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Theatre<br />
Construction,<br />
Openings and Sales<br />
CONSTRUCTION:<br />
Cloy Center, Kas.—Five-acre tract on Route 24<br />
purchased by Ken Ehret and Gordon Erickson for<br />
construction of 325-car drive-in,<br />
Demopolis, Ala.—Webb Bros, begcfn construction<br />
of 300-car drive-in<br />
Hazlehurst,<br />
on<br />
Ga.—Jeff<br />
highway<br />
Davis<br />
80.<br />
Thecftre opened by<br />
Stein circuit,<br />
Hugoton, Kas.—Ten-acre site purchased- by Russell<br />
Harris for construction of drive-in.<br />
Miami, Fla.—Work begun on 150-car drive-in at<br />
Morthwest Seventh avenue and 87lh street for George<br />
Wilby.<br />
Mixineapolis, Minn.—900-seat Central to be built by<br />
Donald Shanedling and associates.<br />
Porterville, Calif.—Verne Sch-^in building 700-car,<br />
$65,000 drive-in,<br />
Portsmouth. N. H.—Permit granted E. M, Loew<br />
and Larry Laskey to construct 864-car drive-in on<br />
Route 1.<br />
San Antonio, Tex.—John Carson, John Santikos,<br />
Louis Santikos. Olmos Amusement Co., building newsuburban<br />
theatre.<br />
Son Antonio, Tex.—Lcmdsman-Richter Enterprises<br />
plan to construct 800-car Rigsby Drive-In.<br />
Tuscumbia. Ala.—Work resumed on $250,000, 950-<br />
seat theatre ior Muscle Shoals Theatres.<br />
OPENINGS:<br />
Berwick, La.— St, Mary Drive-In, 350 cars, S40,00n,<br />
opened by Southeastern Theatres.<br />
Devine, Tex. — 300-car Medina Valley Drive-In<br />
opened on Highw^cy 81.<br />
Paul, Ida.— Mr- and Mrs. Arvis Edmondson opened<br />
'100-seat ArVon.<br />
Pelahaichie. Miss.—Rickey opened.<br />
Premont, Tex.—R. N. Smith Theatres, Inc., opened<br />
oOO-secrt Rig<br />
Tampa, Fla.—Fun-Lan, 650 cars, opened by P. J.<br />
Sones and S T. Wilson,<br />
Tarrentum, Pa.—Manos Theatre reopened by Manos<br />
circuit after $200,000 renovation job.<br />
Winter Haven, Fla.—330-car drive-in opened by<br />
Talgar circuit.<br />
SALES:<br />
Brawley, Calif.—J. R<br />
Eureka from Ben Ameda<br />
McDonough purchased<br />
Brighton. Ala.—Fox to J. P Corbetl by Mr. and<br />
Mrs I. Lewis Philips.<br />
Colipotria. Calif.—Ben Ameda sold Calipatria to<br />
I R. McDonough.<br />
Chapmonville. W. Va.—Harold McCIoud purchased<br />
Rex Irom C, D Hager.<br />
Daly City, Calif.— Edward Albin purchased Crest<br />
from Ray Knight.<br />
Falfurrias, Tex.—Van Chamberlain purchased Star<br />
Dri<br />
Hawkins. Tex.—Roy DeVinney sold Hawk to B. B.<br />
Spurlock.<br />
Hueytown, Ala.—Howard A. Sadler bought Princess<br />
Irom Harry Willoughby.<br />
Now Boston, 111.—New Boston purchased by Harold<br />
McMeen and Kenneth Bergren.<br />
Kre'isler Picked to Help<br />
Sell Foreign Films Here<br />
NEW YORK—B. Bernard Kreisler, who ha.s<br />
been a student of the European film industry<br />
for several years, has<br />
been made executive<br />
director of the new<br />
Motion Picture Ass'n<br />
of America advisory<br />
unit for foreign films<br />
and will work with<br />
John G. McCarthy.<br />
MPAA vice - president<br />
in charge of international<br />
affairs.<br />
The unit will provide<br />
information for<br />
B. Bernard Kreisler foreign - language producers<br />
and distributors<br />
on U.S. customs, taxation, state censorship,<br />
importation and storage of prints under<br />
bond and the production code. It will<br />
supply free screening service, arrange for the<br />
reception here of foreign producers and distributors<br />
and supply them with lists of likely<br />
outlets for their films, including analyses of<br />
the potentialities of different markets.<br />
A committee will be formed to consist of<br />
the presidents of the U.S. international companies<br />
and representatives from Italy, France.<br />
Mexico. Argentina, Sweden and Spain. It is<br />
expected that India and Germany will be<br />
added later to the committee, but its services<br />
will be made available immediately to<br />
all foreign producers.<br />
No special effort in behalf of Great Britain<br />
is being made at the outset, McCarthy said<br />
Tuesday (31), because that country has no<br />
foreign-language difficulty here and because<br />
it already has representation here through<br />
Universal - International and Eagle Lion.<br />
MPAA will pay the expenses of foreign producers'<br />
representatives coming here for aid.<br />
The first, who was unidentified, may arrive<br />
in about two weeks.<br />
Kreisler is well known in the industry. He<br />
is a graduate of the Harvard School of Business<br />
Administration and has been associated<br />
Rank's Children's Films Go Over in<br />
PHILADELPHIA—The J. Arthur Rank<br />
pictures made especially for the juvenile<br />
market caught on with Philadelphia<br />
youngsters who saw them at the experimental<br />
programs offered at the Hollywood<br />
