numerous awards and<br />

honors, including most recently the third place<br />

and Seagle Colony awards in the Charles A. Lynam<br />

Vocal Competition, a Shirley Rabb Winston Scholarship,<br />

and Second Place in the Sue Goetz Ross<br />

Memorial Competition. He is currently working<br />

towards his masters in voice at the University<br />

of Cincinnati’s College-Conservatory of Music,<br />

where he will be performing as Romboïdal in<br />

Offenbach’s L’ile de Tulipatan.<br />

Patrice michaels, Soprano<br />

“Like the Romantic ideal of art, Patrice Michaels’<br />

voice is both natural and passionate,” says Classical<br />

CD Digest. “A formidable interpretative talent”<br />

(<strong>The</strong> New Yorker), Ms. Michaels receives raves for<br />

her “poise, musicianship and impressive fioratura”<br />

(Los Angeles Times), “a voice that is light, rich and<br />

flexible” (Opera News).<br />

Her concert engagements include appearances<br />

with the Shanghai, Czech National, St. Louis,<br />

Omaha, Atlanta, Phoenix, Milwaukee, and Minnesota<br />

Orchestras, the Maryland Handel Festival, Dallas Bach Society and Charlotte,<br />

Kansas City and Virginia Symphonies, as well as New York’s Concert Royal<br />

and <strong>Chicago</strong>’s Music of the <strong>Bar</strong>oque. Ms. Michaels has sung the Great Mass in C<br />

Minor with Skrowaczewski, Christmas Oratorio with Shaw, Mahler 4 with Zdenek<br />

Macal, Mozart Arias with Andrew Parrott and Nicolas McGegan, Carmina Burana<br />

with Joanne Falletta and Beethoven 9 with Andreas Delfs and Victor Yampolsky.<br />

Ms. Michaels includes in her operatic credits the Hal Prince production of Candide<br />

at the Lyric Opera of <strong>Chicago</strong>. She made her debut with the Cleveland Opera as<br />

Marzelline in Fidelio and has sung with Central City Opera, Tacoma Opera, <strong>The</strong><br />

Banff Centre, Canada and <strong>Chicago</strong> Opera <strong>The</strong>ater. Her recording as Monica in<br />

Menotti’s <strong>The</strong> Medium (Cedille Records) continues to receive international critical<br />

acclaim.<br />

Recital appearances for Ms. Michaels include three consecutive seasons at the<br />

Festival of Contemporary Music in Havana, Cuba and tours of Mexico, Japan,<br />

Venezuela, <strong>Bar</strong>bados, and Belize. She performs frequently in the United States and<br />

Canada, has sung with pianist John Browning for Music at the Supreme Court, as<br />

guest artist with the <strong>Chicago</strong> Chamber Musicians, for the Schubert Club of St. Paul<br />

and for many academic institutions, including her alma mater Pomona College,<br />

Northwestern University, and Harvard.<br />

www.patricemichaels.com<br />

Jacob Lassetter, <strong>Bar</strong>itone<br />

A native of San Antonio, Texas, baritone Jacob Lassetter is achieving triumphant success with his dignified<br />

characterizations, unique range of high notes, and richness of tone quality.<br />

In 2010, Jacob Lassetter returned to his signature role Germont in La Traviata at the Music by the Lake<br />

summer festival, which he first sang in his Italian debut at the Teatro Accademico in Castelfranco Veneto.<br />

This summer also marked Mr. Lassetter’s debut in the title role in Le Nozze di Figaro with the Peninsula<br />

Music Festival. Critical acclaim followed his recent performances as a featured soloist with the Lexington<br />

Philharmonic in Beethoven’s Symphony No. 9 and Orff’s Carmina Burana.<br />

Mr. Lassetter’s operatic repertoire includes the title role in Mozart’s Don Giovanni, Enrico in Lucia di Lammermoor,<br />

Don Alfonso in Così fan tutte, and Griswold in <strong>The</strong> Voyage of Edgar Allan Poe. He performed the<br />

title character of Delling in Eric Chasalow’s new opera <strong>The</strong> Puzzle Master in the Midwestern Premiere. Jacob Lassetter has participated<br />

in the Young Artists Programs of Chautauqua Opera, Des Moines Metro Opera, and Utah Festival Opera.<br />

Equally adept on the concert stage, Jacob Lassetter has been the featured soloist for numerous symphony organizations, performing<br />

Händel’s Messiah, Monteverdi’s Vespro della Beata Vergine and Bach’s St. John Passion, St. Matthew Passion, Christmas and Easter Oratorios,<br />

and Missa Brevis in F. In 2008, he made his debut at New York City’s Carnegie Hall performing with his wife, soprano Karen Kanakis.<br />

Mr. Lassetter holds a Bachelor of Music degree, magna cum laude, from Louisiana State University, a Master of Music degree from the<br />

University of North Texas, and the Doctor of Musical Arts from the University of Cincinnati College-Conservatory of Music.<br />

20 | CBA SYMPHONY & CHORUS

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