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Boxoffice - Feb. 17, 2014

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1 "Pinocchio"<br />

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COMMERCE'S REPORT SUGGESTS NO SPECIFIC<br />

FOR RELIEF; PAVES WAY FOR MORE CONFABS<br />

9 New Suits In, 8<br />

Out Since Jan. 1<br />

New York—Since the first of the year,<br />

nine new anti-trust actions have been filed<br />

by independent operators against major<br />

companies. Eight individual pending suits<br />

involving alleged violation of the Sherman<br />

Act have been settled and withdrawn from<br />

the federal court calendars.<br />

The settlement of one suit is pending and<br />

from reports two other new actions may<br />

be instituted unless the proposed plaintiffs<br />

get together with distributors and other<br />

interests.<br />

In the list of new suits seven were instituted<br />

by one operator, E. M. Loew of<br />

Boston. The others were by Rubin Shapiro<br />

of the Admiral, Philadelphia, against<br />

Warner and the majors for $75,000 damages;<br />

and the Waldo. Waldoboro, Me., action<br />

for $250,000 against several Paramount<br />

theatre subsidiaries and major distributors.<br />

The Loew action seeks $640,000 triple<br />

damages and involves a number of open<br />

air drive-ins.<br />

Suits disposed of by minor readjustments<br />

are as follows:<br />

Joy Amusement Co., operating the Joy,<br />

DaUas. against Interstate and majors for<br />

$<strong>17</strong>,000,000 and attorney fees.<br />

Indianapolis Amusement Co., Roy E.<br />

Bair, plaintiff, against majors. The plaintiff<br />

at one time operated a small circuit.<br />

M. M. Buchanan of the Bama. Athens,<br />

Ga., sold the theatre to Tony Sudekum<br />

and at the same time withdrew his suit<br />

against the Crescent circuit and majors.<br />

The Linden, Baltimore, against Louis<br />

(Continued on page 14)<br />

Children's Scale of 25c<br />

Asked for "Pinocchio"<br />

New York—RKO's sales policy on<br />

calls for a minimum 25 cent<br />

;<br />

for children and an increase<br />

current scales of 10 cents for adults,<br />

plus a guarantee of the same playing time<br />

given "Snow White."<br />

Aside from these conditions, it is undersome<br />

deals are being sought at 50<br />

per cent, others at 40. The percentage al-<br />

varies with situations and other<br />

factors tying in with the run.<br />

, j<br />

New<br />

negative cost is reputedly placed at<br />

$3,000,000. This includes costs charged off<br />

to experimentation and portions of the<br />

film originally made, then scrapped for<br />

improved sequences.<br />

Loew Dividend<br />

York—Loew's has declared a 50<br />

j<br />

cents common dividend, payable March 30<br />

i to record stockholders of March 15.<br />

BOXOFFICE :: <strong>Feb</strong>ruary <strong>17</strong>, 1940<br />

Accord, However, Seen<br />

Stymied by Justice<br />

Attitude in Suit<br />

By EARLE A. DYER<br />

Washington—No definite, detailed, concrete<br />

recommendations for solution of industry<br />

problems were made by the department<br />

of commerce in the report it sent to<br />

the department of justice last month.<br />

That report, it is learned, discussed the<br />

situation only in broad terms and, apparently,<br />

was not intended to be a document<br />

on which Assistant Attorney General Thurman<br />

Arnold would take any immediate,<br />

definite action.<br />

To considerable extent, it is believed, the<br />

report was designed to form a basis on<br />

which there could be further conversations<br />

between the department of commerce<br />

group and representatives of the industry.<br />

It was sent to the department of justice,<br />

apparently, so that Arnold could learn just<br />

what the Hopkins group was doing.<br />

Commerce officials are hopeful that by<br />

the end of this month they can arrange<br />

for new meetings with the industry, but in<br />

unofficial circles it is suggested that their<br />

efforts to reach an agreement with the industry<br />

wiU be badly handicapped by the<br />

uncompromising attitude of the justice department<br />

toward the New York suit and<br />

the unabated agitation for the enactment<br />