Theatre here. Local sponsors saw in them<br />
an opportunity to develop a special type<br />
of motion picture for the young filmgoer<br />
which will be attractive to the yoimgsters<br />
and acceptable to adult groups urging<br />
better children's programs.<br />
The program at the Hollywood Theatre,<br />
owned by Melvin Fox, consisted of four<br />
subjects. The first, "Bush Christmas,"<br />
was a 69-minute film produced in Australia.<br />
The stoi-y concerns the search for<br />
horse thieves by a group of children, with<br />
the culprits captured by the youngsters<br />
with the aid of their parents. The second<br />
subject was a seven-minute black and<br />
white cartoon, "Robin A. Robins." Third<br />
on the program was an 18-minute film,<br />
produced in Canada, entitled "The Boy<br />
Who Stopped Niagara," and the story<br />
concerned the search for a boy who had<br />
removed an important key and thereby<br />
had turned off the power derived from<br />
Niagara's power projects. The final subject<br />
was a nine-minute scientific short,<br />
made in England, entitled "Who, What<br />
and Why?"<br />
Mrs. Victor Frank, chairman of the<br />
women's committee of the Philadelphia<br />
Forum which sponsored the showing, said<br />
adult groups throughout the country<br />
should begin a movement to obtain this<br />
type of film entertainment for American<br />
children. "These pictures," she said, "are<br />
entertaining and beneficial to youngsters.<br />
The stories presented situations with<br />
which the children could identify themselves.<br />
The primary actors were children<br />
and the action on the screen captured<br />
their Imagination."<br />
with the American Arbitration Ass'n, Trans-<br />
Lux Theatres, Academy of Motion Picture<br />
Arts and Sciences, the code board, Universal-<br />
International and United Artists. He recently<br />
completed a 20-month, 17-country survey of<br />
foreign film conditions for Harvard.<br />
McCarthy said that he and Eric Johnston,<br />
MPAA president, had found foreign producers<br />
unhappy over the U.S. market, believing<br />
themselves excluded, and that because of an<br />
identity of interest the fair and sensible<br />
thing to do is to help them. He also saw<br />
"larger economic i.ssues involved" such as the<br />
great need of debtor nations for American<br />
dollars. He said that they were not to be<br />
guaranteed any increase in dollar earnings<br />
here, as that would depend on the acceptability<br />
of their product and their skill at marketing<br />
it after having been supplied with<br />
necessary information. A pamphlet in several<br />
languages will be issued shortly. The State<br />
department and foreign legations have informally<br />
expressed enthusiasm.<br />
The matter has been taken up informally<br />
with the Society of Independent Motion Picture<br />
Producers with the hope of getting the<br />
support of that organization. No independent<br />
distributors of foreign films here have protested,<br />
McCarthy said, and MPAA expects<br />
to work closely with them.<br />
The free screening service will include<br />
showings in the projection rooms of MPAA<br />
distributor members with the expectation that<br />
important executives of those companies will<br />
sit in. McCarthy said he has already approached<br />
the Ti-easury department regarding<br />
possible adjustments in the 30 per cent<br />
general import tax to ease the burden on<br />
foreign films. When the new advisory unit<br />
gets under real headway, a staff will be added<br />
as needed.<br />
Kreisler said he has severed all connection<br />
with International Film Associates, which he<br />
recently organized, and all other business<br />
ties, and will devote his entire time to his<br />
new job.<br />
U. S. Debut<br />
Mrs. Fiank said that special attention<br />
was paid to reactions and behavior of the<br />
children. Behavior, she said, was excellent.<br />
"Tlie children did not wiggle or make<br />
any noise. They did not even leave their<br />
seats to go to the bathroom. Tliat's how<br />
the pictures held their interest."<br />
Jack Smith, manager of the Hollywood<br />
Theatre, said "the reception demonstrates<br />
that there is plenty of room for this type<br />
of film. The youngsters seemed to love<br />
the stuff, and since the product was appealing<br />
to youngsters from the age group<br />
four and up, exhibitors looking to build<br />
children's audiences should welcome this<br />
kind of product," he said.<br />
A preview of the films was presented for<br />
officials of women's clubs, recreational<br />
leaders, principals and teachers from public<br />
and private schools. The subjects were<br />
released by the Rank organization<br />
through the Philadelphia branch of U-I.<br />
BOXOFFICE : : February 4, 1950 35