of the Neely bill.<br />

With hearings on the block-booking legislation<br />

tentatively scheduled for next<br />

month and the New York case due to go to<br />

trial early in May. it is not believed in<br />

Washington that the industry has either<br />

the time or the inclination to digress into<br />

more or less teclinical discussions with the<br />

commerce department, which apparently<br />

can have little or no effect on the two<br />

issues with which it is preoccupied.<br />

However, it is suggested, if the Neely<br />

bill is defeated and some face-saving settlement<br />

of the anti-trust suit reached, the<br />

"big boys" will lose no time in hitting the<br />

sawdust trail to Washington, to make a<br />

real effort to develop trade practices universally<br />

satisfactory and put an end to the<br />

complaints which today have distributors<br />

fighting with their backs to the wall.<br />

Delays "Westerner"<br />

Until 1940-41<br />

New York—In order to insure wider<br />

distribution for "The Westerner," UA is<br />

holding over the picture as part of its<br />

1940-41 lineup. Release has been in<br />

doubt so long, little or no attempt was<br />

made to sell it on the present schedule.<br />

Since the picture is reported to cost<br />

about $1,500,000, the company feels<br />

maximum returns can better be realized<br />

through delaying the release.<br />

Better U. S. Takes<br />

Is Hope—Mayer<br />

Detroit—World War No. 2 was a blow<br />

to evei-y studio on the coast and the only<br />

way to overcome it is to hire more capable<br />

production talent in order to make<br />

bigger and better pictures which wHl gross<br />

more in the domestic market, Louis B.<br />

Mayer states.<br />

He said that the problem still facing<br />

the studios for the coming season is to<br />

trim down studio costs around the edges<br />

in months to come. "I don't mean in<br />

budget costs but in general studio overhead<br />

where hundreds of thousands of dollars<br />

can be saved. But as far as actual<br />

pictures are concerned we'll make everything<br />

we think is entertainment. We'll<br />

determine our budget, especially on top<br />

product, as we come to each picture.<br />

Naturally, if I feel that putting another<br />

$200,000 or so into a picture will make it<br />

much better, I will do so.<br />

"So, despite the international situation,<br />

big pictures, and we'll make even more of<br />

them next year, will bring back profit in<br />

1940-41 just as they are doing this year."<br />

Mayer constantly referred to the present<br />

record of "Gone With the Wind," during<br />

his discussion. He pointed out the unheard<br />

of grosses of "GWTW," how it is<br />

expected now to get its production costs<br />

back within six months, and how extended<br />

playing time is being accorded it,<br />

"all because it is doing business, and still<br />

making money for every exhibitor playing<br />

the picture."<br />

Despite definite pronouncements of pro-<br />

1 Continued on page 14)<br />

"A Pattern for Future?"<br />

Called Trade "Dream"<br />

Detroit—Referring to "A Pattern for<br />

the Future?," <strong>Boxoffice</strong> editorial of two<br />

weeks ago. Louts B. Mayer, while here, observed<br />

a division of production effort under<br />

which majors would concentrate on major<br />

product and leave the filler, or less, product<br />

for companies designed to fill that market<br />

requirement, is a dream and the Utopia of<br />

the industry.<br />

Because of the general pattern of "Gone<br />

With the Wind" and other forthcoming<br />

big pictures, the M-G-M production head<br />

stated future product may be expected to<br />

run two hours and beyond on the theory<br />

this, eventually, will tend to eUminate double<br />

features.<br />

He added, however, that any plan, such<br />

as was suggested editoriaUy, whereby distributors<br />

would be content not to grab<br />

every single theatre date might be difficult<br />

to evolve, especially if the Neely bill becomes<br />

law. Then, he said, the government<br />

might attempt to regulate to whom the<br />

companies can and cannot sell.

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